Religious and Mythological Scenes

Etchings and engravings illustrating religious figures and mythological tales, featuring dramatic compositions and expressive designs from various artists.

A copper engraving by Gilles Rousselet between 1620 and 1686 created as an illustration for a book of hours, showing devotional imagery.

Etching by Ludwig Emil Grimm, 1810-1863, depicting men fighting lions with lances and shields, showing combat, human figures, and animal interaction.

An etching by Giovanni Battista Tiepolo from the 18th century depicting the adjoining of the kings, showing figures, gestures, and spatial arrangement.

Flight to Egypt, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Nummered at the bottom left: 6. Print is part of an album. Augsburg paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Etching and copper engraving by Bernard Lépicié depicting a biblical scene of the healing of a lame person, showing figures, gestures, and narrative action, created in 1721.

Etching by François Boucher between 1715 and 1772 titled 'The Ouye', presenting figures and decorative elements characteristic of 18th-century French engraving.

Engraving by Jan van Somer depicting a woman making pancakes and a group of card players, created between 1665 and 1699.

Abraham and Lot leave for Canaan; History of Abraham; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Abraham leaves with his family, slaves, slaves and cattle to Canaan. In the foreground in the landscape, Abraham, his wife Sara and his cousin lot. Under the show a reference in Latin to the Bible text in Gen. 12. This print is part of an album.

Photo production of a drawing of the death of Gretchen, from the first part of the tragedy Faust by Johann Wolfgang von Goethe, Friedrich Bruckmann (Possible), after August von Kreling, c. 1872 - in or before c. 1877 photograph photographic support albumen print (scenes from) specific works of literature: Goethe, Faust

Copper engraving and etching by Michel Dorigny, created in 1645 and 1654, illustrating allegorical figures Venus, Demeter, and Bacchus on a cloud.

Etching by Pietro Santo Bartoli, 1680, depicting Emperor Sigismund in Mantua with ceremonial attire, detailed posture, and architectural setting.

This copper engraving and etching by an unknown engraver, created between 1590 and 1700, depicts the historical figure Clelia crossing the Tiber River, emphasizing figure, gesture, and landscape context.

A copper engraving and etching by Gaspard Duchange created around 1710 depicting the birth of a queen, showing the newborn, attendants, and surrounding figures in a domestic or royal setting.

Etching by Giovanni Battista Franco depicting Moses striking water from the rock, created between 1530 and 1561, illustrating the biblical narrative and miraculous event.

Etching and copper engraving by Jacques-Philippe Le Bas created between 1734 and 1783 depicting a group composition.

Etching by Andries Both from 1665-1709 depicting allegorical representations of the five senses, showing figures, gestures, and symbolic elements.

Diana an Actaeon, Anonymous, 1818 - 1819 print Print is part of an album. paper Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193). Diana bathing with her nymphs

Johann Conrad Wilhelm Martin Metz's etching, 1769-1827, depicts Venus visiting Vulcan's smithy, showing mythological figures, tools, and architectural elements.

Copper engraving and etching by Johann Friedrich Greuter from 1610-1630 depicting Alexander the Great meeting Diogenes. The print shows both figures, gestures, attire, and surrounding spectators with classical composition.

Copper engraving and etching by Michel Dorigny, dated 1644, showing scenes from ancient mythology.

Copper engraving by Johann Sadeler depicting scenes from the Book of Genesis, created between 1570 and 1600.

Copper engraving by Cornelis Cort depicting a Cyclops forging weapons. Created in 1572, illustrating classical mythology and craftsmanship by mythological figures.

Etching by Johann Elias Ridinger, 1718-1767, depicting male figures in various postures, illustrating anatomical study and human representation.

Etching by Antonio Tempesta depicting mythological scenes from Ovid's Metamorphoses, created between 1606 and 1620, showing transformations and classical narratives.

An etching by Gerard van der Gucht produced between 1751 and 1768, featuring a still life with dead objects, rendered in 18th-century engraving style emphasizing texture and composition.

Copper engraving and etching by Gilbert Filloeul from 1680 to 1741 portraying Christ with seasonal motifs connected to spring.

Copper engraving and etching by Pierre Filloeul showing Maria visiting, depicting figures in a religious context with detailed composition, created between 1715 and 1755.

Etching by Michiel Mosyn (1670-1726) showing children playing outdoors, depicting figures, interaction, movement, and European rural or urban setting of the period.

Les Adieux. Moreau, Jean Michel, 1741-1814. Saint-Pierre, Bernardin de, 1737-1814. Illustrations, Prints, Trial proofs. 1806. Spencer Collection. Engraving, French, Engraving , 18th century, Drawings , France , 19th century

Etching by Jan Pietersz. Saenredam depicting a landscape with Ganymede, Juno, Minerva, and Venus, created between 1590 and 1633.

Woodcut by Albrecht Dürer, 1502, showing John (Johannes) holding a book with detailed posture, robes, wings, and compositional background in the Apocalypse series.

Copper engraving and etching by Johann Sadeler the Elder depicting the wounds of Christ and the empty grave, created between 1570 and 1600, emphasizing suffering and burial.

Print (France)

1631 etching by Matthäus Merian the Elder depicting a New Testament scene in a book illustration, illustrating key biblical events and figures.

A 1630-1679 etching by Franciscus van den Wyngaerde depicting Bacchus, the Roman god of wine, with Silen in a drunken state, illustrating classical mythology.

La JUMENT "SE Laschant Le Ventre", Livre I, Ch. XXXVI; Bracquemond, Félix (1833-1914), Salmon, Alfred (1825-Ca 1894), Lemerre, Alphonse (1838-1912); 1882 (1882-00-00-1882-00-00);Rabelais, François (1493 -1553), Rabelais, François (1493 -1553)-iconography, Rabelais, François (1493 -1553). Gargantua et pantagruel, French (culture), illustrations, riders, horses, literature, literary characters, knights, purchase (provenance)

Copper engraving and etching by Philipp Galle showing Caritas personified, including figures representing charity and allegorical elements, created between 1537 and 1612.

Copper engraving and etching by Adriaen Collaert, circa 1586, showing narrative scenes from the Old and New Testament with figures and religious symbolism.

An etching by Jean Audran titled 'Autumn,' created around 1732, depicting seasonal landscapes with foliage, figures, and activities characteristic of early 18th-century European printmaking.

Etching by Pieter Nolpe showing the title page and portrait of Marie de Medici, including allegorical scenes from her life for a book illustration around 1638.

An engraving by Nikolaus Rhein depicting Venus and Adonis, created between 1787 and 1819.

Etching and copper engraving by Jean Mathieu created between 1770 and 1815 depicting Laban searching for images of the gods, including figures, gestures, and composition.

Copper engraving and etching by Johann Heinrich Lips between 1803 and 1818 depicting the Adoration of the Shepherds scene.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Etching by Pierre Brebiette from 1618 to 1666 depicting personifications of Christian virtues, showing symbolic figures and attributes.

Photo production of a painting of a portrait of the five children of Charles I by Anthony Van Dyck, Leonida Caldesi, After Anthony Van Dyck, c. 1853 - in or before c. 1858 photograph photographic support albumen print historical persons. historical persons - BB - woman. child

Etching by Jean Moyreau depicting a musette, created between 1726 and 1729, showing a musical instrument and a musician in performance.

Copper engraving and etching by Benoit Louis Henriquez depicting Maria with child, Johannesknabe, and Katharina of Alexandria, created between 1752 and 1806, illustrating religious 18th-century French engraving.

Copper engraving and etching by Johann Sadeler the Elder (1570-1591) illustrating the story of Ruth, showing human figures, gestures, clothing, and architectural elements in 16th-century Europe.

Hercules () ca. 1550-55 () Etched by Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 47, bottom right. Hercules () 365238

Copper engraving and etching by Antonie van der Does showing Infant Ferdinand of Spain on horseback, created in 1625. The print features equestrian posture, royal attire, and symbols of Spanish monarchy in the 17th century.

The Circumcision ca. 1542-46 Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 8, top right. The Circumcision 367074

Copper engraving and etching by Elias Hainzelmann depicting a Thesenblatt with text panels and ornamental elements, typical of the 17th century.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Quintinus, holy.

Etching by Johann Adam von Bartsch produced between 1770 and 1821 depicting the Rest on the Escape to Egypt, showing figures, landscape, and 18th- to early 19th-century engraving techniques.

Etching by Bartolomeo Pinelli from 1809 illustrating Italian traditional costumes in a characteristic environment, showing figures, attire, gestures, and detailed setting.

Copper engraving and etching by Jean Daullé created between 1723 and 1763 depicting allegorical scenes The Loves in Gayeté and The Folish Loves.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Etching by Giuseppe Maria Crespi depicting Paschalis Baylon in Villareal, created between 1700 and 1740.

A 1630-1679 etching by Franciscus van den Wyngaerde depicting Achilles concealed among the daughters of Lycomedes, illustrating a scene from Greek mythology.

Copper engraving by Gabriel Perelle between 1640 and 1677 depicting St. Bruno in the sky, showing the saint, drapery, and compositional details.

Etching by François Chauveau from 1643 depicting Meleager presenting Atalanta with the head of the Ebers, showing mythological figures, gestures, and symbolic elements.

17th-century etching by Melchior Küsel depicting scenes from the Old Testament, showing biblical figures and narrative composition.

Copper engraving by Philipp Galle depicting the biblical story of Tamar and Amnon, produced in 1559, showing the narrative of family conflict and moral consequence.

Copper engraving and etching by Josef von Führich from 1854 depicting Solomons judgment, showing figures, narrative, and architectural or courtroom elements.

Etching by Jean Pesne from 1643-1700 depicting Christ in a springtime setting with detailed 17th-century engraving technique.

Etching using counter pressure by Pierre Chenu between 1750 and 1757 depicting the Adoration of the Shepherds, with figures and animals around the Nativity.

Copper engraving and etching by Antoine Louis Romanet from 1768-1807 depicting the death of Adonis, showing mythological figures and classical elements.

Etching by Georg Christoph Eimmart the Younger created between 1653 and 1705 illustrating episodes from Vergil's Aeneid with human figures and narrative scenes.

An etching by Giuseppe Maria Crespi around 1710 depicting Bertoldo with a rabbit and Bertoldo wrapped in a sack, showing figures and actions.

Photo production of the Fresco The School of Athens. .

Copper engraving by Crispin van de Passe showing mythological pairs: Jupiter and Juno, Mercury and Minerva, Mars and Venus, produced between 1584 and 1637, illustrating classical deities from Roman mythology.

1681 etching by Melchior Küsel depicting scenes from Ovids Metamorphoses with mythological narratives and transformations.

Copper engraving and etching by François de Poilly II from 1729-1740 depicting a nymph bathing, showing a female figure with water, gestures, and surrounding landscape.

Print (Germany)

Fall, and expulsion from paradise; She finished Adam, to eat there too (...) / He drove Adam and Eva from Den Lusthof (...); Performances from the Old Testament.Scenes from the Old Testament. Above: Adam and Eva Are in Paradise Under the Tree of Good and Evil in Which The Hose Winds Between The Branches. Eva presents Adam a fruit. Below: Adam and Eve Are Driven Out of Paradise by An Angel Holding a Bundle of Lightning Bolts. Two Representations of One Plate, at the Top Right Labeled: PL. I.

Copper engraving and etching by Heinrich Schmitz between 1770 and 1787 depicting the mythological encounter of Jupiter and Antiope.

Copper engraving and etching by Bernard Picart in 1722 depicting a man representing a stage of life, showing figure, attire, and composition.

Copper engraving by Philipp Galle, circa 1569, depicting Chaldean troops stealing temple treasures, the adoration of shepherds and kings, and the destruction of Jerusalem.

Etching by Francesco Antonio Meloni from 1696-1713 depicting Leto with her twins, showing mythological figures, gestures, and classical composition.

Etching and copper engraving depicting allegorical profane representations, created by Heinrich Ulrich between 1595 and 1621.

Etching by Jean Le Pautre from 1625-1686 depicting Venus mourning Adonis, and figures Cephale and Procris, in classical mythological scene.

Copper engraving by Jan Pietersz. Saenredam, 1604, depicting the Prophet Elijah with the widow of Zarepath in a biblical narrative scene with figures and interior elements.

Copper engraving and etching by Frans Floris around 1564 depicting Roman goddesses, showing figures, attire, symbols, and mythological elements.

Copper engraving and etching by Michiel Mosyn depicting 'Aer', created between 1655 and 1700, illustrating 17th-century European allegorical representation of the element air.

Etchings by Pierre Brebiette created between 1618 and 1642 depicting various biblical scenes with figures, settings, and narrative elements from scripture.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Light and Darkness Plafond in the antechamber of the palace of Jan Zawisza in Warsaw ; special free supplement to no. 92 of the `Tygodnik Ilustrowany` of October 4th, 1884. Jeżyńscy, Bracia (Warszawa ; drukarnia), printing house, Zajkowski, Andrzej (1851-1914), graphic artist, Buchbinder, Józef (1839-1909), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Błeszyński, Stanisław, printer

Etching by Johann Adam Klein from 1844-1861 depicting a Napoli rider by the sea and Hungarian hay farmers working in a rural landscape.

Venus et Adonis Mors. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Etching by Monogrammist IQV from 1540-1545 depicting Saints Johannes and Antonius in a landscape setting, including figures, vegetation, and architectural elements.

Reproduction of the painting Fair St. George by John Gilbert, F. Wetherman & Co, after John Gilbert, c. 1893 - in or before 1898 photomechanical print Enfield paper collotype the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Etching and copper engraving by Pierre Alexandre Aveline between 1722 and 1794 depicting the mythological scene of Camilla injured by Diomede, showing figures in dramatic action.

Claudius Civilis conspiracy with the battens in the Schakerbos. Claudius Civilis conspiracy with the battens in the Schakerbos. Claudius Civilis with supporters seated a meal at a long table in the forest at night.

Etching by Pierre Biard the Younger from 1627 showing an allegorical scene with mythological figures in detailed composition.

Print (France & England); engraving on paper; 1902-27-3

Copper engraving by Claude Mellan showing Apollo reclining with a female figure, depicting human anatomy, posture, and classical elements, dated 1620-1688.

Etching by Pieter Pickaert showing scenes from Jacob II's life, created before 1705. The artwork depicts figures, historical events, and detailed composition.

Copper engraving and etching by Pieter Tanjé depicting eight putti arranged in front of a statue, created around 1757, showing playful figures in a classical composition.

of 4