Political Caricature Prints

Humorous and satirical prints from the 18th and 19th centuries, illustrating political figures and social commentary through exaggerated depictions and lively scenes.

A convention of the not-ables, engraving 1787, Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and others attempting to break into the royal treasury.

Nap and His Partner Joe September 29, 1808 Thomas Rowlandson. Nap and His Partner Joe. Thomas Rowlandson (British, London 1757-1827 London). September 29, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

College pranks : Or crabbed fellows taught to caper on the slack rope , Students, Teachers, Practical jokes. Thomas Rowlandson (1756-1827). Prints and Drawings

Polichinelle winner of the aristocrats./ah ah it is aufsi an aristocrat. Well carry this to your chapel. (IT)

Elements of skateing: A fundamental Error in the Art of Skaiting. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, 1745-1818). Date: 1805. Dimensions: 255 × 365 mm. Etching and aquatint in black, with hand-colored additions, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Anticipation - Ways & Means - or - Buonaparte Really Taken!!, () Isaac Cruikshank, 1756-1810, British, 1792, Etching, hand-colored, Sheet: 10 5/8 x 15in. (27 x 38.1cm)

Netherlands, Cartoon on the Peace of Lunéville, 1801, verso - stamped, Cartoon on the Peace of Lunéville concluded on 9 February 1801 between France and Germany, and the losses suffered by the Batavian Republic. A Dutchman watches another Dutchman carry a Frenchman and a Briton on his shoulders. Both carry papers with the names of the lost cities and areas, including Ceylon, Venlo, Maastricht and Cadzand. Also with two other figures. On the sheet below the plate a verse in three columns., print, cartoon, prints, Frederik Muller Historieplaten, height 205 mm, width 244 mm, print maker, printmaker, 1801 - 1801, paper, papier, etching, etchings, aquatint

Allegorical illustration of a winged woman riding a hobby horse with horn and portrait of Henry Bunbury. The Apotheosis of Geoffery Gambado. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury from Geoffrey Gambados An Academy for Grown Horsemen and Annals of Horsemanship, London, 1809.

Publican. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 1/2 × 8 1/4 in. (26.6 × 20.9 cm)Plate: 9 1/2 × 7 3/4 in. (24.2 × 19.7 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Country Characters. Date: August 30, 1799. Museum: Metropolitan Museum of Art, New York, USA.

The vision. British Cartoon Prints Collection . Pitt, William,1759-1806. , Pitt, William,Earl of Chatham,1708-1778. , Ghosts,1780-1790. , Politics & government,Great Britain,1780-1790.

King George IV with Lady Conyngham inspecting wigs on wig-stands presented by a Frenchman; representing a disagreement in the cabinet with the 'Canning-ites' over the Corn bill. Coloured etching by T. Jones, 1828.

Contributing to the Sinking Fund, Richard Newton, 1777-1798, British, 1792, Etching, hand-colored, Sheet: 11 7/8 x 16 3/4in. (30.2 x 42.5cm)

James Gillray, 1757-1815, British, The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1), 1796. Etching, hand-colored.

Cartoon on George III, 1792, James Gillray, 1792 Cartoon on King George III, 1792. The king sitting at the table eats an egg. The Queen Salad eats on the left. paper etching eating

The dance of death: time & death, and goody barton. Coloured aquatint by T. Rowlandson, 1816.

Heir

Wonderful dexterity or a new method of introducing an old subject. John Bull surprised by a very unseasonable interruption. British Cartoon Prints Collection . John Bull (Symbolic character),1800. , Economic policy,England,1800. , Chamber pots,1800.

London, Fairburn, John, England, Rumping an illustrious personage!! or a courtly specimen of good manners, King George IV and Irish ambassadors, 1821, Cartoon of the English King George IV receiving ambassadors from the Irish city of Dublin in 1821., print, cartoon, prints, English cartoons, height 250 mm, width 355 mm, print maker, printmaker, 1821-02 - 1821-02, paper, etching, etchings, hand colouring, Publication (Event), Publication, British, 1789 - 1840, publisher

No Reform, No Reform, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 8 3/8 x 11 3/4in. (21.3 x 29.8cm)

Despair April 8, 1802 James Gillray British. Despair. James Gillray (British, London 1756-1815 London). April 8, 1802. Hand-colored etching. Hannah Humphrey (London). Prints

Master Martin, the Küfner and his journeyman by Holbein Gallerie Drollerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Seven vignettes illustrating phrenological propensities: tune, covetiveness, secretiveness, size, firmness, time, weight; illustrated by an organ-grinder, a pick-pocket, an adulterer, the huge Daniel Lambert, a pavior with his rammer, a winged clock, a crown on a cushion. Coloured etching by G. Cruikshank, 1826, after himself.

New London cries or all the talents making themselves useful!. Unknown Artist (English, late 18th century); Published by Walker (English, active 1789-1813). Date: 1807. Dimensions: 335 × 471 mm. Etching in black, with hand-colored additions, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The dance of death: the statesman. Coloured aquatint by T. Rowlandson, 1816.

J. L. Marks, (), active 1787-1799, Adventures in a Snoozing Cellar, c. 1821. Etching & aquatint, hand-colored.

Henry Heath, active 1824-1835, British, The Naughty Quaker in Elbow Lane!! Oh! Fie - Oh! Fie!!!, 1825. Etching, hand-colored.

Easter in the Old World Barnyard, from Puck Published 1895 United States. Color lithograph on newsprint . Joseph Keppler

'Card with Letter ""'. 1814. Dimensions: 8,3x11 cm. Museum: State Hermitage, St. Petersburg. Author: Ivan Terebenyov.

In short of the pope in 1791 In short of the pope in 1791 ". Print.

Sailors on Horseback March 16, 1811 Thomas Rowlandson Three sailors ride away from the seashore, and all are having difficulties. A fourth is on his hands and knees at extreme left, and looks up to say: "Mind what you are at Messmates for I am upset, and the frigate I came on board ofhas been under weigh, without me this half hour." The rider at the front clasps his rearing horse around the neck, and looks back to say: "Keep more to the Star-board and be Dd, to youdont you see how you make my vessel, run a head." The next man is tied to his horse with heavy ropes, and he says: "Here I come my Hearty's Right and tight,smart sailing, but never mind thatI cant be cast away for my commander, Heavens bless him has lash'd me to the deck, with some tough Old Cables!" The last sailor's horse kicks with tail erect, and he exclaims: "Dn mehow she heaves. Why this is worse than a Jolly Boat, in the Bay of Biscay. and what a Dd noise she makes in her poopSignals for sailing I suppose.".

Napoleon v bede: chetyre kartinki Napoleon in trouble, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

(29) / Eighty francs a mile of coins! One hundred francs if you want .... No [...

James Sayer, 1748-1823, British, A Whisper across the Channel, 1785. Etching, hand-colored.

The Dinner Spoil'd! 1800 Thomas Rowlandson. The Dinner Spoil'd!. Matrimonial Comforts. Thomas Rowlandson (British, London 1757-1827 London). 1800. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Irish gentlemen descend into an underground hostel near Dirty Lane, Dublin, with beds and cheap victuals. Adventures in a Snoozing Cellar. Handcoloured engraving from Pierce Egans Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney, of Brian Boru Esq., and his Elegant Friend Sir Shawn ODogherty, published by William Evans, London, 1829.

The Welsh Sailor's Mistake, or Tars in Conversation. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 9 3/4 × 13 11/16 in. (24.7 × 34.8 cm). Date: June 30, 1808. Museum: Metropolitan Museum of Art, New York, USA.

Equity, or a Sailor's Prayer before Battle. Charles WIlliams (English, active 1797-1830); published by Thomas Tegg (English, 1776-1845). Date: 1805. Dimensions: 255 × 355 mm. Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

College pranks : Or crabbed fellows taught to caper on the slack rope , Students, Teachers, Practical jokes. Thomas Rowlandson (1756-1827). Prints and Drawings

The sailor and the banker : Or, the firm in danger , Sailors, Bankers. Thomas Rowlandson (1756-1827). Prints and Drawings

Falling Bourbons. (IT)

Puck's valentines for 1894 by Frederick Burr Opper 1857-1937, artist 1894. Print shows a vignette cartoon with, at centre, Uncle Sam and President Cleveland shaking hands, a portrait of Liliuokalani, Queen of Hawaii, is in the background; the surrounding vignettes feature a cast of characters

Henry Heath, active 1824-1835, British, La Coterie Debouché, 1825. Etching, hand-colored.

Miseries of the country. Losing your way on foot at night in a storm of wind and rain, and this immediately after leaving a merry fireside , Night, Winds, Lost persons, Walking. Thomas Rowlandson (1756-1827). Prints and Drawings

The Head of the Family in Good Humour January 15, 1809 Thomas Rowlandson British. The Head of the Family in Good Humour. After George Murgatroyd Woodward (British, 1765-1809 London). January 15, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings, James Gillray, 1757-1815, British, 1798, Etching, hand-colored, Sheet: 9 1/2 x 14in. (24.1 x 35.6cm)

Car van Napoleon, 1813-1814, Anonymous, 1813 - 1814 print Cartoon on the fall of Napoleon in 1813-1814. Napoleon conducts a car in which his brothers and generals and a monkey are sitting with the French flag. The car is drawn by all kinds of devils. With two -way Dutch caption. Netherlands paper etching four-wheeled vehicle drawn by more than three animals

The Corsican Nurse Soothing the Infants of Spain July 12, 1808 Thomas Rowlandson British. The Corsican Nurse Soothing the Infants of Spain. Thomas Rowlandson (British, London 1757-1827 London). July 12, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Unknown, Désagrémens des parapluies, first quarter 19th century, etching, colored by hand and à la poupée, on paper.

Portrait of Brunswick (in 2 paintings, one in lion the other in donkey, 1806) Anonymous / Martinet. "Portrait of Brunswick (in 2 paintings, one in lion the other in donkey, 1806)". Water-loud colored. 1806.

Vicar September 10, 1799 Thomas Rowlandson. Vicar. Country Characters. Thomas Rowlandson (British, London 1757-1827 London). September 10, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

() Isaac Cruikshank, 1756-1810, British, The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees. Etching, hand-colored.

Napoleon and Talleyrand look at cartoons of Friedrich August, Duke of York and Albany, and his male Mary Anne Clark

Print made by William Heath, 1795-1840, British, A Naughty Boy Turn'd Out of School, 1828. Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper.

Charles Williams, active 1796-1830, British, The Doctor Administering His Gilded Pill, 1802. Etching, hand-colored.

Escaping the king of Prussia Anonymous. "Leakage of the King of Prussia". Coloried water, 1806.

A Brace of Public Guardians. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 14 9/16 x 19 13/16 in. (37 x 50.3 cm). Publisher: Published by Rudolph Ackermann, London (active 1794-1829). Date: July 10, 1800. Museum: Metropolitan Museum of Art, New York, USA.

The hope of the homeland. (Title registered (letter)) | Parisian spouse. (Title of all)

Collets says parasabre / can serve as a peace treaty between the Belligent Powers of Paris. (IT)

Plump to the Devil We Boldly Kick'd Both Nap and His Partner Joe November 30, 1813 Thomas Rowlandson A hefty Dutchman at right kicks Napoleon into the air, towards a large Devil, who grasps him by the ankle before the flames of Hell. In the background another Dutchman presses a pitchfork against Joseph, who runs screaming towards the flames, his crown on the ground behind him.. Plump to the Devil We Boldly Kick'd Both Nap and His Partner Joe. Thomas Rowlandson (British, London 1757-1827 London). November 30, 1813. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

3th and last flight / ah! that she is good! Where are you like that my old man. (IT)

Country characters no. 3: Barber , Barbers, Barbershops, Shaving. Thomas Rowlandson (1756-1827). Prints and Drawings

Traveling in France. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1818. Dimensions: 245 × 345 mm (image); 255 × 351 mm (plate); 258 × 357 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Rencontre d'Anglais � Paris English meeting in Paris , the supreme good tone, n � 23 (July 1814). Engraving of Adrien Godefroy (1777-1865).

The Headache. George Cruikshank (English, 1792-1878); after Captain Frederick Marryat (English, 1792-1848); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 210 × 258 mm (image, hand-coloring e×tends beyond plate mark); 208 × 257 mm (plate); 214 × 262 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Napoleon pechet Korolei Tiddy-doll the great French-Gingerbread-Baker. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Graviury na frantsuzskuiu revoliutsiiu Satirical engraving concerning the French Revolution. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

6 / Types of day / in 24 hours (IT)

Trade and business. Leaf with 8 performances of artisans and professions, such as street vendor and woodworker. Under each image a two-legged fresh. Numbered at the top right: No 14.

Preliminaries of Peace. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1801. Dimensions: 240 × 343 mm (image); 248 × 350 mm (plate); 264 × 370 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Sailors in a calm , Sailors, Donkeys, Riding. Thomas Rowlandson (1756-1827). Prints and Drawings

A story page / what we did! ... What should have been done.

The York Dilly or The Triumph of Innocence February 26, 1809 Thomas Rowlandson. The York Dilly or The Triumph of Innocence. Thomas Rowlandson (British, London 1757-1827 London). February 26, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Thirty years from the life of a rag by Nestroy Gallerie Droller Scenen to the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Doctor Drainbarrell conveyed home in order to take his trial for neglect of family duty , Wheelbarrows, Dogs, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

Gentlemen, I am whatever you say / Nostrodamus, Cadet Moses, / iconoclast, Grand Author, / Gramairian, Declamater ...

Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23 ca. 1815 Adrien Pierre Godefroy, Le Jeune French. Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23 398654

A Theatrical Candidate. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 14 5/16 × 10 1/16 in. (36.4 × 25.6 cm)Plate: 13 7/8 × 9 13/16 in. (35.3 × 25 cm). Date: 1797. Museum: Metropolitan Museum of Art, New York, USA.

Comforts of Bath, Plate 4 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 4. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1757-1815, British, 1782, Etching, hand-colored, Sheet: 12 1/8 x 8 1/2in. (30.8 x 21.6cm)

Theatrical Pleasures, ( Snug in the Gallery, Plate 3). Artist: Theodore Lane (British, Isleworth ca. 1800-1828 London). Dimensions: image: 8 3/4 x 7 3/16 in. (22.3 x 18.2 cm)sheet: 10 1/2 x 8 9/16 in. (26.7 x 21.8 cm). Publisher: Thomas McLean (British, active London 1788-1885). Date: ca. 1835. Museum: Metropolitan Museum of Art, New York, USA.

unknown artist, eighteenth century, Doing Business on Libels or Both in One Mind on Constitutional Matters (from: Caricature, vol. 7), 1791. Etching, hand-colored.

The Kremlin in commotion or the Grand Lama sick of the horn cholic, 1820, King George IV fallen to the floor, he clutches his stomach, near him are a Plan for Divorce, a decanter and cup, cards and dice. In the background sits his estranged wife Caroline about to be crowned by Justice while surrounded by her loyal supporters.

Jealousy, Rage, Disappointment..., Thomas Rowlandson, 1756-1827, British, 1817, Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper, Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm), bonnet (hat), door, doorway, genre subject, hats, jealousy, men, rage, satire, soldiers, sword, women

Horrors of the Irish-union. Botheration of poor Pat - or - a whisper across the Channel , Politicians, Channels, Britannia Symbolic character, Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, Taylor, Michael Angelo, 1757-1834. James Gillray (1756-1815). Prints and Drawings

27 / Presidency applicants. (IT)

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1785-1851, British, 1834, Hand colored soft-ground etching, Sheet: 5 1/4 x 8in. (13.3 x 20.3cm)

Revolution, Isaac Cruikshank, 1756-1810, British, 1790, Etching, hand-colored, Sheet: 9 1/8 x 13 7/8in. (23.2 x 35.2cm)

LITOGRAFIA-EN TIERRA DE CIEGOS EL TUERTO ES REY. Location: BIBLIOTECA MUNICIPAL. MADRID. SPAIN.

The Poll April 12, 1784 Thomas Rowlandson A see-saw representing the election taking place between Wray and Fox at the polling booth behind them in Covent Garden. Mrs. Hobart is on the left side of the see-saw with Lord Hood and Sir Cecil Wray standing beside her, and the Duchess of Devonshire is on the right side with Charles James Fox standing beside her.. The Poll. Thomas Rowlandson (British, London 1757-1827 London). April 12, 1784. Hand-colored etching. William Humphrey (British, 1742-in or before 1814). Samuel Hood, 1st Viscount Hood (British, 1724-1816). Prints

Charles Ansell, ca.1752-active 1790, British, The Diplomatic Squad or Harmony Interrupted, 1797. Etching, hand-colored.

Plate 2: Robert Macaire, philanthropist, from 'Caricaturana,' published in Les Robert Macaires 1838 Honoré Daumier You see, Bertrand... We are moralists in actions (play on words: actions means stocks). .... In actions (stocks) which naturally will cost 250 francs... We will treat the shareholders free of charge: you will purge them and I will bleed them.. Plate 2: Robert Macaire, philanthropist, from 'Caricaturana,' published in Les Robert Macaires. 'Caricaturana'. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1838. Color lithograph on wove paper; fourth state of five (Delteil). Prints

Glorious 19-year-old - as it governs for 15 years Anonymous. "Glorious 19-year-old - as he governs for 15 years". Water-loud colored. 1815.

Rural Sports, or How to Show Off a Well-shaped Leg. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1811. Dimensions: 230 × 333 mm (image); 247 × 347 mm (plate); 265 × 405 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Detrone Anglo-Prussian. (IT)

() Isaac Cruikshank, 1756-1810, British, A Brace of Blessings, 1796. Etching, hand-colored.

Murphy Delaney. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 5/8 × 8 1/2 in. (27 × 21.6 cm). Date: June 15, 1807. Museum: Metropolitan Museum of Art, New York, USA.

The Bubbles of Opposition, James Gillray, 1757-1815, British, 1788, Etching, hand-colored, Sheet: 12 3/4 x 8 1/4in. (32.4 x 21cm)

Definitely our nephews are not worth us, Charles Vernier, Napoleon I, und Napoleon III, Am Rand Die Österreichische Grenze, Aubert , Cie, Publishing house

Bath Races, from Tegg's Caricatures no. 49. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1810. Dimensions: 217 × 331 mm (image); 260 × 390 mm (sheet, trimmed to platemark). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The strollers progress plte 1st. A peep at Black Jack's origin previous to his going to Douay, Cruikshank, invt., engraving 1809, Scene in a poverty-stricken room, in which John Philip Kemble's father, Roger, as a barber, dresses a wig, while he (John) talks to his mother; Sarah, Stephen, Charles, and a younger sister are variously occupied.

'Mr. Jorrocks's Lecture on Unting, 1854. Artist: John Leech.

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