Religious and Historical Etchings

A range of etchings focused on biblical and historical themes, often featuring dramatic compositions and deep narrative elements.

Arts and Sciences expressed honor to Karel Theodoor, Duke van Bavaria, 1779 print Personifications of the arts are classified by Minerva, who holds the image of Fratrel's Benefener, Elector Carl Theodor van de Palts (1724-1799). They are accompanied by Putti who are busy with the attributes of the arts, with the symbols of the rule (bottom right) and with laurel wreaths. paper. ink etching / pen 'Liberal arts' versus 'vulgar arts'. Minerva As PatronS. Persons Historical

A Moonlit scene depicting the Areopagite judged of Athens, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 8. Artist: Willem van Swanenburg (Netherlandish, ca. 1581/82-1612); After Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: Sheet: 11 9/16 × 14 9/16 in. (29.4 × 37 cm). Publisher: Christoffel van Sichem I (Netherlandish, 1546-1624). Series/Portfolio: Thronus Justitiae, tredecim pulcherrimus tabulis.... Date: 1605.This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606. Museum: Metropolitan Museum of Art, New York, USA.

Personification of Medicine, Anonymous, After Jean -François de Troy, 1696 - 1762 print print maker: France (possibly)publisher: ParisFrance paper engraving 'Medicina', allegorical representations ~ medicine; 'Medicina' (Ripa)

Odysseus in the land of the Cyclopen, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus arrives with his men on the island of the Cyclopen. In the foreground, one of his men drinks from a dish. Next to him a river god with jug. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus arrives with his men on the island of the Cyclopen. In the foreground, one of his men drinks from a dish. Next to him a river god with jug. The print is part of an album. Paris paper etching / engraving / letterpress printing

Europa, Giovanni Volpato, Italian, 1740 - 1803, Jacopo Amigoni, 1682 - 1752, Etching and brush and watercolor on paper, Allegory of Europe, France, 1740-1803, Print, Print

The Little Witch, plate four from Zehn Blätter zu Hebels Alemannischen Gedichten. Sophie Reinhard (German, 1777-1843); published by Mohr und Winter. Date: 1820. Dimensions: 314 x 262 mm (plate); 457 x 380 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Taking away by war. A procession of men, women and soldiers with horses and carts carries war with a landscape with ruins. Four-arrowal fresh in Latin in undermarge.

Allegory of education (in box with 43 drawings), Louis Fabritius Dubourg, 1753, paper, pencil, ink, brush, h 203 mm × w 160 mm

The Vision of Saint Benedict 1740 Francesco de Mura Italian Saint Benedict stands at the center of the composition, looking upward at an apparition of the Holy Trinity, while around the saint are gathered members of the male and female religious orders that follow his monastic rule, as well as lay men and women devoted to his cult. The drawing is a study with a number of variations for a ceiling fresco, signed by de Mura and dated 1740, at the center of the nave of the Neapolitan church of Saints Severino e Sossio. In the number and in the placement of the figures, an oil sketch at the Museo di Capodimonte in Naples is closer to the finished fresco than our drawing.. The Vision of Saint Benedict. Francesco de Mura (Italian, Naples 1696-1782 Naples). 1740. Pen and brown and gray ink, brush and gray wash, over graphite. Drawings

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Abraham Welcomes the Three Angels, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 14.6 × 17.9 cm (5 3/4 × 71/16in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Earth, Philips Galle, 1564 print The element Earth, personed by the goddess Cybele, sitting in a car drawn by two lions. Cybele wears a wall crown and holds a two keys in one hand. In her other hand the Cornucopia. The print has a Latin caption and is part of a four -part series about the four elements. Haarlem paper engraving earth (one of the four elements). (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia)

Album with work by Ploos van Amstel and others. Album with approximately 295 push-through drawings, Calques and prints made by or under the supervision of Cornelis Ploos van Amstel. They are loose between the sheets. Parchment band. Furthermore, at the back of the album: - Second / fifth / sixth / seventh (in copy) and ninth notes, due to a picture, according to the new invention of the Lord Cornelis Ploos van Amstel.- Tandeling on the naturally lye requirements in an alert; As partly about the first principles of character quotes, the 1st October 1766 by the Lord Cornelis Ploos van Amstel, Jacobs Cornelisz ... By re-opening the sign-academy of the city of Amsterdam. - certificate for Cornelis Ploos van Amstel Jac. Cornelisz. Due to his invention of print prints.- Label with the title: trials, tasting, extracts on vernister paper, overprinting, ... of my work of printing drawings ...- list entitled: Picture, in the way of drawings by C. Ploos van Amstel (numbered 1 to 46).

The reverse cart / the surrounding wheelbarrow, 1761 - 1804 print Leaf with 2 shows. Upstairs: a trekk cart falls around so that the children who sat in it fall to the ground. Below: a porter throws a wheelbarrow so that the children who sat in it fall on the floor. Under each image, an eight -line verse in two columns. Numbered at the top right: No. 112. Amsterdam paper letterpress printing children's games and plays (+ accident (in sports, games, etc.))

Armide destroys the palace of Renaud, Charles Nicolas Cochin (II), After J. Restout, c. 1736 print print maker: Parisprint maker: Parispublisher: ParisFrance paper etching / engraving Armida. Rinalo

Marriage of St. Catherine by Cima Da Conegliano. In the collection of J.W. Russell, Esq. ", Board No. 99 from:" Photographs of the Gems of the Art Treasures Exhibition, Manchester, Ancient Series "; Caldes, Leonida (1823-1891), Montecchi, Mattia, Colnaghi, P. & D. & Co . (London; Publisher), Agnew, T. & Sons (Manchester; Publish glass negative / Printing from the glass negative; ADKA: height 36 cm, width 46.5 cm; di 122239 MNW; all rights reservations.Cima da Conegliano, Giovanni Battista (CA 1459-1517) - reproduction, Photographs of the Gems of the Art Treasures Exhibition (Manchester - Exhibition - 1857), painting, Italian painting

Cerialis donates overlooked soldiers, 69-70, 1768 - 1770 print Cerialis donates overlooked Roman soldiers grace. Print 26 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. Printed on the back of planche XXV. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). granting mercy; free pardon Netherlands

Isaac and Rebekah for Abimelech. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 383 mm × w 248 mm. Museum: Rijksmuseum, Amsterdam.

Salome brings HERODES and Herodias the head of John the Baptist; Herodes and Herodias. Salome brings HERODES and Herodias the head of John the Baptist. Behind Salome a soldier is heading on a bowl. Herodes and herodias are sitting under a ballroom at the table.

17. At posterity / 18. To happiness. (TS)

Relief with the judgment of Lucius Junius Brutus in the four -shears of the Town Hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 - 1665 print Print is part of an album. At the bottom mark marked: C. with six -line fresh in Latin in the lower margin. Consul Lucius Junius Brutus, standing on the right, gives the executioner sign to execute the verdict and behead his son. His other son has already been beheaded and lies at his feet. paper etching / engraving sculpture. L. Junius Brutus has his two sons beheaded because they joined a conspiracy City Hall of Amsterdam (1655-1808)

Canto 22, Stanza 86, from Orlando Furioso 1772 Nicolas de Launay. Canto 22, Stanza 86, from Orlando Furioso. Nicolas de Launay (French, Paris, 1739-1792). 1772. Etching and engraving. G. Baskerville. Prints

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Fight between Giaour and Pasja, Eugène Delacroix, 1827 print Paris paper hand-to-hand fighting (~ battle). exoticism

Napoleon and Godoy. (Ti)

In 1812, the Grimm brothers, Jacob and Wilhelm, published Children and Household Tales, a collection German fairy tales. This illustration accompanied the tale about "Rapunzel" and shows the whisked witch cutting Rapunzel's hair after she learns that a prince has been visiting Rapunzel in the tower where the witch confined her. This image is from Grimms Eventyr (Grimm's Fairy Tales) by Carl Ewald, published in 1922. Johann and R. Leinweber. Johann was a well-known German illustrator.

Telemachus visits Nestor on the island of Pylon, Wilhelmus Petrus van Geldorp, 1870 print Telemachus left home to find his father Odysseus. Athena, disguised as an old man named Mentor, accompanies him. She gives him the courage to address King Nestor. Rotterdam paper Telemachus' encounter with Nestor at the sea-shore during a sacrifice to Neptune. shaking hands, 'dextrarum junctio'. Nestor

H. Sebastiaan, Claude Mellan, after Odoardo Fialetti, After Jacopo Tintoretto, 1608 - 1688 print paper engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Bliżej Kultury Bertin, C., Martinet, L. (18 .. 18 ..) Printer, Mignard, Pierre (1612 1695)

Bliżej Kultury unknown

Relief with Roma giving a globe to a man with beard; Roman sculpted reliefs; Icone et segment (...). Relief with Roma giving a globe to a man with beard. Text in Latin in undermarge. Print is part of an album.

L'Allemagne Cintre du Salon de la Guerre du côté des appartemens du Roi (Germany, Center of the Salon of War next to the King's Chambers) pl. 37. Dated: published 1752. Dimensions: sheet: 64 × 90.6 cm (25 3/16 × 35 11/16 in.) plate: 36.5 × 81.9 cm (14 3/8 × 32 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Louis Desplaces (engraver) after Charles Le Brun.

Design for the Letter T of a Pictoral Alphabet: Turk, Victor Vincent Adam, 1801-1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A Turk in rich attire is seen seated in a loggia smoking a hookah., France, ca. 1830, Drawing, Drawing

'Tempest', Act I, Scene I, Benjamin Smith, 1775-1833, British, after George Romney, 1734-1802, British, 1797, Engraving and stipple engraving on moderately thick, slightly textured, cream, wove paper, Sheet: 20 × 25 7/8 inches (50.8 × 65.7 cm) and Image: 17 3/16 × 23 1/16 inches (43.7 × 58.6 cm), literary theme, The Tempest, play by William Shakespeare, theater (discipline)

Aaron staying the plague. I. Taylor after I. Taylor junior, 1815.

The element fire. .

Title page for the Jaarboek Tesselschade. Title page for the Jaarboek Tesselschade, 1840. On the picture, a landscape can be seen in which a man kneels for a lady on a horse. In addition to the woman and the man, other figures are also depicted in the landscape.

Portrait of Willem V, Prince of Oranje-Nassau, Anonymous, 1806 print Portrait of Willem V in an octagonal frame. Two allegorical figures and a number of objects around it. print maker: Low Countriespublisher: Amsterdam paper engraving / etching

Prince Willem V van Oranje-Nassau receives Minerva's shield. Left: Willem V, Prince of Orange-Nassau Standing next to Minerva, whose shield he has received. In addition to him the Dutch lion. In the foreground are coat of arms and a putto with the mirror of caution and the scales of justice. In the undermaster a five-line French text. Right: an assignment in ornamental frame.

Ambulance / trained in Saint Germain L'Auxerrois, July 29 (IT)

The three Gratiën, 1777 print Three naked women are grouped to do tree -shaped pillar on a pedestal, with putti between them. On the pedestal The text of Horace: Gratiae Decentes Alterno Terram Quatiunt (Li Ode IV). Under the image text in Latin: Exastant ..... Rijmenam paper etching Graces (Charites), generally three in number; 'Gratie' (Ripa)

Listrag on the Kahlenberg next Vienna, Arrival at the height of the mountain,

The text that accompanied this illustration reads: To him, at last, the three goddesses entrusted the judgment and the golden apple and the person entrusted is the god Hermes.

Winter; The four Seasons. Landscape with figures that gather wood and make a large fire. Winter presentation.

Don Juan Dans la Grotte. Illustration for the poem Don Juan G.byrona Maurin, Nicolas Eustache (1799 1850), Turgis & Fils, Casse Hébris, Turgis (1800 1850)

Daniël in the Leeuwenkuil, Matthijs Pool, After Bernard Picart, 1720 - 1728 print Daniël is kneeling in a cave surrounded by lions. Illustration of the Bible text then. 6:17. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Daniel's punishment and liberation: Daniel in the lion's den ~ King Darius

Judith with the head of Holofernes. Round representation of Judith, standing at the holofernes bed with his head in her left hand. To the show a peripheral in Latin.

Odysseus leaves Circe, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus and his men board their ship and abandon Circe. The men take animals and stock. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus and his men board their ship and abandon Circe. The men take animals and stock. The print is part of an album. Paris paper etching / engraving / letterpress printing

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Relief with a Roman emperor who leaves for hunt, François Perrier, 1645 print Relief with a Roman emperor who leaves for hunting. The emperor is standing next to his horse and wears a spear. On the right a young hunter and a dog. Two men with spears on the left. Text in Latin in STUDMARGE. Print is part of an album. paper etching piece of sculpture, reproduction of a piece of sculpture. ruler, sovereign. hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt') Arch of Constantine

Four dries -up soldiers, Johann Georg Wille, after Charles Parrocel, 1753 print Paris paper etching the soldier; the soldier's life. dice-games. dog

Amsterdam, Sybrandi, JD, Trap, Pieter Willem Marinus, Correggio, Title page for: J. Sybrandi, Follow me! Words of foundation for Christian life, 1854, Adoration by the shepherds, verso - stamped, Mary sits next to the Christ child who lies in a manger. On the left are the three shepherds. In the background Joseph with the ox and donkey. Above the whole a host of angels., print, title page, prints, height 208 mm, width 147 mm, print maker, printmaker, 1854 - 1854, paper, color lithography (process), Italian, 1489 - 1534-03-05, after, after painting by, Dutch, 1821-04-20 - 1905-10-20, printer, printer's, Publication (Event), Publication, publisher

Reproduction of the design of a commemorative plaque for the Loretan chapel of the Friars Capuchin in Kraków, by Walery Eljasz Radzikowski, for the competition of February 7th, 1894 r; from: `Świat` 1894, no. 12, p. 573. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Świat (Kraków ; czasopismo ; 1888-1895), publisher

Rome - Palais du Vatican - Chapelle Sixtine, Michel-Ange. Adolphe Braun (French, 1812 - 1877)

Sepulchral Monument for the Poet Colte, of Rome, Pen and brown ink, brush and brown wash, graphite on beige laid paper, A pyramid monument decorated with a lyre within a laurel wreath, and the child figures of Romulus and Remus with the she-wolf. On either side, a brazier with birds. Inscription at front., Italy, 1795-1809, architecture, Drawing, Drawing

Vrede, Jacques-Antoine Friquet the Vaursoze, After Severies Bourdon, 1663 - 1716 print Numa Pompilius and Minerva, standing in front of a statue of peace, point to various attributes of the arts on the ground. paper engraving / etching symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). (story of) Numa Pompilius

Aenaes and Achates meet Venus in the guise of a huntress Designs for paintings with episodes from The Aeneas (series title), draughtsman: Mattheus Terwesten, 1700 - 1704, paper, pen, brush, h 189 mm × w 151 mm

July 28, 1830. (IT)

Matham, Jacob, Haarlem, Jan, Vanitas with globe, crucifix, skull and books, verso lower left - stamped, Vanitas still life with a globe, a crucifix, a skull, a bone and books on a table, print, prints, diameter 298 mm, 1600 - 1648-07-25, print maker, printmaker, 1628 - 1648, paper, papier, etching, etchings, Noord-Nederlands, 1571-10-15 - 1631-01-20, intermediary draughtsman

64. de schoolmester; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

A 1791 feather and brush drawing over pencil by Hans Veit Friedrich Schnorr von Carolsfeld depicting an allegorical studio scene, a congratulatory address to Adam Friedrich Oeser, emphasizing figures and setting.

Rachab hides De Spieders, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint) brush / pen story of Rahab and the spies

The Minstrel Made 1873 France. Etching on paper . Charles Louis de Courtay

Actaeon, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance of Prince Actaeon who caught the goddess Diana and her nymphs while bathing. As a punishment, Diana gives him a deer meadow. Text and heart in the lower margin. print maker: Francepublisher: ParisFrance paper etching Diana bathing with her nymphs. Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Twee Scènes Uit Minna von Barnhelm, Daniel Nikolaus Chodowiecki, 1769 print Left: Just and De Waard (first act, second scene); Right: Major von Tellheim and Graf von Bruchsall make friends (fifth deed, thirteenth scene). paper etching literary characters and objects

Der Feldhauptmann Sissera fällt durch Jaels Hand Schnorr von Carolsfeld, Julius, 1794-1872. still image. 1860. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Biblical events, Warriors , To 499, Nails & spikes, assassinations, Jael (Biblical figure), Barak (Biblical judge)

Prospero, Miranda, Caliban and Ariel Published 1797 England. Engraving on ivory wove paper . Jean Pierre Simon

Luis Carlos Legrand (Lithographer) (After Ribera, Jusepe de, lo Spagnoletto); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Martyrdom of Saint Philip'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

A 1773-77 brush drawing by Johann Sebastian Bach depicting an Arcadian landscape with shepherds at a tomb, showing figures, terrain, and pastoral elements.

Villain, Thou Diest, plate ten from Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 290 × 217 mm (image); 297 × 226 mm (chine); 348 × 251 mm (plate); 483 × 355 mm (sheet). Etching, engraving and aquatint on light gray China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Allegory on the works of Nicholas Boileau-the Spréaux, Noah van der Meer (II), 1772 print The writer Nicholas Boileau-the Spréaux sitting on a chair. Minerva, the goddess of wisdom, shows his portrait together with Putti. Two putti with books and writing materials play in the foreground. Amsterdam paper etching writing and letters. portrait of a writer. cupids: 'amores', 'amoretti', 'putti'

Memories of the Maerztage in , Allegory on the achievements of the revolution of , After, Ludwig Ferdinand Schnorr von Carolsfeld -, Drawer, Leopold Müller -, Lithograph

. Cartoon on the Vandrig Verstamp of the ninth Burgercompagnie in Rotterdam, fled during the violence on 3 April 1784 in the Housen Shop Greenland. On with leaf under the plate a verse of 20 lines.

Massacre of the Innocents Bertin, François Edoudard (1797 187 187 187), Ruc, Guide, Guidi, Guido (1575 1642)

Abuse of Reformed by Vaals, 1764. Abuse of Reformed by Catholics in Vaals and in three other nearby villages, January 1764.

Klodwig in the battle of Zulpick (illustration in: Cesar Cantu, History Powszechny, Warsaw 1853-1857); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853-1857 (1853-00-00-1857-00-00);

Lady comes to the aid of a woman and child in the water, Reinier Vinkeles (I), 1776 print Amsterdam paper etching / engraving saving a person from drowning. park. umbrella

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

The ascension, 1860, England, by Dalziel Brothers, W Williams, Giotto di Bondone, Arundel Society. Acquisition history unknown.

Cartoon at the alleged French-mindedness of Amsterdam, 1690. Reproduction of a cartoon of disagreement between Willem III and the city of Amsterdam in 1690 due to alleged French-mindedness of the city. Allegory with a falling carriage lined by a blindfolded rider whose cloak is decorated with French lilies and drawn by the two caved horses drunkenness and ambition. The horses trample religion, ornaments, necessary defense, homeland and the Union; The Rentenier, Burger, Merchant and Schipper fall from the car. In the caption a verse of two lines.

Woman by masked men robbed in a forest. .

Death of Alexander the Great, Johannes Glaber, After Gerard de Lairesse, 1684 - 1726 print Round show. Alexander the Great on his deathbed, surrounded by his soldiers who mourn his death. The print is towards a lost bas-relief by Gerard de Lairesse and is part of a four-part series with the subject of world rich in classical antiquity. print maker: unknownafter painting by: Amsterdam paper etching death of Alexander: Alexander on his deathbed

A tribute to Adolph Thiers according to the image of Jehan G. Vibert. Smeeton, Burn (Fl. 1840; 1860), Tilly, Auguste (1840 1898), Vibert, Jehan Georges (1840 1902), Claye, J.

Fountain with two men holding a dragon; Fontaines, Ou Jets d'eau à l'Italienne.

Mars met engel, Nicolas Dorigny, after Rafaël, 1695 print print maker: Francepublisher: Rome paper etching / engraving (story of) Mars (Ares). Mars (planet). angels

Etching by Pietro Monaco of Eliseo, created between 1707 and 1772, showing the figure in a historical setting with detailed line work.

Memorial column by 400-year anniversary Invention Printing by Coster, 1823; Memorial. In honor of Laurens Jz. Koster inventor of the letter of printing in Den Jare 1423. Allegorical monument in the celebration of the 400-year anniversary on 10-11 July in 1823 of the Invention Printment by Laurens Jansz. Coster in Haarlem in 1420-1425. Coster standing for a memorial column on which a presentation of a book printing and the weapon of the city of Haarlem. On the right the Dutch virgin and religion. Religion brings a sacrifice to the altar of immortality. Furthermore, three putti and in the foreground attributes of the free arts. In the middle of the caption the weapon of the Kingdom of the Netherlands. Apart from the drawing an oval with the monument in 1823 established in honor of Coster in the Haarlemmerhout.

Weigel, Christoph, Nuremberg, Luyken, Caspar, Christ and the Canaanite woman, verso - stamped, print, prints, height 251 mm, width 199 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Paris Crown M Necker (IT)

In a cell a man kneels for a woman who turns her face, Reinier Vinkeles (I), 1778 print Amsterdam paper etching / engraving prison, jail. kneeling figure. torch

Oyster eaters Les mangeurs d'huitres (title on object), Coastal landscape with a company drinking wine and eating oysters in the foreground. Numbered lower right: N. 2., molluscs: oyster, eating, eating and drinking, Antonio Gabrieli (mentioned on object), Italy, 1783, paper, engraving, h 201 mm × w 255 mm

Savery, Salomon, Northern Netherlands, Iustitie van Carel den Stouten hert van Bourg. etc. grave van Holl: Zel: etc. over seker Gouv. in Zelant, Judiciary of Charles the Bold over the governor of Zeeland, ca. 1474, ca. 1474. The governor of Zeeland (or Gelderland) kills the man (P. Stalins) and rapes the widow. The duke first forces the governor to marry the widow and then has him beheaded. Also known as the story of Rhynsault and Saphira., print, history print, prints, Frederik Muller History plates, height 407 mm, width 505 mm, print maker, printmaker, 1610 - 1678, 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, 1594 - 1683-10-16, publisher

Laurette en de graaf van Luzy; Laurette.Illustration for the story 'Laurette' from J.F. Marmontel's story bundle 'Contes Moreaux'. The poor but beautiful farmer's daughter Laurette dances at a village party with the count of Luzy. He is falling in love with the girl and asks her father to her hand. The count kneels down for the farmer, Laurette is standing next to them.

Nothing could be done about it, plate 24 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 193 x 136 mm (image); 216 x 151 mm (plate); 300 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Kaulbach, Wilhelm von, Dorothea, Photo reproduction of a drawing, depicting Hermann meets Dorothea, photomechanical print, reproduction, page, photos, photographically illustrated books, height 126 mm, width 90 mm, maker, manufacturer, 1875 - 1885, paper, collotype, photoprint, German, 1805-10-15 - 1874-04-07, intermediate draftsman

Giuoco della Pentola; Gruppo in marmo, di Gio. Batista Capezzoli, lungo lo Stradone all'Isolotto in Bololi.. Vascellini, Gaetano, 1745-1805. Soldini, Francesco Maria. Prints. 1789. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Sculpture , Italy , Florence

L'assassinat. / 5

Astronomy: the moon goddess (Diana), in her chariot drawn by a pair of women. Engraving by C. Lasinio, 1695, after Raphael, 1516.

Four Standing Men, Lucas Van Leyden, 1600 - 1699 print. fragment One fragment of five on leaves. Four men from "Esther for Ahasverus", cut out along contours. Low Countries paper engraving male persons from the Old Testament (not in biblical context)

. Pygmalion shows the statue to his friends. Everyone admires it. The print is part of a series about the story of Pygmalion.

Comforter (TI) genius

The TenVirgins. Publisher: Currier & Ives, American, active 1834-1907

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