Personifications in Classical Art

Engravings depicting personifications like Sibyls and virtues, illustrated in flowing robes, often symbolizing deeper philosophical concepts.

Personification of satisfaction, Arnold Houbraken, 1710 - 1719

This illustration dates to 1898 and shows the statue of Melpomene in Vatican Museum. Melpomene was honored as the Muse of tragedy. In Greek and Roman mythology, the Muses were nine daughters of Zeus and Mnemosyne (goddess of memory). There were honored as the patrons of arts and sciences. Calliope was the head muse, and Apollo, the god of prophecy and song, was their leader.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Urania on the Capitool, Augustine Terwest (I), 1677 drawing The image of the so -called Urania on the Capitol. paper. ink. chalk pen / brush piece of sculpture, reproduction of a piece of sculpture. Urania (one of the Muses); 'Urania' (Ripa)

Lazio Vatican City Casino di Pio IV5. Hutzel, Max 1960-1990 Exterior views including the piazza, fountain and facade of il grande Casino and il piccolo Casino; interior views of fountains, statues, mosaics, a cupola and ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture of abundance; Abundantia. Classic sculpture of plenty of abundance. She has her left arm in the air and in her right hand she has a dish. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Copper engraving and etching by Hendrick Goltzius from 1615 depicting the allegorical figure of Diligence, showing a human figure engaged in focused labor.

Woman of Scandinavia, 16th century. She holds a lit taper in her mouth to use as a candle. She wears a long dress with apron, a long purse full of needles, wooden tapers in her belt, and spins thread with a spindle. Spun threads are tied to a headband. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Augsburg, Negker, Jost de, Mary with Christ Child, verso lower left - stamped, print, prints, height 141 mm, width 91 mm, German, South Netherlandish, 1485 - 1544, print maker, printmaker, 1495 - 1554, paper, woodcut

Apollo and the Spirit of Sculpture 1607-61 Pierre Biard II. Apollo and the Spirit of Sculpture. Pierre Biard II (French, Paris 1592-1661 Paris). 1607-61. Engraving. Prints

Frontispiece: Horace, Quinti Horatii Flacci Opera 1642 Claude Mellan French. Frontispiece: Horace, Quinti Horatii Flacci Opera 393737

Figurehead from "Julia Lawrence". Dated: 1935/1942. Dimensions: overall: 43.1 x 26.4 cm (16 15/16 x 10 3/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Rosamond P. Gray.

Sibylla Persica. Dated: 1625. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Jacques Stella.

Barbari, Jacopo de', Italy, Judith with head of Holofernes and sword, verso bottom left - stamped, print, prints, height 180 mm, width 81 mm, 1440 - 1516, print maker, 1460 - 1504, third quarter 15th century, fourth quarter 15th century, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Two ladies with a Kithara Date: BC

Medea with sword; in the sides, ornamental candelabra; in the middle, a small branch with fruit, Herculaneum, Campania, Italy, engravings by Nicola Vanni and Rocco Pozzi from a drawing by la Vega, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 13, 1757-1787, Naples.

Design for Magazine Cover, Kenyon Cox, American, 1856-1919, Graphite on paper, Sketch of a female figure draped in a gown and holding a staff with her right hand., USA, ca. 1900, graphic design, Drawing, Drawing

Roman man in the act of sacrifice, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

17th Century tarot cards by Giuseppe Maria Mitelli (1632-1718). Originating from Bologna.

History represented by a youthful woman is pointed out by a genius to a monument, on which one reads Washington obiit MDCCXCIX. In the margin a four-line verse: 'How I only wish' etc., Allegory of Washington's Death, 1799, print maker: Lambertus Antonius Claessens, (mentioned on object), intermediary draughtsman: Jacques Kuyper, (mentioned on object), publisher: Jan ten Brink Gerritsz, (mentioned on object), Netherlands, 1800, paper, h 174 mm × w 100 mm

Figures depicted on the fourth altar, vintage engraved illustration. Magasin Pittoresque 1846.

Saint Cecilia. Engraving.

Design for a Vessel, Pen and ink, brush and wash on paper, Two women in classical dress support a vessel. Each woman raises one hand, the other clasping that of her neighbor. The vessel if decorated with frieze of lizards below the rim. At bottom, a triangular platform with rams heads., Italy, ca. 1800, tableware designs, Drawing, Drawing

'St John the Evangelist'. The Netherlands. The Netherlands, 1540-1550. Dimensions: diameter 28,6 cm. Museum: State Hermitage, St. Petersburg. Author: Lambert Suavius (circle of).

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794-1879, British, 1834, watercolor, pen and brown and red ink, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm) and Image: 13 1/4 × 7 1/4 inches (33.7 × 18.4 cm), architectural subject

Girolamo Siciolante, Study of a Man Walking towards the Left Holding a Staff Study of a Man Walking towards the Left Holding a Staff

Urania on the Capitol. The image of the so-called urania on the capitol.

Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) from around 1539-1545 depicting Cleverness allegorically across three plates, showing figures with symbolic gestures and detailed composition.

Lady Justitia, Anonymous, After Artus Quellinus, 1655 - 1699 print Image of a blindfolded Lady Justitia with Libra and Sword, standing in a niche. To the statue of Justitia in the Vierschaar of the Town Hall in Amsterdam. In the middle of g numbered. paper etching Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa)

MARBLE STATUE OF HIS ROYAL HIGHNESS PRINCE ALBERT.

Judith with head of Holofernes and Zwaard, Jacopo De'barbari, 1460 - 1504 print Italy paper engraving Judith and Holofernes (Judith 8-16)

Polyhymnia, Muse of Hymns, plate 13 from Parnassus Biceps. Johann Theodor de Bry (German, 1561-1623); or Robert Boissard (French, c. 1570-after 1597); after Jean-Jacques Boissard (French, 1533-1598). Date: 1601. Dimensions: 239 × 140 mm (image); 259 × 140 mm (plate); 278 × 160 mm (sheet). Engraving in black on ivory laid paper. Origin: Frankfurt an der Oder. Museum: The Chicago Art Institute, Chicago, USA.

Saint Paul, and a Subsidiary Study of his Head. Giuseppe Porta, Il Salviati (1520-After 1570). Black chalk, pen and brown ink, brown wash heightened with white (partly oxidized), on blue paper, 292 x 175mm.

The image of the so-called Urania on the Capitol, Urania on the Capitol, draughtsman: Augustinus Terwesten (I), 1677, paper, pen, brush, h 151 mm × w 86 mm

Rome, Barlacchi, Tommaso, Italy, Raphael, Raimondi, Marcantonio, Vico, Enea, Suicide of Lucretia, verso - stamped, Lucretia is about to stab herself with a dagger. In the background a view of a landscape. On the right a text in Greek., print, prints, height 206 mm, width 131 mm, Italian, 1523 - 1567, print maker, printmaker, 1541 - 1541, paper, engraving, engraving (printing process), etching, Work conception, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, publisher

Rebecca, marble sculpture by Girolamo Masini (1840-1885) was an Italian sculptor. Old 19th century engraved illustration from La Ilustración Artística 1882

An 18th-century drawing by Christian Gottlieb Geyser depicting a bearded man in a tunic standing on a podium with symbolic objects, while a woman kneels to his right, executed with redel and gray brush on gray paper.

Sketch, 1912. Kenyon Cox (American, 1856-1919). Graphite;

Leiden, Dolendo, Bartholomeus Willemsz., Saint Agnes, verso - manuscript, Saint Agnes with palm branch and lamb. In the background we see how she was first put to the stake on the instructions of the city prefect. Because her body, however, remained unharmed by the flames, Agnes was subsequently beheaded., print, prent, prints, verso - stamped, Dominique Barriate, height 214 mm, width 160 mm, Noord-Nederlands, 1560 - 1626-05-27, print maker, printmaker, 1589 - 1626, paper, papier, engraving, engraving (printing process)

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Campania Napoli Naples S. Lorenzo Maggiore84. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Spring, a young girl within a wreath of flowers in each hand and another on her head, within a cartouche made of flowers, from 'The four Seasons' (Les quatre Saisons) ca. 1638-43 Stefano della Bella Italian. Spring, a young girl within a wreath of flowers in each hand and another on her head, within a cartouche made of flowers, from 'The four Seasons' (Les quatre Saisons) 410783

Sketch for the Paris City Hall Living Room: Eloquence Hector Leroux (1829-1900). Eloquence. Sketch for the Paris City Hall Fair. Oil on canvas, 1889.

"Andromeda," by J. S. Westmacott, 1872. 'The classic fable of Andromeda's exposure to the sea-monster and her deliverance by Perseus has been frequently selected as a subject for representation by modern artists, as well as ancient masters...The theme has the recommendation of affording a motive to the sculptor or painter for treating the nude (that noblest field of artistic study) without in itself furnishing any suggestion whatever of mere sensuousness. Mr. Westmacott has evidently selected this subject of Andromeda bound to the rock as a means for presenting a graceful female figu

Prince, Bohemian nobleman, historical, digitally restored reproduction from an original from the 19th century.

Rousselet, Gilles (1614-1686), Bosse, Abraham (1605-1678) (uncertain), inventor: Iahel, Iahel, ( 1000 - 2000), copper engraving, graphics, plate width 21.5 cm, plate height 34.1 cm

Bearded Male Term with a Raised Left Arm ca. 1545-65 Anonymous, French, 16th century French. Bearded Male Term with a Raised Left Arm 393363

Faith, in the form of a woman holding a book in her right hand and a cross in her left. At the top of the representation the word 'FIDES' (faith). This print is part of a series of seven circular representations of the virtues, each personified by a female figure with typical attributes, and with Latin inscription., Faith Fides The virtues (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), Netherlands, 1591 - 1595, paper, engraving, d 152 mm

Statue of a woman, Joan Comin, after Joachim von Sandrart (I), 1636 print Under the statue the coat of arms of Vincenzo Giustiniani. Print is part of a series of prints to sculptures in the collection of Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture

Bust of a woman between two jugs, giovanni battista galestruzzi, after polidoro da caravaggio, 1660 print The left can is decorated with a mascaron under the spout and a Frisian with people and a sacrificial bull. Italy (possibly) paper etching

Roman statue of a Germanic woman, Thusnelda statue in the Loggia dei Lanzi, Florence, Italy. Thusnelda, born 10 B. C. was a Germanic noblewoman who was captured by Germanicus, the grandson of Augustus and leader of an army that invaded Germania, digitally restored reproduction of a 19th century original, exact original date not known

Campania Napoli Naples S. Lorenzo Maggiore74. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Young 19th century woman with a glass of wine and a lute. Wine, love and song, painting by the painter Arminio Schneider. Old 19th century engraved illustration, El Mundo Ilustrado 1880

'Roman goddess, Venus Genetrix', c1518-1574 . Artist: Maerten van Heemskerck

Sculptures of the arrangement godnes Lachesis and atropos with both half a deer in hand; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Alexander Runciman, 1736-1785, British, Diana Bathing, undated. Etching.

Sculpture of a standing woman with water jug, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a standing woman in Stola. She has a jewel in her hair. There is a water jug next to her. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. standing figure - AA - female human figure

Standing young woman with spread arms, Giovanni Battista Cipriani, 1737 - 1785 drawing paper. chalk standing figure - AA - female human figure

A red chalk and feather drawing by Carlo Maratta depicting an allegory where Virtue, wearing lion fur and holding a club, is crowned by personified Honor with wings, a cornucopia, wreath, and palm branch above Cerberus, on blue-gray paper with white heightening.

St. Paul Preaching John La Farge (American, 1835-1910). St. Paul Preaching. Watercolor American Art

Hendrik Goltzius (1561-1641). "The nine Muses: Polymnie. Eighth number of a suite of 9 pieces. (Hollstein 155; Bartsch 153)". Chisel. 1592. Museum of Fine Arts of the City of Paris, Petit Palais. 123048-11 Chisel, 16th 16th XVI 16th 16th 16 Center

The Roman goddess Ceres, marble statue from ancient Rome, Italy, digital reproduction of an original from the 18th century, original date not known, Europe

The Witch of Endor is a figure from the Bible, First Book of Samuel. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

St. Paul Preaching John La Farge (American, 1835-1910). St. Paul Preaching. Watercolor American Art

Raphael, Italy, Veneziano, Agostino, Sibyl of Cumae, verso - gestempeld, The Sibyl of Cumae stands in a landscape with a basket full of sand in her hands. Apollo granted her a year of life for every grain of sand. To her left is a dog. In the background a village on a river., print, prent, prints, prenten, height 172 mm, width 132 mm, Italian, 1490 - 1536, print maker, prentmaker, 1516 - 1516, paper, papier, engraving, engraving (drukprocedé), Work conception, 1483-04-07 - 1520-04-07

Die römische Göttin Diana, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

Demosthenes, 384 to 322 B. C. A Greek statesman and orator of ancient Athens, Greece, Historical, digitally restored reproduction of a 19th century original, Europe

Roemische Toga, Togatracht, Statue des Marius, Geschichte der Mode, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Ja...

Man reading a scroll on the walls of the ancient city of Pompeii, Herculaneum, Campania, Italy, engraving by Pignatari from a drawing by Campana, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 55, 1757-1787, Naples.

Woman with mask and fantasy head covering, anonymous, After Léonard Thiry, After Rosso Fiorentino, c. 1535 - c. 1598 print paper etching fantasy costume. mask. head-gear. the arts of the stage: ballet, theatre, musical drama, motion picture

A farewell kiss according to the image of Lawrens Alma Tademy. A clip from a German magazine. Knesing, Theodor (1840 1927), Alma Tadema, Lawrence (1836 1912)

Print made by Richard Earlom, 1743-1822, British, Sensibility, 1789. Stipple engraving and etching on moderately thick, moderately textured, cream laid paper.

Day: floral scattered young man; Dies. A young man with floral wreath to the head and a burning candle in his hand, scatters flowers. In the background a mountain landscape, a walled garden and sunflowers. Under the show a verse in Latin of twice four rules.

St. Agnes in the Dom , Pisa, Italy, Anonymous, c. 1900 - c. 1925, Cyanotype, a photographic printing process that produces a cyan-blue print.

THE POET WORDSWORTH, PLACED IN WESTMINSTER ABBEY, 1854

Schonaeus, Cornelius, Goltzius, Hendrick, Matham, Jacob, The seven virtues, Faith (Fides), A female figure with a crucifix and a bible in a landscape as a personification of faith (fides)., print, prints, height 151 mm, width 100 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1597 - 1597, paper, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer

Fragment of carpet in tapestry with female figure on it, carpet interior design wool silk, textile tapestry Rotterdam education Academy of Fine Arts and Technical Sciences Cool Coolvest Dijkzigt G.J. de Jonghweg City Triangle Blaak Academy of Fine Arts and Technical Sciences Rotterdam.

Two female Hermen, Master of the Dice (Possible), After Agostino Veneziano, 1536 - c. 1570 print Two Hermen (square pillar with human bust or upper body) of young women. The left has the bust of a woman with bare breasts. The judge bears the upper body of a woman, a basket with grapes on her head. She wears a glass in her left hand and holds her robe up with her right hand. The feet of the right Herme are visible. paper engraving constructive (architectural) parts ~ human beings

Two young women working on a piece of embroidery. Engraving, London, 1841.

Saint Catherine of Alexandria. Dated: c. 1480/1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Giovanni Bellini, Saint Louis of Toulouse Holding a Staff, early 1460s Saint Louis of Toulouse Holding a Staff

Fragment of a Composition: Attendants Bearing Flagons. Attributed to Biagio Pupini, called dalle Lame; Italian, active 1511-1551. Date: 1511-1552. Dimensions: 287 x 96 mm (max.). Brush and brown wash with gray oil paint, over black chalk, on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Young priestess, crowned with spikes, holding a basket and a plate, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by Paderni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 23, 1757-1787, Naples.

Brown ink and brush drawing by Sébastien Le Clerc depicting an Oriental figure with gray and red lavated shading, glued on a leaf with pierced decorative flower strip between 1650 and 1664.

Lazio Rieti Rieti S. Giuseppe3. Hutzel, Max 1960-1990 Post-medieval: Architecture, stucco wall and ceiling decoration, painting. The church possesses two paintings by the artist Vincenzo Manenti, depicting the Holy Family and the Transito of S. Joseph. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hersilia by Jacques Louis David, Black and white chalk on paper , 1795-1798, 1748-1825, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 46, 8x38

Cassandra (from "Twelve Characters from Shakespeare") March 15, 1776 Etched and published by John Hamilton Mortimer British Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his subjects. This etching comes from a series that Mortimer devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century genres of the character head and tête d'expression (expressive head), Mortimer's designs also incorporate elements of history painting to convey the Bard's inventive range. Attracted mostly to tragic figures, the artist here portrays the Trojan princess Cassandra, whose wild eyes and gesture of warning underscore her prophesy of coming destruction:"Cry Trojans cry, practice your eyes with tearsTroy must not be nor goodly IIlion stand."(Troilus and Cressida, act 2, scene 4). Cassandra (from "Twelve Characters from Shakespeare") 408076

Marechal, Charles-Raphaël (son) (n.1825-d.), Study of stained glass for the Saint-Ambroise church: Sainte Elisabeth (main title). Watercolor, black ink and gouache on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Justice. Tarot card from the Charles VI or Gringonneur deck, 14th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Robert, Duke of Normandy, John Downman, 1750-1824, British, 1779, Black chalk with stumping and graphite on thin, smooth, beige wove paper, Sheet: 9 x 7 5/8 inches (22.9 x 19.4 cm), correctional institution, dagger, helmet, historical subject, man, portrait, prison, prisoner, royalty, window

Paris, Bonnet, Louis Marin, Boucher, François, France, Tête de Minerve, Bust of Minerva, recto rrechstonder - etchings, facing right, wearing a helmet., print, prints, Engraving by Louis Bonnet First who found the method of Engraving with two and three Crayons, height 301 mm, width 223 mm, 1736 - 1793-10-12, print maker, printmaker, 1757 - 1763, second quarter 18th century, third quarter 18th century, paper, crayon method, color printing, Work conception, French, 1703-09-29 - 1770-05-30, after own design from, Publication (Event), Publication, publisher

CERES, goddess of fertility, wheat and summer, engraving by Frans Floris de Vriendt, c. 1518-1570, 16th century, Flanders

Adelheim von Veltheim. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Minerva Claude Mellan French. Minerva 393735

Clio, the Muse of History, reading a scroll, Herculaneum, Campania, Italy, engraving by Nicola Billi from a drawing by Paderni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 2, 1757-1787, Naples.

The Allegorical Figure of France for the Tomb of General Bonchamp 19th century Pierre Jean David d'Angers French. The Allegorical Figure of France for the Tomb of General Bonchamp 334478

Urania. Draughtsman: Alexander Liernur. Dating: 1796. Measurements: h 241 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Thumbnail, lengthened draped woman

Book design to Manuscript of Dvur Kralove by Josef Manes, woodcut, 1861, 1820-1871, Private Collection

Pompeian Picture of Raphael's Hours (Arms Raised) Unknown (Italian).. European Art

Two women in robes and two women's busts with headscarves, Benoit Louis Prevost, After Edme Bouchardon, After Nicolas Poussin, 1757 - 1772 print Paris paper etching drawing, sketch. head-gear

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