Political Satire Art

Engaging political caricatures depicting historical events with humor and irony, featuring colorful illustrations and exaggerated expressions.

Do not hold me back, I'm furious! Abolish the heredity of pairie, it does not have the common sense name of ...! ... / N ° 64. (registered title)

The Paris Shoe Cleaner July 1, 1771 Attributed to Henry William Bunbury British This image of a Parisian worker comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. Bunbury was a skilled amateur artist who toured Europe in 176

41 / equilibrists. (IT)

Princes and the death of credit, 1827 - 1894 print Leaf with 5 performances. Above four performances of princes. Under a large representation of the death of credit by defaulters. The dead body of credit lies on the floor. Around his body are a goose, a painter, a violinist and a fencer. Captions with the different figures in the image. Numbered in the middle: 89. Schaerbeek paper letterpress printing murder. murderer. artist (in general). ruler, sovereign - BB - female ruler. ruler, sovereign

Great crusade against freedom, pl. 1 and 2. Great crusade against freedom (1st leaf) Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Great crusade against freedom, pl. 1 and 2. Great crusade against freedom (1st leaf)". Board published in "caricature" of May 15, 1834. Lithography. Paris, House of Balzac.

Shooting Party Returning Home, Frederick George Byron, 1764-1794, British, 1789, Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 16 7/8 × 21 1/4 inches (42.9 × 54 cm)

News / An entrance to Berlin ... one wearing the other. / N ° 6

The State Waggoner and John Bull. James Gillray (British, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1804. Dimensions: . Etching, with hand-coloring, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

From Jan Klaassen's life; New Dutch childrens prints; Funke's prints. Leaf with 9 shows from Jan Klaassen, among others Jan as a sailor, as envoy, and as a cord dancer. Under every image a caption. Numbered at the top right: No. 55.

unknown artist, The Arrival of Ferries at London Bridge (), undated. Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper.

Winter view near the lime kiln in Zwolle, Gerrit Grasdorp, 1661 - 1693, draughtsman: Gerrit Grasdorp, 1661 - 1693, paper, brush, h 186 mm × w 310 mm

The Alpine King and the Meinschenfeind, by Raimund Gallerie Drolliger Scenen to the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The tricks of force in 1812 Anonymous. The tricks of force in 1812. Water-cut colored.

Paul Sandby RA, 1731-1809, British, My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes, ca. 1759. Watercolor, pen and gray ink , black chalk and graphite on medium, cream, slightly textured, wove paper.

Turnhout, Brepols, Philippus Jacobus, Sneek, Holtkamp, F., Oorlog tusschen Vrankryk, en Spanjen in 't jaar 1823, Guerre entre la France et, l'Espagne, en l'an 1823, verso - stamped, Sheet with 3 horizontal rows with representations of figures from the war between Spain and France in 1823. Top: the Spanish king with his generals. Middle: the Duke of Angoulême with his soldiers on horseback. Bottom: General Midas with his soldiers on horseback. Below each representation a two-line verse in Dutch and in French. Numbered bottom right: No. 45., print, popular print, prints, popular prints, height 392 mm, width 331 mm, Dutch, seller, 1800 - 1833, paper, woodcut, colours, letterpress printing, Publication (Event), Publication, Belgian, 1778 - 1845, publisher, print maker, printmaker

Two of a set of six: 2. Wood-Cock Shooting., Robert Dodd, 1748-1816, British, after Julius Caesar Ibbetson, 1759-1817, British, 1790, Hand colored and printed aquatint, Sheet: 11 7/8 x 14 1/2in. (30.2 x 36.8cm)

Ostentation of the busts of the Duke of Orleans and Necker, Paris, July 12, 1789 Jean-Baptiste Lesueur (1749-1826). Ostentation of the busts of the Duke of Orleans and Necker, Paris, July 12, 1789. Gouache on cut carton glued on a sheet of washed blue paper.

Easter eggs in the game by Geissler, illustration

Thomas Rowlandson, 1756-1827, British, Scene Outside an Inn, undated. Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream, wove paper.

Print made by George Cruikshank, 1792-1878, British, Sagittarius - The Archer (Not "Venus' Son Divine."), undated. Etching on moderately thick, slightly textured, beige laid paper.

Drawing book by Josef von Führich for Joseph Führich dated December 10, 1806 with pencil sketches showing compositional and figure studies.

Comic Song: The Bold Dragoon, Isaac Cruikshank, 1756-1810, British, undated, Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 x 8 3/4in. (18.1 x 22.2cm), elderly, fan, horse (animal), soldier, woman

Vicar & Moses August 8, 1784 Thomas Rowlandson A stout vicar holds a pipe in one hand and the arm of a thin companion wearing clerical bands with the other. The thin man carries a lantern. They walk through the grounds of a church, seen behind, with three women in mourning clothes seen in the distance, standing near the church tower.. Vicar & Moses. Thomas Rowlandson (British, London 1757-1827 London). August 8, 1784. Hand-colored etching. Hannah Humphrey (London). Prints

Homeward Bound, The Quay of New York, Thomas Herbert Maguire, 1821-1895, British, after J. Nicholls, 19th century, 1854, Color lithograph, Sheet: 13 1/2 x 10 1/4in. (34.3 x 26cm)

Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners January 20, 1791 Thomas Rowlandson. Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). January 20, 1791. Hand-colored etching. S. W. Fores (London). Prints

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, c.1800-1842, British, 1823, Aquatint, hand-colored, Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)

Instrumentation of Portugal

OutwardBound. Artist: J. Nicol, American, 1856-1926 After: T. H. Maguire, British, 1821-1895

Henry Thomas Alken, 1785-1851, British, A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, 1829. Aquatint, hand-colored.

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

Writes in arms. Jean-Baptiste Lesueur (1749-1826). In-panties in arms. Gouache on cut carton glued on a sheet of washed blue paper.

Entrance of His Majesty Louis XVIII The desired in his good town of Paris, accompanied by his Royal Highness Madame Duchesse d'Angouleme, their altesses serenissimes Mr The princes of Condé and the duke of Bourbon, May 3, 1814. / Entrance of His Highness Royal Mr Charles Philippe Comte d'Artois Brother of King Lieutenant Gl de France, April 4, 1814. (IT)

Polychromatic Decoration As Applied To Buildings In The Medieval Styles. William James Audsley & George Ashdown. London: Henry Sotheran, 1882. Printed In Colours And Gold.

CARNICERO , ANTONIO PINTOR ESPAÑOL.SALAMANCA 1748 - 1814 " SUERTE DE VARAS " GRABADO COLOREADO MUSEO MUNICIPAL . MADRID TAUROMAQUIA. Author: ANTONIO CARNICERO (1748-1814).

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

At the thief at the thief at the Assassin / or Silver Acaparers (IT)

Paris, Aubert, Gabriel, Pannier & Cie., Aubert & Cie., Beaumont, Edouard de, La Civilisation aux Iles Marquises, Anecdotes van de Marquesasarchipelago, La lecture du journal, Caricature of a man with a newspaper, verso - handwritten, An original inhabitant of the Marquesas Archipelago, called Ta-Toué, tells a French marine that he does not find the newspaper ('Le Moniteur') interesting at all. The Frenchman tells Ta-Toué that he does not need to read the newspaper himself., cartoon, prints, verso - stamped, LA de Vries, v. Stockum, 24 Nov. 1964, no. 172 (81 st.), f. 520, -., height 278 mm, width 222 mm, French, 1812 - 1888-01-12, print maker, printmaker, 1843 - 1843, paper, papier, lithografie (techniek), met de handkleuring, printer, drukker, Publication (Event), Publicatie, publisher, uitgever, 1784-07-24 - 1847-03-16

John June, active 1740-1770, A View of the Mall, 1752. Hand colored engraving.

Scene picture from Hutmacher und Strumpfwirker with Scholz and Nestroy, Johann Christian Schoeller -, artist

Sampling the tea. Six Dutch men (turban on, big noses) inspect (smelling) in a Chinese warehouse in canton. The tea from wicker baskets, in the foreground a spotted dog. The performance at the top closed by the edge of a roof. Part of a group of four gouaches about the production and export of Chinese tea through the VOC around 1750.

Les agréments d'une flanerie ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Winter Scene with Two Gentlemen Playing Colf. Hendrick Avercamp (Dutch, 1585 - 1634)

James Gillray, 1757-1815, British, Cockney-Sportsmen Shooting-Flying, 1800. Hand colored etching, with etched borders.

A Macaroni May 4, 1771 After Edward Topham British This dandy comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This printw as designed by Edward Topham, a military officer, dandy, and skilled amateur artist.. A Macaroni 3

Bath races , People with disabilities, Racing, Hills. Thomas Rowlandson (1756-1827). Prints and Drawings

THE UNION The Union ". Estampe.

Harvest Time': 'Baxter' print c1855. Romanticised view of 18th century English harvest scene. Oleograph

The Post Office Various artists/makers 1813 Twenty-one plates etched by Thomas Rowlandson after James Green. The aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication, but were ultimately published due to popular demand. View more. The Post Office. Poetical Sketches of Scarborough. Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching and aquatint. Rudolph Ackermann, London (British, active 1794-1832). Prints

Ah! I know you bench! Korff. Press cartoon. "Ah! I know you bench!". Board published in "caricature" of January 30, 1834. Lithography. Paris, House of Balzac.

Vasco da Gama meeting Muslim natives in Mozambique 64, Francisco Barreto tricked over sliver mines by natives at Chicoa, Mozambique 65, and Portuguese cheating natives with trinkets for gold dust 65. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820.

Entlebuch family in costumes for a confirmation ceremony, Switzerland, 18th century. Vestiario nelloccasione della Cresima nellEntibluch. Handcoloured copperplate engraving by Verico from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

Illustration by Cecil Aldin, The Snob. Maunders the footman beats Fluffikins for biting his leg and tearing his stocking. Date: 1904

George Cruikshank, 1792-1878, British, Macbeth and the Witch, undated. Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper.

Members of the stadholder household followed by the first two horses pulling the hearse. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on 4 February 1752. Numbered top right: 26., Burial of William IV, 1752, plate 26 De Hr. Opperstalmeester / De Hr. Opperhofmeester / Een Herault van Wapen (...) (title on object) Lyk-staetsie van zyne doorluchtigste Hoogheid den Heere Willem IV Carel Hendrik Friso, Prince van Orange en Nassau... held the IV February 1752 (series title on object), print maker: Jan Punt, (mentioned on object), intermediary draughtsman: Pieter Jan van Cuyck, (mentioned on object), Northern Netherlands, 1754, paper, etching, engraving, h 270 mm × w 560 mm

Macbeth and the Witch, George Cruikshank, 1792-1878, British, undated, Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm) and Image: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm), armor, Balmoral, castle, costume, cuffs, dirk, dress, gesture, kilt, literary theme, Macbeth, Act IV, Scene I, man, moon, plaid, plays by William Shakespeare, shield, sporran, tartan, towers, trees, witch, woman, Europe, Scotland, United Kingdom

Thomas Rowlandson, 1756-1827, British, Butterfly Hunting, ca. 1806. Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper.

Washington in New York.

Possibly Thomas Rowlandson, 1756-1827, British, Untitled, undated. Colored etching.

Thiers. Meet my house and the title of Mr de Paris and I go down. (IT)

An Englishman is startled when he sees his reflection in the mirror and finds his Chinese barber has given him a queue. Coloured lithograph by Smith, 1858.

The Market Place, Brackley, Northamptonshire, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and black, gray and red brown ink over graphite on medium, slightly textured, cream, wove paper, Sheet: 8 1/8 x 10 13/16 inches (20.6 x 27.5 cm), archways, buildings, canes, chimneys (architectural elements), coats, dogs (animals), genre subject, hats, horse (animal), marketplace, men, people by activity, town, windows, Brackley, England, Europe, Northamptonshire, United Kingdom

From the Naschmarkt in Vienna, Verlag d, Association of Gold, Cross, Producer, Josef Löwy -, Reproduction Technician, After, Josef Straka -, Drawer, Friedrich Jasper, Printer

There is not that the plug that lost it, there is the bottle with. / N � 12 (title registered) | The madness of the town. (Title of the whole)

The Overthrow of Dr. Slop (Tristram Shandy) 1800-20 After Henry William Bunbury. The Overthrow of Dr. Slop (Tristram Shandy). After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1800-20. Hand-colored etching. Prints

Les bains à vingt centimes, nouveau style. Honoré Daumier (1808-1879). Lithographs

Delights of Fishing 1823 England. Hand-colored etching and aquatint on ivory wove paper . Charles Turner

The Game of Pins. (IT)

Plate 2 of 6 Satirical Cartoon, Birmingham Bag Man: Out of His Road, 24, 10, 1792 Engraver: Edward Hedges Cornhill, Social history, Topographical Views, Printing, Engraving, Satire, Birmingham history, Hand-Tinted

Print, West Country Mails at the Gloucester Coffee House, Piccadilly; Print Maker: Charles Rosenberg; Published by T. McLean; engraving, aquatint, brush and watercolor on paper; 64 × 89.5 cm (25 3/16 × 35 1/4 in.)

June - Marrowbones and Cleavers from George Cruikshank's Steel Etchings to The Comic Almanacks 1835-1853 Made 1839 England. Steel etching in black on cream India paper, laid down on off-white card (chine collÈ) . George Cruikshank

An American Triumph!.

Series Wiener Pictures, Die Wooden Scheiber, Matthäus Trentsensky -, publishing house

The bust of Voltaire wearing the red cap by two citizens Jean-Baptiste Lesueur (1749-1826). The bust of Voltaire wearing the red cap by two citizens. Gouache on cut carton glued on a sheet of washed blue paper.

Images of ethnic dancing from illustrated books and series, 1800 - 1899. Includes dance representations from various regions Algeria, Borneo, Caroline Islands, French Polynesia (Tahiti), Georgia (Republic), India, Iran, Mozambique, and New Guinea. The collection features 10 prints created through etching, engraving, or lithography, in color or black and white, with dimensions of 29 x 29 cm or smaller

Eugène Charles François Guérard, Les Touristes #8: Sur le Lac des Quatre Cantons, 1851, chromolithograph, partly hand-colored, on wove paper.

Caricature of Two Men with Drawn Swords (One of a Set of Three), John Sell Cotman, 1782-1842, British, after Robert Dighton, 1752-1814, British, 1799, Watercolor and brown ink on medium, smooth, cream wove paper, Sheet: 7 5/8 x 9 3/4 inches (19.4 x 24.8 cm), caricature, figure study, men, swords

Eugène Charles François Guérard, La Vie Parisienne #6: Les bains à la rivière, c. 1854, chromolithograph, partly hand-colored, on chine appliqué wove paper.

Traditions in Germany around 1820, Austria, Salzkammergut, digitally retouched reproduction of a template from about 1850, by Albert Kretschmer February 27, 1825 - 11th July 1891, German painter and costumeist 1f -4913840

The project Monstre = meeting in Vienna April , Johann Christian Schoeller -, artist

France proclaiming freedom (IT)

Daniel O'Connell and the devil attempt to saw an oak beam that unites England and Ireland. Coloured lithograph by H.B. (John Doyle), 1843.

Once again, Garre Fake Pas. (IT)

Reproduction of a painting: Dmochowski, Władysław (1841-1913), From the life of a rural court; from: "Kłosy" 1872, I, 73. Kluczewski, Michał (fl. 1869-1890), graphic artist, Zajkowski, Andrzej (1851-1914), graphic artist, Dmochowski, Władysław (1841-1913), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Daniel Thomas Egerton, c.1800-1842, British, Set of twelve with title page: The Necessary Qualifications of a Man of Fashion, 1823. Aquatint, hand-colored.

Consular games - the game of brag - the game of hazard Woodward del. ; etch'd by Roberts.. British Cartoon Prints Collection . Napoleon,I,Emperor of the French,1769-1821. , Campaigns & battles,England,1800-1810.

Natives collecting turtle eggs on the banks of the Orinoko river. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige Völkergallerie in getreuen Abbildungen" (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Many of the illustrations were adapted from Bertuch's "Bilderbuch fur Kinder" and others. Illustration copied from Theodor de Bry's "America," 1591.

In Versailles, at Versailles of October 5, 1789 (IT)

'Entrée of Napoleon to Grenoble', March 1815, 19th century. Artist: Unknown

Unknown medieval game, perhaps a variant of hide and seek or frog in the middle, 14th century. Handcoloured lithograph by Joseph Strutt from his own Sports and Pastimes of the People of England, Chatto and Windus, London, 1876.

COCHE DE NINOS ATACADO POR UN OSO. Location: PRIVATE COLLECTION. France.

() William Dent, active 1784-1793, The Swallow Packet, Or, A Belly full of good News, piping hot from Bristol, in spite of contrary Winds, 1792. Etching with watercolor on laid paper.

Eugène Charles François Guérard, Les Touristes #4: Descente du Fulhorn (Canton de Berne), 1850, chromolithograph, partly hand-colored, on wove paper.

The start of a swimming race, illustration by Carl Hermann Kuechler, woodcut from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1892-1893, Year VII, No 14, Berlin.

Napoleon in the Jacobin Hat, 1815, Wijnand Esser, 1815, Napoleon tries in vain to hide in a large Jacobin hat, signed 'Paris', after his return to Paris in June 1815. However, he is shaken out of the hat by Carnot, Fouché and Cambacérès. On the left, the King of Prussia who catches the whole bunch with a large trap net. The persons numbered 1-5., draughtsman: Wijnand Esser, Netherlands, 1815, paper, pen, brush, h 376 mm × w 375 mm

Name-day card for Marcin Olszyński. Beyer, Karol (1818-1877), photographer, Pillati, Henryk (1832-1894), draughtsman, cartoonist

Boiling and Cooling the Sugar', 1826 Artist: Amelia Alderson Opie. From 'The Black Man's Lament; or How to Make Sugar'. (London, 1826).

The Last Load, 1869. Winslow Homer (American, 1836-1910). Wood engraving;

Bella, Stefano della, Jeu des fables (copy), Card game with mythological scenes, Acteon, Actaeon, verso - stamped, Playing card with a scene of Prince Actaeon catching the goddess Diana and her nymphs bathing. As punishment, Diana gives him a deer's antlers., print, playing card, prints, height 55 mm, width 57 mm, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by

The Tocsin of Liberty-Rung by the State House Bell, (Independence Hall) Philadelphia, July 4th, 1776, "Proclaim liberty throughout all the land, unto all the inhabitants thereof" LEV.XXV.10. Dimensions: Image: 9 in. × 12 7/16 in. (22.9 × 31.6 cm)Sheet: 12 11/16 × 15 7/16 in. (32.3 × 39.2 cm). Publisher: Currier & Ives (American, active New York, 1857-1907). Date: 1876.Scene from American history. A man pulls a rope to ring the Liberty Bell in the tower above Independence Hall while a crowd cheers in the background. Museum: Metropolitan Museum of Art, New York, USA.

'Pike-Fishing', (1924). Creator: Unknown.

Leaflet with couplets and illustrations from the comic opera La fille de madame Angot". unknown, graphic artist, Pinot, Charles-François (1817-1874), publisher

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