Pastoral Scenes in Etching

Etchings depicting pastoral themes, featuring mythological figures and landscapes, illustrating stories of love and nature from the 17th to 18th century.

Apollo Met lier on the parnassus, Michel DiGIGY, at Simon Vouet, 1640 print paper engraving / etching Apollo playing the lyre, Apollo Citharoedus. fabulous animals ~ hoofed animals: winged horse. cupids: 'amores', 'amoretti', 'putti'

Venus met Cupid, Paris en Mercury, Juno en Minerva Matthias Scheits, 1635 - 1700 print paper etching (story of) Mercury (Hermes). (story of) Venus (Aphrodite). (story of) Juno (Hera). (story of) Minerva (Pallas, Athena)

Title page for: Jean Philipsz. Schabaalje's, 'The increased lust-hof des mind', 1706, Jan Luyken, 1706 print Title page with Adam in the foreground with the snake and the apple and next to him Noah with a model of the Ark in his hands. Amsterdam paper etching forest, wood. Adam (not in biblical context). male persons from the Old Testament (not in biblical context)

. A naked Nymph saw on the back, sleeping at an oil lamp, is spied by a Sater. Copy to the print of hold brooks from part 2 of a series of prints with symbols.

Medallion which a stroomgod, Adriaen Collaert, 1570 - 1618

Mars and Venus Spied by soldiers, Anonymous, 1750 - 1799 print France paper etching / engraving (story of) Venus (Aphrodite). (story of) Mars (Ares). private soldier. armorial bearing, heraldry

Venus stepping out of the sea, holding a billowing drapery in her left hand, Cupid at right offering pearls while riding a dolphin and a putto at left offering flowers, another in the clouds ca. 1600-1640 Anonymous. Venus stepping out of the sea, holding a billowing drapery in her left hand, Cupid at right offering pearls while riding a dolphin and a putto at left offering flowers, another in the clouds 397026

Allegory on the province of Zeeland, Jan Caspar Philips, 1753 print Landscape with a triumphal arch on which the coats of arms of the province of Zeeland and four Zeeland cities. In the foreground three putti with maps of Zeeland islands. In the background fields that are processed and ships at sea. In the margin a four -line caption in Dutch. paper etching / engraving coat of arms (as symbol of the state, etc.) (+ province; provincial). maps, atlases. triumphal arch Zeeland

Salmacis and Hermaphroditus; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. The Nymph Salmacis embraces Hermaphroditus in a pond. In the water they merge to a summary being. Under the show twice two fresh rules in Latin. The print is part of an album.

. Hermaphroditus is sitting on the edge of the lake in which Salmacis, one of Diana's nymphs, lives. They got him from behind a tree and falls in love with him. Amor accompanied her. In the margin a three-legged caption in French.

Mythological scene (Venus, Cupid and Pluto unknown, Matham, Jacob (1571 1631)

Rinaldo and Armida 1644 Pieter de Jode II. Rinaldo and Armida 682741

Adam and Eva hide from God, Nicolaes de Bruyn, After Maerten de Vos, 1581 - 1656 print Adam and Eva hide by shame about their nudity for God. In medallion with a Bible text in Latin from Genesis 3, within rectangular frame. Netherlands paper engraving Adam and Eve discover their nakedness; they cover themselves with their hands or with leaves

Slapende Diana, anonymous, 1662 - 1726 print In a tree -rich landscape, Diana, the goddess of the hunt, is sleeping by a fountain. There are two hunting dogs on her feet. paper (story of) Diana (Artemis). hunting dogs. landscapes

Picart, Bernard, Amsterdam, Allegorical representation with figures and attributes referring to world history, verso lower right - stamped, History leans with her book on a globe and writes world history. She is accompanied by Geneology, who shows her a family tree. She looks up at Father Time and Chronology, who are flying in the air. In the foreground a woman with a sheet of paper in her hands with coats of arms on it. At her feet various attributes that symbolize power. In the clouds a meeting of the Olympian gods. In the margin a caption, in three columns, in French., print, title print, prints, height 409 mm, width 250 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Golden Age, Philips Galle, After Gillis Coignet (I), 1573 print In a round list the Golden Age of Saturn. On the banks of a stream, some naked people enjoy grapes who give them the generous nature. The print refers to the mythologically inspired idea that people initially lived in an era of continuous spring. War or injustice were absent. During the Golden Age, everyone lived in bliss, in a world where people could enjoy fertile nature without working. The print is part of a series about the four eras. Antwerp paper engraving the golden age, 'Aetas aurea'; men live happily, gathering fruits under the reign of Saturn

Landscape with reading hieronymus. Saint Hieronymus is sitting in a mountainous landscape on a rock. Next to him a book and a hourglass. The lion, its attribute, strulses between the rocks.

Hieronymus with sleeping lion and crucifix, Charles de Beauvais (Rejected Attribution), Nicolas de Beauvais, after Anthony Van Dyck, 1697 - 1763 print France paper engraving St. Jerome as hermit in a landscape, reading

. One on a rock sitting woman holds her bare breasts. A child stretches his arms to her. Two other children are frolic on a rock covered with draperies, on which a vase lies.

Two historical figures in conversation Illustrations of Dutch history (series title), Philips van Marnix and Hieronymus Beverningk talking in the open air. Below the image, next to the names of the two gentlemen and the number 369, is the date March 1752., Philip of Marnix of Sint-Aldegonde, Hieronymus van Beverningk, Simon Fokke (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 128 mm × w 82 mm

Jason and the dragon. Jason releases the metea's magic across the dragon that guilders fleece.

Copper engraving by Albrecht Dürer circa 1498 depicting Hercules at the crossroads with mythological figure, gestures, and detailed composition.

The Annunciation. Artist: Jacques Bellange (French, Bassigny () ca. 1575-1616 Nancy). Dimensions: image: 13 3/16 x 12 9/16 in. (33.5 x 31.9 cm), trimmed to image. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on writing art. The personnel of writing art is in hand with a spring to a table where three kneaded naked women provide her writing utensils. An angel in the air holds a paper with the text: L.V.L. Antwort an h.v.l. To right of writing art Putti, behind writing art is a man in contemporary clothing with a pipe at the fireplace.

Saint Jérôme , Saints, Jerome, Saint, -419 or 420, Alphonse Legros (1837-1911)

Scena mitologiczna (dwie kobiety przy grobowcu). Reinhart, Johann Christian (1761-1847), graphic artist

Putti practice painting and sculpture, Jacob van der Schley, after Cornelis Ploos van Amstel, 1736 - 1779 print For the town hall on Dam Square in Amsterdam, three putti practice painting and sculpture. They are protected by a personification of virtue, by time and the stupidity that have fled. Behind the putti a pedestal with two portraits. Amsterdam paper etching / engraving painting ~ applied arts. sculptor at work. allegory of Time and Eternity City Hall of Amsterdam (1655-1808)

Jean Lepautre, French (1618-1682), Midas with Apollo and Pan, published 1676, etching and engraving on laid paper

Flight to Egypt, Marinus Robyn van der Goes, after Peter Paul Rubens, 1630 - 1639 print Antwerp paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Young Shepherd with Schalmei and Oude Shepherd with pan flute, Marcantonio Raimondi, After Francesco di Francia, 1510 - 1527 print paper engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. panpipes

Two putti in a garden, Pierre Gabriel Berthault, After Clément Pierre Marillier, 1750 - 1819 print print maker: Francepublisher: Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. Love Personified. Folly, Foolishness; 'Pazzia', 'nonsense', 'Staltitia' (Ripa)

Moses is laid to be found, Pietro Monaco, 1717 - 1772 print The mother of Moses kneels at the piping basket in which she launches her son Moses. Next to her are Mirjam, the sister of Moses, and other figures. In the background a landscape with shepherds and a ruin. Text in STUDMARGE. Numbered below: 86. Venice paper etching .

. Leda is visited by Jupiter at the river. He tries to seduce her in the form of a swan. In the air the eagle is attribute.

The autumn; The four Seasons. A boy and a girl harvest fruit in the presence of a goat and a boar. The boy picks grapes, the girl wears a basket with pears.

The arrival of Bacchus. In the background, Bacchus arrives in his car drawn by leopards. In his hand he holds his staff, the Thyrsus. For him, Maaaden and Saters walk. Bacchus is in the foreground behind a musicing meaning. Seen the awakening Ariadne on the back. Under a text line in French. At the top right: page. 56.

St. Sebastian n.d. Edmé Jeaurat. St. Sebastian. Edmé Jeaurat (French, Vermenton 1688-1738 Paris). n.d.. Etching and engraving. Prints

Jupiter in Callisto, Antonio Tempesta, 1606 print Jupiter, in the form of the goddess Diana, seduces the Nymph Callisto into a landscape. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching Jupiter, in the guise of Diana, and Callisto. homosexual love - CC - homosexual love between women: lesbianism

Landscape with Satyrs. Stefano della Bella (Italy, Florence, 1610-1664). Italy, 1643-1648. Prints; etchings. Etching

Landscape with a triumphal arch on which the coat of arms of the province of Zeeland and four Zeeland cities. In the foreground three putti with maps of Zeeland islands. In the background fields that are edited and ships at sea. In the margin a four-line caption in Dutch.

France, French crown, Bella, Stefano della, Group of satyrs, verso - stamped, A group of satyrs in a landscape. Four satyrs are dancing, one is playing a tambourine and two are looking on., print, prints, height 146 mm, width 139 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, granter of privilege

Orpa leaves Ruth and Naomi; History of Ruth; Historia Ruth; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Naomi travels with her two daughters to Judah. Along the way she sends the women back to their parental home. Orpa leaves, but Ruth stays at Naomi. Ruth and Naomi are sitting on stones on the shore of a river. Orpa leaves her luggage under the arm. Under the show a reference in Latin to the Bible text in Ruth 1. Prent is part of an album.

Fiammingo, Paolo, Italy, Carracci, Agostino, Various aspects of love, Reciprico Amore, Reciprocal Love, verso - stamped, Couples in love in a landscape. In the centre, Amor and Anteros fight over a palm branch. In the background, a circle of dancing nymphs. Italian verse in the lower margin., print, prints, height 224 mm, width 299 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1589 - 1595, paper, papier, engraving, engraving (printing process), Flemish, 1540 - 1596

Gaulli, Giovanni Battista, Italy, Westerhout, Arnold van, Nec Dvæ Nec Vna, Allegory of the Resurrection of Christ (), verso lower left - stamped, Allegorical representation with a young woman and an old man in a garden. The woman is winged and wears a crown, in her hand an open sarcophagus, with her other hand she points to the man. He is wearing a laurel wreath and is picking leaves from the flower in his hand. In the background a phoenix is burning itself. A putto is flying in the background and is pointing to the banderole in the sky above., print, prent, prints, prenten, height 216 mm, width 152 mm, Zuid-Nederlands, 1651-02-21 - 1725-04-18, print maker, printmaker, 1687 - 1687, paper, papier, engraving, engraving (printing process), 1639 - 1709-04-02, intermediary draughtsman

A gentleman masturbating a clothed woman under her petticoats in the garden of a chateau, 18th century. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.

Klow Sara; Sara Monacha; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. The Kluizen Sara in the Lybian wilderness. She's in a cabin and pray. The print has a Latin caption and is part of a series of twenty-four prints with the subject of female hermits.

Italy, Cantarini, Simone, Temptation of Adam, verso - stamped, Adam and Eve in the Garden of Eden. Eve offers Adam the apple. On the left the tree of knowledge of good and evil. The snake coils around the trunk., print, prent, prints, prenten, height 196 mm, width 168 mm, Italian, 1612-08-21 - 1648-10-15, print maker, printmaker, 1622 - 1648, paper, papier, etching, etsen, Expression creation

Italy, Ugolini, Antonio, Allegory of painting, verso - stamped, Painting as a nude woman, kneeling before an oval painting. On the right a putto with a painter's palette and a painting stick., print, prints, height 239 mm, width 188 mm, Italian, print maker, printmaker, 1650 - 1749, paper, engraving, engraving (printing process), plate tone

Le coup de vent (The Gust of Wind). Dated: 1785. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Girardet after Antoine Lebel.

Three putti around a medallion, Simon Fokke, 1722 - 1784 print Three putti around an empty medallion. At the top, the medallion is lauded by a putto with Bazuin. The putto on the right holds a fool. In the foreground, next to magazines with names of stage writers are a tambourine, mask and crown with scepter, attributes of muses. Amsterdam paper etching cupids: 'amores', 'amoretti', 'putti'. crowning with laurel. jolly joker. single Muses

French crown, Watteau, Jean Antoine, Paris, Audran, Benoît (II), La surprise, Kissing couple with guitar player, verso - stamped, print, prints, height 409 mm, width 313 mm, 1698 - 1772-01-09, print maker, printmaker, 1708 - 1772, paper, papier, etching, etchingsen, French, 1684-10-10 - 1721-07-18, after, after painting by, granter of privilege

Venus Spied by a Sater, Anonymous, 1667 - 1701 print The sleeping Venus is watched by a satater. Amor is sleeping next to Venus. paper etching / engraving sleeping; unconsciousness. Venus asleep. satyr(s) spying upon

A fisherman's wife drowns with her incurably sick man in the sea, Zacharias Dolendo, after Jacques de Gheyn (II), after 1615 - Before c. 1652 print A fisherman's wife drowns herself and her husband in the sea to redeem both of them from suffering and pain. The fisherman's wife lies with her head on a stone, on her back in the water. Her husband lies with his back on her legs and with his legs against a rock. print maker: Leidenafter design by: Leidenpublisher: Amsterdam paper engraving death by drowning (non-violent). self-sacrifice, death in the service of a higher purpose

Dresden, Meyer & Richter, Richter, Ludwig, Rübezahl, print, prent, prints, prenten, height 403 mm, width 257 mm, German, 1803-09-28 - 1884-06-19, print maker, printmaker, 1848 - 1848, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Nativity. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Robert van Audenaerde (Flemish, Ghent 1663-1743 Ghent). Dimensions: sheet: 12 x 20 1/4 in. (30.5 x 51.5 cm)plate: 5 5/16 x 7 5/16 in. (13.5 x 18.5 cm). Date: 1680-1743. Museum: Metropolitan Museum of Art, New York, USA.

Venus dekt slapende Amor toe; Scènes met Venus en Amor; Scherzi d'amore.Venus and Amor in a landscape. Venus covers the sleeping amor with a blanket. Italian verse in undermarge.

This copper engraving by Cornelis Cort depicts Diana and Callto, showing mythological figures, drapery, and symbolic elements in classical composition.

Saint Thecla Praying for the End of the Plague in the City of Este. Lorenzo Tiepolo (Italian, 1736-1776); after Giovanni Battista Tiepolo (Italian, 1696-1770). Date: 1759-1776. Dimensions: 630 x 377 mm (image); 703 x 400 mm (plate); 783 x 547 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Joseph Kneels with the Child before Mary on the Donkey. Dated: published 1753. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

Pharaoh's daughter finds Moses in the Biezen Mandje, Philippus Velijn, 1820 print The daughter of the Pharaoh finds Moses in the Biezen basket between the reeds on the banks of the Nile river (ex. 2: 5). Behind her a second woman and a running man in the background. Bottom right: bl. 9. Netherlands paper etching / engraving the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water

HERCULES. PERSONAJE MITOLOGICO. HERCULES EN LA CUNA SOFOCANDO LAS SERPIENTES QUE LE ENVIO JUNO PARA QUE LE MATARAN. GRABADO DE UNA PINTURA DE LUCAS JORDAN. CALCOGRAFIA NACIONAL. MADRID.

Untitled, John Brown, () (after Rosa), 1749-1787, British, undated, forest, men, religious and mythological subject, river

Picart, Bernard, Le Brun, Charles, Amsterdam, Thomassin, Simon Henri, Mythological scene with a sacrificing queen in a forest, possibly Althaea, and three gorgons, verso - stamped, print, prints, height 292 mm, width 280 mm, French, 1687-02-25 - 1741-01-01, print maker, printmaker, 1697 - 1741, paper, papier, engraving, engraving (printing process), stipple work, etching, 1619-02-24 - 1690-02-12, after, after painting by, Noord-Nederlands, 1673-06-11 - 1733-05-08, intermediary draughtsman

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

Hagar in the desert, Jurriaan Cootwijck, Eustache Lesueur, 1759.

Two women are standing in a garden in front of a fountain One faints, the other tries to catch her Title illustration for volume 8 of a book about the perils of love, Terreur panique , print maker: Charles Ange Boily, (mentioned on object), intermediary draughtsman: Benjamin Samuel Bolomey, (mentioned on object), Netherlands, (possibly), c. 1753 - 1813, paper, etching, h 180 mm × w 120 mm

Adam and Eve, Rembrandt van Rijn, 1638 print paper etching Temptation and Fall (Genesis 3:1-7)

Minerva as patrones of education and arts. In an oval, Minerva is displayed in a library with a leaf paper and a laurel wreath in her hands. She points to the Bijenkorf who is on a stack of books next to her. At her feet a putto plays the winch. The oval is decorated with flower branches and insects.

Jakob confronts Laban with his deception, Jean Audran, After Antoine Coypel, 1677 - 1756 print Jakob, the central figure in the picture, married unsuspectingly with Lea instead of her sister, Rachel, and comes to get a story from their father, Laban. France paper etching / engraving after the wedding-night Jacob discovers that he has been deceived with Leah and complains to Laban

Two putti under a tent cloth. Two putti under a tent cloth that is tense between the branches of a tree.

Left under a tree is a poet with a book in one and a pen in the other hand. He looks at a drawing that is shown him by the muse of the scene. At his feet lie a palette, brushes and a paint stick on the ground. In the background right Pegasus on the Helicon.

Frontispiece, with Statue of Minerva ca. 1748 Giovanni Battista Piranesi Italian. Frontispiece, with Statue of Minerva 362913

Meeting of virtues, vices and allegorical figures, Jacob Folkema, 1723 print Side side: Moderation with horse and traces, next to her a lion, truth with mirror and olive branch and cross. Her foot rests on a skull through which a snake winds. Allegorical figures rest in the foreground, behind this the pride flies. Print in the middle of it marked: II. Part. paper etching Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. Truth; 'Verití' (Ripa). Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Achille reconnu par Ullysse (Achilles Recognized by Ulysses) (Furnishing Fabric). Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818); France, Nantes. Date: 1810-1825. Dimensions: 54.6 x 64.3 cm (21 1/2 x 25 1/4 in.). Cotton, plain weave; copperplate printed. Origin: Nantes. Museum: The Chicago Art Institute, Chicago, USA.

Diana visits the sleeping endymion, 1785 - 1836 print Text in Latin in the lower margin. Print is part of an album. paper engraving / etching Diana (Luna) visiting the sleeping Endymion

Theseus leaves Ariadne on Naxos (), Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. pencil. ink pen / brush Ariadne left behind on the island of Naxos. Theseus in love with Ariadne, Minos' daughter

Diana turns Actaeon into a deer, Crispijn van de Passe (II), After Rembrandt van Rijn, c. 1636 - 1670 print Prince Actaeon discovers the cave of Diana and her nymphs during the hunt, which are currently bathing. Diana then turns him into a deer for punishment, after which he is attacked by his own dogs. paper engraving Diana bathing with her nymphs. Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Feather drawing by Antonio Grano showing a king presenting a crown to a seated lady, created with brown, blue-gray, and blue lavation with black pen framework, 18th century.

Three men in a garden, Samuel van Hoogstraten, 1648 - 1650 print A man standing in a garden at a waterfall. Behind it a staircase further in the garden, and two men in the forestage. paper etching garden

Artist: Nicolaes de Bruyn, Flemish, 1571-1656, After: Hendrick Goltzius, Dutch, 1558-1617, The Betrayal (PassionSeries), Engraving, 19.5 × 13.5 cm (7 11/16 × 5 5/16in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper -Prints

Jacques Callot, Saint John the Baptist Saint John the Baptist

Frontispiece, with Statue of Minerva. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Series/Portfolio: Vedute di Roma (Views of Rome). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Polyphemus and Acis love Galatea; Metamorphoses from Ovid. The giant polyphemus is surrounded by his herd on a rock and plays the pan flute hoping to seduce the Zeenimf Galatea. The nymphs listen to his game. Under Polyphemus, Galatea is in the arms of his competitor's acis.

Judah a Tamar, Wenceslaus Hollar, After Hans Holbein (II), 1640 print On a road in a forest landscape, the veiled Tamar receives the seal and bracelets from her father -in -law Judah. paper etching story of Judah and Tamar (Genesis 38)

Palazzo Milzetti, Faenza;, Pen and brown ink, brown wash, over black chalk on white laid paper, Faenza, Italy, Italy, 1802-05, interiors, Drawing, Drawing

Illustration from Becker's 'Pocketbook'

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin, the Child Jesus, Saint John the Baptist and Saint Elisabeth. (A. de Vesme 10; Dutuit 158) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jonah sits under the wonderland near Nineve. .

In a rocaille frame with floral motifs a depiction of people by the water. To the right a man and two women are fishing. In the foreground left are two figures carrying barrels, behind them a woman is climbing a tree. In the lower margin a four-line French text, Juni Iunius The twelve months of the year , print maker: Johann Esaias Nilson, (mentioned on object), Johann Esaias Nilson, (mentioned on object), publisher: Johann Esaias Nilson, (mentioned on object), Augsburg, 1766, paper, etching, engraving, h 264 mm × w 195 mm

Eva offers Adam the forbidden fruit, Caspar Luyken, 1712 print Amsterdam paper etching Eve offers the fruit to Adam

Bacchus and Ariadne. Bacchus comes to Naxos to free Ariadne from her isolation on the island. Bacchus brings a basket with fruit as a gift. Putti decorate the place with Bloemguirlandes. Bacchus car is ready to transport him and Ariadne back to the mainland. The car is drawn by leopards and controlled by Amor.

Patriotic love (IT)

Minerva as patroness of science and arts, 1746 print Minerva is surrounded by attributes of science and arts and is in the company of two putti that studying a globe with a passer and map. She points to the background where figures are in classic clothing on a square. To her right is a helmeted allegorical figure on a pedestal with a torch and book in the hands. paper etching / engraving specific aspects, allegorical aspects of Minerva; Minerva as patroness

Paris' judgment, Pierre Lemaire, After Claude Vignon, 1637 print Paris gives the golden apple to Venus. Minerva and Hera watch. Mercury is in the background. One from a series of thirty prints with the history of Paris. paper etching the Judgement of Paris (Mercury present)

Flight to Egypt, Caspar Luyken, 1708 print Nuremberg paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Smell, Jacob de Backer, 1570 - 1590 print A half -naked lady is in a garden and smells a rose. There is a dog next to her. Print from a series with five allegorical representations of the senses. paper etching smell, smelling (one of the five senses)

La Chasseuse, Gabriel Huquier, French, 1695-1772, Antoine Watteau, (French, 1684-1721), Etching on paper, France, Europe, ca. 1730, Print, Print

The Creation of Eve, from The Story of Adam and Eve 1540 Heinrich Aldegrever German Eve, at center, emerges from Adam's side, while God kneels over them at left. The figures are set in a landscape before a tree at center, with a stag in the background at right. Based on Genesis 2:21-22. Plate 1 from a series of six engravings.. The Creation of Eve, from The Story of Adam and Eve 428295

Colin Maillard. Dated: 1760. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques-Firmin Beauvarlet after Jean-Honoré Fragonard.

White, Eleanor.

Virgin and Child Seated by a Tree (copy) after 1513 After Albrecht Dürer German. Virgin and Child Seated by a Tree (copy) 434706

of 4