Pastoral Landscapes

Etchings of serene landscapes with figures, rivers, and nature, conveying a tranquil ambiance and a focus on the interaction between humans and nature.

Amsterdam, Visscher, Nicolaes (I), Swanevelt, Herman van, Verscheyde aerdige lanschappen, Landscape with two resting figures, verso lower left - stamped, A man and a woman are resting at a river with a wooden bridge. In the distance lies a building in the hills., print, prent, prints, prenten, height 153 mm, width 203 mm, print maker, prentmaker, 1633 - 1679, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1604 - 1655, after print by, Publication (Event), Publication, 1618-01-25 - 1679, publisher

Landscape with Figures by Stream Artist's working dates 1773-1812 France. Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto card . Pierre Joseph Wallaert

Landscape with ruinous classic buildings, Anonymous, 1701 print View of a landscape with ruinous classic buildings and a lake in the middle. The trees seem to dance in the wind. Amsterdam paper etching landscape with ruins. winds

Landscape with figures on a swinging path; Oval fantasy landscapes; Variae Campestru Fantasiae a Hermano van Suanevelt Invent et in Lucem Edita (...). A Winding Path with a FEW Walkers Can Be Seen in An Oval Frame. In front is a figure on the ground.

Sadeler, Marcus, Stevens, Pieter (II), Pieter (I), Major, Isaak, Ten landscapes, View of a bridge over a river, verso - stamped in red, print, prints, height 153 mm, width 229 mm, German, 1576 - 1642, print maker, printmaker, 1586 - 1630, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1540 - 1620, after a design by, 1567 - 1624, Publication (Event), Publication, 1614-04-11 - 1650, publisher

Prague, Sadeler, Aegidius, Savery, Roelant, Mountain landscapes from Tyrol, Wooded landscape with wooden bridge, verso below - stamped, Wooded landscape with wooden bridge and some travellers. Town in the distance. Sixth print of a six-part series with mountain landscapes from Tyrol., print, prints, height 195 mm, width 267 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1609 - 1609, paper, etching, engraving, engraving (printing process), Work conception, Northern Netherlands, 1576 - 1639-02-25, after a design by, Publication (Event), Publication, publisher

Italy, Guercino, Landscape with two figures, verso - stamped, A landscape with two figures. One of the figures points to birds in the sky., print, prints, height 130 mm, width 170 mm, Italian, 1591-02-08 - 1666-12-22, print maker, printmaker, 1601 - 1666, paper, papier, etching, etchings

Scene from the Old Testament Israeli prophet Daniel Tempesta, Antonio (1555 1630)

Whitlingham, Joseph Stannard, 1797-1830, British, 1824, Etching, engraver's proof, Sheet: 17 x 10 3/4in. (43.2 x 27.3cm)

Three nymphs bath in a small lake; Scenes from Vergilius poetry bundle Bouncerca. Illustration for virgilius ecloga 9. Three nymphs are going to bathe in a small lake in an arcadic landscape.

Landscape with the Temple of Vesta, Moyses van Wtenbrouck, 1700 - 1710 print In a landscape with a round, classic temple, an angel keeps a man to hand (Tobias and the angel). On the left a shepherd with her herd. print maker: The Haguepublisher: Amsterdam (possibly) paper etching / engraving the meeting of Tobias and the angel Raphael

Landscape with two shepherds, Jan van Call (I), 1666 - 1706 print Illustration for Ecloga 3 from Virgilius. Two shepherds are sitting on a hill between bushes. In the background a rocky landscape with a lake. Amsterdam paper etching pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Apollo vervolgt Daphne, anonymous, after Philips Galle, after Hans Bol, c. 1550 - c. 1650 print Apollo, who was hit by Amors Pijl, continues the Nymph Daphne. Daphne was also touched by one of Amors arrows, but unfortunately by one that drives away love. Southern Netherlands paper etching Apollo pursuing the nymph Daphne (as yet not metamorphosed)

Landscape with goat on bridge, Allaert van Everdingen, 1631 - 1675 print Forest -like landscape with high rocks on either side of a stream. A wooden bridge over the water where a goat and a man with a basket walk on his back. A second person is on a rock. Netherlands paper etching landscape with bridge, viaduct or aqueduct

Prague, Sadeler, Aegidius, Stevens, Pieter (II), Eight landscapes in Bohemia, Wooded landscape with a bridge, verso lower left - stamped, Wooded landscape with a bridge over a gorge. Travellers resting in the foreground. The last print of an eight-part series with landscapes in Bohemia, print, prints, height 236 mm, width 375 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, papier, etching, engraving, engraving (printing process), 1567 - 1624, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Amsterdam, Ottens, Josua & Reinier (II), Danckerts, Cornelis (II), Justus, Waterloo, Anthonie, Wooded landscapes, Traveler with a dog, verso lower left - stamped, In a hilly, wooded landscape a traveler walks with a dog on the right. A stream flows on the left. The letter b can be seen at the top right., print, prent, prints, prenten, height 127 mm, width 143 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, 1635-11-11 - 1701-07-16, publisher, uitgever, 1664-03-02 - 1717-07-22, Publication

Collection of Prints by Notable Dilettanti, Print made by Coplestone Warre Bampfylde, 1719-1791, British, Annotated by James Chelsum, 1738-1801, British, ca. 1763, Etching

Landscape with two robbers on the right that attacks an old man; Quando Boni à Nequam Casus Patiuntur Acerbos, / Quid Faciant Sola Est Medium Patientia Victis; Landscapes to Domenico Campagnola. A landscape with a river and a village left. In the foreground on the right two robber that afford an old man. Title in Latin in undermarge. Numbered at the bottom right: 17.

Landscape with three boats on a river. A river landscape with settlement on the waterfront and bridge over the river. On the river three boats.

Landscape with a river and ruin, c. 1595 - c. 1625 print A landscape with a river that flows around a rock with a ruin. A bridge over the river and a staircase runs to the ruin. A church in the background. paper engraving landscape with ruins. river

Sadeler, Marcus, Stevens, Pieter (II), Pieter (I), Major, Isaak, Ten landscapes, Village view with wooden bridge, print, prints, height 148 mm, width 228 mm, German, 1576 - 1642, print maker, printmaker, 1586 - 1630, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1540 - 1620, after a design by, 1567 - 1624, Publication (Event), Publication, 1614-04-11 - 1650, publisher

Claes Jansz Visscher after Johannes van Doetechum, the Elder after Lucas van Doetechum after Master of the Small Landscapes, Road with Barn and Cottages, published 1612 Road with Barn and Cottages

Covered wagon at farm, Hermanus Fock, 1781 - 1822 print A landscape with a large tree in the foreground. There is a covered wagon at a house with a thatched roof. Amsterdam paper etching landscapes (+ landscape with figures, staffage). (farm) wagon, freight wagon, cart

Farm, Leendert Overbeek, 1775 - 1815 print Landscape with a farm. A man with a hay cart walks on the road to the farm. A boy with a dog is playing in front of the house. There is a woman in the doorway of the farm. A village in the background. Haarlem paper etching dog. farm (building)

The Vision (L'apparition). Dated: c. 1630. Medium: etching with drypoint. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

The two men on the high terrace (Bartsch 46) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The two men on the high terrace (Bartsch 46). Water-strong on paper, 1645-1675.

Heuvellandschap, print maker: Willem Matthias Jan van Dielen, (mentioned on object), Netherlands, 1815 - 1867, paper, etching, h 69 mm × w 125 mm

Six large upright landscapes with scenes from Ovid's Metamorphoses: The Death of Adonis, 1640-90. Anthonie Waterloo (Dutch, 1609/10-1690). Etching;

Summer landscape with Jupiter as a child, Jan De Visscher, After Nicolaes Pietersz Berchem, 1643 - 1709 print View on a hilly landscape with a rock in the foreground with the little Jupiter who is sleeping at a nymph. There is a man with them and there are some goats and a cow. print maker: Northern Netherlandspublisher: Amsterdam paper etching infancy, upbringing of Jupiter. goat. low hill country. cow

Aricia, 1793, Collection ou Suite de Vues Pittoresques de l'Italie (plate 25), etching on laid paper proof, plate: 28.6 x 37.6 cm (11 1/4 x 14 13/16 in.), sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.), Feuchtmayr 1975, Vol. A, no. 63, State iii/iii, Johann Christian Reinhart (artist) German, 1761 - 1847

The Wooden Bridge. Jean Jacques de Boissieu; French, 1736-1810. Date: 1763. Dimensions: 141 × 202 mm (image); 149 × 208 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

View of the village of Ixelles, near Brussels. In the foreground a shepherd and some walkers. The print is part of a series with views of the area around Brussels, View of Ixelles Ixelles near Brussels Views of the area around Brussels (series title), print maker: Hans Collaert (I), Hans Bol, Jacob Grimmer, (attributed to), Antwerp, 1530 - 1580, paper, engraving, h 138 mm × w 199 mm

. In a landscape a woman with parasol walks in the foreground. Next to her a boy. In the background a buildings and a bridge.

The nacelle in the juns (Bartsch 61) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The nacelle in the juns (Bartsch 61). Water-strong on paper, 1645-1675.

Landscape with Judah and Tamar, 1611 print Landscape with Judah and Tamar in the foreground. On the left a steep hill with a building on it and a city on a river on the right. print maker: Northern Netherlandspublisher: The Hague paper etching Tamar changes from her widow's clothes and covers her face with a veil after the manner of the prostitutes; sitting at the entrance of a city on the road to Timnath she awaits Judah

Amsterdam, Danckerts, Cornelis, Justus, Waterloo, Anthonie, Landscapes with walkers, Shepherd on a sloping bridge, verso lower left - stamped, A narrow, sloping wooden bridge runs over a stream with a waterfall. A shepherd with his flock and a woman with goods on her head walk over the bridge. On the right is a path and the letter B can be seen at the top right., print, prent, prints, prenten, height 134 mm, width 158 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, 1635-11-11 - 1701-07-16

Etching by Hans Lautensack illustrating the biblical scene of the Flight into Egypt, created in 1558.

Plate 7, from 'Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes', Stefano della Bella, Italian, 1610-1664, Italy, France, 1610-1664, Print, Print

Landscape with man washing his feet. .

The farm at the edge of the water (Hollstein 116) Anthonie Waterloo (1609-1690). The farm at the edge of the water (Hollstein 116). Floor, mid-17th century.

The Withered Tree. Dated: 1696. Dimensions: plate: 25.7 x 20.3 cm (10 1/8 x 8 in.) sheet: 33 x 29.3 cm (13 x 11 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CRESCENZIO ONOFRI.

. Hilly landscape with a bridge. In the foreground the personification of death, with an arrow and arrow in his hands. Next to him is Cupid on the floor. This is the imagination of an emblem, whereby the moral of the story compares the fattleness of death with that of love. The print has a Latin caption with the caption of the emblem the Morte & Amore from Andrea Alciati.

Venus offers Diana the choice between Cupido and Adonis, Herman van Swanevelt, 1654 print In a mountainous, wooded landscape, Venus with Cupido and Adonis is in the foreground. Opposite her is the armed Diana with a few armed nymphs. Two pigeons are depicted next to Venus. At the bottom the episode in the story is explained in a four -line, French text. paper etching (story of) Adonis. (story of) Diana (Artemis). (story of) Venus (Aphrodite)

The Set of Landscapes with Farmhouses: Landscape with Farmhouses, 1613-1614. Boetius Adams Bolswert (Flemish, 1580-1633), after Abraham Bloemaert (Dutch, 1564-1651). Etching with burin; sheet: 25.7 x 35.6 cm (10 1/8 x 14 in.); platemark: 15.6 x 24.3 cm (6 1/8 x 9 9/16 in.).

Couple at a classical monument and a gate, Henry Hoogers, 1787.

Port on a river with moored rowing boats. On the left bank several figures and a herd of cattle. On the right bank there is a woman with a child in a sling near some seated figures, harbor with rowboats, figures and cattle., print maker: Willem van Nieulandt (II), (mentioned on object), after: Paul Bril, (mentioned on object), publisher: Pierre Mariette (I), (mentioned on object), Paris, 1594 - 1635, paper, etching, engraving, h 238 mm × w 315 mm

Heuvellandschap with four riders leading their horses, Marco Ricci, 1730 print Hilly landscape with four riders who lead their horses over the hills. Assignment in the end margin. Italy paper etching landscapes. leading a horse by the reins; rider beside his horse

Genoels, Abraham, Antwerp, Classical landscapes, Landscape with temple, recto top right - written, An Arcadian landscape with a temple. In the foreground some women at the edge of a forest. The print is part of a series with classical landscapes as theme., print, prints, verso bottom center - stamped, 1, height 113 mm, width 163 mm, 1640 - 1723-05-10, print maker, printmaker, 1684 - 1684, paper, papier, etching, etsen, Work conception

Environs of Venice -8. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Apollo and Daphne. Antoni Waterlo (Flanders, Lille, active Holland, 1609-1690). Flanders, circa 1650-1660. Prints; engravings. Etching and engraving

Landscape with woodcipper, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Landscape with a bird catcher (or snippet flower) that has a standing net stretched between trees for woodcock catch (the net is a so -called late floppy) which he holds with a rope. In the morning or evening twilight, he waits for the wood snipping in the air that will soon fly in the net. A small audience watches. There is a mill in the landscape that landscape. paper engraving bird hunting. windmill in landscape. shore-birds and wading-birds: woodcock

Spoor, Willem Joost Lodewijk, Netherlands, Bagelaar, Ernst Willem Jan, River landscape with animals, print, prints, height 57 mm, width 77 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1802 - 1802, first quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Northern Netherlands, 1749-02-17 - 1821-11-28, intermediary draughtsman

The inn in a ruin, Simon de Vlieger, 1610 - 1653 print An antique ruin in which an inn is located on the banks of a wide river. A spring pound with carriage and horses. Before the inn a number of guests, in the foreground shepherds with goats, a traveler and two packing fabrics. Low Countries paper etching / drypoint ruin of a building ~ architecture. hotel, hostelry, inn. ferry. (traveller) resting in the open air. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Characters on a Country Road, print maker: Jacob Jan van der Maaten, (mentioned on object), The Hague, 1853, paper, etching, h 58 mm × w 92 mm

Landscape with figures and right angler. Draughtsman: Bartholomeus Barbiers. Dating: after c. 1750 - 1808. Measurements: h 186 mm × w 171 mm. Museum: Rijksmuseum, Amsterdam.

Heuvellandschap with shepherds and cattle, Giuliano Giampiccoli, After Marco Ricci, 1739 - 1740 print Venice paper etching (high) hill. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. soil cultivation

John the Baptist in the Wilderness. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

The Banishment of Hagar 17th century Anthonie Waterloo Dutch. The Banishment of Hagar. Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching. Prints

Travellers in a mountainous landscape, draughtsman: Josua de Grave, 1660 - 1712, paper, pen, brush, h 95 mm × w 164 mm

Hunters in a Forest near a Wooden Bridge. Dated: 1600/1615. Dimensions: plate: 23.6 × 37 cm (9 5/16 × 14 9/16 in.) sheet: 23.8 × 37 cm (9 3/8 × 14 9/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Pieter Stevens.

Autumn landscape with autumn scenes. November is the acorn and slaughter month. In the foreground left, two farmers cut a tree in half. In the center, a shepherd driving his pigs through the woods, looking for acorns for the beasts. Part of a series of the twelve months, each month is depicted with the human activities typical of it and its climatic characteristics., November The twelve months (series title), print maker: Julius Goltzius, Gillis Mostaert (I), publisher: Hans van Luyck, Antwerp, c. 1560 - 1595, paper, engraving, w 169 mm × h 120 mm

Mountain landscape with a castle, Adriaen van Nieulandt (I), 1597 - 1658, Mountain landscape with a castle on the left and travelers in the foreground., draughtsman: Adriaen van Nieulandt (I), 1597 - 1658, paper, brush, h 252 mm × w 276 mm

Mercury and Argus, print maker: Hieronymus Cock, c. 1551 - before 1558

Figures on a path at twilight; Seven landscapes. A sloping landscape in dusk. In the foreground a rider and a running man. In the background two figures with a knapsack over the shoulder. The print is part of a series of seven landscapes.

Landscape with the flight into Egypt 1626-80 Giovanni Francesco Grimaldi. Landscape with the flight into Egypt. Giovanni Francesco Grimaldi (Italian, Bologna 1606-1680 Rome). 1626-80. Etching. Prints

Renard Plays Another Trick on the She-Wolf from Hendrick van Alcmar's Renard The Fox 1650-75 Allart van Everdingen Dutch. Renard Plays Another Trick on the She-Wolf from Hendrick van Alcmar's Renard The Fox 430485

The Sending Out of the Apostles, from Landscapes with Old and New Testament Scenes and Hunting Scenes. Adriaen Collaert (Flemish, c. 1560-1618); after Hans Bol (Flemish, 1535-1593); published by Anna van Hoeswinckel (Flemish). Date: 1584. Dimensions: 143 × 200 mm (image/primary support, trimmed within plate mark); 176 × 238 mm (secondary support). Engraving in black on cream laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA. Author: Adriaen Collaert, II.

Garden Sight, Isaac de Moucheron, 1687 - 1744

Landscape with the Good Samaritan, Willem van Nieulandt (II), Paul Bril, 1594 - 1635

Hunting company in a landscape, Jacques-Philippe Le Bas, after Philips Wouwerman, 1739 print Numbered below: 1739. Paris paper etching / engraving roe-hunting. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

The Landscape With the Family 1643 Giovanni Francesco Grimaldi Italian. The Landscape With the Family. Giovanni Francesco Grimaldi (Italian, Bologna 1606-1680 Rome). 1643. Etching; first state of two. Prints

Arcadian landscape with ruins Arcadian landscapes (series title), An Arcadian landscape with ruins. Central the ruins of a classical pedestal. A woman is resting on the side of the road next to the pedestal. In the background a villa and a pond. The print is part of a series with arcadian landscapes., Johannes Glauber (mentioned on object), unknown, 1656 - 1726, paper, etching, w 365 mm × h 237 mm

Summer landscape with summer scenes. August is the harvest month. The harvesting of grain is central. Some farmers are just taking a break. Part of a series of the twelve months, each month is depicted with its typical human activities and climatic features., August Avgvstvs The twelve months (series title), print maker: Julius Goltzius, Gillis Mostaert (I), publisher: Claes Jansz. Visscher (II), print maker: Antwerp, publisher: Amsterdam, c. 1560 - 1595 and/or 1596 - 1652, paper, engraving, w 165 mm × h 116 mm

The bathroom Juffers Bespied, Simon Fokke, after Cornelis Troost, 1760 - 1763 drawing Design for a print. paper brush washing and bathing - AA - in the open air. peeping, voyeur

Landscape with resting figures at a burial monument, Albert Meyering, 1695 - 1714 print Boot -rich landscape with three resting figures at a burial monument. Amsterdam paper etching grave, tomb and other grave-forms and grave-markers. (traveller) resting in the open air. trees

In a landscape, a hay wagon pulled by two oxen drives past a column crowned with a lion. In the background a town by a lake, Landscape with a hay wagon and a monument Landscapes (series title), print maker: Albert Meyering, (mentioned on object), Albert Meyering, (mentioned on object), publisher: Albert Meyering, (possibly), Amsterdam, 1695 - 1714, paper, etching, engraving, h 246 mm × w 203 mm

Italian landscape with fishermen, Willem van de Lande, after Adriaen van Nieulandt (I), c. 1635 - c. 1650 print Italian landscape with fishermen near the waterfront. With the help of a donkey, five fishermen pull a large fishing net into the country. A group of figures is in conversation in the foreground. The print is part of a six -part series of prints with Italian landscapes. paper etching landscapes in the temperate zone. fisherman. conversation, dialogue; conversation piece

Albano seen from the West. Draughtsman: Jan de Bisschop (attributed to). Draughtsman: Willem de Heusch (attributed to). Dating: 1648 - 1671. Measurements: h 98 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Mercury Lulling Argus to Sleep from Landscapes with Biblical and Mythological Scenes 1558 Hieronymus Cock Netherlandish. Mercury Lulling Argus to Sleep from Landscapes with Biblical and Mythological Scenes 418477

No. 20. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Landscape with two farmers who kill a snake, Marco Ricci, 1730 print Hilly landscape with two farmers in the foreground trying to kill a snake. A woman flees for the snake. Assignment in the end margin. Italy paper etching landscapes. man killing animal

In front of a ruin, partly overgrown by trees, stand some shepherds with their sheep. To the right a view of a valley. Print from a series of Italian landscapes, Shepherds near a ruin Italian landscapes (series title)., print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, engraving, h 234 mm × w 312 mm

Hilly landscape with two men in carriage, Giuliano Giampiccoli, After Marco Ricci, 1739 - 1740 print Venice paper etching (high) hill. two-wheeled, animal-drawn vehicle

Amsterdam, Koster, Herman Allertsz., Northern Netherlands, Bloemaert, Abraham, Frisius, Simon, Landscape with a farm, verso lower left - stamped, print, prints, height 350 mm, width 216 mm, 1575 - 1628, print maker, printmaker, 1598 - 1616, paper, papier, etching, etchings, Work conception, 1566-12-25 - 1651-01-27, after a design by, printer, drukker

Landscape with Two Boats. Ercole Bazzicaluva (Italy, Pisa, circa 1610-after 1641). Italy, 1630-1645. Prints; etchings. Etching

Wooded Landscape with Cows at a Watering Place, Figures and Cottage, c. 1785, Thomas Gainsborough R.A., British, 1727-1788, 7 1/8 x 9 7/16 in. (18.1 x 23.97 cm) (image), Aquatint printed in brown, England, 18th century

Waterloo, Antonie, work, Two riders, (1000 - 2000), etching, graphic, 12 cm x 14.2 cm

Italy, Tempesta, Antonio, Sadeler, Aegidius, Johann (I), Italian landscapes, Landscape with rider, verso bottom center - stamped, A river landscape with a town in the background. In the foreground a rider blowing a hunting horn. The print is part of a five-part print series with Italian landscapes., print, prints, height 179 mm, width 249 mm, Publication (Event), Publication, South Netherlands, 1550 - 1600-08, publisher, uitgever, 1580 - 1600, paper, papier, engraving, engraving (printing process), 1570 - 1629, print maker, printmaker, Work conception, Italian, 1555 - 1630-08-05

Two -Sprong, Lodewijk De Vadder, 1615 - 1655 print Two -jump with a house on the left. paper etching cross-roads, bifurcation

View of a landscape with shepherds. Hilly landscape with a ruin and a fountain. Links in the foreground are two shepherds with their goats. In the background a shepherd drives his cattle over a hill. Below the image two lines of text and a family crest.

Landscape with the ruin of a temple, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print An Italian landscape with the ruin of a round temple on the left on a hill, perhaps the temple of the Sibille in Tivoli. Left in the foreground, a man, two women, a child and a dog are walking. On the left on a rock three shepherds and a goat. Antwerp paper etching / engraving landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. dog

A red chalk drawing on brownish paper showing Venus with a volcano in the background, accented with white highlights.

The Swineherd Artist's working dates 1641-1675 Holland. Etching on paper . Allart van Everdingen

Clash of the Cavalry. Artist: Hubert Robert (French, Paris 1733-1808 Paris). Dimensions: sheet: 6 5/8 x 8 3/8 in. (16.9 x 21.2 cm)plate: 6 1/8 x 7 7/8 in. (15.5 x 20 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

October: wine tasting (scorpion); October; The twelve months (part 2). Landscape that depicts the month of October. Landscape with people drinking wine. In the middle of the symbol for the Scorpio zodiac sign.

Francesco I d'Este, Despite his Discomfort, Displays his Piety While Traveling in the Snow and Ice to Receive the Holy Sacrament, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 5/16 in. (12.3 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by

River landscape with ruins, Monogrammist HSV, Justus Sadeler, 1595 - 1625

Print made by Bernard Lens, 1659-1725, British, Acteon and Diana, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Wheat Field. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons); After Jacob van Ruisdael (Dutch, Haarlem 1628/29-1682 Amsterdam). Dimensions: Sheet: 10 3/8 x 15 3/16 in. (26.3 x 38.5 cm). Date: 1772. Museum: Metropolitan Museum of Art, New York, USA. Author: After Jacob van Ruisdael. Jean Jacques de Boissieu.

Face in the Highlands in Scotland, Dirk Vis Blokhuyzen, 1809 - 1869 print Rotterdam paper etching low hill country Scotland

Netherlands, Bagelaar, Ernst Willem Jan, Water landscape with cow, print, prints, height 46 mm, width 52 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Expression creation

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