Ornate Textile Fragments

Decorative fabric samples featuring intricate embroidery and rich colors, showcasing historical patterns and craftsmanship from Italy and other regions.

Sampler (USA); silk embroidery on linen foundation

Fragment (Dress Fabric) Made 1701-1800 Iran. .

Jules Lefevere, Embroidered Coverlet, c 1936 Embroidered Coverlet

Fragment of fourteen sewn pieces of silk damest. Fragment of fourteen sewn pieces of silk damest. Dessin: Palm-shaped palm tree with peonies and pancakes, caught in a spindle rose made from lush leaf refines with stylized roses, water lilies and small flowers in pale yellow, pink, salmon color, two colors blue, green and yellow on a cream-colored fond with "fill design". Condition: reasonable, partly faded considerably.

Sketchbook of Portrait Studies, Thomas Patch, 1725-1782, British, 1760s, Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina, Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm) and Spine: 8 7/8 inches (22.5 cm), Grand Tour, portrait

Fragment 17th century Italian, Abruzzi and Calabria. Fragment 217802

Drawing, Floral field and border; France; white on glazed paper

Panel Made 1804-1815 France. Linen, plain weave; cotton embroidery thread . Charles Percier (Designer)

Family arms Oetgens van Waveren and mirror. Tablecloth of tapisserie fabric with the arms of Anthony Oetgens in the middle of Waveren and Anna mirror; around a border with a dog, panther, bull, goat, horse and lion; In the corners of grape roses and calibas.

Textile Fragment 17th century. Textile Fragment. 17th century. Silk and metallic thread; brocaded. Country of Origin Iran. Textiles-Brocades

Panel late 18th century Italian or French. Panel 227281

Chef de piece, Medium: cotton Technique: printed by block on plain weave foundation. Different blocks for red and black., Large flowers alternate with ribbon-tied floral sprigs and torsades of 'folded' lace. Red and black on white., Beautiran, France, ca. 1795, printed, dyed & painted textiles, Chef de piece

Tapestry with the arms of Emperor Charles V, Willem de Pannemaker, c. 1540 - c. 1555 Daunted with the weapon of Emperor Charles V. Waptispijt. Brussels Ketting: Wool. Entry: Wool. Entry: Silk. element:. Elements: Silver Thread tapestry Daunted with the weapon of Emperor Charles V. Waptispijt. Brussels Ketting: Wool. Entry: Wool. Entry: Silk. element:. Elements: Silver Thread tapestry

Fragment, Medium: cotton Technique: mordant and resist painted, immersion dyed (chintz) on plain weave, Fragment of mordant-painted and dyed cotton with a Pious Pelican piercing her breast with drops of blood flowing out to three young birds which fly up from the ground below in a row. Mother pelican is standing on a four-mound. Leaves and flowers of other motifs on the edges of the fragment. Colors: red, blue, yellow (faded), dark red. Outline: black-brown on an ivory background., India, 1750-1800, printed, dyed & painted textiles, Fragment

Sidewall, Walter Crane, (English, 1845-1915), Machine-printed, oil colors, textured ground, Vertical rectangle. Children's paper with nursery rhymes, showing a repeat of six scenes in two rows: Jack and Jill, I had a little nut tree, My pretty maid; and My lady's garden, The mulberry bush, Little Bo-Peep. In pastel colors, principally pink, yellow, blue and green on an off-white ground., USA, 1875-1900, Wallcoverings, Sidewall

Sidewall, Leather, stamped, painted, silvered, Scrolling strapwork with foliage and flowers., Flanders, ca. 1680, Wallcoverings, Sidewall

Sampler, Eliza J. Benneson, American, Medium: silk embroidery on cotton foundation Technique: embroidered in cross, stem, eyelet, rococo, running, and satin stitches on plain weave foundation, The center field contains several bands of alphabets, a verse surrounded by grape vines, and the inscription, with a small landscape of animals and insects. With a deep, naturalistic floral border of roses, tulips, carnations, and other flowers, with a pineapple at the top., The verse reads:, Let my few remaining days, Be devoted to thy praise, So the last, the closing scene, Shall be tranquil and serene, USA, possibly 1825, embroidery & stitching, Sampler

Panel for a shirt front or sleeve, Medium: linen, wool, metallic thread Technique: embroidered, Straight panel of heavy white linen with a narrow band of embroidery in a pattern of stylized plant forms in colored wool and metal in the center. Next to the band is a line of isolated plant forms also in colored wool and metal. At top is a solid band of embroidery in diamond shapes., Balkans, early 19th century, embroidery & stitching, Panel for a shirt front or sleeve

Arras - verdure. unknown, author

Leaf with large tifles with large flowers, Johann Wilhelm Meyer, 1740 - 1780 brocade paper Leaf with large tendrils with large flowers. Used as a cover. Numbered below: No. 15. Augsburg paper. paint (coating) relief printing ornament derived from plant forms

. Fragment of a tapestry with the orange picking.

Sampler (Italy); silk embroidery on linen foundation

Tudor period, wall hanging tapestry, at Sulgrave Manor, England, ancestral home of George Washington. 2015

Fragment, Medium: crewel wool on cotton Technique: Uncounted stitches chain stitch done with a needle and knots and satin stitch on a 2/2 twill foundation., Piece of crewel embroidery colored yarns with scattered motifs in a grid arrangement. The motifs do not repeat in a regular manner but alternate a florral motif 8 different ones, sometmes facing in different directions with an animal or bird motif 8 different ones Different colors are used when a motif is repeated., France, 18th century, embroidery & stitching, Fragment

Sampler, Mary Lish, American, Medium: silk and cotton embroidery on linen foundation Technique: embroidered in cross stitch on plain weave foundation, Sampler embroidered in blues, greens and yellows on a loosely woven natural linen ground. In the center, a large urn of flowers rests on a grassy mound, with a female figure standing on either side. Spot motifs of birds, baskets of fruit, and flowering trees fill the field. The inscription is framed in a vine at the top, followed by a verse:, Could I by bearing Mary's name like her be wise in heart, All worldly cares would disclaim and choose her better part, USA, 1809, embroidery & stitching, Sampler

Textile, Medium: silk and metallic thread on a silk ground Technique: embroidered on a compound foundation, Deep horizontal panel of white silk with a design of double zigzag lines alternating horizontally with a row of lozenges. Multicolored silk embroidery, metallic thread and flat metal strips in a massive design of large-scale realistically rendered flowers and foliage combined with ornamental scrolls and other decorative motifs. Backed with tan linen. Band of red taffeta at top., France, 1700-1750, embroidery & stitching, Textile

Anonymous, eyelet vests and acanthe leaves, vest embroidery projects, 18th century (dummy title), 1790. Gouache on paper, tobacco background, colors: mauve green and ocher. Palais Galliera, fashion museum of the city of Paris.

Curtain British 19th century

Textile with Architectural Fountain Guarded by Lions. Culture: Italian. Dimensions: Overall: 14 x 9 in. (35.6 x 22.9 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Cupid in a roundel. To furnish a room, complete tapestry ensembles in this style would be designed. This hanging is part of a series that King Louis XVI presented to Prince Henry of Prussia.

Album Page with Decorated Border with Animals and Flowers. Iran, 16th century. Manuscripts; folios. Opaque watercolor and gold on paper

Untitled Valentine (Two Putti in a Wreath) 1850-1859 United States. Collaged elements and green paint on cut and embossed (designed) ivory wove paper . Esther Howland

Textile (Sweden); wool; Warp x Weft: 33 x 58 cm (13 x 22 13/16 in.)

"Abraham Entertaining the Angels" from the Story of Abraham. Culture: Flemish. Dimensions: H. 19 3/4 x W. 20 inches (50.2 x 50.8 cm). Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.

Fragment 15th-16th century Italian, Venice. Fragment 230588

Panel (Dress Fabric) Made 1875-1900 China. Geometric patterns with figures and precious things embroidered on gauze. . Han-Chinese

Square Segmentum, 400s . Egypt, Byzantine period (), 5th century (). Tapestry; linen and wool; overall: 21.6 x 20.6 cm (8 1/2 x 8 1/8 in.).

Courtly figures in garden park. unknown c. 1575 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co.

Embroidered picture, Medium: silk, metal-wrapped silk, glass beads, paper Technique: raised couched embroidery, beadwork embroidery, Worked predominantly in silver gilt wrapped silk core thread, with glass beads in blue, green, yellow, red and white, on a silk ground. The Lamb of God worked in raised laid-and-couched silver thread embroidery, on a field with beadwork flowers, vines, clusters of grapes, birds., Italy, 18th century, embroidery & stitching, Embroidered picture

Sheet raised gold leather, decorated with a festoon, made up of fruits, flower and leaf reflections, putti, birds, a dog, a fox (), A snake and ribbons. Sheet of exalted gold leather, decorated with a festoon, made up of fruits, flower and leaf reflections, three putti, three birds, a dog, a fox (), A snake and ribbons. Painting in brown red and green on gray fond.

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Crest border over a strip; it shows lead palmettes which are flanked by blossoms alternating with stylized palmettes., France, 1805-1815, Drawing, Drawing

Textile with Musicians. Dimensions: Textile: H. 4 1/16 in. (10.3 cm) W. 4 1/4 in. (10.8 cm)Mount: H. 7 5/8 in. (19.4 cm)W. 7 5/8 in. (19.4 cm)D. 1 1/4 in. (3.2 cm). Date: 13th century.The main decorative elements of this silk fragment are a row of large roundels enclosing two seated female musicians. Dressed in robes of patterned design, the figures are depicted playing tambourines. The lamp hanging between the figures suggests a luxurious interior setting. These large roundels are interlaced with a row of smaller ones containing stars. A rich shimmering effect is produced by the juxtaposition of the vivid reds and the lavish gold brocading. Silk textiles produced in Muslim royal workshops (tiraz) were found in Christian lands in medieval Iberia, whether created for Christian patrons or cut and refashioned entirely for new uses, such as ecclesiastic vestments or church furnishings. This fragment along with 14 others belonged originally to the same textile, and were discovered bet

Embroidered sampler 1808 Mary Bower. Embroidered sampler 14077

Juegos de Loteria, Mexican Art, Oil on copper, Christie's Images, New York

Princes hunting in a rocky landscape, c. 1580-85; borders added c. 1700s. India, Mughal, 16th century. Ink, slight color, and gold on paper; image: 26.4 x 15.8 cm (10 3/8 x 6 1/4 in.); overall: 40.5 x 26 cm (15 15/16 x 10 1/4 in.).

Drawing, Design for an Embroidered or Woven Horizontal Border; France; brush and gouache on oily tracing paper, mounted; 37.4 × 50.5 cm (14 3/4 × 19 7/8 in.)

Hanging (Depicting the Story of Esther and King Ahasuerus) (Needlework). France or England. Date: 1575-1600. Dimensions: 185.4 x 297.18 cm (73 x 117 in.). Linen, plain weave; embroidered with silk and wool in tent and cross stitch. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Incomplete Valance (For the Bed) Made 1801-1900 Crete. Cotton, plain weave; embroidered with silk in Armenian edge, back, buttonhole, Cretan, cross, encroaching satin, satin, single satin, split, and stem stitches; couching .

Arras cover. unknown, author

Orphrey Fragment; silk, metal thread; Bequest of Marian Hague; 1971-50-41

Sampler (Denmark); medium; silk embroidery, wool foundation; 29.5 x 33.5 cm (11 5/8 x 13 3/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-231

Fragment (Tunic Yoke). Coptic; Egypt. Date: 501 AD-800 AD. Dimensions: 26.7 × 14 cm (10 1/2 × 5 1/2 in.). Linen and wool, tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

Textile 13th century The intricate pattern on this textile features paired griffins, foxes, and birds arranged among vine scrolls and palmette trees. The similarity of its motifs, design, and technique to earlier textile traditions of eastern Iran points to westward migration of artisans in response to Mongol expansion. Several collections preserve fragments of the same textile, perhaps part of a tunic.. Textile 450741

Picture Hanging, 1662-1722, K'ang Hsi, Di.40-7/8 x 28-3/4 in., Embroidered satin w. satin/silk,raw silk lining, China, 17th-18th century

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A strip and a border of triangular scllops are shown at left. An undulated flower stem rises at right. One and three-quarter repeats are shown., France, 1800-1825, Drawing, Drawing

Skirt Panel; silk, metallic

Sampler. Culture: British. Dimensions: H. 16 7/8 x W. 13 1/4 inches (42.9 x 33.7 cm). Date: 1832. Museum: Metropolitan Museum of Art, New York, USA.

The Meeting of Isaac and Rebekah from the Story of Abraham ca. 1600 Flemish. The Meeting of Isaac and Rebekah from the Story of Abraham 226596

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo (1615-1868) or Meiji period (1868-1912). Textiles-Woven

Leather (Holland), ca. 1700; leather, stamped, silvered, painted

Sampler, Mary Fitz, (American, born 1807), Medium: silk and human hair embroidery, cotton foundation, silk ribbon Technique: embroidered in cross, half cross, satin, stem, rococo, feather and buttonhole stitches on plain weave foundation, Central scene of two women, one standing, and one seated on a bench beneath a grape arbor. Border of sixteen squares containing birds, flowering sprays, baskets of flowers, boys at play, a house, and, at the bottom center, the inscription. With a border of green silk ribbon., Wrightsville, Pennsylvania, USA, 1819, embroidery & stitching, Sampler

A colored etching by Marco Carloni around 1776-1778 depicting the ceiling paintings in Villa Madama, featuring a central figure of Aphrodite within decorative curvature.

Fragment Made 1601-1900 Japan. Plain compound satin, silk & gilt paper; 3 strips to m.m. .

Fragment Made 501 CE-800 CE Egypt. Linen and wool, tapestry weave; embroidery . Coptic

Afghan war rug, The Oriental Applied Arts

Sheet with four scenes from the circus, Anonymous, 1780 - 1840 brocade paper Leaf with four scenes from the circus or fair. At the top left two men with a bear and dromedaris, top right the table of a magician, below a monkey on a balance beam, below a dancing animal and a boy who raises money. paper. paint (coating) relief printing monkeys, apes. circus animals. monkeys (circus performance). bears (circus performance). circus. illusionist, conjurer, juggler, 'legerdemain'

Quilt, Medium: cotton Technique: pieced and sewn patchwork of roller printed and glazed fabrics, quilted, Large-scale pillar pattern in striped effect of reds and blues and reserved white. Design shows an elaborate capital surrounded by fruit and flower clusters. On a strong red ground, festooned baskets containing naturalistic flowers flank pillars. Quilt is lined with a patchwork of the same fabric, other patterned fabrics, and bed ticking., England, ca. 1830, printed, dyed & painted textiles, Quilt

Sampler. Elisha Ryan (Irish, born 1837/38); Ireland. Date: 1852. Dimensions: 62.9 × 44.5 cm (24 3/4 × 17 1/2 in.). Cotton, plain weave; cutwork embroidered with wool in overcast stitch; embroidered with silk and wool in cross, long-armed cross, outline, satin and stem stitches. Origin: Ireland. Museum: The Chicago Art Institute, Chicago, USA. Author: Eliza Ryan.

Sidewall, leather, stamped, silvered, painted, Flowers and scrolling foliage. Very worn surface., Holland, ca. 1700, metalwork, Wallcoverings, Sidewall

Tapestry - The Conversion of St Paul, 1600-1650. One of a set of eight depicting the acts of the Apostles, after the cartoons of Raphael.

Chasuble with Orphrey Band. Chasuble: Italy or Spain. Date: 1475-1525. Dimensions: 131.8 x 73.4 cm (51 7/8 x 28 7/8 in.). Chasuble: Silk, plain weave with silk facing wefts and twill interlacings of secondary binding warps, and gilt-metal-strip-wrapped silk facing wefts forming weft loops on cut and uncut, pile-on-pile voided velvet; Orphrey Band: Linen, plain weave; embroidered with silk, linen and gilt-metal-strip-wrapped silk in fishbone, herringbone, satin, split, and stem stitches; laid work, couching, and padded couching; edged with woven fringe. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Two Mounted Warriors. Dimensions: H. 3 3/4 in. (9.5 cm)W. 3 3/16 in. (8. 1 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Sampler (England); Embroidered by Elizabeth Thurston (English); School of Judith Hayle; silk embroidery on linen foundation; Frame H x W: 58.4 x 17.8 cm (23 x 7 in.)

Fragment. Coptic; Egypt. Date: 501 AD-800 AD. Dimensions: 11.4 cm (4 1/2 in.) diameter. Linen and wool, tapestry weave; embroidery. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

Cosmati opus sectile panel with inscription from a Roman sarcophagus (reused) on thereverse

Pillow Cover. Possibly England. Date: 1880-1900. Dimensions: 49.5 x 52.7 cm (19 1/2 x 20 3/4 in.). Cotton, warp-float faced 'S' twill weave; embroidered with silk in stem and long and short stitches; painted. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Embroidered Panel (from set of four) 19th century China. Embroidered Panel (from set of four) 39803

Goldsmith's art and textile art from the 16th to the 20th century, St., Sankt, Saint

Fukusa (Gift Cover). Japan. Date: 1801-1825. Dimensions: 71.5 x 65.8 cm (28 1/8 x 25 7/8 in.). Patterned side: silk, warp-float faced 4:1 satin weave (shusu); embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in Chinese knot, satin, single satin, surface satin, stem and straight stitches; paper-strip wrapped cotton padded satin stitches; laidwork and couching; painted India ink (sumi) detailsLined (re-lined) with silk, plain weave with creped wefts (chirimen); interlined with cotton; plain weave; padded with waste silkSewn with padded lining extending beyond front at center on all four side (Yatsuzuma); silk, running "controlling" stitches along edges. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Pillow cover, Medium: linen foundation, silk, metallic thread, mica, glass chips and beads, pearls Technique: silk embroidered on plain weave using tent stitch and tent stitch with cut loops over padding; metal thread embroidery using slanted running stitch with diagonal alternating from row to row, couching and detached interlooping stitches over padding, Small cushion with a design showing a woman in the center with short brown hair and a blue and white gown worked in chenille thread. She holds in her right hand a scroll with the inscription: 'Faith.' She is surrounded by oversized flower sprays. At lower right is a pool with a bird, and at left, a leopard. Above is a castle with mica windows. Background is worked in silver thread and sides edged with silver lace., England, 1600-1650, embroidery & stitching, Pillow cover

Sketchbook with 94 sheets. Sketchbook consisting of 94 sheets and 11 loose drawings with mainly figures in classical pregnancy, mythological and biblical figures, Greek vases, urns and altars, perspective exercises and portraits. Partly drawn during the lessons of D.g.P. Humbert de Superville, among other things to Rafaël.

Fragment 18th century French, possibly Nantes. Fragment 222512

Embroidered picture frame, Medium: silk embroidery on linen foundation Technique: embroidered in tent and half cross stitches on plain weave foundation, Picture frame with scalloped top. Biblical scenes including the story of Abraham on border. Justice in a medallion at top. Central portion filled in later with the figures of two women. The lower case initials l.l. are at bottom. Difference in size of background stitches indicates work was done at two different times. Unfinished., England, 17th century, embroidery & stitching, Embroidered picture frame

Wall pocket, Medium: silk, metal Technique: applique of painted silks and painted paper plus embroidery on brown silk satin; couched gold-wrapped silk and strips of gilt foil plus attached gilt spangles, Wall pocket in yellow silk with embroidery in metal threads and applique of silk of human figures with painted faces., Germany, late 17th century, embroidery & stitching, Wall pocket

Children playing among trellises. Giulio Romano (Italian, 1492/99-1546) (designed after) draughtsman Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) weaver c. 1550-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Galerie Ruf, Rastatt in 1983. Germany, Rastatt, Galerie Ruf. Inscriptions: Weaver mark on right guard, bottom At top, boys picking grapes from trees; boys wrestling, carrying basket of grapes, knocking down grapes from trees with stick (foreground); cityscape (background) (BRD) grapevines interspersed with masks Related Works: Panels in set: GCPA 0237389-0237413

Mexico, State of Mexico, Teotihuacan archaeological pre-Columbian .200 BC, UNESCO World Heritage Site. Frescoes of the Palacio de Tepantitla

Sampler (USA); Embroidered by Matilda Jane Goddard; silk embroidery on wool foundation

Map Sampler (England); silk embroidery, paint, silk foundation

Sampler. England, Germany, or Netherlands. Date: 1759. Dimensions: 47 × 52 cm (18 1/2 × 20 1/2 in.). Linen, plain weave; embroidered with silk in darning and cross stitches. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Orpheus charming the animals. Culture: British. Dimensions: L. 14 1/2 x W. 12 inches (36.8 x 30.5 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Panel, c. 1930, 31 1/2 x 41 1/2 in. (80.01 x 105.41 cm), Cotton; block printed, United States, 20th century

Textile with Pomegranate Pattern. Italy, Venice, circa 1480. Textiles; textile lengths. Two-pile silk velvet, pomegranate pattern with looped motifs

Caswell Carpet. Dated: c. 1936. Dimensions: overall: 44.2 x 40 cm (17 3/8 x 15 3/4 in.) Original IAD Object: 144" wide; 162" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Dorothy Lacey.

Hooked Rug ca. 1870 Probably Edward Sands Frost. Hooked Rug. American. ca. 1870. Wool and cotton. Possibly made in Vermont, United States

Myanmar (Burma) Pagan Upali Thein frescoes Plate 57. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon

Border. Egypt, Akhmîn. Date: 401 AD-600 AD. Dimensions: 16.5 × 10.8 cm (6 1/2 × 4 1/4 in.). Linen and wool, slit tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

Votive tile of the Madonna del Carmine, St Anthony Abbot and St Clare, 1723, painted maiolica, Ariano Irpino manufacture, Campania. Italy, 18th century.

Sampler, Charlotte Payne Lloyd, Medium: silk on wool Technique: cross, satin, stem and chain stitches on plain weave foundation, Divided into three horizontal bands. At the top a woman in an Empire dress holding a flower stands between flowering plants, birds and animals. At the center a symmetrical arrangement of plants and birds. At the bottom the following verse and signature: 'Learn to contemn all praise betimes/ For flatt'ry is the nurse of crimes/ With early virtue plant thy breast/ The specious arts of vice detest/ Charlotte Payne Lloyd/ Aged 13 years June 29 1819.', England, 1819, embroidery & stitching, Sampler

Arras. unknown, author

Book Cover, 1700s. China, 18th century. Lampas weave, silk; overall: 27.3 x 32.4 cm (10 3/4 x 12 3/4 in.).

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