Pastoral and Seasonal Engravings

Etchings portraying rural life and seasonal themes, illustrating human activities amid natural settings, with a focus on engaging life scenes.

Jacob de Weert engraved a copper print between 1589 and 1625 depicting the baptism of Christ, showing Christ, John the Baptist, water, and surrounding figures in a religious composition.

Photo production of a drawing, representing Friederike and a spinning woman in front of a building, Anonymous, After Wilhelm von Kaulbach, c. 1875 - c. 1885 photomechanical print paper collotype adult woman. spinning-wheel. façade (of house or building)

Copper engraving and etching by Raphael Sadeler the Elder from 1580-1632 depicting rural peasant scenes with seasonal changes, showing farmers, livestock, crops, and village life.

This etching by Jacopo Palma, created between 1600 and 1636, depicts the personification of Rome and the biblical story of Judith and Holofernes, emphasizing allegorical and narrative composition.

Etching by Jean Le Pautre created between 1625 and 1682 depicting a fountain with ornamental design, highlighting architectural and decorative details.

Etching by Bénédict Alphonse Nicolet, 1760-1806, depicting the town of Trivoli with architectural and landscape details.

Etching by Johannes Glauber depicting Pyrrhos after his return, created between 1661 and 1726.

An etching by Wenzel Hollar from 1652-1654 depicting illustrated scenes from Vergils works in book format.

Etching by Léon Davent showing a hunting scene with Adonis in 1547, including animals, hunters, and landscape elements.

Copper engraving by Jan van der Straet from around 1591 illustrating inventions and discoveries, showing detailed depictions of tools, machines, and experimental devices.

Etching of a landscape featuring three men wearing antique robes by Johannes Glauber, created between 1661 and 1726.

This etching by Jan van de Velde II, created between 1607 and 1652, depicts various scenes set within landscapes, showcasing his versatility in representing natural and human activity.

A circa 1635 copper engraving by Theodor van Thulden depicting Bellerophon killing the Chimera, illustrating a mythological battle scene.

Etching by Simon Frisius created between 1600 and 1628 depicting the biblical parable of the Samaritan finding the injured man, showing figures, gestures, and landscape.

Etching by Ernst Gottlob, created between 1764 and 1796, depicting the adoration of the shepherds and the acceptance of the cross using sound plate technique.

Etching by Johann Wilhelm Baur from 1641 depicting Metamorphoses with mythological figures, narrative scenes, and detailed artistic composition.

Etching by C. Frussotte created between 1770-1830 titled 'Remember', depicting a scene with figures in reflective poses and detailed composition.

Copper engraving by Adriaen Collaert depicting July with the zodiac sign Leo and August with Virgo, created between 1586 and 1676, illustrating early modern European art and zodiac symbolism.

An etching by Matthäus Merian the Elder depicting 'Uesper', one of the four times of day, showing landscape, architecture, and human activity, created in 1624.

Etching by François Philippe Charpentier depicting shepherds at rest, showing figures, flock, terrain, and trees, created between 1760 and 1817.

Copper engraving by Peter Nagel from 1569-1604 depicting an allegory combining scenes from the Old and New Testament, showing figures, symbols, and biblical narratives.

Etching showing the Sacrifice of Isaac, with Abraham holding the knife and an angel intervening, set in a biblical scene with figures and landscape.

Copper engraving and etching by Pietro Santo Bartoli depicting Jupiter suckled by the goat Amalthea, created in 1663, showing mythological figures in a classical setting.

Etching by Wenzel Hollar from 1652-1654 illustrating Vergil, showing scenes, figures, and classical narrative elements.

Etching by Pierre François Beaumont depicting figures returning from a hunt with horses, hunting dogs, and countryside landscape, dated 1735-1769.

Etching by Georg Friedrich Schmidt from the 18th century showing soldiers and the rescue of a shipwreck, depicting figures, naval attire, and maritime elements.

Photo reproduction of a print of a scene from Hermann und Dorothea, representing Hermann who meets Dorothea ..

Etching by Marie Joanne Ozanne around 1750 depicting a Flemish farm, showing buildings, landscape, figures, and rural activity.

Engelen in Glorie, William Baillie, After Correggio, 1777 Angels or naked figures floating between the clouds. The print is part of an album. paper etching Angels or naked figures floating between the clouds. The print is part of an album. paper etching

Copper engraving by Pieter de Jode, 1590-1634, depicting Tactus and an allegorical representation of a marriage dowry with figures in symbolic composition.

1681 etching by Melchior Küsel representing Ovid's Metamorphoses with scenes of mythological transformations and figures.

Copper engraving by Karel van Mallery circa 1596 depicting the burning of a drachot's nest and a crocodile hunt, showing hunters, animals, and landscape elements.

Etching by Pietro Testa depicting Thetis immersing Achilles in a water vessel, created between 1628 and 1650, illustrating a scene from classical mythology.

Johann Georg Bergmüller etching illustrating the second to fourth creeds, created in 1730, showing figures and symbolic elements of Christian doctrine.

Copper engraving and etching by Theodor van Thulden around 1635 depicting the allegorical triumph of Prince Ferdinand with symbolic figures and emblems.

Copper engraving and etching by Bernard Picart from 1733 depicting an allegorical scene set in a landscape, executed in dotting manner with detailed figures, trees, and terrain elements.

Etching by Claude Augustin Duflos depicting a waterfall in the Tieberbain near Rome, created between 1750 and 1786.

Depicts Moses receiving the tablets of law and Adam and Eve, created as an etching by Albrecht Dürer in 1786 after 1524, showing figures, gestures, and biblical narrative.

This etching by Abraham Jacobsz. Hulk from 1803-1810 depicts a landscape with cavalry, showing mounted soldiers, terrain, and formations.

Etching by Johann Elias Ridinger from 1768 depicting a stag, showing antlers, posture, and natural woodland setting.

Melchior Küsels 1681 etching shows transformations from Metamorphoses, depicting mythological figures, narrative sequences, and symbolic actions in European printmaking.

Copper engraving by Johann Sadeler the Elder depicting the Adoration of the Shepherds, created between 1570 and 1600.

Copper engraving and etching by Adriaen Collaert depicting female hermits, produced around 1580.

Copper engraving by Johann Sadeler depicting Peter walking on water and the Holy Family resting during the flight into Egypt, showing figures, gestures, landscape, and background, created in 1580.

This etching by Adriaen Hendriksz. Verboom, created between 1640 and 1670, depicts a landscape with two human figures, illustrating rural scenery and 17th-century Dutch landscape art.

An etching by Salomon Gessner around 1811 depicting Damon and Phillis, showing human figures in interaction within a natural landscape.

Book illustration etching by Matthäus Merian the Elder from 1631 portraying a New Testament scene with biblical figures and narrative elements.

Photo production of in family II: the love times by Antoine Wiertz, Edmond Fierlants, after Antoine Joseph Wiertz, c. 1863 - in or before 1868 photograph photographic support albumen print couple of lovers

Etching by Giovanni Battista Fontana depicting St. Peter's martyrdom, created between 1540 and 1587.

Etching by an unidentified artist, 1781-1796, depicting the tribute paid by the States of Foix and the formal taking of possession of the county, showing figures and ceremonial setting.

An etching by Christian Wilhelm Ernst Dietrich created between 1730 and 1774 depicting the biblical story of Abraham and Isaac, illustrating the moment of near-sacrifice and the figures' expressions.

Etching by Albert Meyering created between 1665 and 1714 depicting a landscape scene with bathers, showing natural terrain, water, and human figures.

Melchior Küsels 1681 etching depicts mythological transformations from Ovids Metamorphoses, showing figures, symbolic actions, and European printmaking style.

Etching by Stefano della Bella depicting a tank of triumph honoring Louis XIV, King of France and Navarre, created in 1645; shows allegorical elements and ceremonial design.

Etching by Georg Leopold Hertel, created around 1770, depicting a rural landscape with a farmhouse.

Etching by Giovanni Francesco Grimaldi depicting a landscape with the baptism of Christ, produced between 1630 and 1680.

Etching by Theodor van Thulden, 1633, depicting scenes from the adventures of Odysseus.

An etching by Johann Elias Ridinger from 1744 illustrating Fable II, depicting human figures and horses in a narrative scene conveying moral lessons.

Copper engraving from 1628 depicting the Triumph of Bacchus, showing Bacchus, figures, and mythological elements in European 17th-century style.

This 1833 etching by Johannes Riepenhausen portrays scenes from Raffael's life, including human figures, gestures, and spatial composition within narrative contexts.

Copper engraving by an anonymous engraver, circa 1660, depicting emblematic figures illustrating Divine Love with symbolic attributes.

Hemelvaart van Maria, Melchior Küsel (I), after Johann Wilhelm Baur, after Guido Reni, 1682 print Text in German in the lower margin. Numbered in the bottom right: 24. Print is part of an album. Augsburg paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Etching by Joseph Charles Cogels depicting a sleeping dog, a bridge with fastening system and tower, and a landscape, created around 1810.

An etching by Franz Edmund Weirotter showing a village on the water with a jetty where clothes are hung, depicting houses, figures, and waterfront activity, 1750-1771.

Etching by Melchior Küsel from 1681 depicting mythological scenes and transformations from Metamorphoses with detailed figures.

Landscape with Group Herders, William Baillie, after Pieter de Molijn, 1777 The print is part of an album. paper etching The print is part of an album. paper etching

Etching by Jacques-Philippe Le Bas created between 1720 and 1783 illustrating the lively Venice Fair with detailed architectural and crowd elements.

Etching by Marco Ricci from 1730 depicting ruins alongside an equestrian stand, set in a rural landscape with vegetation and open fields.

Copper engraving and etching by Giorgio Ghisi depicting Cephalus and Procris with nymphs and satyrs, showing figures, gestures, and landscape, created between 1540 and 1582.

Copper engraving and etching by Gerrit Adriaensz. de Heer showing a resting Roma family in front of a dilapidated hostel, created between 1626 and 1670, depicting figures and daily activity.

The etching by Bernhard Rode around 1776 depicts Antonius and Cleopatra, showing their interaction, attire, and classical historical context in detailed illustration.

Etching by Anton Joseph von Prenner from 1700-1761 showing Aeneas carrying Anchises and a depiction of Venus Verticordia, with classical figures and gestures.

This etching by Charles Le Brun, created between 1699 and 1708, depicts the Battle of the Hydaspes, showing Alexander the Greats army in combat against King Porus on the banks of the Hydaspes River.

A copper engraving by Johann Sadeler the Elder depicting the mythological figure Mercury and the personification of the Moon, created in 1585, illustrating classical celestial themes.

Etching by an unknown engraver from the 18th century depicting Dido receiving Aeneas, showing figures in classical poses with narrative composition.

Etching and aquatint by Johann Friedrich Bause depicting a summer evening scene, created in 1787.

Louis Desplaces produced etchings and copper engravings from 1700 to 1739 depicting figures approaching the waters, reflecting naturalistic and early 18th-century European engraving styles.

Gabriel Perelle produced a landscape etching from 1620 to 1677 depicting natural and architectural features. The work demonstrates detailed line engraving in early 17th-century French art.

Etching by Antonio Tempesta from 1575-1630 depicting a fight between centaurs and animals, showing mythological figures and dynamic action.

Copper engraving by Pierre Dufour, 1565-1571, showing a fight in front of an altar and a sacrificial scene on Apollo's altar, with figures and ritual details.

An etching by Franz Edmund Weirotter from 1750-1771 showing boats arriving from Rouen in Paris, depicting river, vessels, and urban surroundings.

Copper engraving and etching by Benoit Audran in 1698 depicting the biblical story of Samson with detailed figures and composition.

Etching by Anthonie Waterloo depicting a small hunchbacked figure, created between 1629 and 1690.

Etching by Bernhard Rode depicting the ascension of Christ, showing figures, angels, clouds, and spatial composition in 1776.

Joseph Goupy etched a print between 1700 and 1770 depicting the hunt of Diana, showing hunters, deer, and hunting dogs in action.

Woodcut depicting a scene with biblical figures, created by an anonymous artist in the mid-15th to 17th century, illustrating religious themes using traditional woodcut techniques.

Design for a Cartouche Evoking War, Jacques de Lajoüe, French, 1687-1761, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, At left of cartouche, a slave restrained by a ball and chain. A flag, spear, and shield are seen at left. Spears, torch, and canon are at right. A phoenix surmounts the cartouche., France, 1740, ornament, Print, Print

Copper engraving and etching by Raphael Sadeler d. Ä. from 1580-1632 depicting coastal landscapes during storm and rain, showing waves, cliffs, and sky conditions.

Copper engraving by Antonie Wierix II showing the risen Christ, produced between 1572 and 1604.

This copper engraving and etching by Pierre Michel Alix, circa 1781, depicts a coastal landscape with a paved city, showing buildings, streets, shoreline, and maritime elements in 18th-century European art.

Johannes Glauber created an etching of a landscape featuring two women and a man near a stone column between 1661 and 1726, showing natural terrain, trees, and architectural elements.

Etching by Pieter Jacobsz. van Laer depicting hunting dogs inside an interior with various devices, created in 1636.

A 1630-1690 copper engraving and etching by Frederick Bloemaert depicting the twelve months in pastoral scenes, showing seasonal landscapes, figures, and rural activities.

An etching by Wenzel Hollar from 1665 illustrating a single fable, featuring animals and human characters interacting in a narrative composition.

Etching by Daniel Nikolaus Chodowiecki, 1770, depicting happy people in a garden for Basedow's elementary work, showing figures, landscape, and daily life scenes.

Copper engraving and etching by Claude Augustin Duflos created between 1720 and 1786 depicting pastoral poetry and satyric poetry scenes.

Copper engraving by Johann Sadeler depicting the temptation of Christ and the parable of the merciful Samaritan, created in 1580.

Etching and copper engraving by Jean Moyreau depicting the Fountain of Venus, created in 1750. The artwork presents a sculptural fountain, mythological figure, and detailed surroundings.

Man and his profession , The warrior,

Copper engraving by Philipp Galle depicting a triumphal scene with soldiers, banners, and human figures in 16th-century ceremonial context.

Copper engraving by Johann Sadeler the Elder, created between 1570 and 1600, depicting death and hell, showing figures experiencing the afterlife, demons, and symbolic representations of punishment.

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