Poignant Etchings of Human Figures

These artworks depict figures in contemplative or emotional states, rendered in dark tones with a focus on expression and atmosphere.

Schaepkens, Theodoor, Le Giaour, Fighting Arabs, verso - stamped, print, prints, height 137 mm, width 107 mm, Dutch, 1810-01-27 - 1883-12-18, print maker, printmaker, 1825 - 1883, paper, papier, etching, etchings, drypoint, dry needle

Charcoal illustration of a couple kissing underneath a windmill. Illustrated by Theophile Steinlen (1859-1923), French-Swiss Art Nouveau painter and printmaker.

Figure Reading at a Table in an Interior at Night ca. 1891 Vilhelm Hammershøi Danish. Figure Reading at a Table in an Interior at Night 406969

Suicide (Le suicide). Dimensions: 44.5 cm x 31.8 cm, 31.3 cm x 24.5 cm, 31.3 cm x 24.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: ALBERT BESNARD.

Model Asleep on the Floor (Le modèle endormi à terre). Dated: 1885. Dimensions: plate: 17.9 x 24 cm (7 1/16 x 9 7/16 in.) sheet: 22.6 x 31.4 cm (8 7/8 x 12 3/8 in.). Medium: etching, roulette, and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Annotatie op een ingeplakte prent.The print shows a young woman in traditional costume in a mountain landscape and is stuck in the sketchbook. The inscription on the print is: Lith. Fromentin et Cie / Deveria. Rear bract from a sketchbook with 73 sheets.

Édouard Manet, Hat and Guitar, 1862-1905, etching, aquatint and roulette on laid paper.

Flowers Fall and the Head of a Python Appears, plate 5 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 261 × 198 mm (image/chine); 453 × 348 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Clemenceau case (you) | The workshop of Rome, board 9. (you)

La Misère (ou LEnfant mort) [Destitution, or The Dead Child. Artist: Albert Besnard, French, 1849-1934

Francisco de Goya (1746-1828), the same in another way (23), 1810-1820

Youth, sketch for the hall of the town hall of the Xiie Eugene Career (1849-1906). Youth, sketch for the village hall of the town hall of the Xiie. Oil on canvas. 1897.

Hilaire-Germain-Edgar Degas, After the Bath: Large Plate (La sortie du bain: grande planche), c. 1891-92, lithograph, transfer, and crayon in black ink on paper.

Woman Reading, Seated Before a Window, Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), 1805, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 7/8 x 7 7/8 inches (25.1 x 20 cm), curtains, dress, genre subject, interior, paper, reading, shoes, slippers, veil, window, woman

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for TwoWives, Watercolor, gouache, Composition board, 53.8 × 36.3 cm (21 3/16 × 14 5/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

L'Estampe Moderne: La Chevelure: La Chevelure, 1899. Jules Léon Flandrin (French, 1871-1947). Color lithograph; sheet: 24.6 x 34.6 cm (9 11/16 x 13 5/8 in.); image: 23.9 x 33.9 cm (9 7/16 x 13 3/8 in.); secondary support: 40 x 30.5 cm (15 3/4 x 12 in.).

Larchs in the sake; Wyczóżó Kowski, Leon (1852-1936); 1929 (1929-00-00-1929-00-00);Wyczółkowski, Leon (1852-1936), Wyczółkowski, Leon (1852-1936)-collection, trees, Polish graphics, forests, larchs, recovered war losses, Poland (culture), transmission (provenance), purchase (provenance)

The Night's Round. Auguste Brouet (French, 1872-1941). Roulette;

John Sell Cotman, The Devil's Tower, 1833 1834 The Devil's Tower

Lady in Black, in a Loge, Facing Right. Mary Cassatt; American, 1844-1926. Date: 1881. Dimensions: 194 x 306 mm (image/plate); 248 x 402 mm (sheet). Soft ground etching and aquatint on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Francisco de Goya y Lucientes / 'Visit to the quack (Album F, 28)'. 1812 - 1823. Grey-brown wash on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Pageant; Siedlecki, Franciszek (1867-1934); around 1913 (1912-00-00-1914-00-00);Young Poland (Styl), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, processions, nocturnes, Polish (culture), Symbolic scenes, symbolism (style)

The End - Verdun. Dated: c. 1916. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Adam and Eva, Abel and God cursed Cain, John Martin, 1831 - 1839 print Genesis 4:9-11 paper etching Adam and Eve discover the dead body of Abel and grieve over it. the Lord calls on Cain to account for his deed

ESTUDIO PARA LA RENDICION DE SEVILLA - DIBUJO - 243x197 mm. Author: FRANCISCO DE GOYA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY). ACHACAF.

Still life with poultry. .

Symphony in White, No. III. Peter von Halm (German, 1854-1923); after James McNeill Whistler (American, 1834-1903). Date: 1908. Dimensions: 446 x 593 mm (plate); 543 x 700 mm (sheet). Etching in black ink on ivory Japanese paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

'The Gypsies', 1862, (1946). Artist: Edouard Manet.

Albert Besnard, The Rape (Le Viol), c 1886 The Rape (Le Viol)

Still life with skull and gingerpot, Anonymous, 1880 - 1930 print paper etching skull as symbol of 'Vanitas'. 'Vanitas' still life. flowers in a vase

Le Sphinx. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Soft-ground etching

Deux porcs.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Swine

Frederick Trapp Friis, Woman Floating in a River Attended by Two Female Spirits, c 1895 Woman Floating in a River Attended by Two Female Spirits

Explorers descending a mine shaft after an accident, Northumberland and Durham coalfield, England. From 'Good Words' (London, 1871).

Peasants Carrying Hay (Paysans portant du foin). Dated: 1900. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Two Stars. Siedlecki, Franciszek (1867-1934), graphic artist

Illustration for a poster advertising the play of 'The Woman in White', the sensation novel by Wilkie Collins published in 1860. The stage version opened at the Olympic Theatre, London, on 9 October 1871. The illustration is by Collins' friend, the English illustrator Frederick Walker (1840-1875).

Saint Christopher 1665-1677 Netherlands. In this print, Wallerand Vaillant articulates landscape, figure, and atmosphere with the perfect subtlety of light. Mezzotint was a relatively new intaglio process in which the artist burnished out highlights and gradations, effectively erasing the darkness, from a completely roughened copper plate that would print black if left untouched. In the final state the artist added stars, as well as more definition to the clouds and landscape, and intensified the highlights of the figures and their respective objects (the staff of the Saint, and the world held by the Christ-child). The result is a tonally richer composition.. Mezzotint in black on ivory laid paper . Wallerand Vaillant

Working the land. Bigosiński, Leon (1871-1928), draughtsman, cartoonist

Lost sheep parable, draughtsman: Frans Smissaert, 1872 - 1944, cardboard, h 554 mm × w 756 mm

Street between low houses. .

James Jacques Joseph Tissot, The Hammock (Le hamac), 1880 The Hammock (Le hamac)

Ancient Egypt, Nitocris drowning the guilty, from Cassell's Universal History, published in 1888

Hanged Man (Le pendu). Dimensions: 34.9 cm x 27.6 cm, 27.4 cm x 17.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

Albert Besnard, French (1849-1934), The Suicide (Le Suicide), c. 1886, etching in black with plate tone on laid paper

Sleep overcomes them. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Importunate (Importune). Dated: 1900. Dimensions: plate: 14 x 10.9 cm (5 1/2 x 4 5/16 in.) sheet: 45.1 x 31.6 cm (17 3/4 x 12 7/16 in.). Medium: etching and aquatint in black on Van Gelder Zonen wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Le baptême d'Achille. Honoré Daumier (1808-1879). Lithographs

Christian Kongstad Petersen (1862-1940), drafting of the history of a mother, 1898

Sculpture with the presentation of a sitting monkey, Louis Stracké, 1866 - 1900 print A sculpture with the presentation of a sitting monkey. In the foreground a peacock spring. On the right a Chinese vase. paper. etching piece of sculpture, reproduction of a piece of sculpture. monkeys, apes

Rest - Narrow Cove , Swimmers, Bays Bodies of water, Sitting. Charles H. Woodbury (1864-1940). Prints

Storm. Anders Zorn; Swedish, 1860-1920. Date: 1891. Dimensions: 191 x 133 mm (image); 198 x 138 mm (plate); 304 x 230 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Worker with burning torch and lifted finger, Richard Nicolaüs Roland Holst, 1898 print The man wears clogs. Behind him are three more workers, one of whom also holds a burning torch. paper letterpress printing working class, labourers. torch

A la mémoire de Robert Schumann , Composers, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Bow wave , Decks Ships, Seas. Charles H. Woodbury (1864-1940). Prints

The Creation of Adam. Giovanni Benedetto Castiglione (1609-1664). Monotype. Circa 1642. 30.2 x 20.4cm.

Emile Bernard (1868-1941). Following original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 27." Alone near the large altar behind the curtain, the high priest stands, arms Raised ". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101109-7 Years thirty 1930 30, aquatinte, altar, arm of leve, candle, drawing, etching, large, illustration, litter work, character

Benjamin Robert Haydon, 1786-1846, British, Abstract Sketch of a Figure, undated. Charcoal on medium, slightly textured, cream, wove paper.

Shallow water , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Harmensz van Rijn Rembrandt (1606-1669). "Lying naked woman: LA NEGRESS lying down" (B 205 - 2nd state), 1658. Museum of Fine Arts in the city of Paris, Petit Palais. 27015-19 Lengthening, female, Negress bed, female naked, nudite, engraving

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Woman holding a pot in Anses, after Rubens (Dutuit 50 pp 168) Woman holding a pot in Anses, after Rubens (Dutuit 50 pp. 168). Burin, effect in a black way, 17th century. Museum of Fine Arts of the city of Paris, small palace.

A Sleeping Child and Dog: Portrait of Agnes Paul, Andrew Geddes (Edinburgh, Scotland, 1783 - 1844)

Si par une nuit lourde et sombre, Un bon chrétien, par charité, Derrière quelque vieux décombre, Enterre votre corps vanté uit from the series Les fleurs du mal. Dimensions: 43.7 cm x 31.9 cm, 23.4 cm x 18.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

Madrid, Real Academia de Nobles Artes de San Fernando, Goya, Francisco de, Spain, Los Proverbios (The proverbs), Los Disparates (The Follies), Disparate triple, Triple folly, verso lower right - stamped, A group of strange people holding hands. Two figures with multiple faces and one with a face on his elbow. From a series of eighteen prints., print, prints, height 243 mm, width 351 mm, Spanish, 1746-03-30 - 1828-04-16, print maker, printmaker, 1815 - 1820, first quarter 19th century, third quarter 19th century, paper, etching, etchings, aquatint, Work conception, after own design by, Publication (Event), Publication, publisher

Table of virtues and vices of antiquity: Ixion (Dutuit 36, white 145) Cornelis II Bloemaert, said the young person (1603-1692). Table of virtues and vices of antiquity: Ixion (Dutuit 36, white 145). Burin, 1630-1633. Museum of Fine Arts of the city of Paris, small palace.

Bartet and Mounet-Sully, in Antigone 1893 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

The Dance. Henri Fantin-Latour; French, 1836-1904. Date: 1898. Dimensions: 433 × 322 mm (image/chine); 631 × 478 mm (sheet). Lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Etching by Max Klinger from A Love (Opus X) depicting awakening, 1903.

Le Stryge de Notre Dame, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

First Scene of The Rhinegold. Henri Fantin-Latour; French, 1836-1904. Date: 1876. Dimensions: 512 × 335 mm (image); 512 × 335 mm (primary support); 697 × 498 mm (secondary support). Lithograph in black with scraping on stone on greyish-ivory china paper laid down on thick cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Archangel, study for the Foundation of the Faith. Date/Period: 1894 - 1895. Painting. Height: 800 mm (31.49 in); Width: 690 mm (27.16 in). Author: Nikolaos Gyzis.

Lucifer in a rocky landscape at a stream, looking to the light. Design for a print.

James Jacques Joseph Tissot, The Apparition, 1885 The Apparition

Havenhoofd in Vlissingen, Carel Nicolaas Storm of 's-Gravesande, 1901 print A harbor head in Vlissingen with high waves. Netherlands paper drypoint pier, quay, wharf Flushing

Drawing of a girl at work by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Bartet and Mounet-Sully, in Antigone. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1893. Dimensions: 372 × 272 mm (image); 379 × 282 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Siegfried and De Rijndleders, Henri Fantin-Latour, 1886 print Paris paper Siegfried. 'Nibelungenlied'. Naiads, river- and spring-nymphs; usually carrying an urn; 'Naiadi, ninfe de' fiumi' (Ripa)

Celui qui tira sur Clemenceau. Dated: in or after 1919. Dimensions: overall: 44.9 x 56.7 cm (17 11/16 x 22 5/16 in.). Medium: brush and black ink with black crayon on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Man lights his pipe, Anthonie van den Bos, after Adriaen van Ostade, 1778 - 1838 print A man sits by the fire and ignites his pipe with a coal from the fire. paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

La Visiteuse Albert Besnard (French, 1849-1934). La Visiteuse, 1893. Lithograph on wove paper, 14 1/8 x 18 in. (35.8 x 45.7 cm). European Art 1893

Shallow water , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Les Majas au Balcon Various artists/makers 1876 View more. Les Majas au Balcon. After Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1876. Etching. Gazette des Beaux-Arts. Léopold Flameng (French (born Belgium), Brussels 1831-1911 Paris). Prints

Drawing - The Sphinx William Brymner (1855-1925)

The Accusers of Theft, Adultery, Murder (War). Dated: c. 1794/1796. Dimensions: plate: 21.6 x 12.1 cm (8 1/2 x 4 3/4 in.) sheet: 32.1 x 24.1 cm (12 5/8 x 9 1/2 in.) mat: 35.6 x 27.9 cm (14 x 11 in.). Medium: color-printed etching. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Three potato harvesters, Willem Witsen, c. 1887 print Two bent potato harvesters with two baskets in the foreground. A third figure in the background. Ewijkshoeve paper etching harvest. potatoes. containers

Fisherman with just. .

The gunner , Hunters, Game bird hunting, Wetlands. Frank W. Benson (1862-1951). Prints and Drawings

Las camas de la muerte. (The Beds of Death.), pl. 62 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Star dance. Ernst Barlach (Germany, 1870-1938). Germany, 1919. Prints; lithographs. Lithograph on Watteau paper

The Flying Dutchman. Elbridge Kingsley (United States, 1842-1918). United States, 1887. Prints; engravings. Wood engraving

Women Carrying Faggots ca. 1858 Jean-François Millet French This extraordinary drawing in charcoal and gouache was once in the collection of the Dutch landscape painter Hendrick Mesdag (1831-1915), a collector of French artists of the Barbizon School. Millet was fascinated by the sight of peasants gathering, cutting, binding, and carrying faggots in the forest of Fontainebleau, his native landscape for much of his life. The Lehman sheet may relate to a painting of the same title now in the Hermitage, Saint Petersburg.. Women Carrying Faggots 459567

Young woman with wavy hair in front of a sea of ships, draughtsman: Jan Toorop, 18-Apr-1900, paper, pen, h 91 mm × w 169 mm

Wave , Seas, Swimmers, Swimming. Charles H. Woodbury (1864-1940). Prints

Yew (from Tuchola Forest). Wyczółkowski, Leon (1852-1936), graphic artist

At the Prado 1863, reworked ca. 1867 Edouard Manet French. At the Prado 337399

David Burke, Delousing, c 1939 Delousing

Boy lying on boulders on the beach, Henri Charles Guérard, 1856 - 1897 print Honfleur paper etching rocky coast. rocks. boy (child between toddler and youth)

Les Deux Baigneuses Pierre-Auguste Renoir (French, 1841-1919). Les Deux Baigneuses, ca. 1895. Etching on buff wove paper, 10 5/16 x 9 1/2 in. (26.2 x 24.1 cm). European Art ca. 1895

On the Threshold. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 201 × 204 mm (image/plate); 417 × 306 mm (sheet). Etching and drypoint from a zinc plate on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Dead Toreador (Torero mort) Édouard Manet (French, 1832-1883). The Dead Toreador (Torero mort), 1868. Etching and aquatint on laid Van Gelder Zonen paper, 5 15/16 x 8 11/16 in. (15.1 x 22 cm). European Art 1868

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