Religious and Mythological Scenes

Intricate prints illustrating religious narratives and mythological themes, featuring divine figures, sacrificial scenes, and ornamental frames.

Vatican City, Alexander VII, Rome, Collignon, François, Italy, Carracci, Annibale, Cesio, Carlo, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, Apollo and Hyacinth, A painting depicting Apollo and Hyacinth above a doorway. The painting is flanked on either side by a sculpture of a satyr., print, prints, height 405 mm, width 537 mm, Italian, 1622 - 1682, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Work conception, 1560-11-03 - 1609-07-15, after a design by, Publication (Event), Publication, French, 1610 - 1687, publisher, uitgever, 1599-02-13 - 1667-05-22, verlener van privilege

Black and white ink drawing on brown-red paper by Monogrammist HHB depicting the beheading of John the Baptist, 1513.

'Study', 1896. Artist: PJA Bawdry.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

He can make a world of impure (TI)

Monument under a birch. Sierakowski, Józef (1765-1831), graphic artist

Jupiter and Hebe, Apollo and Terspsichore., Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash on cream laid paper, Decorative project with octagonal design. Head of eagle shown below left knee of Jupiter. Apollo plays lyre Terpsichore with tambourine., Italy, 1815, figures, Drawing, Drawing

Sterfbed Van Jozef, Lodovico Mattioli, After Marco Antonio Franceschini, 1672 - 1747 print Joseph is on his deathbed. There are Christ and Mary next to him. Behind Joseph an angel. Text in Latin and coat of arms under show. Italy paper etching Joseph on his deathbed; Christ and Mary present

Christ in Glory. Correggio (Antonio Allegri) (Italian, about 1489 - 1534)

Relief flanked by Hercules with Cerberus and Hercules with an apple from the Hesperides, Louis Surugue, After Charles Le Brun, After Bernard Picart, 1714 print In the middle a relief with Hercules, which rests from his works, lying next to a power god. Under his arm is the head of the Nemean lion. Above that a hybrid beast and two sphinxes. The relief is flanked by Hercules, with the three -headed hell dog Cerberus on his lap, and on the right by Hercules with an apple of the Hesperides in his hand and the overcome dragon. Along the edges instructions for mounting the print on other prints. Print is part of a series of prints, which together present the painted ceiling with the apotheosis of Hercules in the Hôtel Lambert in Paris. Paris paper etching / engraving (decorated) ceiling. (12) Cerberus captured and carried away by Hercules. (11) the apples of the Hesperides carried off by Hercules. ornament ~ hybrid animals Lambert Hotel

Lazio Roma Rome S. Ignazio di Loyola51. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Italy, Fontebasso, Francesco, Allegorical figures, verso - stamped, Six male and female figures and a putto. Some of the figures have a fleur-de-lis in their hands. The representation is set in a frame with, among other things, putti and musical instruments, print, engraving, frontispiece, prints, etchings, height 311 mm, width 214 mm, print maker, printmaker, 1717 - 1717, paper, engraving (printing process), color printing, Work conception, Italian, 1707 - 1769

Medallion with envy. On a medallion the personification of the vice or envy. With burning torches in hand, she walks over the tables of the law by ten commandments. Around the medallion weapon, a chained man and panthers. Under the medallion three death heads.

Allegorical Design for a Tomb. Artist: André Lebrun (French, Paris 1737-1811 Wilna). Dimensions: oval: 17 5/8 x 14 in. (44.8 x 35.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Vrede, Enea Vico, After Francesco Salviati, 1533 - 1567 print Peace (pax) as a woman sitting on a triumphal wagon pulled by two dogs. She holds an olive branch in her hand. There are weapons on the floor where the car drives. At the top a line of Latin text. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Drawing, Design for the Frame of the Portrait of Charles III, King of Spain; Designed by Johann Esais Nilson (German, 1721 - 1783); Germany; graphite, pen and black ink, brush and wash on paper; Sheet: 31.3 x 25.7 cm (12 5/16 x 10 1/8 in.)

Casts of a relief of the bath with nymphs in Versailles, Séraphin -Médéric Mieusement, 1850 - 1900 photograph The Hague photographic support. cardboard albumen print Diana bathing with her nymphs

Duplicate entry: Copper engraving by Martin Schongauer depicting Saint Georg in a kite struggle, created in the last third of the 15th century.

Two putti with medallion, in which Apollo appears, Jacob de Wit, 1744

drawing by F. Barrias: Virgil scene from the Aeneidos goddess prevents murder of wife, Anonymous, 1858.

Two men holding fruits by Lelio Orsi da Novellara, pen, brush, brown Indian ink, white colour, black chalk on paper, 1546-1554, 1511-1587, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 18, 5x24, 4

st, Beethovenplatz, general - Beethoven monument - detail, Michael Frankenstein , Comp, Photo Studio

Design for the Decoration Above a Mirror, Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, A variation of 1901-39-1371. Below the medallion with Vestal are bunches of ears of grain. Below, at right, a lamp. The altar at left is supported by standing birds., Roundel with a vestal, for decoration over mirror, noble cabinet, Palazzo Altieri. (PDM '91), Rome, Italy, 1789-1793, architecture, Drawing, Drawing

Lazio Viterbo Gradoli Palazzo Farnese8. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), thus the fatherland crown civility. (Faithful title), 1791. Carnavalet museum, History of Paris.

Klingholz Fritz (1861-1921), figure frieze (without date): View. Tusche watercolor, white heighted on the cardboard, 29.5 x 41.4 cm (including scan edges) Klingholz Fritz (1861-1921): Figurenfries

George Cooke after James George Bubb, Monument to William Pitt Monument to William Pitt

Drawing, Project for a Crest with Candle Sockets; Italy; pen and ink, brush and sepia, watercolor on paper

Vaulted ceiling painted by Perino del Vaga in the Palazzo Andrea Doria, Genoa, Italy, 16th century. Gewoelbekappe im Palast Andrea Doria. Chromolithograph directed by Prof. Moritz Meurer from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Cupidons Volants, Emile Wattier, French, 1800 - 1868, François Boucher, French, 1703 - 1770, LIthograph in brown ink on white paper, Three putti play about a sheaf, all in the air, and with ribbons., France, ca. 1825-1855, Print, Print

Drawing (Italy); pen and brown ink with brown wash support: off-white laid paper

Design for the decoration around the dial of a clock with batwing motif, draughtsman: Jacobus Buys, 1734 - 1801, paper, brush, h 463 mm × w 300 mm

Lazio Viterbo Caprarola Palazzo Farnese425. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Fountain 18th century Anonymous, French, 18th century French. Design for a Fountain 343769

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche96. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), friezes, foliage and grotesque. Eighth number of a series of 8 pieces (A. de Vesme 986. Dutuit 73) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Lazio Roma Rome Tomb of the Valerii9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cartouche with the Barberini coat of arms. Maratti, Carlo (1625-1713), draughtsman, cartoonist

Design for a Bay of a Side Wall, Chteau de Béhourt second half 19th century Jules-Edmond-Charles Lachaise French. Design for a Bay of a Side Wall, Chteau de Béhourt 345387

Anonymous feather drawing depicts Psyche's admission to Olympus, showing figures, posture, gestures, and architectural elements.

Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden", 1791. Graphite on medium, slightly textured, cream laid paper.

Marcus Curtius Leaping into the Abyss. Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1555-1563. Dimensions: 64 x 107 mm (max.). Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The pitch of King Jean Paul-Henri Regeau, French painter. The pitch of King John. Pencil on paper layer. 1885. Paris, Victor Hugo House.

Sidewall (possibly USA); Ericson & Weiss; block-printed on handmade paper; 55.5 x 42 cm (21 7/8 x 16 9/16 in.)

Project not realized for a fountain of the Bastille, 1823

Bliżej Kultury Mien, Juliusz (1842 1905)

The contest between Apollo and Marysas ca. 1540-50 Niccolò Vicentino Un undated inscription on the mount by Nicholas Tuner attributes the print to Vicentino.. The contest between Apollo and Marysas. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). ca. 1540-50. Chiaroscuro woodcut from four blocks in brown; Greek text printed in red on verso. Prints

Vestigia delle Terme di Tito. Pomon. Quadro from the decoration of the room of the room 15; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Cerera, DESA - collection, pomon, Rome, Italy, town, Terme di Tito, Umiastowski, Roman, collection, Nero's golden house, antique, architecture, archeology, leather, decorations, lens, purchase (provenance)

Raphael, Thompson, Charles Thurston, Peter and John at the Beautiful Gate of the Temple, Reproduction of a design for The Healing of the Lame Man by Raphael, This print is part of a cover of 9 sheets., photomechanical print, reproduction, photographs, photographically illustrated books, height 123 mm, width 195 mm, English, 1816 - 1868, photographer, 1880 - 1885, paper, papier, Woodburytypie, clichémaker, Work conception, 1483-04-07 - 1520-04-07

Monument for Hendrik Danielsz. Hooft, 1794, Noah van der Meer (II), After Daniël Kerkhoff, 1794 print Oval representation of an allegorical burial monument for Hendrik Danielsz. Hooft, former mayor of Amsterdam, died on August 31, 1794. For a pyramid in a temple the portrait of Hooft, on both sides are freedom and steadfastness. In the foreground a trophy with the city coat of arms of Amsterdam and several allegorical figures. In the clouds the all -sighted eye. paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. the all-seeing eye, triangle with eye ~ symbol of God the Father. grave-building, monumental tomb

Relief on the Roman triumph arch in Orange, 1639, 1637 - 1640 print Relief on the Roman triumph arch in Orange. Marked at the bottom right: p. 27. Second. France paper engraving triumphal arch. piece of sculpture, reproduction of a piece of sculpture Orange

Léon Vidal. "Neptune soothing the storm excited by Eole against the fleet of Aeneas", after 1872-10th century. Museum of Fine Arts of the City of Paris, Petit Palais. To appease, God, divinity, Greek, Roman, Tempete, mythology

Triomf Van Amphitritite, Francesco Bartolozzi, After Giovanni Battista Cipriani, 1738 - 1815 print Amphitrite sitting on a large shell surrounded by nymphs, tritons and a putto. Italy paper etching triumph of Amphitrite

Abundantia Terrae, Kenyon Cox, American, 1856-1919, Photostat, Two panels. Above in floral pattern, a cartouche that reads: ABVNDANTIA / MARIS. Below a female figure holding a fish and a triton, seated on a dolphin or whale., New York, New York, USA, after 1908, architecture, Print, Print

Coriolanus comfort his wife and mother, Jean François Janinet, after Jean Guillaume Moitte, 1789 print print maker: Parispublisher: Parispublisher: Parispublisher: ParisFrance paper etching Coriolanus (C. or Cn. Marcius) is met by his wife Volumnia (alternatively called Vergilia) with their two small sons, and his mother Veturia (alternatively called Volumnia); they entreat him not to fight any more

Red chalk drawing by Sébastien Le Clerc depicting a victory goddess with a river god, executed on black chalk, with circular and horizontal lines in brown feather on blue composition paper circa 1702.

Mater dei; Schulgen, August Wilhelme (Fl. 1844-1865), Phili, John (Brussels; Fl. Ca 1850); ante 1859 (1855-00-00-1859-00-00);

An inkstand or perfume burner. Etching by W.W. McCarty.

Cassandra preventing Deiphobe from killing Paris. Artist: Jean Cousin the Elder (French, Souci () ca. 1490-ca. 1560 Paris ()). Dimensions: 3 9/16 x 13 7/8 in. (9 x 35.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Simon Thomassin from 1687-1700 depicting the Augusta dolphin family, illustrating members of the French royal family, the Dauphin, and ceremonial attire.

Vuurbok puts Man, Augustin Foin, after Jean François Forty, 1775 - 1790 print An ornamented firebok with a man on the right leaning on ranks and goat legs. On the left a pine cone. Paris paper etching / engraving andiron, fire-dog. leaning forward

The Last Judgment, Nicolò della Casa, After Michelangelo, 1548 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. print maker: Italyafter painting by: Vaticaanstadpublisher: Rome paper engraving Last Judgement

Quarter of ceiling with decorations, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print Ceiling with Mercury surrounded by figures in the middle, around it a wide edge with panels. On the right Appolo and Daphne, in the corner a medallion with children and a goat above which a emperors are placed. Passionate copy to sheet from the Nouveau Liure De Placfond series published by Daniel Marot. Netherlands (possibly) paper etching

The element of water.

Woman has ancient Henry Cros (1840-1907). Woman with ancient. Pencil and feather on paper.

Photo production of a painting, representing Aeneas is visited by the shadow of anchises, scene from Virgilius' Aeneis, Anonymous, c. 1853 - in or before 1858 photograph paper albumen print Anchises' spirit appears to Aeneas in his sleep

The Last Judgement, Sistine Chapel, by Michelangelo. James Anderson (British, 1813 - 1877)

Allegory on the war flow. The fame arrives at a warrior at a palm tree including a naked woman.

Man subjects a harpij, 1663 print Leaf with two performances of consoles with naked men, soldiers of Aeneas, sitting on harpijen. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

The five sentences do love triumph, jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a room wall. paper. ink. graphite (mineral) pen / brush the (five) senses

The Mysteries of the Passion: The Entombment, 1631. Jacques Callot (French, 1592-1635). Etching;

Design for a wooden cradle on two rocking feet. Draughtsman: Perino del Vaga (circle of). Dating: 1530 - 1620. Measurements: h 172 mm × w 285 mm. Museum: Rijksmuseum, Amsterdam.

Plasterkopie with music making putti.

Gravelot (Hubert-François Bourguignon, dit) (n.1699-03-26-D.1773-03-19), allegorical table (main title), 1766. Plume and black ink on laid paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Relief on the tympanum on the rear of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1664 - 1668 print Relief on the tympanum on the rear facade (west side) of the town hall on Dam Square in Amsterdam. In the middle the Amsterdam city of Amsterdam with her feet on a globe, adorned with a Mercury helmet. Against the globe an astrolabium, passer and Jacobs staff. Behind the Stedensmaag an Amsterdam cogs. At her feet on the left the river god of the Amstel, with a crown of piping, an otter and an enterhaak. On the right the river god of the IJ, with a ship's crown, a fishing net, an anchor and a dolphin. Around her, personifications of the four continents offer the city virgin merchandise from their regions. Left America (with a fence) and Asia (with turban, camel or dromedaris and incense barrel), on the right Europe (with emperor crown and horn of abundance) and Africa (with sun hat, neck chains and lion). Under the show the assignment to the four sitting mayo

Flagellation of a Saint. Dated: c.1766. Dimensions: sheet: 61.5 × 44.5 cm (24 3/16 × 17 1/2 in.) plate: 50 × 38 cm (19 11/16 × 14 15/16 in.). Medium: etching and sulfur-tint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Andrea Scacciati after Giovanni Battista Paggi.

Decorative urn, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, black chalk on off-white laid paper, lined, Decorative urn., Rome, Italy, 1746-1809, metalwork, Drawing, Drawing

Lazio Viterbo Caprarola Palazzo Farnese398. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Architecture. Sculpture. Painting". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-14

Cornelia, Mother of the Gracchi, Palazzo Cavina, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and light brown wash over black chalk on rolled paper, Italy, 1816, figures, Drawing, Drawing

Cassandra preventing Deiphobe from killing Paris 16th century Jean Cousin the Elder French. Cassandra preventing Deiphobe from killing Paris. Jean Cousin the Elder (French, Souci () ca. 1490-ca. 1560 Paris ()). 16th century. Pen and brown ink, brush and brown wash, heightened with white, over slight traces of black chalk. Drawings

William Finden, 1787-1852, British, The Bird's Nest, 1834. Stipple engraving and line engraving on thick, moderately textured, cream, wove paper, with gray, chine colle.

Angels Making Music 1645-1655 Flanders. When creating this ensemble of heavenly musicians, Cornelis Schut I was inspired by the tapestry series depicted in Peter Paul Rubensís painting The Adoration of the Eucharist (1937.1012). On the left, an angel crowned with a floral wreath plays a lute. A trio of angels accompanies him with a trumpet, horn, and shawm (similar to an oboe). On the right, three angels play a bass violin (a precursor to the cello), a lute, and a violin. Groups of cherubs sing along, sometimes with the aid of songbooks.. Etching from two plates in black on ivory laid paper . Cornelis Schut, I

Isegrim for King Nobel, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (fol. 4): Van den Vos Reinaerde; Isegrim, De Wolf, for King Nobel. paper. chalk fable of Reynard the Fox. beasts of prey, predatory animals: wolf

Allegory of the 'Treaty of Friendship and Commerce between the States General of the United Netherlands and the United States of America', The Hague, 7 October 1782.Allegory on the 'tractate of friendship and commerce between their high, the State General of the United Netherlands and the United States of America', 1782. Three figures represented the Dutch virgin sitting on a ton with the freedom hat on a lance and left the American Virgo with Indian draw and a helmet with feathers, in hand a lance with medallions and a helmet and the gift. The virgins shake hands. In the background an Indian with bare edging that leaning a cornucopia on the ground. Cases from the ground rolling virginiatabak. From a house on the new port 32a in Dordrecht.

Basket with flowers. Basket with tulips, roses and other flowers. The basket is on a stone windowsill.

Print (France)

Edward Francis Burney, 1760-1848, British, Pamphilia, undated. Pen and black ink, gray wash and brown wash on medium, slightly textured, cream wove paper.

Drawing, Two Friezes with Rams, Candelabra, Trophies and Putti; Designed by Felice Giani (Italian, 1758-1823); Italy; black chalk on off white laid paper; 27.1 x 18.9 cm (10 11/16 x 7 7/16 in.)

Imperial eagle and oak crown. (IT)

The Ill-Matched Couple ca. 1480-90 Israhel van Meckenem. The Ill-Matched Couple 692129

Fall of the giants, 1773 print Print is part of an album. paper engraving the Giants buried beneath volcanoes

Two Costume Designs or Portrait Types ca. 1785-90 Anonymous, French, 18th century French Page with two round portraits. The portrait on the left is painted in blue tones. It shows a woman turned towards the right. She is looking down and has her arms crossed in front of her. She is wearing a corseted bodice with buttons and a white fichu. She has a large hat with feathers and flowers. The portrait on the right is painted in warm ochre tones. It depicts a woman turned towards the right and looking back over her right shoulder. She is wearing a white checkered fichu crossed over her chest, and a tight bodice with a wide skirt. She also wears a large hat.. Two Costume Designs or Portrait Types 415318

Rum Punch, Robert Cruikshank, 1789 - 1856, Brush and gray watercolor, pen and ink, graphite on paper, Interior with figures. A large ecake in center. Punch bowl at lower right. Punch and Judy show in background., England, ca. 1836, Drawing, Drawing

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Jordaens, Jacob (1593 1678)

Engraver and Etcher: Giovanni Girolamo Frezza, Italian, 1659-1741, After: Francesco Albani, Italian, 1578-1660, Diana, Etching and engraving, sheet: 34.8 × 27.8 cm (13 11/16 × 10 15/16in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Le chant du Depart. Arc de l'Etoile; French; about 1865; Albumen silver print

Procession of Figures and Oxen. Attributed to Girolamo Sellari, called Girolamo da Carpi; Italian, 1501-1556. Date: 1549-1553. Dimensions: 127 x 325 mm. Pen and brown ink on ivory laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Project for a picture painted on the occasion of visiting Emperor Wilhelm II in Frankfurt; Thoma, Hans (1839-1924); 1889 (1889-00-00-1889-00-00);Frankfurt am Main (Germany), Römerhalle, Museum, Wilhelm II (German emperor - 1859-1941), projects, images

Lazio Viterbo Bagnaia Villa Lante160. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a ceiling with five mythological scenes. In the middle a god in a chariot. Around it four other scenes: Venus discovers the body of Adonis, Aeneas with Cybele, Daedalus and the fall of Icarus and Atalante with Meleager, Design for a ceiling with five mythological scenes., draughtsman: Mattheus Terwesten, 1680 - 1757, paper, pen, brush, h 309 mm × w 411 mm

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