Poetic and Mythological Prints

Engravings filled with literary themes, combining text with expressive imagery, focusing on human emotion, mythology, and philosophical exploration.

Illustration for The Lamb, from Songs of Innocence first published in 1799 by English poet and artist William Blake, 1757 - 1827.

An old man sitting in his room, speaks., 1725 - 1780 print An old man sitting in his room, with his head in hand and with the other hand on a skull. A smoking candle and an hourglass on the table. In a drawer and precious scales on a cupboard. Allegory of old age and transience (vanitas). Under the show a verse in six verses. publisher: Amsterdamprint maker: Northern Netherlands paper letterpress printing 'Vanitas' symbols. person(s) sitting among objects forming a 'Vanitas' still life. old man. hourglass

Boney and Talley. The Corsican carcase-butcher's reckoning day. British Cartoon Prints Collection , Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10091. Talleyrand-Perigord, Charles Maurice de,prince de Bénévent,1754-1838. , Napoleon,I,Emperor of the French,1769-1821. , International relations,1800-1810. , Butcher shops,France,Corsica,1800-1810.

Italy, Milan, Caricature and jocular poem in Milanese dialect from opera Otello by Giuseppe Verdi (1813-1901)

Jerusalem, Plate 8, "Rose up against me....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 222 mm (8.74 in); Width: 162 mm (6.37 in). Author: William Blake.

Songs of Innocence and of Experience, Plate 34, 'Introduction' (Bentley 30), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 5 x 2 7/8 inches (12.7 x 7.3 cm), bed, blanket, clouds, historical subject, men, night, nudes, pillow, sky, stars, text

The Fairy Family - A Series of Ballads & Metrical Tales Illustrating the Fairy Faith of Europe, 1857. Sir Edward Burne-Jones. Bound volume with frontispiece, title page and tail-piece engraved from pen and ink drawings.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

The Nôtre-Dame Pump (small plate) 1854 Charles Meryon French. The Nôtre-Dame Pump (small plate) 371754

Loved ones in a formal garden, 1658 Beloved in a formal garden under a poem in which the speaker turns to cloors, on the melody of Langerack. Zwolle paper. watercolor (paint). ink brush / calligraphy Beloved in a formal garden under a poem in which the speaker turns to cloors, on the melody of Langerack. Zwolle paper. watercolor (paint). ink brush / calligraphy

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 93, "Enitharmon heard....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Before Ololon Milton stood..., 1804 - 1808, Publisher, Keynes, London, Blake, William, 1757-1827, 46 i.e. 49 f. col. illus. 25 cm., This artwork features themes of mythology, with elements such as serpents and dogs, rendered in etching style

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 33, "Turning his back to the Divine Vision....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Cartoon on taking the French line, 1711, 1711 print Cartoon on taking the French line of the French Marshal de Villars by the Allies in 1711. With a consultation between Pasquin and Arlequin. Arlequin drives backwards on a donkey that draws a cart with Pasquin. In the cart the columns of Hercules with the inscription Non Plus Ultra. Part of a group of individual cartoons on Louis XIV during the Spanish Succession War, ca. 1701-1713. Northern Netherlands paper etching / letterpress printing political caricatures and satires

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Long live the high -hearted citizen prince , Prince Johann the German, Volksstimme , to open the first constitutional Reichstag in Vienna, on July , by Archduke Johann, Sommer, Lithographer, Friedrich Wilhelm Goldbach, Auteur, Ludwig Christian Förster -, printer

The Shepherd From "Songs of Innocence" William Blake (1757-1827 British) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, USA

Always' ran to the ram! (Ti)

Saint Roch. Reproduction of a woodcut.

Escutcheon with a Landscape. Jacques Bailly (French, 1634 - 1679)

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30), 1794. Color-printed relief etching with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Photo production of a painting of a scene out of the trompeter von Säkkingen, representing Mary with a trumpet in a garden with the trumpeter behind it. .

Shepherd on a little hill, looking at his sheep. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Charlotte Angus, Woodcut Vorschrift, 1935 1942 Woodcut Vorschrift

William Blake, Job and His Wife Restored to Prosperity, 1825 Job and His Wife Restored to Prosperity

Ilustracja pełniąca funkcję ozdobnika do poematu:THE REAL DEVIL'S WALK w:FACETIAE: BEING A GENERAL Collection of the Jeux dEsprit WCHICH HAVE BEEN ILLUSTRATED BY ROBERT CRUIKSHANK IN TWO VOLUMES. VOL. II CONTAING NEARLY SIXTY ENGRAVINGS.LONDON WILLIAM KIDD, 6, OLD BOND STRET. MDCCCXXXI. unknown, Cruikshank, Isaac Robert (1789 1856)

Jerusalem, Plate 57, 'And the voices of Bath....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 14.9 cm), arch, branches, churches, literary theme, night, nudes, religious and mythological subject, roots, sky, spires, stars, text, vines, women

Shepherd and shepherdess in conversation. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 101, "Ode for Music.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

The Little Black Boy, from Songs of Innocence (Bindman 222). William Blake (1757-1827). Relief etching printed in cadium orange ink, with handcolouring in green, pink and brick-red, on Chine applique. Dated circa 1800. 12.1 x 7.8cm.

In the Wave Bath, from The Samland Ode. Max Pechstein (German, 1881-1955); published by Fritz Gurlitt Verlag. Date: 1917. Dimensions: 241 x 245 mm (image); 384 x 390 mm (sheet). Lithograph on cream laid paper with text. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

A rose and forget-me-notes, Elisabeth Johanna Koning, 1850 print Study of a cut rose, with a flower and a button, and forget-me-nots. Below the image is an eight -line verse. The Hague paper etching flowers. flowers: rose

De Vrek, who has lost his treasure; La Fontaine Fabel; Imagerie Artistique / Série 8. Leaf with a large show from the Fable of Jean de la Fontaine, from the eager that has lost its treasure. A man is kneeling for another man. At the top right a text block with fresh rules. Numbered top left: Série 8. - No. 54.

Pałnik; Z: "K Osy" 1877, No. 641 (11 PAMIKNIK), p. 233; Kossak, Juliusz (1824-1899), Gorazdowski, Edward (1843-1901), K Osy (Warsaw; magazine; 1865-1890); 1877 (1865-00-00-1890-00-00);

Death's Hostel. Charles Meryon; French, 1821-1868. Date: 1854. Dimensions: 122 × 36 mm (image, left); 122 × 36 mm (plate, left); 121 × 35 mm (image, right); 121 × 35 mm (plate, right); 200 × 167 mm (sheet). Etching in brown with two plates side-by-side on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Camp of the utaneous / Egypt / a harbor in Cairo. Leaf with 2 performances. Above left a representation of a Bedouin camp. At the bottom right of a representation of Egyptians and camels in Cairo. Top right and bottom left boxes with captions. The whole is surrounded by a decorative edge. Numbered at the top right: No 188.

A rose and forget-me-notes, Elisabeth Johanna Koning, 1850 print Study of a cut rose, with a flower and a button, and forget-me-nots. Below the image is an eight -line verse. The Hague paper etching flowers. flowers: rose

Songs of Innocence and of Experience, Plate 32, 'Earth's Answer' (Bentley 31), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), branches, fruit, leaf, literary theme, serpent, snake, text, vegetation, vines

When I was a farmer's boy, .... Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Yorkshire Hieroglyphics, Plate 2 March 11, 1809 Thomas Rowlandson. Yorkshire Hieroglyphics, Plate 2. Thomas Rowlandson (British, London 1757-1827 London). March 11, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

#108 "Pletora". Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: EDUARDO NARANJO.

France, Beuf, Jean, Face Septemtrionale, Roman triumphal arch in Orange, 1639, Façade of the Roman triumphal arch in Orange. On the left the legend AL in French. Marked lower right: Pag. 27. Premier., print, prent, prints, prenten, Frederik Muller Historieplaten, height 322 mm, width 422 mm, print maker, prentmaker, 1637 - 1640, second quarter 17th century, paper, papier, engraving, engraving (printing process), letterpress printing

Woman with two baskets of fruit and a cherry branch, c. 1652 drawing Woman with two baskets of fruit and a cherry branch next to metaphorical poem commentary on the chastity of Jacob Cats. Zwolle paper. ink. watercolor (paint) brush

Cloth-of-Gold Crocus, Beetle, and Foxglove; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

SAINT GEORGE seen here on his white horse, with the unfortunate dragon in a separate panel below. Date: -

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 81, "I have mockd those....", 1804 to 1820. Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper.

When I was a farmer, a farmer's boy .... Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 20, "But when they saw Albion....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Tuscany Siena Montalcino Museo Civico2. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Poison Tree. Songs of Innocence and of Experience by Blake, William (1757-1827) / Metropolitan Museum of Art, New York / ca 1825 / Great Britain / Etching, watercolour / Mythology, Allegory and Literature / 15,7x14,1 / Romanticism

A wooden stitch book illustration from 1847 by Eduard Duller after Moritz von Schwind depicting Archduke Carl of Austria, focusing on portrait and composition.

Juliusz Kossak (1824-1899), January; from: "Kłosy" no. 607, vol. XXIV. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

There Is No Natural Religion, Plate 7, 'V Mans desires . . . . ' (Bentley a8), Print made by William Blake, 1757-1827, British, ca. 1788, Color-printed relief etching on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm), Plate: 2 x 1 1/2 inches (5.1 x 3.8 cm), and Spine: 5 1/2 inches (14 cm), boy, branches, children, literary theme, swan, text, trees, walking

Framed French text with a putto and olive branches. Seventeen-line French text, entitled 'Livre VII' with an image of a putto standing between rosa branches below. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow.

When on the highest lift..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Dwellings

Shepherd couple. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

THE HART AND THE VINE

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 31, "A Long Story.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Songs of Innocence, Plate 20, 'The Little Boy Lost' (Bentley 13), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), and Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), angels, boy, branches, children, darkness, flame, forest, gown, hat, leaf, literary theme, mother, religious and mythological subject, text, trees, vegetation, vines, wings, women

Juliusz Kossak (1824-1899), February; from: "Kłosy" no. 607, vol. XXIV. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

View of the lake of Gmunden. Draughtsman: Reijer Stolk. Dating: c. 1906 - c. 1945. Measurements: h 255 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Adrià Gual / "Su lema". Institut del Teatre de Barcelona.

Book illustration, Die Geschichte von den schwarzen Buben, The Story of the Inky Boys, Der Struwwelpeter, Shaggy Peter, Dr. Heinrich Hoffmann, 1876

The communities painted by themselves / assi

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra4. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Landscape with a lock, Louis Adolphe Jacobs, 1865 - 1910 print paper etching sluice, weir

Illustration for the song, "A l'Eau", by George Docquois appearing on the last page of October 23, 1896 publication of "Gil Blas Illustré": Gil Blas Illustré: At the Water's Edge (A l'Eau), 1896. Théophile Alexandre Steinlen (Swiss, 1859-1923). Color lithograph; sheet: 39.2 x 26.3 cm (15 7/16 x 10 3/8 in.); image: 33.3 x 17.4 cm (13 1/8 x 6 7/8 in.).

Title Page for New Suite of Chinese Arabesques. Dated: early 1760s. Dimensions: plate: 19.4 x 13.9 cm (7 5/8 x 5 1/2 in.) sheet: 22.1 x 17 cm (8 11/16 x 6 11/16 in.). Medium: color etching on laid paper, printed " la poup e". Museum: National Gallery of Art, Washington DC. Author: Anne Allen after Jean-Baptiste Pillement.

Yvette Guilbert. Dated: 1894. Dimensions: image: 34 x 18.7 cm (13 3/8 x 7 3/8 in.) sheet: 38 x 38.4 cm (14 15/16 x 15 1/8 in.). Medium: lithograph in olive green. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Turnhout, Brepols, Philippus Jacobus, The life of the holy, Eloy, bishop, of Noyon, patron of silver and other smiths, verso - stamped, The holy Eligius. In the background on the left a barn where silversmiths are at work, on the right a canopy under which two smiths are giving a horse new horseshoes. All around text in letterpress in Dutch. Completely surrounded by a decorative frame., print, prent, volksprent, prints, prenten, volksprenten, height 395 mm, width 342 mm, Publication (Event), Publicatie, Belgisch, 1778 - 1845, publisher, uitgever, 1800 - 1833, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Heer en herderin in gesprek. Hoofsche schijn bedroch off Doratheas Minneklacht (title on object). Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Artist: Nathaniel Hurd, American, 1730-1777, H-ds-ns (Hudsons) Speech from the Pillory, Line engraving, hand colored, 25.7 × 20.3 cm (10 1/8 × 8 in.), Made in United States, American, 18th century, Works on Paper - Prints

Color cover illustration for the magazine 'Simplicissimus' from April 1896 to April 1897, showing figures, scenes, and artistic narrative, created by Josef Benedikt Engl in 1897.

Cantique / De Sainte Géneviève de Brabant. Genoveva van Brabant sitting in the wilderness with her son. Her son is seen by a Ree. A young reet is in the foreground. Around text in letterpress in Dutch and in French. Numbered at the bottom right: N. 63.

Hurrah for Christmas Postcard Private Collection

Framed French text with Athena and Olive branches, Jean-Baptiste Tilliard, 1785 print Eighteen -line French text, entitled 'Livre XX' with an image of Athena underneath. The whole is framed by a decorative frame with olive branches and a bow at the bottom. print maker: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. ornament ~ festoon, garland

Europe. A Prophecy, Plate 5, "A. Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Abruzzo L'Aquila Celano Museum71. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Decorative border illustrating autumn, moths butterflies. Date: 1878

St. Paul's steeple.. Crane, Walter (1845-1915). Illustrations. 1865 - 1950. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Boys, St. Paul's Cathedral (London, England), Musical notation

Title Page to The Flight into Egypt Made 1753 Italy. Etching on paper . Giovanni Domenico Tiepolo

Tuscany Siena Montalcino Museo Civico6. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Julian Fałat, March. Julian Fałat (1853-1929), draughtsman, cartoonist, Gorazdowski, Edward (1843-1901), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Illustration by Cecil Aldin, Old Manor Houses -- opening of Chapter I, with medieval pages pulling back a curtain to reveal an old building. Date: 1923

The Parisian / Chant of Léon Charly / on the rhythm of the German Rhine. (IT)

Songs of Innocence and of Experience, Plate 30, Experience Title Page (Bentley 29), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 7/8 x 2 7/8 inches (12.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), beard, bed, cry, death, literary theme, man, mourning, text, woman

Contented John.. Dalziel, Thomas Bolton Gilchrist Septimus (1826-1906). Illustrations. 1868. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Laborers, Digging

Litografia a color de la partitura de la Marsch aus den Ruinen von Athen (Marcha desde las ruinas de Atenas), de BEETHOVEN. Publicada en Leipzig en 1885.

BEEFER FIGURE AT ANGELEN, Eugène van Maldeghem (attributed to), 1852 print paper notation of music. angels. one person praying

Petites scènes familières: Donkey Ride, 1893. Pierre Bonnard (French, 1867-1947). Lithograph; sheet: 35 x 26.8 cm (13 3/4 x 10 9/16 in.); image: 9 x 23.9 cm (3 9/16 x 9 7/16 in.).

Bookplate of Maximilian Schmidt. Hollenberg, Felix (1868-1945), graphic artist

Sicilian, Seite 8

Various toys adorn the border, framing a poem on Lowther Arcade. Date: 1883

The Schoolmaster. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Litografia a color de la partitura de Ouverture zur Fingalshöhle (Obertura de la Cueva de Fingal), de MENDELSSOHN-BARTHOLDY. Publicada en Leipzig en 1885.

Songs of Innocence and of Experience, Plate 2, Combined Title Page (Bentley 1), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 3/4 inches (11.4 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), bending, bird, branches, fire, flames, literary theme, men, nude, text, trees, vine, women

The maiden all forlorn ; the man all tattered and torn. Caldecott, Randolph (1846-1886). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Cows, Milkmen & milkwomen, Crying, Stiles

Vintage Moby Dick illustration by Charles O. Golden.. "Arab was Standing Shaggy and Black"

Five Angels and Saint Cecilia with musical instruments, Eugène van Maldeghem (attributed to), 1862 print Brussels paper notation of music. the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies. angels singing, making music

George Cumberland's Card. Dated: 1827. Medium: engraving in black. Museum: National Gallery of Art, Washington DC. Author: William Blake.

of 3