Portraits of Bearded Men

An array of etchings and sketches featuring bearded men, emphasizing chiaroscuro effects and emotional expressions in various historical styles.

Man's head with long beard, draughtsman: Peter Paul Rubens, (possibly), 1587 - 1640, paper, pen, h 94 mm × w 60 mm

Old man with fur hat and hands resting on Stok, Pieter Barbiers (I), 1760 print paper etching head-gear: cap (+ men's clothes). fashion, clothing (+ fur used for clothes). old man

Old Man Weeping, after a drawing by Guercino, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Etching in brown ink on white paper, Saint Peter with a towel held to his eye with his right hand, the lower end in his left hand, resting on a table. He faces front, turned slightly to the left., England, ca. 1760-1780, Print, Print

Pencil drawing with heightened white by Eduard von Engerth depicting a standing apostle figure, showing posture, drapery, and proportions, dated 1854-1855.

Workshop drawing after Eustache Le Sueur showing a half-length apostle turned to the left, in black chalk with white heightening on gray paper, 1635-1655.

Le marin , Sailors, Alphonse Legros (1837-1911)

Portrait of Erasmus van Rotterdam, Anthony Van Dyck, after Hans Holbein (II), 1630 - 1632 print paper etching historical persons

Netherlands, Stark, Elias, Face of an Old Man, verso - stamped, print, prints, height 102 mm, width 70 mm, Dutch, 1849-08-15 - 1933-02-06, print maker, printmaker, 1859 - 1933, paper, aquatint

Alphonse Legros, Study of a Greek Study of a Greek

Portrait of Père Yves at the age of 87, Claude Mellan, 1677 print France paper engraving historical persons

. Bust of the Greek poet Homer. On the lower edge its name in Greek.

L'écrivain , Authors, Alphonse Legros (1837-1911)

Dyck, Anton van, J. de Momper, (1000 - 2003), etching, graphics, leaf width 15 cm, leaf height 24.3 cm

Detail of an allegory of old age, Nicolaas Cornelis de Gijselaar, After Baccio Bandinelli, After Girolamo Fagiuoli, After Domenico Giuntalodi, 1802 - 1873 print An old man with a beard. Detail of a print of Fagiuoli on the subject of old age. Leiden paper etching Old Age, 'Senectus'; 'Vecchiezza' (Ripa). implements for learning to walk, go-cart. hourglass

Reading old man at candlelight, Hendrik Pothoven, after Nicolaas Verkolje, 1735 - 1795 print Northern Netherlands paper candle. reading. book

Francesco Primaticcio, Italian Mannerist painter, architect and sculptor who spent most of his career in France, 1504-1570. Worked with Giulio Romano in the Palazza del Te, and with il Rosso at Fontainbleau. Detto l'Abate Primaticcio o il Bologna. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.

Rembrandt van Rijn (Dutch, 1606 - 1669), Head of an Old Man, c. 1631, red chalk, with touches of black chalk, on laid paper

Bliżej Kultury Holewiński, Józef (1848 1917)

Socrates Publisher: Fellgibel, Esaias (Widow u. Heirs) Publishing Sort: Wroclaw

Alphonse Legros, Distributor of the Holy Water (Le donneur d'eau benite), French, 1837-1911, etching

The Hague, Hardenberg, Lambertus (1822-1900), Monnik, verso - stamped, print, prints, height 75 mm, width 46 mm, Dutch, 1822-11-07 - 1900-01-15, print maker, printmaker, 1837 - 1900, paper, papier, chine collé, etching, etchings

Minachting, Jean Audran, After Charles Le Brun, 1727 print Paris paper etching morphology of facial expression. Contempt

Mamolin, King of Garbe 1776 Joseph François Foulquier French. Mamolin, King of Garbe 394455

Paysan Hollandais , Mayors, Older people, Alphonse Legros (1837-1911)

Christs Head in the Crown of Thorns. Beham, Sebald (1500-1550), graphic artist

Hans Baldung Grien, German (1484-1485-1545), Head of Saint John the Baptist, 1516, black chalk on two joined sheets of laid paper

Print made by Oliverio Gatti, 1568-1651, Italian, Studies for the Instruction of Painters, two suites. Rome, c. 1630, undated. Line engraving on medium, slightly textured, cream laid paper.

Follower of Giovanni Francesco Barbieri, called Guercino, Seated Prophet Seated Prophet

Saint Anthony Help Me, O My God! , plate 2 of 24 Made 1896 France. Lithograph in black on light gray China paper laid down on ivory wove paper . Odilon Redon

Christian Wilhelm Ernst Dietrich's c.1730 brush work depicts a half-length figure of an elderly Oriental man wearing a spring-decorated turban facing right, executed in gray brush strokes.

Drawing (Italy)

Portrait of Dirck Volkertsz. Coornhert, 1600 - 1625 print Boste portrait of a man with a beard. At the bottom of the show a banderole with the name of the portrayed person. paper engraving / etching portrait, self-portrait of graphic artist. portrait of a writer

Stanisław Kieżgajło, Podczaszy Wielki Lithuanian (16th century), Wystryk from the woodcut in: "Tygodnik Ilustrowany" 1862, No. 129 (March 15), il. p. 101, according to the image (16th century) in the collection of descendants portrayed; Czachórski, Władysław (1850-1911), Styfi, Jan (1839-1921), Polkowski, Józef Tadeusz (1820-1895), unknown painter; 1870 (1870-00-00-1870-00-00);

Dirk and Wouter Crabeth, Jacob Houbraken, 1708 - 1780 drawing Design for a print. paper. chalk portrait, self-portrait of artist. historical persons

Head of a Man. France or Italy, 18th century. Drawings. Black and white chalk on blue paper

Portrait of Godfried Chodkiewicz, Duke of Moscow, Gerard Seghers, 1591 - 1651 print Antwerp paper etching

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Collection of various pieces for portraiture, Drawing examples for portraits, Head of a satyr with beard and tambourine, verso - stamped, print, prints, height 66 mm, width 50 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever, verlener of privilege

Diogenes with the lantern. .

Portrait of Johan Eliza de Vrij, Jan Veth, 1896 print Netherlands paper historical persons

Florestan Mionnet. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Paul Verlaine, 1896. Eugène Carrière (French, 1849-1906), Lemercier. Lithograph; sheet: 67.6 x 50.2 cm (26 5/8 x 19 3/4 in.); image: 52 x 40.6 cm (20 1/2 x 16 in.).

Head of a Man. Artist: Alphonse Legros (French, Dijon 1837-1911 Watford, Hertfordshire). Dimensions: 11 3/4 x 9 1/4 in. (29.9 x 23.5 cm). Date: 1837-1911. Museum: Metropolitan Museum of Art, New York, USA.

Alphonse Legros, Head of an Old Man with a Wide Brimmed Hat Head of an Old Man with a Wide-Brimmed Hat

Depiction by Charles François Hutin of Saint Hieronymus, executed in black chalk.

Camille Pissarro, Self Portrait (Camille Pissarro, par lui meme), c 1890 Self-Portrait (Camille Pissarro, par lui-meme)

Saint Jude. Line engraving by C. van Caukercken after Sir A. van Dyck.

Leonardo da Vinci .

A watercolor sketch on ivory by Moritz Michael Daffinger around 1840 depicting a bearded monk wearing a white cowl.

Portrait of Philip Willem, Prince of Oranje-Nassau, Albertus Brondgeest, after Pieter Claesz. Soutman, 1796 - 1849 drawing paper. chalk historical persons

Old man's bust; Kamieński, Antoni (1860-1933); Before 1912 (1880-00-00-1912-00-00);

Mask of Bacchus with a Wreath of Grape Leaves and Ribbon, from Divers Masques ca. 1635-45 François Chauveau French From a series of nineteen plates with grotesque masks dedicated to Jean de Leins, goldsmith to the Queen of England and published by Jacques van Merlen in Paris. The plates are not numbered and appear in various orders.. Mask of Bacchus with a Wreath of Grape Leaves and Ribbon, from Divers Masques 425535

Self -portrait, Bastiaan de Poorter, 1863 print The Hague paper etching portrait, self-portrait of artist

Lucas Vorsterman 1630-1633 Flanders. Etching in black on cream laid paper . Anthony van Dyck

Sir Gavin Carew,

Heilige Hieronymus, Agostino Carracci, After Francesco Vanni, c. 1595 print The saint Hieronymus with a rosary and a crucifix in his hand. There are a book and a skull in front of him. A landscape in the background. print maker: Italyafter drawing by: Italypublisher: Siena paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Peter in prayer. Artist: Hendrick Goltzius. Draughtsman: anonymous. Draughtsman: Bernard Picart (rejected attribution). Dating: 1700 - 1800. Measurements: h 151 mm × w 117 mm. Museum: Rijksmuseum, Amsterdam.

"Le Calme", Sculpture by Jean Bonnassieux, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

A man with a beard, dressed in a gown with a stole, Spiritual, print maker: Henricus Turken, (mentioned on object), Netherlands, 1801 - 1856, paper, etching, engraving, h 115 mm, w 97 mm

Two Studies of Bearded Men; verso: Studies after Antique Sculpture mid-18th-early 19th century Bartholomaeus Ignaz Weiss German. Two Studies of Bearded Men; verso: Studies after Antique Sculpture 383902 Artist: Bartholomaeus Ignaz Weiss, German, Munich 17301814/15 Munich, Two Studies of Bearded Men; verso: Studies after Antique Sculpture, mid-18thearly 19th century, Red and black chalks; verso: pen and brown ink, sheet: 8 1/16 x 11 5/8 in. (20.5 x 29.5 cm). The Metropolitan Museum of Art, New York. Purchase, Alain and Marie-Christine van den Broek d'Obrenan Gift, 2008 (2008.606a, b)

Portrait of Auguste Rodin 1897 Eugène Carrière Before moving to Paris to study painting, Carrière apprenticed as a lithographer. Even after acheiving acclaim as a painter in the early 1880s, he continued to produce commercial lithographs to earn a living. However, it was only in 1890 that he finally adopted lithography as an artistic medium. His sophisticated knowledge of the technique enabled him to acheive the characteristic sfumato style of his paintings in print through subtle wiping and scraping. This print adapts a painted portrait that Carrière made of his dear friend the sculptor Auguste Rodin (Musée Rodin). It is a testament to the close relationship of the two artists, who shared aesthetic priorities and collected each other's works.. Portrait of Auguste Rodin. Eugène Carrière (French, Gournay-sur-Marne 1849-1906 Paris). 1897. Lithograph. Lemercier & Cie. (French, Paris). Prints

Study of the Head of Saint Francis. Date/Period: 1720. Drawing. Black chalk, sanguine and white chalk on blue-gray paper. Height: 285 mm (11.22 in); Width: 240 mm (9.44 in). Author: Marco Benefial.

Saint Mark. Etching by A. Mannelli after P. Guglielmi after C. Nebbia.

Etching by Domenico Cunego from 1785 showing the head of an old man from the School of Athens, including facial features, wrinkles, and classical portrait style.

Drawing by Federico Barocci showing a left-facing head of a bearded old man, executed in chalk, red chalk, ocher, white, and blue, highlighting facial features and expression.

Edmond Morin (1824-1882). "Last smoke". Bois, 1875. Museum of Fine Arts of the city of Paris, Petit Palais. Last, false, smoke, smoking, old man, old age, engraving

Ecce Homo (Christ with the Reed) 1833 Eugène Delacroix French. Ecce Homo (Christ with the Reed) 337243

Portrait bust of aesopus.Portrasbust from aesopus in a rectangular frame. In the upper margin a rule of French text. His name in a frame.

Man behind a desk, Jan Chalon, 1748 - 1795 print A bearded man with glasses. He is behind a desk and studies the content of a book. paper etching / drypoint eyeglasses, spectacles. morphology of human expression (+ adult male (human being)). reading. lectern ~ reading

Red chalk drawing of a Jupiter mask by an anonymous artist from the 17th century.

Umbria Perugia Foligno S. Maria Infraportas. Hutzel, Max 1960-1990 Medieval: frescoes paintings on panel, wooden sculptures. Post-medieval: frescoes, paintings on panel, paintings on canvas, stucco, baptismal font, architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alphonse Legros, Self-Portrait, 13th plate, French, 1837 - 1911, 1906, etching retouched in ink and crayon

Old man.

Portrait of a Man: Francesco Albani 1599-1661 Andrea Sacchi Italian. Portrait of a Man: Francesco Albani 341148

Type of Jew James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink on paper, Sheet: 4 11/16 x 4 15/16 in. (11.9 x 12.5 cm). European Art 1886-1887 or 1889

Munich originals from the 19th century, the head of a home warden in Munich, a Munich-based head of the character, original drawing by Julius Adam, Munich, Bavaria, Germany, reproduction of an image, woodcut from the year 1881, digitally restored, historical, the head of a home, warden in Munich, a Munich-based head of the character, original drawing by Julius Adam, Munich, Bavaria, reproduction of an image, woodcut from the year 1881, digitally improved, historical, Europe

Portrait of Verdonck, with donkey jaw. Portrait of an unknown Wildebras with the name Verdonck, with donkey fuse in the left hand. With four rules Dutch caption, in which it is told he has ended up in the workshop.

Portrait of a man. Kochanowski, Roman Kazimierz (1857-1945), painter

Kop van a Slavonian, Johannes Tavenraat, 1858 drawing Kop of a man with long hair, mustache and beard. A resident of Bohemia, a Slovak or a Slavonian. Bohemia paper. ink pen / brush Europeans (CZECHS). moustache Bohemia. Slovakia

La Rue, Louis Félix de, Parizeau, Philippe Louis, Historical and mythological scenes, Scholar writing in his study, verso lower left - stamped, A scholar in his study, sitting at a table and writing on a roll of paper., print, prints, verso lower right - stamped, height 189 mm, width 123 mm, French, 1740 - 1801, print maker, printmaker, 1771 - 1771, third quarter 18th century, paper, papier, etching, etchings, Work conception, 1730-10-19 - 1777-06-24

Old man, writing in book. Draughtsman: Abraham Delfos. Dating: 1777. Measurements: h 206 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Francesco Fontebasso / 'Saint Paul'. XVIII century. Grey wash, Charcoal on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Head of a Bearded Man Wearing a Turban (recto); Latin script (verso). Artist: Master of the Death of Absalom () (active. ca. 1490-1510). Dimensions: 9 3/16 x 6 9/16 in. (23.3 x 16.6 cm). Date: ca. 1510.Head studies depicting bearded men with deeply lined features and large turbans were popular at the turn of the sixteenth century in Central Europe and the Netherlands. The grisaille-like technique shown here-- monochromatic gouache on colored ground--also proliferated around this time. With its distinctive brushstrokes and white highlights, this drawing is reminiscent of Netherlandish designs for glass around 1500. The sheet has been attributed to the so-called Master of the Death of Absolom, an early sixteenth-century designer of stained glass. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Ernest Marchia, revolutionary. Styka, Jan (1858-1925), painter

Saint Pierre, vintage engraving. Saint Pierre, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673389

A portrait by Nicolas Lagneau from 1600-1650 depicting an older man with a full beard and lined collar, en face and slightly turned right, rendered in charcoal, stone chalk, and pastel.

Ferdinand Hodler. Dated: 1904. Dimensions: sheet: 40.2 x 27.1 cm (15 13/16 x 10 11/16 in.). Medium: woodcut artist's proof before removal of outer border, printed on blue japan paper. Museum: National Gallery of Art, Washington DC. Author: Emil Orlik.

JUAN MARQUEZ DE AROCHE - LIBRO DE RETRATOS DE ILUSTRES Y MEMORABLES VARONES - 1599. Author: FRANCISCO PACHECO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Color illustration by Jay Hambidge for 'The Century' magazine, April 1898 issue, showing artistic decorative design elements.

Jurōjin center of a triptych, 1884, Kawanabe Kyōsai, Japanese, 1831 - 1889, 48 1/2 x 22 5/8 in. (123.19 x 57.47 cm) (painting, approx.), Ink on paper, Japan, 19th century

The bust of an elderly nobleman. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Portrait of Jac. Jongert, Van Opzij, Richard Nicolaüs Roland Holst, 1917 drawing prepared paper. pencil portrait, self-portrait of artist. historical persons

Saint Paul James Tissot (French, 1836-1902). Saint Paul, 1886-1894. Opaque watercolor over graphite on gray wove paper, image: 6 1/2 x 3 15/16 in. (16.5 x 10 cm). European Art 1886-1894

'Apostle', 1508, (1936). Artist: Albrecht Dürer

Raimondi, Marc Anton.

of 3