Pastoral Landscapes

Etchings of idyllic rural scenes featuring farmers, livestock, and serene natural settings that reflect life in the countryside during the 17th to 18th centuries.

River landscape with a stone bridge. On the path three walkers. On the water several sloops. Twenty-second print in a series of 52 prints with landscapes, divided into two parts of 26 prints each, River landscape with a stone bridge Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

October; October; The twelve months. Autumn landscape with autumnal scenes. October is the wine month. In the middle men, women and children picking grapes and pressing. The tons are then taken away. Part of a series of the twelve months, whereby every month is depicted with the human activities typical and its climatic characteristics.

Landscape with pig heafs: November; November; The twelve months; Duodecim Anni Mensium. A village view with pig heafs and left two figures that wash a dead pig, representing the month of November. A stone bridge in the middle. At the bottom of the astrological symbol of the Sagittarius zodiac sign. Print from a series of twelve.

Conversing figures in front of a house and dancing figures on the left during a village festival. Representation of the season spring., Spring (Ver) Ver/ Der Frühling/ Le Printems The four seasons A, copies (series title), Jan van de Velde (II), print maker: anonymous, publisher: Martin Engelbrecht, (mentioned on object), Augsburg, (possibly), 1649 - 1756, paper, etching, engraving, h 322 mm × w 431 mm

Figures at an inn in an round tower, Jan van de Velde (II), 1616 print Figures at an inn in an round tower in a landscape. On the left a man who takes water from a river. Ninth print of a series of a total of 52 prints with landscapes, spread over two parts of 26 prints each. Northern Netherlands paper etching hotel, hostelry, inn. farm or solitary house in landscape. landscape with tower or castle. water-supply (~ public services)

Abdij La Ramée. Aupres de l'abbaye de Ramay (title on object). Draughtsman: Constantijn Huygens (II). Dating: 23-Sep-1675. Measurements: h 110 mm × w 158 mm. Museum: Rijksmuseum, Amsterdam.

Garden of Palace Honselaarsdijk with sculptures and fountain, Cornelis Danckerts (II) (Possible), 1721 - 1774 print Baroque garden with statues and a fountain. Groups of walkers stroll on the avenues. A stone gate in the background. Numbered in the bottom right: 6. Print from a series of sixteen prints of Palace Honselaarsdijk. paper etching palace. French or architectonic garden; formal garden. garden fountain Palace Honselaarsdijk

The Swan's Inn with Farms from the series The Small Landscapes 1559-61 After The Master of the Small Landscapes Netherlandish. The Swan's Inn with Farms from the series The Small Landscapes 381356 Artist: After The Master of the Small Landscapes, Netherlandish, 16th century, Artist: Johannes van Doetecum the elder, Netherlandish, active 1554ca. 1600, died 1605, Artist: Lucas van Doetecum, Netherlandish, active 155472, died before 1589, Former Attribution: Formerly attributed to Pieter Bruegel the Elder, Netherlandish, Breda () ca. 15251569 Brussels, The Swan's Inn with Farms from the series The Small Landscapes, 155961, Etching; first state of three, plate: 5 7/8 x 8 3/4 in. (15 x 22.2 cm) sheet: 6 7/8 x 9 15/16 in. (17.4 x 25.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.20.9)

Sleds at the bank of a frozen river, draughtsman: Jacob Ernst Marcus, 1784 - 1826, paper, pen, brush, h 130 mm × w 223 mm

Two women at a well; Ruins in landscapes; Vetustae Ruinina et Venustissimae Aliquot Regions. Two women at a well in a landscape. Eleventh print of a series of sixteen.

Jan Soens depicts a landscape featuring the birth of Christ using brown ink with gray and brown lavated, showing figures, stable, and surrounding environment.

Bagelaar, Ernst Willem Jan, Netherlands, River landscape with a rider at a bridge, print, prints, height 73 mm, width 131 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception

Woman for a farm on the water, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print Utrecht paper etching / drypoint farm or solitary house in landscape. river. containers

View of Villages in Brabant and Campine: Shepherds with Flock, c. 1559. After Master of the Small Landscapes (Flemish). Etching and engraving; platemark: 13.1 x 19.1 cm (5 3/16 x 7 1/2 in.); sheet: 14.8 x 20.5 cm (5 13/16 x 8 1/16 in.).

Staten van Holland en West-Friesland, Den Haag, Beeck, Anna, Noordelijke Nederlanden, Vianen, Jan van, Series of sixteen small prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations, 1697, View of the path to the royal house outside Ryswijck, Veüe du chemin qui conduit de Rijswijck a la maison des conferences de la paix, The road to the House ter Nieuburch in Rijswijk, The Hague, Northern Netherlands, The road to the House ter Nieuburch in Rijswijk. In the caption the two titles in French and Dutch. Part (print 1) of the series of sixteen smaller prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten, height 133 mm, width 165 mm, Noord-Nederlands, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, papier, etching, etchings, Publication (Event), Publicatie, Nederlands, 1657 - 1717, publisher, uitgever van privilege

Man saws a block of stone in half, c. 1800 - c. 1825 print This print is part of an album. paper etching / engraving tools, aids, implements ~ crafts and industries: saw. stone-cutter, stone-sawyer

Bogenhausen. Dated: 1818. Dimensions: plate: 12.1 × 15.5 cm (4 3/4 × 6 1/8 in.) sheet: 21.6 × 30 cm (8 1/2 × 11 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Wilhelm von Kobell.

Design for the new Delft Gate in Rotterdam, in the foreground a miller's cart, a man with a wheelbarrow and some walkers, Design for a new Delft Gate in Rotterdam Gezigt van Buyte of a projected Delft Gate (title on object), print maker: Auguste Moreau Val, (mentioned on object), intermediary draughtsman: Auguste Moreau Val, (mentioned on object), Verrijst en Hammevel, (mentioned on object), Netherlands, 1767 - 1769, paper, etching, h 462 mm × w 651 mm

. Arrival of the procession with Stadholder Willem V and Princess Wilhelmina van Prussen at the Haarlemmerpoort in Amsterdam, on 30 May 1768. With large groups of spectators in the quays and on the water. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Sea Port (Port de Mer) after the painting in the collection of Madame la Comtesse de Verrue. Artist: After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp); Pierre François Beaumont (French, 1719 -after 1777). Dimensions: sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm). Museum: Metropolitan Museum of Art, New York, USA.

Agriculture.

Autumn, a landscape with a village on a river, Hendrick Hondius (I), after Petrus Stephanus, after monogram scm (17th century), 1601 print A village on a river with a building with a water mill on the right. Under the show a text in Latin. Print from a series with the four seasons. The Hague paper engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year). fresh-water fishery

Rider at farm, Anthonie van den Bos, 1778 - 1838 print paper etching farm or solitary house in landscape

Lorrain, Claude, work, Apparition, (1000 - 2000), line etching, graphics, image width 16.8 cm, image height 10, 1 cm

An angler and a second figure on the bank of a stream near a tower in a landscape. In front of the tower a stone bridge. Twenty-fifth print in a series of 52 prints with landscapes, divided into two parts of 26 prints each., Tower in a landscape Amenissimae aliquot requculae (series title) Landscapes (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Amsterdam, Greve, Barent, Isaac, Moucheron, Isaac de, Park landscape with two dogs, View of a garden flanked by columns. Two dogs in the foreground. Seated figures in the background and a figure seen from the back at a water basin., print, ornament print, prints, ornament prints, height 251 mm, width 336 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1677 - 1744, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1677-11-17 - 1757-10-04, publisher, uitgever, Publicatie, Nederlands, 1707 - 1766-06-24

View of dome at Son, Ernst Willem Jan Bagelaar, 1785 - 1837, draughtsman: Ernst Willem Jan Bagelaar, 1785 - 1837, paper, brush, h 94 mm × w 159 mm

Landscape with David men who ask Naal for food, Jan van Londerseel, after Hendrick Danielsz., 1601 - 1702 print David's servants come to Naal, who is under a tree, and ask him for food. Nabal refuses to give the men and David food. In the background, Naball's servants shave his sheep. On the left in the landscape a castle. To the Bible text in 1 Sam. 25: 4. Amsterdam paper engraving ten servants sent by David come to Nabal to ask for food; Nabal and his men may be shown shearing sheep. landscape with tower or castle

Gezicht op de plantage Surimonbo te Suriname. Gezichten op de plantages Surimonbo en Palmeniribo (series title). Draughtsman: Dirk Valkenburg. Dating: 1708. Measurements: h 180 mm × w 255 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with a rowing boat, Jan Hulswit, 1776 - 1822, Landscape with a rowing boat in the foreground; a windmill in the distance., draughtsman: Jan Hulswit, 1776 - 1822, paper, brush, h 128 mm × w 200 mm

Droga przez wieś. Morgenstern, Carl Ernst (1847-1928), graphic artist

Artist: Schelte Adams Bolswert, Flemish, 1586-1659, After: Peter Paul Rubens, Flemish, 1577-1640, View of Malines, from the Set of the LargeLandscapes, ca.1638, Engraving, 45.3 × 63.3 cm (17 13/16 × 24 15/16in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Fair in a village.

Several figures for a farmhouse, Jacques -Philippe Le Bas, After David Teniers (II), 1717 - 1783 print print maker: Parispublisher: ParisParisFrance paper etching farm (building). courtyard

Castle on the Water, Anonymous, After David Teniers (II), 1700 - 1799 print Three men are talking to each other at a river. Seen a pissing man on the back in the middle. A castle on the other side of the water. Low Countries paper etching dog. castle. river. conversation, dialogue; conversation piece

At Abcou

Landscape with farm and roof of Ganymedes, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1612 - 1614 print Amsterdam paper etching the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter. farm or solitary house in landscape

View of Delfshaven, depicting the month of December. In the center of the background a wooden bridge over a canal. In the foreground on the right, a school teacher walks with his class. On the left, two women at a vegetable stand. On the stone bridge in front left, two gentlemen are walking. At the top the star sign corresponding to this month: ibex. Last print in a series of twelve, December December The twelve months, with village views (series title)., print maker: Jan van de Velde (II), publisher: Claes Jansz. Visscher (II), Northern Netherlands, 1618, paper, etching, h 276 mm × w 362 mm

Country Village with Church Tower from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: Sheet: 5 3/16 x 7 9/16 in. (13.2 x 19.2 cm). Former Attribution: Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1559-61. Museum: Metropolitan Museum of Art, New York, USA.

Face on Veerle, draughtsman: Josua de Grave, 1674, paper, pen, brush, h 153 mm × w 200 mm

Front court of a palace with a fountain, draughtsman: Adriaen van de Velde, (possibly), 1646 - 1672, paper, brush, h 140 mm × w 138 mm

Landscape with a View of a City. Of the many engravers who reproduced Rubens paintings, Schelte à Bolswert from Bolsward was one of the most accomplished. Especially his engravings after Rubens painted landscapes are much more than dutiful reproductions. With his virtuoso engraving technique he succeeded in capturing the painterly aspect of the original work.

Jakob struggles with the angel, Moyses van Wtenbrouck, 1645 - 1660 print Jakob is struggling with the angel. A dog barks to the fighting. In the background two towers on a river, along which a procession of cattle passes by with shepherds. The cattle are supplied over the river by boat. print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving angels. Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Time, Apollo and the Seasons Made 1662 France. Claude did less etching after 1640, when his reputation was established and he received a number of important painting commissions. Of the more than forty prints in his oeuvre, only five are dated after 1650.. Etching on ivory laid paper . Claude Lorrain

Two anglers at a ditch. Draughtsman: Jacob Ernst Marcus. Dating: 1784 - 1826. Measurements: h 170 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

View of a bowling course in the Alkmaarder Hout, Leonard Schenk, After Abraham Rademaker, 1746 print View of a bowling alley in the Alkmaarder wood. A few figures with children and dogs walk in the front. Under the show the title in Dutch and French. Print Maker: Amsterdam chart Drawing by: Northern Netherlands Publisher: Amsterdam paper etching forest path or lane (+ landscape with figures, staffage). ninepins, skittles Alkmaarder wood

Arrival of the Spanish envoys in Rijswijk, 1608, Simon Fokke, 1753 print Arrival and greeting in Rijswijk of the Spanish envoys for the peace negotiations, February 1608. Maurits and Spinola shake hands. The carriage has stopped for an inn where many spectators are. Amsterdam paper etching meeting. peace negotiations

Northern Netherlands, Sorious, Isaac, Series of thirteen illustrations of the villages and castles in the province of Utrecht destroyed by the French in 1672, Overmeer, destroyed by the French in 1672, The French among the ruins of the village of Overmeer. Seventh print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, history print, prints, Frederik Muller History plates, height 151 mm, width 256 mm, print maker, printmaker, 1672 - 1676, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings

Entrée du faubourg Saint-Marceau, à Paris.. Méryon, Charles (1821-1868). 1850. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Paris (France)

View of Bercoude, Simon Klapmuts, 1774 print View of the village of Bercoude, with a fisherman on the left in the foreground at a pollard willow and in the background the village and a meadow with cows. Moordrecht paper etching cow. fisherman. trees: willow. prospect of village, silhouette of village

Print, Title page, from "Dix-Septième Cahier de Fragmens..."; After Jean-Baptiste Huët (1745 - 1811); France; crayon-manner engraving in red ink on paper; 13.8 × 20.4 cm (5 7/16 × 8 1/16 in.)

Ludovico Mattioli, October, late 17th century October

After Jacques Callot, Landscape, 1635 or after Landscape

The Merciful Samaritan, Pieter Bast, 1598 print View of an Italian city within low city walls. In the foreground at a bridge over a river, the merciful Samaritan helps the traveler who lies on the ground. His donkey is the waiting. On the right the farmer and the priest walk through the fields. Amsterdam paper engraving a Samaritan tending the wounds of the traveller. city-view in general; 'veduta'

Face in Muiderberg. Draughtsman: Jan Evert Grave. Dating: 1799. Measurements: h 108 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Woman at a well, draughtsman: Jan van Goyen, 1635 - 1645, paper, brush, h 153 mm × w 255 mm

Annibale Carracci, Landscape with Figures by an Estuary with Sailing Boats, c 1590 1595 Landscape with Figures by an Estuary with Sailing Boats

Figures at cabin in the Naarder Houd, draughtsman: Egbert van Drielst, 1755 - 1818, paper, brush, h 108 mm × w 176 mm

Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible., print, prent, prints, prenten, height 145 mm, width 235 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, drypoint, dry needle, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Well in a Farm Courtyard. Charles Émile Jacque; French, 1813-1894. Date: 1845. Dimensions: 80 × 114 mm (image); 85 × 124 mm (sheet). Etching on ivory chine. Origin: France. Museum: The Chicago Art Institute, USA.

In the foreground a deer chased by a mob, in the middle a princely person on horseback chasing the game with companions. On the right a river in a valley with a castle on the hills above a town., Sovereign hunting party, draughtsman: Gerrit Battem, 1646 - 1684, parchment (animal material), brush, h 202 mm × w 301 mm

Maria de 'Medici greeted outside the gates of The Hague, 1639 Maria de 'Medici is greeted outside the gates of The Hague by members of the States General. In the distance the city of The Hague. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching The Hague Maria de 'Medici is greeted outside the gates of The Hague by members of the States General. In the distance the city of The Hague. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching The Hague

The Dance In Front of An Inn, Jan de Visscher, Dutch, 1633 - 1692, Adriaen van Ostade, Netherlandish, 1610 - 1685, Engraving on paper, In front of an old house, at left, a couple are dancing. A musician who plays a clarinet, stands behind them. Several onlookers surround them in semi-circle. Houses in background with a group of peasants standing in front of one of them. Inscribed, lower margin: 'Nu is't de reghte tydt... kekmisis'; lower left: 'Joan de Vischer fecit'; lower center: 'Ad. van Ostade pinxit'; lower right: 'Nicolaus Visscher execudit'., Netherlands, ca. 1670, Print, Print

Spinning woman for a house, Adriaen van Ostade, 1652 print In the yard in front of a house a woman is spinning, next to her a man with one hand is stabbed in his shirt. A child plays on the ground. Two pigs rest for a stable and there are all kinds of household attributes such as a broom and wicker basket against the facade of the house Haarlem paper etching spindle. mother and baby or young child. pig

Part of Maarsen; Waer in the house in (1) Boele / Stein and (2) Vechtleven. // Partie de Maarsen ou voit (1) La Maison de Boe / Lestyn et (2) Vechtleven.

Village view with figures on ice: December, Jan van de Velde (II), 1630 - 1699 print A village face with float player and figures with freight on sledes on the ice, representing the month of December. On the right the edge of a village with a stone bridge. At the bottom of the astrological symbol of the constellation Sagittarius. Print from a series of twelve. Northern Netherlands paper etching landscape symbolizing December. Capricorn (zodiacal sign of December). skates (winter sports). sleigh, sledge (non-sport). 'kolf' on the ice. outskirts of village

Landfolk on the milestone

Face from Amerongen on Kasteel Zuilenstein, Daniël Stopendaal, 1682 - 1726 print Face from the road from Amerongen on Kasteel Zuilenstein in Leersum. On the left a shepherd with his herd. Walkers in the foreground and a cart pulled by horses. Amsterdam paper etching castle. rural housing, e.g. country-house, villa, cottage Zuilenstein Castle

Landscape with on the left a hut with an open door through which one sees a woman and a man sitting by the fire, Night piece with two figures in a hut, print maker: Antoon Overlaet, (mentioned on object), intermediary draughtsman: Rembrandt van Rijn, (mentioned on object), Pieter Franciscus Martenasie, (mentioned on object), Antwerp, 1761, paper, etching, h 160 mm × w 240 mm

The Hague, Weissenbruch, Jan, View of Scheveningen, verso - stamped, A few houses lie along a narrow road. On the road is a cart and there are some figures depicted., print, prent, prints, prenten, height 49 mm, width 86 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, prentmaker, 1837 - 1880, paper, papier, chine collé, etching

Rider on a trail along a farm Landscapes to Esaias van de Velde (series title), Esaias van de Velde, print maker: anonymous, publisher: Claes Jansz. Visscher (II), 1610 - 1617 and/or 1617, paper, etching, h 58 mm × w 97 mm

The Hay Wain, 1899. Timothy Cole (American, 1852-1931). Wood engraving;

Summer river face, Jan Hulswit, 1776 - 1822 drawing paper. chalk. ink pen / brush

Hooischuit drawn by two figures, Jan Izaak van Mansvelt, after H. Meyer, after Hendrik Meijer, 1771 - 1802 print A heavily loaded hay with a man and a woman is pulled by two figures ashore. A dog next to them. On the Hooischuit also a dog. Netherlands paper etching dog. transporting ~ harvest. agricultural products and by-products: hay

In the earliest Tyden of the Batavieren.

Goejanverwellesluis, Hendrik de Winter, 1745 drawing paper. ink pen / brush sluice, weir Goejanverwellensluis

Landscape with the Merciful Samaritan. In the foreground, the Samaritan arrives with an injured man on a horse at a hostel and trusted the care of him to a married couple. A man is in the doorway of the inn, indicated by a sign with a swan; In addition to the inn a farm. In the background, the silhouette of Antwerp.

Landscape with Figures and Cattle. Artist: Pieter de Molijn (Dutch, London 1595-1661 Haarlem). Dimensions: sheet: 7 9/16 x 11 7/8 in. (19.2 x 30.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

A Farmyard, plate five after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones). Claes Jansz. Visscher (Dutch, 1587-1652); after Unknown Flemish Artist, misidentified as Pieter Bruegel, the elder (Flemish, 1525/30-1569). Date: 1612. Dimensions: 101 x 155 mm (image); 104 x 158 mm (plate); 119 x 173 mm (sheet). Etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Claes Jansz. Visscher, II.

Eastern man; The plaets of the Hr. Isaäc / Simkinson, to Loenen in Sien.

Mercury, upper left, falls in love with Herse, who is making sacrifices with her companions. Fourth print from part four of a series totaling sixty prints of landscapes, divided into five parts of twelve prints each., Landscape with Mercury and Herse Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

SAINTINGAL IN DEC VENICE VAN VAURURNI PAPTURENS, 1653 - 1691 Numbered below: 22. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Doria Pamphili. Janiculum. Rome Numbered below: 22. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Doria Pamphili. Janiculum. Rome

Piece ca. 1770 British. Piece. British. ca. 1770. Cotton and linen. Textiles-Printed

Outdoor theater in the garden of House in Maarssen; Great uyt to the theater / vue des logs fresh le theater; The old Adelyk Huys and Ridderhofstad ter Meer. View of the open air theater in the French House Ter Meer. Some figures converse in the foreground and two theater players are on stage. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Albury. Dated: 1645. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Two river landscapes with a tower, Hendrik Spilman, 1742 - 1784 print Two images on a leaf: Up and under a river landscape with a tower and boats. Haarlem paper etching river. sailing-ship, sailing-boat. landscape with tower or castle

Vier episodes uit de vaderlandse geschiedenis; Illustraties uit de vaderlandse geschiedenis.Needs of leaves with four performances from national history. From left to right: Dutch people conquer the city of Cochin on the Portuguese; French tyranny in Bodegraven and Swammerdam; Attack on Johan de Witt; Four-day sea battle under the supreme command by Michiel de Ruyter.

Rectangular plaque with river landscape, Frederik van Frytom (attributed to), c. 1670 - c. 1690 Faïence plate with a river landscape. On the left bank a village with trees and a church with tower strikers. On the right in the foreground a ferry, on which several figures and a rider on horseback. In the foreground reed and scrub. Delft . Faïence plate with a river landscape. On the left bank a village with trees and a church with tower strikers. On the right in the foreground a ferry, on which several figures and a rider on horseback. In the foreground reed and scrub. Delft .

Rhine view with covered boat, print maker: Anthonij van der Haer, Herman Saftleven, c. 1745 - 1785.

Mestre. Giovanni Antonio Canal (called Canaletto) (Italy, Venice, 1697-1768). Italy, circa 1741-1743. Prints; etchings. Etching

Southern Netherlands, Hoecke, Robert van den, Landscapes with camps, Riders at a tower, verso - stamped, print, prints, height 69 mm, width 93 mm, 1622-11-30 - 1668, print maker, printmaker, 1632 - 1668, paper, papier, etching, etchings

Landscape with the Merciful Samaritan, Jacob Grimmer, 1536 - 1592 drawing In the foreground, the Samaritan arrives with an injured man on a horse near an inn and familiarizes him with a married couple. A man is in the doorway of the inn, indicated with a sign with a swan; A farm next to the inn. In the background, the silhouette of Antwerp. paper. ink brush / pen the good Samaritan (Luke 10:30-37)

View of Tower near Blois. Artist: After François Boucher (French, Paris 1703-1770 Paris); Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). Dimensions: Sheet (trimmed): 10 1/2 × 14 3/16 in. (26.6 × 36 cm). Date: mid 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Flemish halt array Isaac Van Ostade, vintage engraving. Flemish halt array Isaac Van Ostade, vintage engraved illustration. Magasin Pittoresque 1852. Copyright: xZoonar.com/PatrickxGuenettex 10673532

. View of the Schreierstoren in Amsterdam, seen the north from De Geldersekade. Different figures on the street and in the boats in the water. Under the show the title in Dutch and French. At the top right numbered: 38.

Sketch of the Solfatara at Pozzuoli, outside of Naples. Draughtsman: Gerard ter Borch (I). Dating: c. 1611. Place: Pozzuoli. Measurements: h 197 mm × w 312 mm. Museum: Rijksmuseum, Amsterdam.

The man at the opening of the dilapidated hedge (Bartsch 39) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The man at the opening of the dilapidated hedge (Bartsch 39). Water-strong on paper, 1645-1675.

View of Amsterdam from the Kadijk. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1636-1646. Dimensions: 113 x 154 mm (sheet trimmed within plate mark). Etching on buff laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

View of a city with a rod, anonymous, c. 1700 - c. 1800 drawing paper. ink. watercolor (paint). chalk brush / pen

Landscape with Windmill. Elizabeth Murray; English, c. 1815-1882. Date: 1850. Dimensions: 175 mm × 240 mm. Charcoal and stumping and scraping with brush and black ink on ivory wove paper tipped onto board. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

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