Ornate Historical Engravings

Detailed engravings featuring mythological and allegorical scenes with intricate designs, showcasing ornate motifs and figures from various historical influences.

Zurich, Meyer, Dietrich, Pear-shaped pendants, Pendant with two parrots on a cornucopia, Top left the lion and the frog, top right the monkey with her two children, one of whom she rejects and the other strangles. Bottom left the fox with a boar and her young, bottom right a lion kills a man. One of 8 unnumbered sheets from a series of 12 with pear-shaped pendants with grotesques, birds, fish and garlands, set in a structure of scrollwork and Schweifwerk. Around the pendants are biblical, mythological and emblematic scenes and fables., print, ornament print, prints, ornament prints, height 71 mm, width 73 mm, Swiss, 1572-02-26 - 1658-12-12, print maker, printmaker, 1600 - 1600, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Sarcophagus. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 8-1/4 x 4 in. (21.0 x 10.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Vlakdecoratie Met Grotesken, Heinrich Aldegrever, 1549 print Plat decoration with a mask between two horns of abundance with birds. Under the mask a bird with a satater on either side. Germany paper engraving ornaments ~ art

Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame ca. 1540-80 Battista Angolo del Moro Italian. Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame 669110

Drawing by Étienne Delaune depicting Aeneas on his journey to the underworld, executed with pen, ink, and bister wash on parchment.

Dees print depicted from the least to most / the Vyf sentences of men and the animals. Sheet with representations of personifications of the five senses, caught in windows. Around representations of a deer, a turtle, a dog and a monkey. In the four corners blowing cherubs. Numbered at the top right: * 5.

Water, Philips Galle (attributed to workshop of), after Marcus Gheeraerts (I), 1547 - 1622 print The personification of water, surrounded by ornamental decorations. She has a trident in her hand and is flanked by two seahorses. In the four corners of the print four Meermannen. The print is part of a series about the four elements. print maker: Antwerpafter design by: Brugespublisher: Antwerp paper engraving ornament ~ arabesque. water (one of the four elements)

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (5). Artist: Theodor Bang (German, active in Nuremberg (fl.1606)). Dimensions: Sheet: 2 15/16 x 8 3/4 in. (7.5 x 22.2 cm). Publisher: Balthasar Caymox (German, Bersse () 1561-1635 Nuremberg). Date: ca. 1600-1617.Frieze with a decorative pattern made up out of very delicate, stylized vegetal rinceuax combined with flowers and peapods. In the center of the frieze an eagle with wide spread wings is depicted, biting itself in the chest. Three smaller birds of prey, are sitting on a loop of the meandering rinceau below. Museum: Metropolitan Museum of Art, New York, USA.

Four farm figures and a dog in an ornamental frame.

Design for Painted Frames, from 'Bordures de Tableau', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1670, Print, Print

Ivory tablet, 11th century (1882-1884). Artist: Tamisier

Seven angels get a trumpet, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1646 print Opening the seventh seal: in the clouds God the Father and seven angels with a trumpet. Among them the earth on which lightning bolts come. Under the show a reference in Latin to the Bible text in op. 8. This print is part of an album. paper engraving the seven angels with trumpets ~ Revelation of John

German 15th Century, Ornamental Alphabet, 1480 1490 Ornamental Alphabet

Anonymous / 'Study for a Panel of Ornament'. Mid-XVIcentury. Wash, Pencil, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 3 1660-1713 Alexis Loir French Plate 3 of a series of designs for braziers, tables and other silverware works. The main design on the left side is supported by a faun. The other brazier design on the same side features a winged child half figure. On the right side, the main design features an atlante. The other designs on that side feature a winged female half figure, upper design, and a salamander, lower design. Finally, there are grotesque masks on both sides.. Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 3 649803

Classical terra-cotta sculpture, and devices on Roman bronze lamps. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Terra-cotta sculpture, Classical, Bronzes, Roman

Frankfurt, Bry, Johann Israel de, Johann Theodor de, Nova Alphati Effictio, Ornamental alphabet, Letter T with Tomas, verso of print - stamped, Ornamental letter T with the standing apostle Tomas. Top right a winged putto with a snake. The letter is further decorated with birds, flowers, bunches of fruit, armorial trophies and insects. On the verso verses in Latin and German. Print is part of an album., print, ornamental print, album sheet, prints, height 215 mm, width 163 mm, South Netherlands, 1561 - 1623, print maker, printmaker, 1595 - 1595, paper, papier, engraving, engraving (printing process), letterpress printing

France, Delaune, Etienne, The sciences, represented by women, THEOLOGY, Theology, verso lower left - stamped, Theology with a flaming sword. To her left and right stands a goat. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 81 mm, width 64 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Arabesken with pigeons, unknown, after Henri Sallembier, 1763 - 1820 print In the middle a vase with two pigeons surrounded by arabesks with dragons. Two half -naked women with wings on either side. France paper etching vase ~ ornament. doves, pigeons. ornament ~ arabesque. dragon

Vignet with the coat of arms of the city of Haarlem. The arm of the city of Haarlem with a tree.

Plafond, after 1650 - before 1678 print At the bottom you can see the crown element of a choir fence with the Holy Spirit in a round medallion. From series of 6 magazines with opposite copies to a series of without title by Jean Lepautre, first published around 1650. Print is part of an album. Antwerp paper etching ornaments ~ art. (decorated) ceiling. Holy Ghost represented as a dove (in flames)

Panel with leaf tendrils and dragon, Johan Barra, Nicasius Rousseel, Wendel Dietterlin II, 1623

Frame for the back of Koets, Anonymous, After Jean Lepaut, c. 1680 - c. 1701 print With a variant for the right half. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Sebald Beham, Double Goblet, at Foot Two Genii, 1531 Double Goblet, at Foot Two Genii

Ceiling. Artist: Anonymous, Italian, 17th century. Dimensions: 12-1/2 x 8-3/8 in. (31.8 x 21.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Augsburg, Leopold, Joseph Friedrich, Germany, Baumann, David, A new book of all kinds of gold work, Fourteen designs for jewels, a bowl and a fan handle, In the middle is a bowl set with precious stones, resting on a pedestal consisting of of two chained Turks. The bowl is crowned with a heraldic trophy and an eagle. Sheet 9 from a series of 17 sheets., print, ornament print, prints, ornament prints, height 180 mm, width 271 mm, 1668 - 1726, print maker, printmaker, 1695 - 1695, fourth quarter 17th century, paper, engraving, engraving (printing process), - 1703, Publication (Event), Publication, publisher

Letter a.letter a against a background with braid and flower vases.

Triumph wagon on which a man and a woman, 1550 print The car is pulled by a sateater and pushed by two other, all trapped in the frame. Leaf from series of 8 blades with triumphal cars from Grotesken and of rolling work with saters, animals and various other creatures, decorated with trophies, garlands and leaf ranks. Netherlands (possibly) paper engraving (other) ornaments derived from objects (with NAME). satyr(s) (in general)

Jager with Lange Stok, Bartholomeus van Lochom, After Hans Janssen, After 1680 - 1690 print Hunter in ornamental frame of leaf vines and animals in the dark stock of stylized leaf vines with a dog, a rabbit and birds. Second edition. Amsterdam paper etching hunter. birds

Panel filling with swinging putto between hybrid animals. Draughtsman: Bernard Picart. Dating: 1727. Place: Amsterdam. Measurements: h 81 mm × w 145 mm. Museum: Rijksmuseum, Amsterdam.

The letter A, leaf from the episode "Nova Alphati Effictio Historiis". The letter A made of tail, with Adam, Eva and Grotesques elements, leaf from the episode "Nova Alphati Effictio Historiis ad Singulas Literas Correspond Tibus, et Toreumate Brynaeo Artificiosis In Aes Incisis Illustrata: Nejw artificial alphabet, taught with Schören Figns, whose Iede find his letter ACC Fashion; Partly jn kupffer stabbed, through the Bry, also with Latin's verses and teutsch rhymes are filed funny. FR. AD MOE. A °. M.d.XCV.

Flat decoration with grotesken; Newes Gradesca Büchlein. There are two Frisians on the leaf, an inn is displayed in the upper, in the lower a procession. Leaf 11 from series with grotesque flat decorations with lobe ornaments.

Triumphar on which a man and a woman; Triumph trolleys of grotesken and rollerwork; Ornament, a victory with sitting woman and four saters, one of the Saters who stands on the front part of the car holds a mask in the hand; nameless. The car is drawn by a Sater and pushed by two others, all caught in the frame. Sheet from series of 8 blades with triumph trolles of grotesken and rollerwork with saters, animals and various other creatures, decorated with trophies, garlands and leaf refines.

Coat of Arms with a Cock 1543 Sebald Beham German. Coat of Arms with a Cock. Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). 1543. Engraving. Prints

'Anno 1690' (the Year 1690), with numerous warring figures clambering on and hanging from the numbers, allusions to the Allegories of the Four Elements and the Four Continents ca. 1690 Giuseppe Maria Mitelli. 'Anno 1690' (the Year 1690), with numerous warring figures clambering on and hanging from the numbers, allusions to the Allegories of the Four Elements and the Four Continents. Giuseppe Maria Mitelli (Italian, Bologna () 1634-1718 Bologna). ca. 1690. Etching. Prints

Germany, Monogrammist MT, Three designs for hunting horns, verso lower right - stamped, Three designs, probably for hunting horns, decorated with foliate scrolls, grotesques and medallions., print, ornament print, prints, verso lower center - stamped, height 83 mm, width 71 mm, German, print maker, printmaker, 1540 - 1540, second quarter 16th century, paper, engraving, engraving (printing process)

Trophy with masonry tools, 1572 print From series, consisting of a title page and 16 magazines. Netherlands (possibly) paper etching

Initial letter Q. Artist: Anonymous, Italian, 15th century. Dimensions: Sheet: 2 3/8 × 2 3/8 in. (6 × 6.1 cm). Date: ca. 1495. Museum: Metropolitan Museum of Art, New York, USA.

Decorative Design 17th century Anonymous, Spanish, 17th century Spanish. Decorative Design 336416

Drawing, Project for the Painted Decoration of a Dome; Italy; black chalk, pen and ink, brush and watercolor on paper

Drawing (Italy)

Letter I and the wedding god Hymen. The letter and the initial I with the Greek wedding god in the background Hymen, which shows a shield with an altar with the image of a red and white rose. The roses depict the York house and the Lancaster house. This show symbolizes the marriage between Hendrik VII, king of England, and Elizabeth of York. At the bottom of an explanatory text in French.

Vignet with three death heads ..

Design for a Plate with Neptune in a Shell Drawn by Horses in a Medallion Bordered by Sea Monsters ca. 1600 Adriaen Collaert Netherlandish Design for a circular plate with Neptune seated on a shell being drawn by horses at left, set in a seascape. Plate 3 from a series of four plates, each showing a mythological figure associated with the sea in a medallion at center, surrounded by a broad border with various sea monsters and creatures.. Design for a Plate with Neptune in a Shell Drawn by Horses in a Medallion Bordered by Sea Monsters 425882

Behind the foreground figures, many pairs of animals and in the background on the water, the Ark. God the Father appears in heaven. In the upper part, an angel with two bald shields. Two other bald shields flank the cartouche in the lower part, Adam and Eve after the expulsion from paradise., draughtsman: Dirck Pietersz. Crabeth, after 1550 - 1555, paper, pen, brush, h 408 mm × w 148 mm

Sarcophagus 16th century Anonymous, Italian, 16th century Italian. Sarcophagus 342230

Angel seated on a balustrade playing aharp. Artist, possibly by: Pieter Verbruggen II, Flemish, 1648-1691 Artist, possibly by: Pieter Verbruggen the Elder, Flemish, 1615-1686

Triumph car with saters and female figures, Anonymous, After Cornelis Bos, 1550 print Car drawn by two fantasy animals and pushed by a satap, whose head is trapped in a large shell. In a shell there is a saat with a burning lamp on the car. Leaf from series of 8 blades with triumphal cars from Grotesken and of rolling work with saters, animals and various other creatures, decorated with trophies, garlands and leaf ranks. Netherlands (possibly) paper engraving (other) ornaments derived from objects (with NAME). satyr(s) (in general). ornament ~ hybrid animals

Plat decoration with two female saters with fish tails, Heinrich Aldgrever, 1553 print Plat decoration with leaf vines and a vase with a female sater on either side with a fish street and volutes as arms. Germany paper engraving foliage, tendrils, branches ~ ornament. vase ~ ornament. ornament ~ hybrid beings; human and animal forms mixed

Nuremberg, Solis, Virgil, Baptism of Christ in a scroll frame, verso - handwritten in brown ink, print, prints, verso - stamped, 86, height 76 mm, width 54 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, papier, engraving, engraving (printing process)

Vase on narrow foot, Jean Lepautre, 1648 - 1655 print The body of the vase is decorated with saters and other figures, including Venus and Adonis. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Wood engraving, England, by Thomas Bewick.

Lazio Roma Rome S. Croce in Gerusalemme4. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Frieze with a Bearded Mask Wearing a Headdress of Tendrils and Strapwork ca. 1590 Theodor de Bry Netherlandish Frieze with a bearded mask at center with cornucopias and two flowers growing from his mouth. Above, an ornate headdress composed of tendrils, flowers, and the spirals formed from surrounding strapwork. Two squirrels playing horns perch on either side of the mask. From a series of four plates.. Frieze with a Bearded Mask Wearing a Headdress of Tendrils and Strapwork 425296

Dees print depicts from the least to most / the vyf sentences of the people and the animals, 1767 - 1793 print Leaf with representations of personifications of the five senses, caught in windows. Around performances of a deer, a turtle, a dog and a monkey. Cherubins blowing in the four corners. Numbered at the top right: *5. Amsterdampublisher: Amsterdamprint maker: Netherlands paper letterpress printing the (five) senses. the (five) senses - AA - female human figure. cupids: 'amores', 'amoretti', 'putti'. monkeys, apes. dog. tortoises, turtles. hoofed animals: deer

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Wife and knights on horseback, anonymous, 1530 print Woman in women's seat with knights on horseback. A coat of arms in the top right and bottom corner. Low Countries paper adult woman. knight. horse

Plat decoration with leaf vines and two putti, 1500 - 1535 print At the bottom are two putti that hold a shield. At the top is a child with a laurel wreath around the head on a vase. Shaded background. Germany (possibly) paper engraving

Victoria of Strength in Een Rolwerk Omlijsting, Virgil, 1524 - 1562 print Numbered in the middle: 1. Nuremberg paper engraving / etching Victoria as Roman personification. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. protective weapons: shield. scrollwork, strapwork ~ ornament

Coat of arms of Leiden and four putti with weaponry, 1527 - 1583 print Medallion with the coat of arms of the city of Leiden, surrounded by four medallions with putti. Putto with helmet, putto with shield and stick, putto sitting on helmet and putto with banderole. Low Countries paper engraving coat of arms (as symbol of the state, etc.). cupids: 'amores', 'amoretti', 'putti'. protective weapons

Dante's Inferno'; in the centre Lucifer torturing several damned souls, some of whom are labeled (eg. 'BRUTO, TOLOMEO, ANTENOR, CHASSIO') surrounded by other sinners being tortured by devils, derived from the 'Last Judgement' fresco in the Campo Santo, Pisa. Artist: Circle of Baccio Baldini (Italian, Florence 1436-1487); After Francesco Traini (Italian, active ca. 1321-45); Formerly thought to be after Andrea di Cione (Orcagna) (Italian, Florence 1315/20-1368 Florence). Dimensions: Sheet: 11 13/16 × 8 7/16 in. (30 × 21.5 cm). Date: ca. 1460-80. Museum: Metropolitan Museum of Art, New York, USA. Author: Circle of Baccio Baldini. After Francesco Traini. Formerly thought to be after Andrea di Cione (Orcagna).

Colored woodcut by an anonymous artist from 1480-1490 depicting the IHS monogram with symbols of the four evangelists.

Paris, Loir, Nicolas Pierre, France, Desseins d'éventails et écrans, Half-round fan-leaf, The fan-leaf shows three round medallions with a fruit bowl and a frieze with mythological representations. A corner is missing at the bottom right. Sheet 4 from a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 147 mm, width 290 mm, French, 1624 - 1679-05-06, print maker, printmaker, 1660 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Window with the presentation of "Penningske der widow" with caption "Cornelis Jansz. Oostwout Anno 1696" in Kwabomsting, Anonymous, 1696 Window with the presentation of "Penningske der widow" with caption "Cornelis Jansz. Oostwout Anno 1696" in Kwabomsting. See also inv. Nos. BK-KOG-219, 224 and 225. From the Ned. Herv. Church in Twisk. glass. lead (metal). Window with the presentation of "Penningske der widow" with caption "Cornelis Jansz. Oostwout Anno 1696" in Kwabomsting. See also inv. Nos. BK-KOG-219, 224 and 225. From the Ned. Herv. Church in Twisk. glass. lead (metal).

granter of privilege" Louis XV (king of France), Huquier, Gabriel, Paris, Meissonnier, Juste Aurèle, Desplaces, Louis, Oeuvre de Juste Aurele Meissonnier, Panneaux d'ornements rocaille, sept planches, Amor with bow and arrow near a seated amor, In rectangular ornamental border with volutes and foliate tendrils. This print is part of an album., print, album leaf, ornament print, prints, height 118 mm, width 200 mm, French, 1682 - 1739, print maker, printmaker, 1738 - 1749, paper, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, 1710-02-15 - 1774-05-10, granter of privilege

Drawing, Inscription regarding the Woman of the Apocalypse above left; Woman of the Apocalyse above right; Frontispiece below right; Coronation of the Virgin below left; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; pen and brown ink, brush and brown wash on paper; 20.1 × 14 cm (7 15/16 × 5 1/2 in.)

'Torments of Hell', c1185 (1906). Artist: Unknown.

Frisian with eagle between two putti and leaf raft; Frisians with grotesken, putti and leaf refints.Shaded background. 1 sheet or 4 sheets.

Venus Virgil, 1524 - 1562 print Nuremberg paper engraving / etching (story of) Venus (Aphrodite)

Adoration of the Magi, from Johannes Hildesheimensis, 'Legenda Sanctorum trium regum' (Modena, D. Richizola, 1490). Artist: Anonymous, Italian. Dimensions: Sheet: 8 1/16 × 5 9/16 in. (20.5 × 14.2 cm). Publisher: Richizola. Date: ca. 1490.Reproduced in D. Fava: "Tipografia Modenese," Gutenberg Jarbuch (1929): 164-185.Nicoletta da Modena has been suggested as the author of this print for which there is no basis. Museum: Metropolitan Museum of Art, New York, USA.

Schweifwerk with a jug in the middle, Esaias van Hulsen, 1617 print From series of 6 magazines. Stuttgart paper etching

Amsterdam, Goltzius, Hendrick, Netherlands, Knife handles with the four elements, Two knife handles with Earth and Water, The personifications are depicted above a candelabrum., print, prent, ornamentprent, prints, ornamental prints, height 93 mm, width 58 mm, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Northern Netherlands, 1558-01 - 1617-01-01, Publication (Event), Publication, publisher

Israhel van Meckenem (German, c. 1445 - 1503), Ornament Panel with Two Lovers, c. 1490-1500, engraving

From the smoke ascending out of the abyss are born scorpions which scourge men. After a miniature in a 12th century manuscript Commentary upon the Apocalypse. From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

Albrecht Dürer (1471-1528). "Ex-libris for Willibald Pirckheim: Bartsch App.52". Wood engraving, around 1501. Museum of Fine Arts in the city of Paris, Petit Palais. Ex-libris, wood engraving

Peacocks, Jan Griffier (I), John Oliver, 1667 - 1718

CUL-The-Lampames Malkst, Jowbast print A CUL-de-Lampe in a triangle shape with two putti sitting on wine vines with a fruit guilland. paper etching cartoons. Ornaments ~ art. Cupids: 'Amores', 'Amoretti', 'Putti'

Seven plagues, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1646 print Angels cast scales that cause pests. In the foreground the sixth plague: a dragon that breaks frogs. Under the show a reference in Latin to the Bible text in op. 15-16. This print is part of an album. paper engraving the seven angels with the seven vials, bringing disasters and destruction upon the earth and mankind

CDK Litographic Zak Aureliusz Pruszcz

Calendar by unknown artist, Woodcut, circa 1700, Private Collection, 85x90

Astronomy: Ptolemy and Johannes Regiomontanus, seated with an armillary sphere and the heavens above them. Process print, 1879, after a woodcut, 1543.

Cartouche with quote from Juvenalis in role frame; Iuuenalis: / VNDE / HABEEAS QVE = / Ritnemo, SED / HA = / Bere forth.; Varii Generis Partitionum ...; Title and 15 sheets of the series: Varii Generis Partitionum. Cartouche flanked by two hermen standing with their foot through a shell. Leaf belongs to 15 sheets with title page from a series of 24 sheets. Woodcuts.

La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha. Arrighi, Ludovico degli, Woodblock, 1522-1523

Musical instruments, 1572 print Three music books and string instruments. From series, consisting of a title page and 16 magazines. Netherlands (possibly) paper etching

The Nymph of Fontainebleau 1554 France. The Nymph of Fontainebleau appeared in several guises at King Francis Iís charming getaway outside of Paris. This Mannerist engraving by Pierre Milan refers to a bronze relief sculpture by the Italian Renaissance artist Benvenuto Cellini. Francis commissioned this sculpture of the mythological woodland creature to go over the main entryway to the chteau. While differently composed than the relief, the print retains the detail of the spilling water vase, the nymphís languorous posture, and the plenitude of animals.. Engraving on cream laid paper . Pierre Milan

Netherlands, Chevalier, Nicolas, Medal of the University of Groningen, with the names of the professors and the maiden of Leiden, verso - manuscript, print, prints, 65, diameter 70 mm, Work conception, 1661-06-01 - 1720, after a design by, 1701 - 1720, paper, papier, engraving, engraving (printing process), print maker, printmaker

Plate 1: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome 1656-58 Giovanni Battista Galestruzzi Italian. Plate 1: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome 399812

Frisian with mascaron in the middle; Symmetrically decorated Frisians with rollerwork and grotesken. From the mascaron runs a band from rollerwork to both ends of the fries. One of 3 sheets from a series of 4.

Fantasy chariot with a river god, three centaurs, a woman and a boy on a sea monster, Fantasy chariot, draughtsman: Cornelis Floris (II), (circle of), 1543, paper, brush, pen, h 98 mm × w 362 mm

Two putti with a garland of fruit and the coat of arms of Cardinal Jules Mazarin, Claude Mellan, 1639 - 1643 print print maker: Franceprinter: Paris paper engraving cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. armorial bearing, heraldry

Fantasy battle car, Cornelis Floris (II) (Circle of), 1543 drawing Fantasy battle car with a river god, three cents, a woman and a boy on a sea monster. paper. watercolor (paint). ink brush / pen ornament derived from plant forms. anthropomorphic ornament. chariot, triumphal car. ornament ~ hybrid animals

Arithmetic with an hourglass in hand Lower left and lower right an old man leans rain a volute Print from the series of 6 sheets from the Sciences and Free Arts, Arithmetic ARITMETIQVE Four Free Arts, the Perspective and Architecture, represented by women , print maker: Etienne Delaune, Etienne Delaune, Marcantonio Raimondi, France, (possibly), 1528 - 1583, paper, engraving, h 73 mm × w 52 mm

Tile of purple pilaster with twisted column around which branch of leaves, bunches of grapes and angels, tile pilaster footage fragment ceramics pottery glaze, baked 2x glazed painted Five tiles of tile pellet of one width.

Kantyczki - birds of courses; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

The hell from the fresco of Orkagna at Campo Santo de Pisa. (Passavant 102, Volume V, page 43) Baccio Baldini (1436-1487). Hell, according to the fresco of Orkagna at Campo Santo de Pisa. (Passavant 102, Volume V, page 43). Burin. 1450-1485.

Armillary Sphere on Frontispiece

Bullfight Dice-Game 1898 México. Photo relief etching on wove paper . José Guadalupe Posada

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Essempio di recammi, page 12 (verso). Author: Giovanni Antonio Tagliente (Italian, Venice ca. 1465-1528 Venice). Dimensions: Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm). Publisher: Giovanni Antonio di Nicolini da Sabio e i fratelli (Italian, active Venice, ca. 1522-1545) , Venice. Date: 1530.Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:Design covers 2 pages and is an illustration of Orpheus playing music to animals. Scene is possibly set in a forest because of 2 trees on left and right sides. Museum: Metropolitan Museum of Art, New York, USA.

. A resident of the pool regions paddles in a kayak and throws harps to birds on the water. In the background a rocky landscape with a woman with child, a man wearing a kayak, some tents with people and a sled dog. The title of the print refers to the man, woman and child from the northeast of Canada who kidnapped the English explorer Martin Frobisher in 1577 and took along to England. In: 'Warftige Relationship. Deryen Newen UNERHÖRTEN SELTHAMEN SCHIFFART SO Die Holländischen und Seeländischen Schiff .... Anno 1594, 1595 Und 1596 "(1598).

Signs of the Zodiac - Pisces:February - The Fish. Discover More Robert Burns (Edinburgh, Scotland, 1869 - 1941) 1900-1924 Illustration, Fish

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