Personifications of Virtue and Humanity

This collection features engravings personifying virtues like Justice, Moderation, Humility, and others, showcasing figures in classical attire with symbolic elements and Latin text.

Master I.I.CA (Italian, active c. 1500-1520), Justice, c. 1520, engraving

Durand, France, Fessard, Etienne, Frames for artists' portraits, Frame for Rothenamer, verso - stamped, An oval frame with a putto for Rothenamer (Rottenhammer)., print, ornamental print, prints, ornamental prints, height 118 mm, width 86 mm, 1714 - 1777-05-02, print maker, printmaker, 1724 - 1777, paper, papier, etching, etchings, Work conception

Fortune, pl. 1 of 9 from the series Virtues andVices. Engraver: Zacharias Dolendo, Dutch, 1561 - ca.1604 Publisher: Jacques de Gheyn II, Dutch, 1565-1629

Luna. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Believe, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596 - c. 1597

Detail of illustration, Volonta, p. 578, Noua iconologia di Cesare Ripa perugino, caualier de SS. Mauritio and Lazzaro. Nella quale si descriuono diuerse imagini di virtù, vitij, affetti, passioni humane, arti, discipline, humori, elementi, corpi celesti, prouincie d'Italia, fiumi, tutte le parti del mondo, ed'altre infinite materie. Opera vtile ad oratori, predicatori, poeti, pittori, scultori, disegnatori, e ad'ogni studioso, Ripa, Cesare, fl. 1600, Woodcut, 1618, Woodcut.

Neptunus and Amphitrite on a shell pulled by sea horses, Jan Luyken, 1691 print Print at the top right marked: Fig. 30. print maker: Amsterdampublisher: The Hague paper etching triumph of Neptune and Amphitrite, with a retinue of tritons and Nereids, i.e. marriage train

Muse with Schrifroll leaning on column; Gods and muses and young women.

Lazarus. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Judith from Heroes and Heroines of the Old Testament ca. 1597 Nicolaes Braeu Netherlandish. Judith from Heroes and Heroines of the Old Testament 417862

Allegory on transience; Quis Evadet. A putto is sitting on a skull and blows bubbles. On the left a vase with flowers and on the right a smoking barrel. Under the show two four-line verses in Latin.

Nature, Philips Galle, c. 1585 - c. 1590 print A woman with six breasts. Her abdomen is a base with animal heads. The bird, torch, fruits and urn with water refer to the four elements: air, fire, earth and water. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa). the four elements, and ether, the fifth element

Copper engraving by Tarocchimeister 'S' around 1485 depicting Philosophy, part of the 'S' series of allegorical cards, showing figure, symbolic elements, and late 15th-century European iconography.

Vrede, Heinrich Aldegrever, after Cornelis Anthonisz., 1549 print Personification of Peace (Pax). A woman with a laurel wreath around her head, next to her the horn of abundance and in her hand a branch with leaves and fruits. Second print from a series of fourteen with personifications of virtues and vices. Germany paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). 'Cornucopia', Horn of Plenty

Ceres, Hendrick Goltzius, 1575 - 1607 print Ceres as an embodiment of the abundance of the earth. On her head she wears a crown of corners, in her arm she has the horn of abundance and in her hand a sickle. Next to her is her daughter Proserpina. The upper corners of the list are decorated with two dragons, the undercuts with agricultural products. paper engraving (story of) Ceres (Demeter)

The choleric temperament (the element fire), Jacques de Gheyn (II) (workshop or), after Jacques de Gheyn (II), 1596 - 1597 print Presentation of the choleric temperament in the form of a middle -aged man in a fighting position (a warrior), with a helmet on the head, a shield in the left hand, a dagger in the right hand. Behind him a drum, on his right side a Furketstok with burning wick and a musket, a sword and a glove in front of his feet. A number of burning buildings in the background. Under the performance two lines of text in Latin. This print is part of a series of four temperaments, each depicted by a figure, engaged in an action and sitting/standing in an environment associated with one of the four elements. Each performance has a two -way Latin caption. print maker: Leiden (possibly)print maker: Netherlandspublisher: Leiden (possibly) paper engraving choleric temperament. fire (one of the four elements). the soldier; the soldier's life

Geometry; Mensura; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A standing woman with a passer and a shopping hook in her left hand and in the right hand. There are still a few measuring instruments on the floor, such as a protractor and a spirit level. Under the show two lines text in Latin. The print is part of an album.

Copper engraving 'The Flag Wing' by Albrecht Dürer, circa 1501, depicting a winged figure holding a flag.

Sebald Beham's 'Luna' (1539) is a copper engraving depicting the moon personified, emphasizing facial features, posture, and symbolic lunar attributes.

Child with arrow and shield; Dance dance. Child runs with an arrow and shield in his hands. The text Exod is in the margin above the print. XIX.

Ludwig II., The Stammler King of France 1601/1650

Flora ca. 1560-70 Engraved by Anonymous, Italian, second half of the 16th century Italian. Flora 368500

DELIMBIC SIBILLE; Sibylla Delphica; Sibilles. The Delfic Sibille is sitting on a chair. An open book shot on her. The print has a Latin caption and is part of a tachy series about the Sibilles.

Gluttony. From: The Vices., 1552, Germany, by Heinrich Aldegrever.

Levi Avenging the Honor of his Sister Dinah. Artist: Crispijn van den Broeck (Netherlandish, Mechelen ca. 1524-ca. 1591 Antwerp). Dimensions: 8 3/8 x 5 11/16 in. (21.3 x 14.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Astrology; Designed by Georg Pencz (German, 1500-1550); engraving on off-white laid paper

Element fire as a child with lightning bolts on back of eagle, Adriaen Collaert, 1608.

David; Heroes and heroines from the Old Testament. David leans on goliats sword and keeps the head of goliat in his hand. In the background you can see how David Goliats drops head after he had hit him with a stone of his pendulum. In the distance, the fight between the Israeliten and the Philistines is in full swing. In oval with peripheral in Latin by Theodorus Schrevelius.

Judith with the head of Holofernes. Judith, standing with the knife, stopped the chopped head of Holofernes in a bag that is opened by her maid.

Marcantonio Raimondi possibly after Francesco Francia, Woman Pulling Her Hair, 1520 1525 Woman Pulling Her Hair

Sadeler, Johann (I), Barendsz., Dirck, Frankfurt, The four elements as mythological figures, Terra, Earth personified by the goddess Cybele, verso lower left - stamped, The element earth, personified by the goddess Cybele. She wears a mural crown and holds a scepter in her hand. In the background left some people at a cave. The print has a Latin caption and is part of a four-part series on the four elements., print, prints, height 164 mm, width 230 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1587 - 1587, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1534 - 1592-05-26, after a design by, Publication (Event), Publication, publisher

Saint Matthew. Engraving by G. Ottaviani after G. Cades after G. Bologna.

Italy, Broeck, Crispijn van den, S. Lucas Euangelista, Saint Luke with bull, verso lower left - stamped, print, prints, images, height 123 mm, width 86 mm, Work conception, South Netherlands, 1524 - 1591, after a design by, 1534 - 1640, paper, engraving, engraving (printing process), print maker, printmaker

Saint Catherine. Dated: c. 1500. Dimensions: sheet (cut within platemark): 10.5 x 65 cm (4 1/8 x 25 9/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Master PW of Cologne.

A Gentleman Mounts a Step 1629 Anonymous, French, 17th century French. A Gentleman Mounts a Step 387251

Woman with a winged head standing in a niche. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: Sheet: 3 1/8 × 2 1/16 in. (8 × 5.2 cm). Date: ca. 1510-27. Museum: Metropolitan Museum of Art, New York, USA.

Design for a title page with Aesculapius, draughtsman: Jacob van der Ulft, 1637 - 1689, paper, pen, brush, h 114 mm × w 66 mm

Vulcanus; Eight classic gods. Vulcanus, standing in a niche, a hammer in his right hand, a helmet in his left hand. This print is part of a series of eight prints of classical gods, based on POLIDORO DA CARAVAGIO paintings on the facade of a Roman house, seen and named by Goltzius in Rome.

Gheyn, Jacob de (II), Ori, Christoph, Jester with fool's staff and fool's crook, verso - stamped, print, prints, height 194 mm, width 150 mm, 1599 - 1637, print maker, printmaker, 1612 - 1612, paper, papier, engraving, engraving (printing process), etching, Work conception, 1565 - 1629-03-29

French nobleman, seen on the back, dressed according to the fashion of ca. 1630, Anonymous, After Abraham Bosse, After Jean de Saint -Igny, After 1629 - 1650 Edelman, seen on the back, dressed in short shoulder mantle over a wambuis with a flat collar. Knee pants, shoes with rosettes. On his head a hat with a wide edge and plume, including curly hair, which falls on the left on the left (called Mustache) on the shoulder. On his left side. The right arm extended into a waxing gesture. Numbered bottom left: i. paper etching / engraving clothes, costume (+ men's clothes). neck-gear: collar (+ women's clothes). cape (+ men's clothes). head-gear: hat (+ men's clothes). head-gear: hat (+ feathers used for clothes). stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). Europeans (with NAME). styles of hairdress. hacking and thrusting weapons (FOIL)

Passe, Crispijn van de (I), Quad, Matthias von Kinkelbach, Cologne, 4. Principes Musicæ, The four elements, Arion: the element water, verso - stamped, Seascape with Arion standing on a dolphin and playing a harp, as an allegory of the element water. He is surrounded by various sea creatures. In the margin a four-line poem, in two columns, in Latin. Second print from a series with the four elements., print, prints, height 210 mm, width 151 mm, 1564 - 1637, print maker, printmaker, 1602 - 1602, paper, papier, engraving, engraving (printing process), Work conception, after own design by, German, 1557 - 1613, writer, Publication (Event), Publication, publisher

Copper engraving by Marcantonio Raimondi from around 1505-1510 depicting Saint Christopher, showing the figure, carrying the Christ child, and surrounding landscape.

Esron and Aram, Ancestors of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Liveness; Pacientia; Virtues and vices. Personification of livelihood (patientia). A woman walking to the right, for her the Lamb of God, behind her a heart lying in the fire and edited by hammers. Twelfth print from a series of fourteen with personnifications of virtues and vices.

Sitting man with child, Adamo Scultori, After Michelangelo, c. 1585 print Figures from Michelangelo's ceiling painting. Numbered below: 43. Print Maker: ItalyaFter Painting by: Vatican City paper engraving father and child(ren), man and child(ren) (family group)

Three-plate brown clair-obscur woodcut by Antonio da Trento from 1524-1527 depicting Saint Matthew with figure, drapery, and iconographic elements.

Augustus, Julius Caesar Stecher: Falck, JeremiasVerleger Le Blond, JeanDatierung: 1624/1677

Lascivia, from the cycle: Allegorical figures. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Hieronymus, holy.

Solon .

Hoop (Spes), Jacob Matham, after Hendrick Goltzius, 1597 print A female figure with an anchor in a landscape as a personification of De Hoop (Spes). Haarlem paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

A copper engraving by Marcantonio Raimondi created around 1516-1518 titled 'Temperance', illustrating early 16th-century Renaissance allegorical representation of moderation.

John the Baptist as a child. John the Baptist as a little boy, sitting under a tree, crossbar in the right hand, his left arm beaten the lamb that lies next to him. Hilland landscape in Vrichter. With caption in Latin.

Chilon, Legislator & Philosopher of Sparta ca. 1615 Jan Muller Netherlandish The philosopher Chilon seems ready to burst out of the frame in this in this startling portrait by Jan Muller. He holds a convex mirror in his massive hands, crowding the picture plane, and turns his head slightly away as he looks out at the viewer. Chilon was a philosopher and councilor in the city-state of Sparta and one of the Seven Sages of Greece - seven philosophers, statesmen and lawgivers who were known for their wisdom in the early sixth century BCE. Muller has made him into a grotesque figure, using a dramatically swelling and tapering line, to emphasize the warts on his face and his wildly curling hair. His mirror embodies his motto, "know thyself," a phrase repeated in Greek and Latin in the inscriptions on the oval frame.Three years earlier, in 1593, Muller had engraved a portrait of the Harpocrates, the god of silence (accession no. 51.501.6334), also slightly larger than life and in an oval fram

Copper engraving by Tarocchimeister depicting the Genius of Time, showing figure with hourglass, celestial symbols, and decorative elements, created before 1467.

Antwerp, Jode, Gerard de, Vos, Maerten de, Wierix, Antonie (II), Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Christ and the Apostles, Landscape with Christ, Christ stands next to the cross and shows the wound in his side. In the background a view of a city in a hilly landscape. Below the image a Bible text in Latin from Mat. 28: 18-19. This print is part of an album., print, prent, albumblad, prints, prenten, height 140 mm, width 200 mm, Zuid-Nederlands, 1559 - 1604-03, print maker, prentmaker, 1585 - 1585, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

The Assumption of the Virgin, who is seated in the clouds with arms outstretched, angels surrounding her. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Fra Antonio Lorenzini (Italian, Bologna 1665-1740 Bologna). Dimensions: Sheet (Trimmed): 8 7/16 × 10 3/8 in. (21.5 × 26.4 cm). Date: 1685-1720.Verso is not visible as print it laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA. Author: after Guido Reni. Fra Antonio Lorenzini.

Aar, Bernard Picart (Workshop of), After Benoît Massou, 1709 print Statue in the gardens of Versailles. The female personification of earth, a horn of abundance in the hand. A lion on her feet. In the margin a caption in French. Paris paper etching / engraving 'Terra', 'Carro della terra' (Ripa). piece of sculpture, reproduction of a piece of sculpture Castle of Versailles

Mary Magdalene gets rid of its wealth, print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, 1596 - 1659

Hooghe, Romeyn de, Netherlands, History of Churches and heretics up to the year of our Lord 1688, Nestorius, Portrait of Nestorius, Portrait of Nestorius from a series of portraits in History of Churches and Heresies from the Beginning of the New Testament to the Year of Our Lord 1688 by Godfried Arnold (1701)., print, engraving, book illustration, prints, height 266 mm, width 157 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1701 - 1701, first quarter 18th century, paper, etching, etchings, engraving (printing process), Work conception, after own design by

. Diana, or the personalized moon, with arrow and bow and on her head the crowbar. To the left of her hair astronomical symbol. Standing in an oval cartouche with the two signs at the top: moon and lobster.

Sibylla Cumana. Dated: 1625. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Jacques Stella.

Dancing Nymph with Bow and Arrows. Dated: 1752-1754. Dimensions: overall: 31 x 17.5 cm (12 3/16 x 6 7/8 in.). Medium: chiaroscuro woodcut in green and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson.

A late 15th-century copper engraving by Martin Schongauer depicting Saint Catherine, showing figure, attributes, posture, and drapery.

Master IB (German, active c. 1523-1530), Spes (Hope), engraving

Drawing by Jan Claudius de Cock of a lion throne with royal insignia, surrounded by animals at its base, executed in brown pen and gray wash.

The Spirit of Wisdom The Seven Gifts of the Holy Spirit Spritivs Sapientiae.... Vos, Maarten de, 1532-1603. 1654. Collaert, Adriaen, -1618. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

This drawing by an anonymous artist depicts Galatea in a shell wagon pulled by two hippocamps, executed with pen, gray wash, and white highlights on brown primed paper, emphasizing figures, mythological subject, and composition.

Italy, Alberti, Cherubino, Monogrammist FPS, Venus, verso - stamped, Venus standing on her shell at sea, holding her robe to the wind as a sail., print, prent, prints, height 214 mm, width 147 mm, 1553 - 1615, print maker, printmaker, 1563 - 1615, paper, papier, engraving, engraving (printing process), maker, manufacturer, Work conception

Drawing by Martino Altomonte using brown feather, lead, and gray brush with wash, depicting a figure composition, showing posture and gesture details.

Saint Catherine 1505-1507 Germany. Woodcut in black on cream laid paper . Hans Baldung Grien

Hendrik Goltzius, Apollo, 1588 Apollo

Lemery, Nicolas .

Gustus, 1501 - 1583, Etchings, approx. 3 11/16 x 2 3/8 in. (9.3 x 6 cm), Paper/Sheet approx. 5 1/4 x 3 1/4 in. (13.3 x 8.3 cm)

Asclepius, Greek god of medicine with serpent-entwined staff. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Saint Sebastian in front of the Basilica of San Sebastiano, 1 of 8 prints in the series Septem Urbis Ecclesiae Primariae (The Seven Basilicas ofRome). Artist: Unknown Publisher: Philip Galle, Flemish, 1537-1612

An Archer Shooting a Crossbow. Dated: 1579. Dimensions: sheet (cut inside platemark): 22.1 x 14 cm (8 11/16 x 5 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Cherubino Alberti (formerly Cornelis Cort) after Lelio Orsi.

Mucius Scaevola; The Roman heroes. The Held Gaius Mucius Scaevola for feet, a sword in the right hand, the sheath in the left hand. In the background you can see how he protrudes his right hand before King Porna fearless. Under the show twice two fresh rules in Latin. This print is part of a series of ten prints, consisting of an unnumbered title print, eight numbered representations of heroes and an unnumbered concluding print.

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 print Sitting naked man, turned to the right, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 10. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the (nude) human figure; 'Corpo humano' (Ripa). fruits: acorn

Carrier; Street vendors in Bologna; L'ARTI PER VIA. A man with a large, with rope wound, suit or stone block on his shoulders. Italian verse in undermarge. The print is part of an album.

The resurrection, design for a glass pane, The resurrection, draughtsman: Lucas van Leyden, in or after 1529 - 1533, paper, brush, h 252 mm × w 199 mm

Marcus Joe, 1586 print The hero Marcus Valerius Corvus, seen on the back, his shield was lifted by his left shoulder. In the background you can see how he defeats a Glaan with the help of a raven (Corvus). Twice two verses in Latin under the performance. This print is part of a series of ten prints, consisting of an unnumbered title print, eight numbered representations of Helden and an unnumbered closing print. paper engraving Marcus Valerius Corvus (Corvinus) victoriously fights a mighty Gaul in single combat, assisted by a crow that attacks the face of the Gaul

Industria (Pracowitość) Personifikacja całopostaciowa stojącej kobiety trzymającej w l. ręce płonącą pochodnię, wspartęj na płycie z zawieszonym wędzidłem; u jej stóp z p.s. siedzi na ziemi brodaty mężczyzna. Plansza nr 10.. unknown, graphic artist, Floris, Frans (ca 1519-1570 ; st.), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

. Susanna is sitting on a chair, in her hands a palm branch. In the background a palace with the fountain in which they bathed.

Copper engraving by Monogrammist IC depicting St. Michael, created at the end of the 15th century, showing angelic figure, armor, and sword.

A blessed soul lifted to heaven, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel 1591 Cherubino Alberti (Zaccaria Mattia) Italian. A blessed soul lifted to heaven, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel 651296

Saint Luke. Etching by Wagner.

Ancient woman; Ancient habits, modern et worldwide .... mirror image and other rug; The Same Posture

Abraham de Bruyn, Saturn, 1569 Saturn

Hollandse Maagd; Titelpagina voor: F. de la Neuville, Historie van Holland dl. I, 1704.The seated Dutch virgin with freedom hat on stick and a bundle arrows in her hands. For her the Dutch lion and a fruit-filled cornucopia.

Pointing old man with child, Adamo Scultori, After Michelangelo, c. 1585 print Figures from Michelangelo's ceiling painting. Numbered below: 63. Print Maker: ItalyaFter Painting by: Vatican City paper engraving old man. index finger forwards, pointing, indicating. beard

Vos, Maerten de, Venice, Sadeler, Raphael (I), Seven Gifts of the Holy Spirit, Spiritvs Intellectvs, Gift of understanding, verso lower left - stamped, In a niche the female personification of the gift of understanding, one of the seven gifts of the Holy Spirit. She wears a winged crown and in her right hand she holds a lightning bolt. Around her head a radiant sun., print, prent, prints, width 180 mm, height, 266 mm, Zuid-Nederlands, 1560, print maker, prentmaker, 1598 - 1604, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman

Venus on a half-shell, holding fabric over her head. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 8 7/16 × 5 11/16 in. (21.4 × 14.5 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA. Author: Cherubino Alberti (Zaccaria Mattia).

Koning Artaxerxes I, anonymous, 1585 print King Artaxerxes I of Persia, son of Xerxes, standing with a scepter in his hand. In the background you can see how the city of Jerusalem was rebuilt under his reign. Above the show a three -litigal text in Latin. paper engraving male persons from classical history. ruler, sovereign

Woman sees the sunrise, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing sunrise

Moneta with scales and cornucopia stands for niche in the case of title; Title Print For: imperatorum Romanorum Numismata Aurea a Julio Caesare Ad Heraclium Continua Series Collea et Excellestypis Expressa, Antwerp 1615; ImperatorVM RomanorVM NVMISMATA AVREA A Julio Caesare Ad Heraclium Continua Series Collecta et ex Archetypis Expressa. Title print with allegorical representation of the goddess of the money with scales and cornucopia. She leans on an oval shield on which the title stands and with her feet tools from a munter.

Man with Bow, Pointing to the Right. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jupiter. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617)Polidoro da Caravaggio (after) (Italy, active Messina, circa 1490-1543). Holland, 1592. Prints; engravings. Engraving

An angel comfort Hagar, Moyses van Wtenbrouck, 1645 - 1660 print Hagar, with handkerchief in hand, looks up to an angel in a cloud above her. print maker: The Haguepublisher: Antwerp (possibly) paper etching / drypoint an angel appears and reveals a well of water to Hagar

Painting (pictura). Painting (pictura) as winged woman. She paints a panel, while next to her a child holds the painting palette.

Nuremberg, Solis, Virgil, Personifications of Virtues, Pacientia, Patience (Patientia), verso - handwritten in brown ink, print, prints, verso - stamped, 58, height 80 mm, width 59 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

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