Peasant Life and Social Gatherings

Etchings depicting Dutch peasant life with scenes of card games and domestic activities, rich in narrative and character.

Ostade, Adriaen van, Haarlem, Suyderhoef, Jonas, Two peasants sitting at a table, verso - stamped, Two peasants are sitting at a table. One is raising a glass, the other is holding a pipe in his hand. In the background a woman seen from the back., print, prent, prints, prenten, height 225 mm, width 180 mm, 1613 - 1686-05-09, print maker, printmaker, 1623 - 1686, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1610-12-19 - 1685-04-28

A victim of torture is flayed or disemboweled by two men in a cave. Wood engraving.

The Refectory (Le refectoire). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Jewish Orchestra. Norblin de la Gourdaine, Jean Pierre (1745-1830), painter

The Italian Cook, Jean-Baptiste-Claude Chatelain, French, 1710 - 1771, Hubert Robert, French, 1733 - 1808, Engraving on paper, France, ca. 1760, Print, Print

ESTAMPA SATIRICA DE JOSE BONAPARTE - GRABADO SIGLO XIX. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN. BONAPARTE JOSE I. JOSE I BONAPARTE. NAPOLEON JOSE I O JOSE NAPOLEON I.

Saint Jerome in his Study, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, Copy in reverse of B. VII, p. 76, 60., Germany, after 1514, Print, Print

The Social Friends, Print made by John Greenwood, 1727-1792, American, active in Britain (from 1763), after David Teniers, 1582-1649, Flemish, after David Teniers, 1610-1690, Flemish, published by Henry Parker, 1725-1809, British, 1768, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm), Plate: 11 1/8 x 15 3/8 inches (28.2 x 39 cm), and Image: 11 1/8 x 13 3/4 inches (28.2 x 35 cm), barrels, bowls, chairs, drinking, eating, food, friends, gathering, genre subject, hats, interior, jars, jugs, men, peasants, pipes (smoking equipment), smoke, smoking, talking, tobacco, window

Honoré Daumier, Ménage modèle, 1846 Ménage modèle...

Currying leather - man beaming to remove the hair from an animal skin that has been soaking in the tan yard in the background. Engraving after Daniel Nicolas Chodowiecki (1726-1801), The German Hogarth.

Leiden, Vliet, Jan Georg van, Occupations, Glaziers, verso lower left - stamped, A man cuts glass for a stained glass window., print, prints, height 210 mm, width 162 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1635 - 1635, paper, papier, etching, etchings

Northern Netherlands, Visscher, Claes Jansz. (II), Occupations in North Holland, Laundry and bleaching fields, ca. 1600, ca. 1600. Boiling and rinsing laundry, in the background the laundry is laid out on the bleaching fields to dry and bleach. No. 7 from series of occupations in North Holland., print, prints, Frederik Muller History plates, height 103 mm, width 155 mm, 1586 - 1652-06-19, print maker, printmaker, 1608 - 1608, first quarter 17th century, paper, etching, etchings

Cette pièce sert de frontispice. 1634. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Karnende Man, Sea Pieter, After Christina Chalon, 1777 - 1779 print A farmer is standing next to a karnton and carnt the milk. A milk jug is next to the barrel. Leiden paper etching churning. farmers

Burnt-out family. Greuze, Jean-Baptiste (1725-1805), draughtsman, cartoonist, unknown, draughtsman, cartoonist

Reproduction of a painting: Walery Eljasz-Radzikowski (1841-1905), Voluntary paupers; from: `Biesiada Literacka` 1899, no. 2 (January 13th), p.31. Biesiada Literacka (Warszawa ; czasopismo ; 1876-1917), publisher

Rich Kitchen. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Anonymous, Netherlandish, late 16th century. Dimensions: Sheet: 9 × 11 3/16 in. (22.9 × 28.4 cm). Publisher: Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 1575--1610). Date: late 16th Century. Museum: Metropolitan Museum of Art, New York, USA.

Woman washes linen in a Wastobbe, Jan Luyken, 1711 print Amsterdam paper etching linen (material ~ textile industry). laundering

Curing anchovies, Sicily, 1834

The Story Tellers Published 1768 England. Mezzotint on ivory laid paper . Richard Earlom

Albrecht Dürer, Saint Jerome in His Study, 1514 Saint Jerome in His Study

The chess part. (TI)

Company in front of a wall, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, h 102 mm × w 86 mm

The Blacksmith, George Jones, 1786-1869, British, undated, Brown wash and white gouache on moderately thick, rough, gray wove paper, Sheet: 5 3/8 × 5 3/4 inches (13.7 × 14.6 cm), blacksmith, genre subject, hammer, men, shop, tools

Sharpening knives for cutting the cork, cork stopper workshop, France, illustration by Henri Valentin from L'Illustration, Journal Universel, No 651, Volume XXVI, August 18, 1855.

Summer. Charles Émile Jacque; French, 1813-1894. Date: 1860-1870. Dimensions: 130 × 97 mm (image); 138 × 106 mm (chine); 212 × 131 mm; (plate); 418 × 137 mm (sheet). Etching, engraving and roulette on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rich Kitchen late 16th Century Anonymous, Netherlandish, late 16th century Netherlandish. Rich Kitchen 623626

Italian Beggar. Facsimile from an engraving by Jacques Callot (1592-1635). Later colouration. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Death visits the paupers' house. Etching by Johan Sadeler after Jan van der Straet.

Night (The Four Times of Day) March 25, 1738 William Hogarth British. Night (The Four Times of Day) 403261

Corner of a stable with a girl hanging a canvas, Christina Chalon, 1772 drawing paper. watercolor (paint). ink. graphite (mineral) pen barn

Night. 1738. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Corner of a stable with a girl hanging a cloth, draughtsman: Christina Chalon, 1772, paper, pen, h 166 mm × w 157 mm

Wael, Cornelis de, Italian craftsmen and sellers, Drink sellers, verso lower left - stamped, A group of men and children have gathered in front of two beer sellers. On the left a woman selling jugs. In the margin a caption in Latin., print, prent, prints, prenten, height 90 mm, width 126 mm, Work conception, Zuid-Nederlands, 1592-09-07 - 1667-04-21, after a design by, 1613 - 1667, paper, papier, engraving, engraving (printing process), print maker, printmaker

Plate 9 from Lithographic Album for 1825. (Title Title) | Inopportune presence.

. Some men study plants at a table. The old sitting man writes in a book. Right a man wears a basket of plants.

The Rattencatcher with his servant, Daniël Friday, After Cornelis Visscher (II), 1787 print A rat catcher with his dog and servant. The boy holds a staff with a rat cage. The rat catcher carries a bag and tools, a rat runs on his cloak. paper engraving / etching rat exterminator

Interior with man who cleans fish and two children, Abraham Delfos, After Quiringh Gerritsz. Van Brekelenkam, 1741 - 1820 drawing pencil. paper. chalk brush

Chairmaker, Caspar Luyken, After Jan Luyken, 1694 print Amsterdam paper etching chair. handicrafts, craftsman at work

'THE IDLE SERVANT' IN THE NATIONAL GALLERY, PAINTED BY NICOLAS MAES

Artist paints a nude model, Anonymous, After Arnold Houbraken, after Nicolaas Verkolje, 1678 - 1769 print On the left, the model, a young woman, leans on a stool in a studio. On the right the artist is working behind his donkey. His hand rests on a painter. There is a cat under his chair. At the front of a few objects, including a broom, a jug and a bladder ball. Low Countries paper etching model, sitter ~ painting (+ in workshop or studio)

unknown artist, Unidentifiable print.

Northern Netherlands, The half-shaven Elder, Cartoon on the Orange-minded elder Pieter Joosten, 1784, verso - stamped, Cartoon on the Prince-minded elder and stocking seller Pieter Joosten who is shaved in his stocking shop in Amsterdam by a patriotic barber, August 1784. Joosten expresses himself so disparagingly about the death of Joan Derk van der Capellen tot den Pol that the barber refuses to shave him further. On the left Kaat Mossel, on the right the devil. On the sheet next to the print an explanation of the representation., print, prints, Frederik Muller Historieplaten, height 195 mm, width 260 mm, print maker, printmaker, 1784 - 1784, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing

Illustration showing cottager spinning with DISTAFF. The window has leaded lights and is a CASEMENT. Curtains are hung by rings from a pole. 1848

The Flemish Farrier Théodore Géricault (French, 1791-1829).. Lithograph on wove paper, Image: 8 7/8 x 12 3/8 in. (22.5 x 31.4 cm). European Art

Raffaello Sanzio da Urbino, Italian renaissance artist, 28 March or 6 April 1483, April 6, 1520, sketches on the bottom of a barrel the sketch of his famous painting, the Madonna della seggiola or Madonna della sedia, dated ca. 1513-1514, reproduction of a painting, woodcut from 1881, digitally restored, Historic, the Italian renaissance artist, March 28 or April 6, 1483, April 6, 1520, designs on the floor of a barrel the sketch of his fam

Paul Frenzeny, Love on the House-Top, 1872, wood engraving on paper.

Copper engraving from 1510-1520 depicting Die Pest, showing a scene of plague with afflicted figures and symbolic elements.

Discovery of bread cooked at the time of the eruption of Vesuvius in the oven of a baker, Pompeii, Campania, Italy, Europe. Old XIX century engraved from Pompeii and Pompeiians by Marco Monnier, Le Tour du Monde 1864

Melancolia I (detail) Albrecht Durer (1471-1528 German) Engraving

Busnel, theophile, drinking scene (3 drunk men at a table). Black ink. Feather on beige paper. Houses of Victor Hugo Paris - Guernsey.

Mother with child on the Borst, Willem Joseph Laquy, after Gerard Dou, 1748 - 1798 drawing Mother with child on the chest, in the background a man at the dentist. paper. ink. watercolor (paint) brush / pen nursing, suckling. quack extracting teeth or molars

Delâtre, Auguste, Millet, Jean François, La baratteuse, Woman churns milk in a churn, recto lower right - stamped, A woman churns milk with a churn in a churn. She is standing in a storage room for supplies. A cat is turning around her legs., print, prints, verso bottom center - stamped, recto bottom right - stamped, height 179 mm, width 116 mm, 1814-10-04 - 1875-01-20, print maker, printmaker, 1855 - 1855, third quarter 19th century, paper, etching, etchings, Work conception, after own design by, Frans, 1822 - 1907-07-26, printer

Company for a wall, anonymous, c. 1700 - c. 1799 drawing Netherlands paper. ink pen / brush

4. Night A street leading to Charing Cross, with a statue of Charles I at the far end; a frightened horse has caused a coach to overturn. Date: 1738

Honoré Daumier, Un dernier toast, 19th century Un dernier toast

Colored etching by Cornelis Ploos van Amstel showing a violin player performing in front of a hostel, created between 1766 and 1770, depicting musical performance and street scene.

Women knitting, making pillow lace and spinning. Engraving after Nicholas Chodowieki (1726-1801) 'the Hogarth of Germany'.

Hudibras and Ralpho disputing. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A very large woman is scrubbing clothes in a large tub filled with hot soapy water. Etching by William Heath.

Hippolyte Bellangé (1800-1866). "Reading the Gazette". Drawing, 1824. Paris, Carnavalet Museum. 24585-5 Cafe, humorous drawing, gazette, high-de-form, newspaper, reading, poele, press

The Misers, c1480-1530 (1843).Artist: J Jackson

Artistic recreation of a bakery in a street of Pompeii, Ancient Rome archaeological site, Naples. Campania, Italy. Europe. Old XIX century engraved illustration, El Mundo Ilustrado 1880

Watercolor reproduction: Julian Fa AT (1853-1929), Z: "K Osy" 1881, No. 859, (December 15), p. 872; Fa 1881 (1883-00-00-1883-00-00);

The Laughing Audience, 1733

Umbria Perugia Foligno Monastery of S. Anna38. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Amsterdam, Jonge, widow Jacob de, Boom, Hendrick, widow Dirk I, Frisius, Simon, Mulder, Joseph, The meals and hospitality of the Germans, Meal and hospitality among the Germans, verso - stamped, Interior of a community house where Germanic families cook, eat and drink., print, picture, book illustration, history print, prints, Frederik Muller History plates, height 221 mm, width 327 mm, Northern Netherlands, 1658-01-11 - 1718, print maker, printmaker, 1684 - 1684, paper, engraving, engraving (printing process), etching, Work conception, 1575 - 1628, after a print by, Publication (Event), Publication, publisher

Piece of English toile printed with part of 'Doctor Syntax taking possession of his living' , Carriages & coaches, Passengers, Rowlandson, Thomas, 1756-1827. Doctor Syntax drawings. Thomas Rowlandson (1756-1827). Prints and Drawings

Théodore Gericault, Cheval de charrette sorti des Limons, 1823 Cheval de charrette sorti des Limons

'Prince Charles Edward's Parliament', (c1745), 1890. Creator: Unknown.

Standing milk woman, pouring milk into a copper can. Draughtsman: Johannes Christiaan Schotel. Dating: 1797 - 1838. Measurements: h 243 mm × w 181 mm. Museum: Rijksmuseum, Amsterdam.

Roman cupids working as carpenters, at a grape press in a winery and at a shoe repairers. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Chez Collignon, Metz, 1810.

Alphonse Legros, Phrenology Course, 2nd plate (Le cours de phrenologie), French, 1837-1911, 1906, etching

Hat maker ironing the brim of a hat made from beaver fur. In the background, an apprentice works the felt in a battery (hot-water kettle). Handcoloured woodcut engraving from The Book of English Trades and Library of the Useful Arts, Tabart, London, 1810.

A Sad Story, Captain William Baillie (Kilbride,Co. Carlow, Ireland, 1723 - 1792)

King Alfred the Great Incognito with the farmers, Charles Townley, 1756 - 1856 print King Alfred the Great, with arrow and arch, sitting in a farmhouse paper hut, cabin, lodge - AA - civic architecture: inside. farmers. archer's weapons: bow and arrow

Dam players in the coffee room of Felix Meritis in Amsterdam, approx. 1800; I have dam. There are four men at a table, the front two games to a checkerboard. In the coffee room of Felix Meritis in Amsterdam, ca. 1800. The player to the left sitting over the bid would imagine the Jewish broker Ephraim van Embden, the player to the right would be the hydraulic engineer Cornelis Zillesen and the third person the Dam player J.A. Jourdani.

Amsterdam, Vorster, Fredrik, Krellius, Johannes, Luyken, Jan, Mulder, Joseph, Jakob Böhme writes one of his books, recto, at the bottom on mounting paper - handwritten, Jakob Böhme writes a book at a table in his shoemaker's shop. On the table an hourglass and writing utensils. Jakob Böhme became known as a mystic and theosophist., print, book illustration, prints, verso - stamped, 2. Jacob Böhme, anno 1594. Having become a master shoemaker at ... and gentle of heart., height 182 mm, width 142 mm, Northern Netherlands, 1658-01-11 - 1718, print maker, printmaker, 1686 - 1686, paper, engraving, engraving (printing process), etching, Work conception, 1649-04-16 - 1712-04-05, after a design by, Publication (Event), Publication, 1684 - 1718, publisher

Deceased child is laid out, historical woodcut, circa 1870, digitally restored reproduction of an original 19th century print, exact original date unknown, coloured

Delftware (glased earthenware) decorated with pottery factory in Bolsward. Kiln. Atrributed to Dirk Danser (1698-1763). c. 1745-1765. Rijksmuseum. Amsterdam. Netherlands.

The Parable of the Rich Man and the Housekeeper, 2, from Das Plenarium. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm). Publisher: Adam Petri (German, active Basel, 1507-27). Date: 1517. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Het kacheltje. Krijgsgevangenenkamp Stalag IVB in Mühlberg aan de Elbe (series title). Draughtsman: Wim van Hooff. Dating: 1944 - 1945. Place: Mühlberg. Measurements: h 14 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.

Death has burst into his strong room, where the Miser is sitting among his chests and bags of gold, and, seated on a stool, deliberately collects into a large dish the money on the table which the Miser had been counting. In an agony of terror and despair, the poor man seems to implore forebearance on the part of his unwelcome visitor. Hand-coloured engraving by Chretien de Mechel from Hans Holbein's "The Triumph of Death," based on original drawings by Peter Paul Rubens, 1860.

A Fish Market. Richard Earlom (British, 1743-1822); after Frans Snyders (Flemish, 1579-1657). Date: 1782. Dimensions: 444 × 614 mm. Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Standing girl, one can fill with water from a source.

A gardener smelling a flower; representing the sense of smell. Etching by T. Kitchin after D. Teniers.

Cooper hammering a metal hoop on a hogshead barrel. On the walls are tools such as saws, axe, spoke-shave, stock and bit, adze and auger. Handcoloured woodcut engraving from The Book of English Trades and Library of the Useful Arts, Tabart, London, 1810.

Reprimand. By Lemoj. Engraving published in El Universo Ilustrado, 1884.

Courtyard with a maid who cleans, Carel Lodewijk Hansen, 1775 - 1840 drawing paper. ink. watercolor (paint) brush / pen

... Pietersz., Northern Netherlands, Vinkeles, Reinier (I), Vrijdag, Daniël, Four rooms in Felix Meritis, Drawing Room in the Building of the Felix Meritis Society in Amsterdam, Salle de Dessin, Drawing Room in Felix Meritis, 1789, Amsterdam, verso - handwritten, Drawing lesson in the Drawing Room in the building of the Felix Meritis Society in Amsterdam, inaugurated in 1789. Artists drawing from plaster models., print, prints, Frederik Muller History Plates, verso - stamped, ... S: Roos, height 423 mm, width 510 mm, 1765 - 1765, print maker, printmaker, 1801 - 1801, paper, etching, engraving, engraving (printing process), 1741-06-19 - 1816-01-30, 1749-10-26 - 1842-10-26, intermediary draughtsman, after a drawing by, 1761-06-29 - 1808-06-01, Publication (Event), Publication, Netherlands, 1754-01-10 - 1820-01-31, publisher

The Housekeeper. Hendrik Martensz. Sorgh; Dutch, c.1611-1670. Date: 1656-1657. Dimensions: 47 x 63.5 cm (18 1/2 x 25 in.). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Singeries, ou Differentes Actions De La Vie Humaine before 1748 J. B. Guélard French. Singeries, ou Differentes Actions De La Vie Humaine 351882

18th century Flemish peasant seated at a barrel table in a tavern, biting into a sausage, holding a stone jug. Food for the Body. Copperplate engraving by Thomas Major after an original by Adriaen Brouwer, 1747. Copperplate engraving from David Deuchars A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

In Bercy. "We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions," plate 321 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1856. Dimensions: 201 × 262 mm (image); 273 × 358 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Oil painting of 'In the Sheepfold' by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

fishermen, Llorenç Cerda Bisbal, 1897, oil on canvas, Museu de Mallorca, Palma, Majorca, Spain.

PRACTICE OF COLORS ON WERK IN THE ATELIER, Léon Brunin, 1884 print paper etching / drypoint colours, pigments, and paints

Jean-Ignace-Isidore Gerard Grandville, 'Les Metamorphoses du jour' 1829.illustration from a famous series of political caricatures

Encyclopedie. Edited by Denis Diderot (1713-1784) and Jean Le Rond d'Alembert (1717-1783). Published C. 1770. Engraving. Later colouration.

Two workers making figurines, draughtsman: Herman Heijenbrock, 1881 - 1948, paper, h 307 mm × w 263 mm

Young boy fetching bread from bakery, fresco depicting traditional life in the southern Tyrol, 1985, wall of house in Sorraperra, Dolomites, Italy (detail)

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