Passion of Christ Prints

Dramatic woodcuts depicting scenes from the Passion of Christ, showcasing intense emotions and intricate details of biblical events, reflecting historical art styles.

Christ before Pilate, c. 1512, Albrecht Dürer, German, 1471-1528, 4 9/16 x 2 7/8 in. (11.59 x 7.3 cm) (image), Engraving, Germany, 16th century

Albrecht Dürer (1471-1528). The Apocalypse (German Edition): the martyrdom of Saint John the Evangelist (Bartsch 61). 1498. Museum of Fine Arts of the City of Paris, Petit Palais. 77217-3 Apocalypse, Catholic art, Chretian art, religious art, Christianity, Gospel according to Saint John, Holy History, Christian iconography, Religious iconography, New Testament, Biblical character, Holy character, Biblical Prophety, Biblical Recute, Chretian Religion, Revelation, Renaissance, saint, saint, saint, saint, saint engraving

Calvary, from Life of the Virgin and Christ. Artist: Francesco Rosselli (Florence 1448-1508/27 Venice ()). Dimensions: Sheet: 8 11/16 × 6 7/16 in. (22.1 × 16.4 cm). Series/Portfolio: Life of the Virgin and Christ. Date: 1490-1500. Museum: Metropolitan Museum of Art, New York, USA.

Christ in the precautionary of hell; The little passion. Christ decreases in the pre-borne of hell with a cross staff in hand and saves the souls. Print is part of a book.

Christoph Murer, Christ Tells His Disciples of the Last Judgment, published 1630 Christ Tells His Disciples of the Last Judgment

Martyrdom of Saint Peter, from the series 'The little apostles' (Les petits apôtres) ca. 1632 Jacques Callot French. Martyrdom of Saint Peter, from the series 'The little apostles' (Les petits apôtres) 410283

Christ before Pilate. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

The worship by a shepherd, burning Braambos and the flowering staff of Aaron, Jacob Cornelisz van Oostsanen, after Lucas van Leyden, 1525 - 1530 print Top part of a leaf from a Biblia pauperum. Printed from multiple blocks. On the left Moses and the burning bright chief, in the middle the worship of the Christ child by a shepherd, on the right the flourishing staff of Aaron shown by Moses. Frame with four prophets. Text in French under the performances paper adoration of the Christ-child by the shepherds; Mary and Joseph present. Moses taking off his sandals. Moses shows the flowering rod of Aaron to the community. other groups of prophets

Martyrdom of a male saint, hanged and tortured with fire. Woodcut.

Geling, Albrecht Dürer, 1496 - 1497 print Christ is bound by a column, harassed, mocked and flooded by men and children. Pilatus looks left in the foreground. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1). mockings of Christ, who may be blindfolded

Christ's Entry into Jerusalem, from The Small Passion ca. 1508 Albrecht Dürer German. Christ's Entry into Jerusalem, from The Small Passion 387404

Copper engraving by Monogrammist AG, late 15th century, depicting the crossing of Christ with human figures, gestures, and compositional details.

Return of the lost son. The lost son kneels for his father, who embraces him. A man is about to skip a cloak to the Son. Some figures look. Behind them a village.

Crucifixion, Zacharias Dolendo, After Jacques de Gheyn (ii), c. 1595 print Christ on the cross between the two crucified thieves. Maria Magdalena is sitting at the foot of the cross, Maria stands next to the cross and John has turned away. A soldier dept with a sponge on a lance of Christ's face. In the foreground, the soldiers dice for Christ's clothes. Leiden paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Graphing of Christ.

The worship by a shepherd, burning braambos and the flowering staff of Aaron. Upper part of a leaf from a biblia pauperum. Printed of multiple blocks. Left Moses and the burning blackberry, in the middle the worship of the Christ child by a shepherd, on the right the flowering staff of Aaron shown by Moses. Front frame with four prophets. Text in French among the performances

The Nailing to the Cross, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, In the foreground, Christ is being nailed to the cross. Soldiers to left and right, lamenting figures in the background. Monogram of Dürer, lower left., Germany, ca. 1509-1511, Print, Print

Torture death by Paul by decapitation; Martyrdom of twelve apostles. The beheading body of the apostle Paul is on the floor, at the place where his head falls to two fountains. A Roman commander and his consequence of soldiers are watching. The soldier who turned the holy turnover, stops his sword again in the sheath. At the top left of two shields with the judicial and ducal weapon of Saxony.

Outpouring of the Holy Spirit; The little passion. The Holy Spirit descends down the apostles and Mary in the form of a pigeon. On the back Latin printed text. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Antwerp, Moretus, Johannes (II), Galle, Theodoor, Kortrijk, David, Jan, Duodecim Specula Deum, Twelve mirrors with which man tries to see God, Specvlvm Ocvlorvm Alienorvm, Mirror of fame, verso center bottom - stamped, In the center foreground a man is anointed, surrounded by his followers. In the background the goddesses Isis and Hera with their followers; a crocodile; King Ahab of Israel and King Herod. The print has a Latin caption: 'In basulisci oculis vis bellus stulte videri Maius adulantum lumina virus habent'. At the bottom a legend of the scenes that are numbered alphabetically in the image. The print is part of a twelve-part series (V of XII prints) on the subject of twelve mirrors through which man tries to see God., print, book illustration, prints, height 152 mm, width 89 mm, Southern Netherlands, 1571 - 1633, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), 1543 - 1613, writer, Publication (Event), Publication, publisher, - 1618

KruisDraging, Virgil, 1552 print Nuremberg paper carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ baptizing in the Jordan, Christ baptizing a man in the river Jordan. Two disciples stand behind him, five men look on., print, engraving, book illustration, prints, engravings, height 100 mm, width 140 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Guardians at grave of Christ; Passion of Christ ..

Ecce Homo - The Presentation of Christ, from The Large Passion Made 1498 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Christ is nailed to the cross, Crispijn van de Passe (I), 1600 print Christ is nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the background Maria, Maria Magdalena and John the Baptist. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving the erection of the cross: Christ is nailed to the cross which lies on the ground

Crossing, Augustin Hirschvogel, 1545 print Christ is exhausted on his knees by wearing the cross. Simon van Cyrene takes over the cross from him. In four Latin rules inscription above the performance, this episode is described: Consvlit Hic Nostre ... Baivlet Ipse CRVCEM. Vienna paper etching carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Christ Carrying the Cross, 1511, Albrecht Dürer, German, 1471-1528, 5 x 3 13/16 in. (12.7 x 9.68 cm) (sheet), Woodcut, Germany, 16th century, Albrecht Dürer made three series of Passion prints, two in woodcut and one engraved. Genius that he was, he capitalized on the affective possibilities of each technique. Using the more direct woodcut medium, Dürer presented a very human, very tired Christ weighed down by his cross--and, visually, by the city gate beyond. Engraving allowed for a subtler, more introspective Christ who seems to rise heroically above the heft of his cross and the heckler's taunts.

The Crucifixion Made 1545-1555 France. Engraving printed in black, on paper . Jean Duvet

Young. Erazma; Cranach, Lucas (1472-1553; st.); 1506 (1506-00-00-1506-00-00);Erazm (Saint - -A 305), Tree, Herbs, Rider, Horse, Martyr, Martyrdom, Events, Landscapes, Religious performances, Castles (Architecture), Death, Saints

This 1553 woodcut by Pieter Coecke van Aelst depicts the new moon festival and a funeral, highlighting figures, ceremonial attire, and Northern European woodcut technique.

Plague of grasshoppers. The eighth plague that God left over Egypt. Moses stands for the pharaoh on his throne. He points his staff in the air. The grasshoppers come in with the wind through the window. The print is part of an album.

Christ Carrying the Cross, from The Small Passion ca. 1509 Albrecht Dürer German. Christ Carrying the Cross, from The Small Passion. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). ca. 1509. Woodcut. Prints

Worship by the kings; Life of Mary. Maria is with the Christ child on his lap at the entrance of a derelict building. Joseph is behind her. The three kings or points from the east offer Christ their gifts. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Christ Nailed to the Cross. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

Paulus brings Eutychus back to life, in or after 1629 - in or before 1646 print Eutychus, a boy who died by falling out of a window, is brought back to life by apostle Paul. The print is part of an album. paper letterpress printing Eutychus is raised from the dead by Paul

Christ Taken by the Jews, 1508, Albrecht Dürer, German, 1471-1528, 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm) (image), Engraving, Germany, 16th century

. In an oval frame decorated with ornaments a representation of an old man on his deathbed. While a priest gives him the last sacrament, one of the employees steals money from a coffin. In the background the funeral procession. The print has a Latin and French caption.

Woodcut by Albrecht Dürer depicting Christ being nailed to the cross, part of the Small Passion series, created around 1509.

Collapse from a bridge at Utrecht or Maastricht; Liber chronicarum. Submitting a bridge. The persons running on it drown because they did not stop dancing while the Holy Sacrament passed by. The text in the Liber Chronicarum calls Utrecht, but also that the dancers fell into the Maas. The print is part of an album.

Christ next to the cross; Passion of Christ. Two soldiers hold Christ, while he remedied his crucifixion. Other soldiers hit holes in the cross that lies on the ground. Pilatus looks at the horse in the background. In the margin a two-legged Bible quote from Luc. 23 in Latin.

The Crucifixion with the Two Thieves, plate ten from the Life of the Virgin and Christ Made 1465-1475 Italy. Prints in both Europe and Japan advertised their functions to the viewer. The Florentine printmaker Francesco Rosselli sold his 15-plate Life of the Virgin and Christ series with columns that could be cut out and pasted around the scenes. Surviving examples were used as individual rectangular frames or as part of a larger altarpiece framework. The six large woodcuts of Buddhist deities nearby in this gallery (1961.1004, .1006, .1007, .1010, .1012, and .1015), which were also produced in the 15th century, include their own fictive frames within the prints, visually suggesting their intended use in place of painted scrolls in a temple setting.. Engraving, printed in gray on paper . Francesco Rosselli

The Passion: Christ Carrying the Cross, before 1619. Hieronymus Wierix (Flemish, 1553-1619). Engraving; 8.5 x 5.4 cm (3 3/8 x 2 1/8 in.).

Adriaen Huybrechts' 'Christ Before Pilate' (1584) is a copper engraving depicting Christ and Pilate, highlighting posture, gesture, and narrative interaction.

Conversion of the prisoner of Filippi. The prisoner's keeper of Filippi tries to commit suicide when he notes that prison doors are open. He fears that the prisoners have escaped. However, the apostle Paul and his soul Silas are in jail. Paul converts the prisoner. The print is part of an album.

Christ descending into Limbo 1566 Mario Cartaro Italian. Christ descending into Limbo. Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557-88, died 1620). 1566. Engraving. Prints

Italy, Raphael, Descent from the Cross, verso - stamped, The body of Christ is taken down from the cross. On the left and right the crosses on which the two criminals were crucified. At the foot of the crosses the Marys and other figures mourn., print, prent, prints, prenten, height 461 mm, width 386 mm, print maker, prentmaker, 1543 - 1543, paper, papier, engraving, engraving (printing process), plaattoon, Work conception, 1483-04-07 - 1520-04-07

Woodcut by Urs Graf d. Ä. from around 1506 depicting the acceptance of the cross, showing Christ, figures, gestures, and composition.

Collecting the Manna, Hans Holbein (II), 1538 print The Israelites pick up the manna from the ground that rains from a cloud. They load their aprons and baskets while Moses watches the left. In the margin above the image is the text Exodi XVI. paper in the morning manna falls to the earth ~ Exodus

Book illustration of the story of the passion of Christ (John 19:5). Pontius Pilate shows Christ, with crown of thorns and robe of mockery, to the Jewish people. The print includes a caption with a reference to the accompanying Bible passage, Ecce Homo Scenes from the Bible Biblia Sacra , print maker: Johannes Wierix, Christoffel Plantijn, Antwerp, 1583, paper, engraving, h 164 mm × w 112 mm

Christ shown to the people, Johannes Wierix, after Pieter van der Borcht (I), 1581 print paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Annunciation. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Praying believers, an animal dressed like Non and H. Peter receives the key, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing habit, frock. monkeys, apes. Christ gives the keys of heaven to Peter

Augustin Hirschvogel, The Entry into Jerusalem, 1547 The Entry into Jerusalem

Woodcut by Urs Graf the Elder illustrating Pontius Pilate washing his hands, symbolizing his role in Christ's trial.

The Messeling of Christ, Jacob Cornelisz van Oostsanen, 1517 - 1533 print From series of twelve prints, frame cut away. Christ tied to column, is flashed. paper flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Woodcut by the Master of the Crossed Clubs around 1440-1450 depicting a religious scene with cross motifs, showing figures, gesture, and medieval iconography.

Cross direction. Christ is nailed to the cross. A few soldiers have the cross and put the right in the ground. The people look. With various elements from the show are letters. The print is part of an album.

The personé with each other Talking Sint Julius The BAPST of the name of the second or the other Sin Genius That's Sin Engel ES SY as the good or bowl angel unnd Sant Peter. Woodcut Bl. 2 Verso from: from the violence and head of the churches / a speech between the Healy S. Peter and the Alleyyligist BAPST Julio ... to read the others and Seyns Genij ... Kurtzwylig. 1521. Dresden: Slub Hist.eccl.e.375,26

The Passion: Christ Carrying the Cross, 1521. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Conversion of Paulus, Anonymous, After Maerten de Vos, 1591 - 1600 print Saul, the later apostle Paulus, is blinded on the way to Damascus by light from heaven, causing him to fall off his horse. Other soldiers on horseback rush to help him. At the bottom of the margin a two -way caption in Latin. print maker: Low Countriesafter design by: Antwerppublisher: Antwerp paper engraving on the way to Damascus Christ appears to Saul, who falls from his horse and is blinded by the light

Man wiens haar wordt geknipt en gekamt en scènes uit de Passie van Christus.A man takes a bath on the right in the foreground. On the left is a man in a chair, whose hair is cut and combed by two men. A servant holds a mirror for him. In the background a niche with Christ that is crowned with the thorns crown. Right in a niche of Christ.

cast into the well by his jealous brothers

Netherlands, Master of the Virgo inter Virgines, Master of Delft, Master of the Delbecq-Schreiber Passion, The Ascension of Christ, Christ ascends into heaven, his lower body still visible. Mary, Peter and the other eleven apostles look on., print, engraving, book illustration, prints, engravings, height 90 mm, width 68 mm, Southern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Northern Netherlands

Bearing of the Cross. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Generation of a bricklayer; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. A bricklayer who was a church wall to repaired, dies after a fall of his ladder. The Holy Dominician takes his hand and prays for him. The bricklayer is thus raised to life. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

German 16th Century, Christ Disputing with the Doctors (recto), c 1600 Christ Disputing with the Doctors recto

Wedding ceremony at a bridal portal, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing marriage, married couple, 'matrimonium'. parts of church exterior and annexes: portal - QQ - small church, chapel

The thorn corant; The little passion. Christ, sitting, branch in hand given and thorns pushed on head.

Ecce Homo, from The Passion of Christ mid 17th century Nicolas Cochin French. Ecce Homo, from The Passion of Christ 398277

Christ Nailed to the Cross, page 85 from the Treasury (Schatzbehalter) Made 1491 Germany. Woodcut on cream laid paper with letterpress on verso, laid down on ivory wove album sheet . Michel Wolgemut

Italy, Tempesta, Antonio, History of the Order of Saint George, Isagogia historia de Constantino max: imperatore instatuta militia angelicae aureatae Constantinianae sub titulo magni martyris S Georgii, Crux Christi in pristinum locu ab heraclio imp. restituta, Heraclius carries the true cross in triumph, verso - stamped, Emperor Heraclius carries the cross of Christ in triumph on his shoulders in a procession through a landscape towards a temple., print, prints, height 177 mm, width 135 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings

Christ heals two blind people and a possessed man who could not speak, Master of Delft (attributed to), 1503 print Christ with two blind and a possessed man, who is held by two other men. The performance is based on Matthew 9: 32-34 and Lucas 11: 14-16. In the States translation it is described as follows: If they now went out, they brought him to him a human being who was stupid and of the devil. And if the devil was ejected, the stupid spoke. " The new Bible translation 21 says: As they left the house again, someone brought him to him who was possessed and could not speak. After the demon was pushed out, the stupid began to speak. Low Countries paper healing of two blind men who followed Christ into a house (Matthew 9:27-31). healing of a possessed man who could not speak (Matthew 9:32-34; Luke 11:14-16)

The parable of the Royal Wedding, Master of Delft (Attributed To), 1503 print Six scenes in one landscape from the parable of the Royal Wedding. Low Countries paper the great supper; the royal wedding-feast ~ parable of Christ (Matthew 22:1-14; Luke 14:16-24)

Frost in his throne room; Arzases or the generous betrayal. Tragedy; Title page for: B. Huydecoper, Arzases, or the generous betrayal, 1732. In the throne room a prince is watching how a man and two women rob himself with a dagger of life. He stands for his throne with a command stove in hand. His soldiers also hit the scene.

Jesus drives the moneychangers out of the temple, woodcut, 1521

This 1533 woodcut by Hans Schäufelin depicts King Solomon delivering judgment, showing figures, gestures, attire, and early 16th-century German printmaking.

Festa della sensa (tenth part); AnkeFt und Herkvommen der Weitberümbten Herrlichen Statt Screw Sambt Derselben Waident Herrschafft. Procession of the Doge on Ascension Day over the San Marco Square in Venice. The procession leads to the Bucintoro, the galei of the Doge. Once a year 'married the Doge during the DELLA SENLA Sensa festa with the Adriatic Sea by throwing a ring in the water from this galei.

Consultation between three warriors; King Eglon van Moab consults with the leaders of the ammonites and the Amalekieten. Three warriors with a (triumph) column on the right. Used here as an image of King Eglon from Moab. He knew to get the ammonites and amalkites on his hand. On behalf of God the father defeated Israel and mastered the Palmstad. The Israelites had to serve King Eglon from Moab eighteen years. The print is part of an album.

German 16th Century, Christ Disputing with the Doctors, c 1600 Christ Disputing with the Doctors

Master S, Pilate Washing His Hands Pilate Washing His Hands

A 1507 woodcut by Hans Schäufelin showing Christ carrying the cross on his shoulders, emphasizing posture and movement in the scene.

A late 15th-century copper engraving by Martin Schongauer titled The Crossing, depicting Christ carrying the cross, emphasizing figure, posture, and religious symbolism.

The Holy Hieronymus writing in a cave. The Holy Hieronymus is sitting in a cave. A lion is behind him. Due to the opening of the cave, a town on a bay can be seen.

Simon Zelotes sawn in half; Martyrdom of twelve apostles. The apostle Simon Zelotes is cut in half as he is tied down with his head to a construction of wooden posts. Two men hold the saw at the ends and move it up and down at the hull of the saint. Men on horseback and soldiers are witnesses of this torture. Buildings on rocks are in the background. In the middle above two shields are shown with the judicial and ducal weapon of Saxony.

Two prints: The Crucifixion on recto and Christ Bearing the Cross on verso, from The Passion Lucas Cranach the Elder German. Two prints: The Crucifixion on recto and Christ Bearing the Cross on verso, from The Passion 434549

The lost son eats from the pigstrog, Cornelis Anthonisz., 1535 - 1545 print One of series of six. The son (Filius Prodigus) eats with the pigs from a trough, it says: Ferment of the Pharisees (Fermentum Pharisaeorum). around him are the mouth of hell (infernus), death (spill), the devil (diabolus), despair (desperatio) that is bitten by the conscience (Morsus Conscientia), disease (Morbus), Hunger (Fames) and War (Bellum). In the sky a cloud from which two hands stick, one with bulb, one with whip. They symbolize God's punishment (Ultio Divina). In the landscape is the Synagogue of the Devil (Synagoga Sathana). Low Countries paper the prodigal son tends the swine and eats from their trough

Christ Nailed to the Cross, from The Small Passion ca. 1509 Albrecht Dürer German. Christ Nailed to the Cross, from The Small Passion 387423

The return of the lost son. Number of scenes from the story of the lost son in one show. In the middle the return of the lost son, his father embraces him. Two cartouches with text.

Christ led to herod; Passion of Christ. Christ is guided by soldiers, dressed in armor with spears and halriers, for Herod. Herod is sitting on a richly ornamented throne with putti and he interrogates Christ. The top of the show is capping with a round bow with the judicial and ducal weapon of Saxony in the swing on two shields.

John the Baptist preaches to people. Left John is the Baptist dressed in an animal skin, in the wilderness between trees. It is visible to his hand gesture that he preaches to men, women and children who are on the floor and are between the trees. In the foreground is a sleeping dog. At the top right of the tree, two shields hang with the judiciary and ducal weapon of Saxony.

Martyrdom of H. Laurentius; S. Lavrentivs Martyr. Saint Laurentius is on a schedule, including a fire burns. His executioners fired the fire. The prefect looks, surrounded by other spectators. Two angels leave a laurel wreath from heaven. In the margin a bible quote from PS. 16 in Latin.

Crossing, Hieronymus Wierix, 1563 - Before 1619 print Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. In the margin a two -way Bible quote from Joh. 19 in Latin. Antwerp paper engraving Christ collapsing ~ carrying of the cross

David plays Harp for Saul. Soul sitting on a throne in his palace. For him, David is standing on his harp, leaving the evil spirit, in the form of a fantasy being, Van Saul (1 Samuel 16:23). In the landscape in the background, David saves a sheep from the muil of a bear (1 Samuel 17:34).

Mocking of Christ, Paulus Constantijn La Fargue, 1781 print Christ with thorn crown and tied hands is mocked by three soldiers. Around the performance medallions with scenes from the New Testament. The Hague paper etching in Pilate's palace Christ is mocked by soldiers (Luke 22:63-65)

Adoration by De Koningen, Albrecht Dürer, 1501 - 1505 print Maria is sitting on his lap with the Christ child at the entrance of a derelict building. Behind her is Joseph. The three kings or pointing from the east offer Christ their gifts. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Jean Duvet, The Angel Gives Saint John the Book to Eat, 1552 1556 The Angel Gives Saint John the Book to Eat

This 1519 woodcut by an anonymous artist depicts Saint Benedict in a cave, showing figure, posture, and devotional composition.

Ecce Homo, Nicolaes de Bruyn, 1618 print Pilatus shows Christ to the Jews who have gathered outside the courthouse. Netherlands paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

The Crucifixion. Albrecht Dürer (German, 1471-1528). Woodcut;

Abraham Verstoot Hagar and Ismaël, Hendrick Hondius (I) (Attributed to), after Lucas van Leyden, 1583 - 1650 drawing Abraham gives a jug to Hagar, who leaves with their son Ismael. Behind Abraham Sarah sits against wall with Isaac. In the landscape in the background an angel appearing to Hagar. paper Abraham provides Hagar and Ishmael with bread and a jug of water

Kruisdraging, Albrecht Altdorfer, c. 1506 - 1538 print Christ on his knees, the cross on his shoulders bearing. Behind him a crowd of people, for him a soldier who is about to hit a rope. Twenty -seventh print from a series of forty. Germany paper Christ collapsing ~ carrying of the cross

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