Ornate Pendant Designs

Intricate designs for pendants featuring floral motifs, vases, and arabesque patterns, showcasing craftsmanship from the 17th century.

Picart, Bernard, Amsterdam, Vignette with burning lamp and female mascaron, verso - handwritten, print, prints, verso - stamped, Utrechts Fundatie huijs, height 74 mm, width 99 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1722 - 1722, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Crowned coat of arms in ornamental frame, Bernard Picart (workshop or), After Bernard Picart, 1725 print A crowned coat of arms in ornamental frame. Two putti blow the praise and laurels the coat of arms. Around the shield arms, lances and banners. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.). foliage, tendrils, branches ~ ornament. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Ceiling with hercules in medallion; Ceilings. Hercules kills the Hydra of Lerna. Leaf 4 from series of 12.

Cartouche with monster heads and elephants, Daniel Rabel, 1634 print A river landscape with buildings is depicted in the middle. Page 1 from series of 13 sheets with cartouches in French lobe style. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Ornament with rabbit and celery, Pierre Quentin Chedel, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching rodents: rabbit. foodstuffs; still life of foodstuffs

Design for Palmette Pendant, Pen and ink, brush and watercolor on paper, An escutcheon composed of volutes, topped with a palmette. A pearl drop at bottom., Italy, 16th century, jewelry, Drawing, Drawing

Cartouche with monster heads and elephant slots; Cartouches The Differantes Inventions (...). A river landscape with buildings is depicted in the middle. Leaf 1 from series of 13 sheets with cartouches in French lobe style. From first edition.

Four-legged animal on the blade of a sword / with rope wrapped sword; Sic Super Irrepat / Discite Justitiam Moniti; Symbbola Divina et Humana Pontificum imperatorum Regum.an Emblem With Two Performances. Above a sloping sword with a four-legged not identifiable Animal on the blade. Under is a rope wrapped around the blade. The Concern May BE Forces of Contranus, A King of Burgundy, and King Bassanus from Sicambria.

Cartouche with Eagles and Two Infants Holding a Crown. Dated: 1647. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Fanière brothers, variations for bracelet flagships (main title). Graphite and ink on white paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Medallion with male with basket, anonymous, after pierre ranson, 1746 - 1775 print A round medallion with grape vines and a performance of a man with a stick and a basket on his back. Around rocaille ornaments and branches with acorns and fruits. Augsburg paper etching ornament ~ medallion. standing figure. carrying something in basket, bag, rucksack, etc.

Oval with the element of water; Oval with the four elements. Oval with ornamental towers and leaf refines. At the top of Neptune. Second edition.

Mavelot, Charles, Cartouche with mask with lion skin on the head, Numbered top right: 24. Print is part of an album., print, album sheet, prints, height 76 mm, width 65 mm, 1680 - 1742-07-04, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, engraving, engraving (printing process)

Two coats of arms, c. 1611 - c. 1625 print Links of 'Principality of Engenn', Rechts of "Burgraviat of Altenburg '. paper engraving

Ornament for Knife Handle. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Theodor De Bry.

Design for a cup and saucer 19th century Anonymous, French, 19th century French. Design for a cup and saucer 392423

Two designs of ornamentation (design no. 5): vertical panels - in the left under the canopy, a dancing Zephyr, in the right, three putti on a cloud. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Fanière brothers, variations for bracelet flagships (main title). Graphite and ink on white paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Print, Escutcheon, No. 4 from "Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy; etching on paper; 23.8 × 18.9 cm (9 3/8 × 7 7/16 in.)

Paris, Leclerc, Jean (publisher), France, Picart, H., Border ornaments and points for goldsmiths, Title page: border ornaments and points, A corner is missing at the top left. From a series of title page and 11 sheets., print, ornament print, title page, prints, ornament prints, height 138 mm, width 147 mm, French, print maker, printmaker, 1618 - 1618, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1560 - 1622, publisher

Drawing, Design for pendant with dolphins; Italy

Drawing, Design for a Doorknocker; Italy; pen and ink, brush and wash on paper

Cloth with Diana and Actaeon surrounded by putti and leaf -shaped ornaments, 1704 print Numbered: 6. paper engraving cupids: 'amores', 'amoretti', 'putti'. ornaments ~ art. 'tropaion', i.e. decorative ornament ~ weapons. ornament derived from plant forms

Design for a stained glass window with blank coats of arms and putti, Pieter Jansz, 1630 - 1672, Design for a stained glass window with a coat of arms with a climbing lion in the center, flanked by two putti each with two blank coats of arms. At top an allegorical figure, depicting a woman with a bundle of arrows and a sheep, surrounded by putti., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1630 - 1672, paper, pen, brush, h 278 mm × w 116 mm

Design for a Frame in the Form of a Cartouche (Mirror) Attributed to Giovanni Battista Natali III Italian 1698-1765 View more. Design for a Frame in the Form of a Cartouche (Mirror). Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). 1698-1765. Pen and brown ink, brush and brown wash. Drawings

Chaise à Porteurs Règne de Louis XIV,

Coat of Arms of Louis XVI (TF)

Cartouche in the form of broken pediment, c. 1628 print In the middle underneath a cherub between bunches of fruits. France paper engraving

Grotesque decoration with stylized leaf vines and at bottom a mask. Above is text on a canvas. From series of 12 sheets of leaf vines and grotesques, dedicated to George Henriot, Title page: De Grotesco De Grotesco. Per utilis atq omnibus quibus (...) De Grotesco (series title), print maker: Johan Barra, (mentioned on object), Nicasius Rousseel, (mentioned on object), Wendel Dietterlin (II), London, 1623, paper, engraving, h 124 mm × w 84 mm

Drawing, Design for a Pendant; Italy; pen and ink, brush and sepia on paper

Cartouche with mask and small festans; Cartouches The Diferents Inventions (...). A castle next to a river is shown in the cartouche. Leaf 7 from series of 13 sheets with cartouches in French lobe style.

One of 9 sheets, from a series of 12. On six sheets, a figure sits in the niche. Three pearls hang from each pendant., Pendant (pendeloque) with Mars Pendants. Niches, decorated with volutes of scroll and hardware, mascarons, animals and grotesques. (series title), print maker: Hans Collaert (I), (mentioned on object), intermediary draughtsman: Monogrammist EVG, (mentioned on object), publisher: anonymous, print maker: Antwerp, (possibly), intermediary draughtsman: Netherlands, (possibly), publisher: Netherlands, (possibly), 1555 - 1576, paper, engraving, h 137 mm - w 89 mm

Bouquet in landscape; Liure de Feuilles d'OrfEurerie. Bouquet in the shape of a wreath, the bottom right of a rock with a fisherman. From series of 7 sheets with goldsmids bouquets with a landscape in the background. First edition.

Titelblad: De Grotesco; De Grotesco. Per utilis atq omnibus quibus (...); De Grotesco.Grotesque decoration with stylized leaf drinks and at the bottom of a mask. Below the text is on a canvas. From series of 12 blades with leaf raft and grotesken, dedicated to George Henriot.

Coat of arms of Jacomo Peacock; Coats of arms with empty fields. Reduced against the coat of arms, without the peacock on the helmet, without banderole and with an empty shield.

Design for Silver Plate Decorated with Crabs. Artist: Erasmus Hornick (Netherlandish, Antwerp ca. 1520-1583 Prague). Dimensions: 16 7/16 x 11 3/16 in. (41.7 x 28.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

A seemingly with an eye on a bow hanging rectangular frame, with links and right alternative solutions for the detailing of the profiles. .

Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 1/2 x 3 11/16 in. (6.4 x 9.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Emblemata with standing figures and skulls; NEW and SERKE LIQUIGE INTERNED COMPARTMENTE AND SINRIJCKE EMBLEMETAAS or SINNE INSTALL SEER THAT STIGH for Silversmeeden (...) TWEDE part. Twice four emblemata with Dutch text and Latin motto on a leaf. Above: Emblemata with personification of hope, a man with a raised hand, a man and woman in conversation and Fortuna with a scepter, crown and jewelry. Below: Emblemata with Amor hit by an arrow, a skull with scepter and zeis, a winged hourglass and a skull.

Two bunches of fruit and a cherub; Ornaments with cherubs and bunches of fruit.two bunches or fruit and a cherub. Leged Below Numbered: 18. The print is part of an album.

Half -round field in Rolwerkcartouche with masks, 1625 print Leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Frame, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Frame., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Initial letter I with garlands. Dimensions: Sheet: 2 5/16 × 2 5/16 in. (5.9 × 5.8 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Can be formed with an ear by the upper body of a naked woman, Aegidius Sadeler (II), After Polidoro da Caravaggio, 1580 - 1605 print The abdomen of the jug is decorated with a Frisian on which people are on either side of a vase. Passionate copy to RP-P-1964-2388. Prague paper engraving

Coat of arms with helmet and leaf refines; Wearing shifts. Sheet from series coats of arms with empty compartments.

Cartouche with two putti. A large ornamented cartouche with two putti with cloths.

Two pilaster festans; Prima pars praecipuarum (...) / The first part of the precursor stods and cieraten (...) / La Premier Parti (...). The engraved description from the index of the sheets is stuck down the print. Leaf I. Leaf from second edition.

Drawing, Design for an Ewer; After Polidoro da Caravaggio (Italian, 1499 - 1543); red chalk on paper

Coat of arms of Werner von Landsberg by the Straßburger Meister, drawn in brown ink with reddish highlights, circa 1530-1540, including windscreen tear detail.

A cartouche with a censer, a skull and crossbones and a grotesque face at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis) ca. 1640-60 Stefano della Bella Italian. A cartouche with a censer, a skull and crossbones and a grotesque face at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis) 397896

Reduced reverse copy of the escutcheon, without the peacock on the helmet, without banding and with an empty shield, Escutcheon of Jacomo Pauw Escutcheons with empty fields (series title), Michiel le Blon, print maker: anonymous, publisher: Claes Jansz. Visscher (II), Amsterdam, (possibly), c. 1627, paper, engraving, h 95 mm × w 78 mm

Minchiate Florentine. Set of 56 cards. Card Back: Five Balls Bones Under Crown of Medici Anonymous. Florentine minchiate. 56 cards game. Card back: Five-balls blazon under crown of medicons. Floor, brush colors. 1650-1700.

The divine leather.Ovale emblematic representation: two trumpet-like wind instruments, a winged book and a heart. To the show a peripheral in French in mirror image. This print has an oval representation of virtue and honor as a pendant. Both are probably printed from front and rear of one medallion.

Design for a cartel clock, consisting of two different halves (alternatives), Design for a cartel clock, draughtsman: Giovanni Bettati, Rome, c. 1760 - c. 1770, paper, pen, brush, h 452 mm × w 336 mm

Untitled. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Georg Wechter I.

Germany, Bierpfaf, Johann Christian, Hamburg, Falck, Jeremias, Libellus Novus Elementorum Latinorum Cum AEneis picturis usui Aurifabrorum inservientib, Letter B, print, ornament print, prints, ornament prints, height 206 mm, width 143 mm, 1609 - 1677-02-07, print maker, 1645 - 1650, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Coat of arms of the Leiden Rederijkerskamer Love is the Fondament, 1596 print Coat of arms of the Leiden rederijkerskamer Love is the foundation (here as 'love es t foundament'), namely a snake around a cross in the midst of flowers, caught in a more or less heart -shaped frame, to which at the bottom of the arms of Leiden and the weapon hanging from Holland, and on which Lady Rhetoric is. Leiden paper engraving Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa)

Judah', a collection of ballads by the non-Jewish poet Börries von Münchhausen 1874 - 1945. Illustrated by Ephraim Moses Lilien (1874-1925), art nouveau illustrator and printmaker, noted for his art on Jewish themes. He is sometimes called the "first Zionist artist. Münchhausen's relationship to Judaism remained ambivalent: Munchhausen did not consider the "Jewish race" inferior, but merely wanted to prevent a "mixture" with the non-Jewish Germans.

Italy, Giardini, Giovanni, ... church objects, Ornament with griffins and rams' heads, Rome, verso - stamped, Numbered top left: no. 100., print, ornament print, prints, ornament prints, height 239 mm, width 155 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Vignet with a monogram in an ornamented picture frame. .

Design for Pendant with Half Figures, Pen and ink, brush and watercolor, sepia on paper, An oval diamond is framed by an escutcheon. At the sides are female half figures with a volute as a leg from which a round diamond is pending. Above, the oval is a smaller square diamond is another escutcheon fastened around the edges of the main one. In the center above is the head of a bearded man with a volute around the forehead. On top the ring. Below is a shell fan and scrolls with a pending round diamond., Italy, 16th century, jewelry, Drawing, Drawing

Meetkunde, anonymous, after Pierre Ranson, 1760 - 1784 print A trophy with flowers and attributes associated with geometry such as a globe and measuring instruments. Paris paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. 'Geometria' (~ quadrivium); 'Geometria' (Ripa)

Arabesque Designs. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Delaune.

Oval frame, 1749 - 1799 print An oval ornamented frame with bow and flowers. Prague paper etching ornaments ~ art (+ framing decorations). bow (ornamental part of clothing). flowers ~ ornament

A goddess surrounded by strange animals. Engraving by E. Delaune, c. 1560.

Two Knife Heften, Michiel Le Blon, 1597 - 1656 print There is a cartouche with the MB monogram between the two knife lives. At the top is n °: c. From series consisting of a title page and five magazines. On each leaf there are two symmetrical knife lives with a bead at the top. The lifts are decorated with tenders between which two birds are located. Amsterdam (possibly) paper etching table-knife. ornament ~ cartouche

Coat of arms of Roger du Plessis, Duke van Liancourt, Theodoor van Thulden, 1633 print Coat of arms of the Roger du Plessis, Duke of Liancourt, caught in an ornamental cartouche. At the bottom of an assignment to the Duke in French. Paris paper etching / engraving armorial bearing, heraldry

Amsterdam, Picart, Bernard, First Magnificent Coach of Monseigneur le duc d'Ossuna Extraordinary Ambassador and First Plenipotentiary of His Majesty the Catholic Philippe: V. pour la peace faits Pour l'entrée public de son eminence a Utrecht MDCCXIII, View of the Train behind the First Golden Coach, State Coach of the Duke of Ossuna, 1713, verso lower right - stamped, Sheet with four examples of the ornaments on the golden coach. Part of a series of seven plates showing the state carriage of the Spanish ambassador the Duke of Ossuna, used during his public entry into Utrecht for the peace negotiations in 1713. Numbered lower right: 7., print, prent, prints, prenten, height 337 mm, width 221 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1714 - 1714, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Drawing, Design for an Agraffe; Designed by Girolamo Venturi; Italy; graphite, pen and ink, brush and sepia on paper; 11 x 10.7 cm (4 5/16 x 4 3/16 in.)

Wittenberg, Cranach, Lucas (I), Reliquary with Christ on the Cross, verso bottom center - stamped, print, book illustration, prints, height 127 mm, width 70 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1509 - 1549, first quarter 16th century, paper, woodcut

Northern Netherlands, Spyck, Johannes van der, Coat of arms of Willem Cornelisz. van Duyvenbode, 1578, Coat of arms of the Leiden organist Willem Cornelisz. who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for using his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange., print, picture, historical object representation, prints, pictures, Frederik Muller Historieplaten, height 127 mm, width 80 mm, Noord-Nederlands, print maker, printmaker, 1736 - 1761, paper, papier, etching, etsen

Pendant with Two Double Crosses. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Plate 1, from XX Stuck zum (ornamental designs for goblets and beakers) 1601 Germany. Punch engraving in black with traces of graphite on ivory laid paper . Master A.P.

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. In the middle, between the disk above and the three drops below, is a blossom at the center of two symmetrically arranged branches., Siena, Italy, ca. 1770, jewelry, Drawing, Drawing

Drawing, Design for an Escutcheon; Léonard Chailleat (Italian, active 1640 - 1650); France; pen and ink, brush and bistre on paper

Netherlands, Liefrinck, Hans (II), Collaert, Hans (I), Adriaen, Pendants with arabesques, Back of a pendant with an oval with a floral motif in the middle, bottom left - engraved, Back of a pendant. In the middle an oval with a floral motif. Bottom left and bottom right an axe-shaped costume ornament. One of 9 sheets from a series of 10 sheets with pendants. Each pendant has three pearls. Each sheet also has two or four small costume ornaments., print, ornament print, prints, ornament prints, HC, height 138 mm, width 98 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1573, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1540 - 1581, after a design by, Publication (Event), Publication, - 1599-01-25, publisher

Drawing, Inkstand

Boeket in Landschap, Pierre Lombard, After Gédéon Légaré, c. 1640 print Bouquet of five venses of which the two outer ones are bent down. From series of 7 magazines with goldsmith bouquets with a landscape in the background. First edition. Paris paper engraving

French crown, Paris, Huquier, Gabriel, La Joue, Jacques de (II), Pavilion, verso - stamped, A pavilion decorated with sculptures, fountains on the right and a staircase at the front. Around a rocaille frame., print, ornament print, prints, ornament prints, height 290 mm, width 233 mm, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, French, 1687 - 1761-04-12, after a design by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, granter of privilege

Parijs, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, R Dessus de Portes, Ambition, Discorde, Ambition and Discord, Paris, verso - stamped, A dessus-de-porte with garlands, a book, trumpets, a torch, laurel wreaths, a bucranium and a round medallion with a lion. Below that a dessus-de-porte with weapons, snakes, torches, crowns and a round medallion with a burning object. Print number 90., print, ornament print, prints, ornament prints, height 381 mm, width 236 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Plate 5, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Engraving on paper, Pendant design with floral motifs and hanging pear-shaped pearls. Central Image: Prudence, a nude women looking into hand-held mirror. Inscribed below image: 'PRVDENTIA'. Surrounding the pendant are blackwork ornament designs for enamelists, mostly showing possibilities for the top and sides of rings. (Matted with 6161.1-6/8.2000), 1616-1623, jewelry, Print, Print

Jug with quatrefoil ornaments and masks Modelli artificiosi di vasi diversi d'argento (series title), print maker: Theodorus van Kessel, Adam van Vianen (I), (mentioned on object), Christiaen van Vianen, Utrecht, 1646 - 1652, paper, etching, h 210 mm × w 167 mm

Design for an Engraved Tazza with a Portrait of William of Orange as Commander of Wisdom, Theodor de Bry, Flemish, 1528 - 1598, Engraving on paper, Circular design for the interior of tazza (footed dish), with a medallion portrait of William of Orange at the center. In the surrounding circle, a band with scenes include the Judgement of Solomon; an image of Venus; a man at table, praying, flanked by Death and the Devil; Susanna and the elders. Inscriptions in French and Low German., Netherlands, ca. 1588, ornament, Print, Print

French crown, Paris, Huquier, Gabriel, La Joue, Jacques de (II), C Troisieme Livre De Cartouches, Cartouche with Minerva, verso - stamped, A rocaille cartouche with Minerva's head and spear, a globe, a painter's palette with brushes, a book, a compass and sheet music., print, image, ornamental print, prints, images, ornamental prints, height 220 mm, width 189 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1705 - 1761, paper, papier, etching, etchings, Work conception, 1687 - 1761-04-12, after a design by, Publication (Event), Publication, publisher, granter of privilege

Title print with cartouche with text, panters, a helmet and garlands, Stefano della Bella, 1647 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ornament ~ cartouche. beasts of prey, predatory animals: panther. helmet. ornament ~ festoon, garland

Two coats of arms; Coats of arms.on The Left The 'Palatinat de Saxe', on the right the 'Margraviat de Misnie'.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, IIe Volume De l'Oeuvre de J. Ch. Delafosse, Nouvelles Pendulles en Cartel, Pendules with flowers, verso - stamped, Two pendulums on a sheet. Above a pendulum with flowers, a smoking barrel and a mask. Below a clock with flowers, a torch, a quiver and birds. Numbered 5 at the bottom left., print, engraving, ornamental print, prints, engravings, ornamental prints, height 186 mm, width 140 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Reges Poloniae Tretera Eagle with portraits of Polish kings in medallions Treter, Tomasz (1547 1610)

Cartouche with lobe ornament, above and below a mask with gaping mouth Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, publisher: Clement de Jonghe, Amsterdam, 1640 - 1655, paper, engraving, etching, h 241 mm × w 190 mm

Schelpen en vissen; Stroom- en waternimfen; Nimpharum oceanitidum, ephydridum potamidum naiadum.Ornamental picture frame with fish around two shells with the Latin title of a seventeering series on electricity and water nymphs.

Frame. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Garlande with three bouquets of Fruit, Michiel le Blon, 1611 print Page 14 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of ranks, schweifwerk, garlands with putti, animals, birds and masks. paper etching

Four cartouches with monograms; The fourth part new T 'Ascited Naam Lettere made by Gerret Visscher to Amsterdam on the Singel at the Sluijs Beuling. .

Letter H in an ornamented frame. .

Print, Ceiling, from "Desseins de Plaphons"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 18.9 × 13.4 cm (7 7/16 × 5 1/4 in.)

Pendant with a winged woman in the middle, 1528 - 1583 print The woman holds a book in her hand and is surrounded by rays. France (possibly) paper engraving

A brown pen drawing by Joris Hoefnagel depicting a grotesque with winged snakes, enhanced with water and cover colors and gold on brownish tinted prepared paper imitating parchment, with black-brown framing lines and gold remains, created 1594-1595 with additions around or after 1608.

Design for Ticket or an Invitation. Artist: Anonymous, German, 19th century. Dimensions: 4 13/16 x 6 1/2 in. (12.2 x 16.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Plate 7, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper

A circular frame is inscribed into a square; it has on top a base upon which a putto sits carrying a balance, and is supported by two sitting, winged sphinxes, turned outwards. Below is a base. Above at right strokes. Pen and brown ink, brush and brown wash, graphite on off-white laid paper. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

Letter a.letter a against a background with braid and horns of abundance.

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