Religious Art and Saints

Engravings and prints depicting saints and biblical figures, showcasing historical religious art with detailed attire and symbolic elements.

St. James Major. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A copper engraving from around 1470 by the Master of Prophets and Sibyls depicting the European Sibyl, a female prophetic figure from classical tradition.

Wszyscy wici w MNK unknown

Hans Springinklee (German, active 1512-1522), Saint John, woodcut

Sebald Beham, Bust of a Young Woman, 1518 Bust of a Young Woman

The second foolish Virgin, Martin Schongauer, c. 1470 - 1491 print One of the five foolish virgins from the biblical parable, an oil lamp in turn in hand, with the other hand a fold of her skirt. The girl is cut out and stuck on another magazine; Her hand with the light apparently did not come well and signed. This print is part of a series of ten prints, five with wise virgins and five with foolish virgins. Germany paper engraving representation of foolish virgin(s)

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Christ, Mary and the apostles, Carnis resurrectionem, Saint Judas Thaddeus, verso - stamped, Saint Judas Thaddeus with halberd and book. In the background on the left, Judas is beaten with staves and stabbed with a halberd. In the background on the right Judas is talking to King Abagarus., print, prints, height 525 mm, width 382 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Portrait of Karel V, Jan Swart van Groningen, 1530 print One of seven portraits of rulers. Low Countries paper

Antwerp, Huys, Frans, Sibyls, Sibylla Erythraea, Sibyl of Erythrae, The Sibyl of Erythrae seated with a book in her right hand and pointing with her left hand. In the background on the left a round building in a landscape. This print is part of an album., print, prent, albumblad, prints, prenten, height 199 mm, width 124 mm, 1522 - 1562, print maker, prentmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

John. Hans Sebald Beham (Germany, Nuremberg, 1500-1550). Germany, 1541. Prints; engravings. Engraving

Mechelen, Jan van, Antwerp, Jode, Pieter de (I), Holy virgins, S Itisberga Virgo, Saint Itisberga, verso - stamped, Title and name day in bottom margin., print, prints, height 115 mm, width 73 mm, print maker, printmaker, 1626 - 1626, paper, engraving, engraving (printing process), Work conception, South Netherlandish, 1570 - 1634-08-09, after print by, 1587 - 1628

Gerson, Jean.

Sibille from Erythrae; Sibylla erythraea; Sibilles. Erythrae sibrille sitting with a book in her right hand and pointing with her left hand. In the background on the left a round building in a landscape. This print is part of an album.

St. Veronica. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 87 × 60 mm. Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The knight and the lady; Scenes from daily life. Man and woman standing next to each other, elegantly dressed according to fashion of approx. 1475-1485. The man carries a cape over a jam and hyps; At his feet point shoes (toot shoes). The lady is wearing a key forest at her belt and a scholarship. This print is part of a series of twelve prints of a man and a woman with scenes from daily life, 6 indoors and 6 outdoors.

Euterpe, c. 1465, Master of the E-Series Tarocchi, 15th century, Italian, 7 1/16 x 3 15/16 in. (17.94 x 10 cm) (plate), Engraving heightened with gold, Italy, 15th century, Some of the earliest Italian prints ever made, the Tarocchi resemble tarot cards in design but were actually too large to hold as a deck of cards. The so-called E-series engravings, with their lovely allegorical figures, are famed for their precise outlines and refined modeling technique. Justice belongs to the suit of Genii and Virtues. The sword signifies the power of Justice; the scales, her impartiality. The crane holding the stone represents vigilance because if it fell asleep the stone would drop and awaken it. Euterpe is from the Muses and Apollo suit. The patroness of flute music, Euterpe is accompanied by a blank disk representing the celestial sphere of the Ptolemaic universe.

Study of a young man.

El conde Esteban I Báthory de Somlya (1533-1586), noble húngaro, Príncipe de Transilvania y rey de Polonia.

Woman presenting herself as a wet nurse, 1780, France, Historic, digitally restored reproduction from a 19th century original, Europe

Water; Aqua; The four elements. A fisherman with his tools (just, bucket, harpoon) in his hand. It symbolizes the water element. The print has a Dutch caption with a lament of the fisherman. The print is part of a four-part series over the four elements.

Capponi, Niccolò.

Andrew Boorde, c. 1490 1549, English traveller, physician, holy man and writer. Author of books on diet, medicine, astronomy, imprisoned in Fleet Prison for keeping three loose women in his house in 1547. In his study with books and a lectern. From a scarce and curious woodcut. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

Saint Paul holding a sword. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Sculpture of Diana, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Diana (Artemis). attributes of Diana

unknown, The Hague, Hondius, Hendrick (I), Northern Netherlands, Frisius, Simon, Portraits of painters, Christianus Quebornus Antv. Pictor, Portrait of Christian van den Queborn, verso - stamped, print, prints, height 203 mm, width 120 mm, 1575 - 1628, print maker, printmaker, 1610 - 1610, paper, papier, etching, etchings, Publication (Event), Publicatie, Noord-Nederlands, 1573-06-09 - 1650-10-25, publisher, uitgever van privilege

After: Joos van Winghe, 1544-1603, Publisher: Marcus Christoph Sadeler, Flemish, 1614- after 1650, Sicut misit me pater, et ego mitto vos (just as the Father sent me, and I sendyou), Engraving, image: 20 × 12.2 cm (7 7/8 × 4 13/16 in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Portrait of the S. Dominicus

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

The Small Dog Standing on Hind Legs 1741-63 John Ingram British. The Small Dog Standing on Hind Legs 394755

Female beholds her own shadow, Jan Luyken, Pieter Arentsz (II), 1687

Netherlands, Robert I the Frisian and Gertrude of Saxony, verso lower left - stamped, Robert full-length seen from the front. In front of him Gertrude, seen from behind., print, book illustration, prints, height 133 mm, width 89 mm, print maker, printmaker, 1517 - 1517, first quarter 16th century, second quarter 16th century, paper, woodcut

Study of a Gentleman, called Dr. Johnson. Drawing. Pen and brown ink on medium, slightly textured, cream laid paper. Height: 57 mm (2.24 in); Width: 32 mm (1.25 in). Author: JOHN FLAXMAN.

Red chalk drawing by Jean-Honoré Fragonard depicting a young man wearing a richly draped robe, showing fabric folds and figure detail.

Netherlands, Robert I the Frisian and Gertrude of Saxony, verso lower left - stamped, Robert full-length seen from the front. In front of him Geertruida, seen from behind., print, book illustration, prints, height 133 mm, width 89 mm, print maker, printmaker, 1517 - 1517, first quarter 16th century, second quarter 16th century, paper, woodcut

A couple in fashionable dress. Woodcut

personified Gratitude, Arnold Houbraken, 1710 - 1719

The cries of Paris: the blind (dummy title)

Nuremberg, Springinklee, Hans, Dürer, Albrecht, Saint Sebaldus, verso lower left - stamped, in the right hand a model of the Nuremberg church bearing his name, in the left hand a rosary and a pilgrim's staff, standing in a niche. In front of this niche hang four coats of arms., print, prints, height 302 mm, width 211 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1518 - 1518, first quarter 16th century, paper, papier, woodcut, German - 1540

Music (Musica), Beham, Hans Sebald (1500-1550)

Artist: Ludwig Krug, German, 1490-1532, EcceHomo, 15th-16thcentury, Woodcut, Made in Germany, German, 15th-16thcentury, Works on Paper -Prints

Ornament with a Bearded Man in Ancient Dress. Dated: 1775/80. Dimensions: overall: 15.2 x 21.2 cm (6 x 8 3/8 in.). Medium: graphite and gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: JACQUES LOUIS DAVID.

German 15th Century, Good Shepherd, c. 1480, woodcut in warm black, hand-colored in yellow, green-gray, and rose

Master of the E Series Tarocchi, Imperator (Emperor), c 1465 Imperator (Emperor)

After Master ES, Saint Michael, c 1460 1470 Saint Michael

St. Philip and St. James the Less, from the series The Apostles. Artist: Master ES (German, active ca. 1450-67). Dimensions: Sheet: 3 3/4 × 2 9/16 in. (9.6 × 6.5 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

S. Johannes, Print made by Elias Nessenthaler, 1664-1714, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 13 1/2 × 9 1/4 inches (34.3 × 23.5 cm) and Plate: 9 13/16 × 7 3/16 inches (24.9 × 18.3 cm), Cartouche, chalice, Christianity, cloak, curls, evangelist, Gospels, New Testament, poison, religious and mythological subject, removing, saint, serpent, wine

A woodcut by Hans Schäufelin circa 1535 depicting a wedding dancing couple, showing posture, gesture, and festive attire.

The New Houses of Parliament - Statue of Selden, 1854. Sculpture of John Selden by John Henry Foley, in the Palace of Westminster, London. Selden was a 17th-century English jurist, scholar of laws and constitution, and an antiquary. One of a '...series of portrait statues which have been prepared for St. Stephen's Hall. That of John Selden, by Foley, is full of dignified simplicity; the head is finely expressive; the costume is that of Selden's time'. From "Illustrated London News", 1854.

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral9. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving from around 1470 by the Meister der Propheten und Sibyllen showing the Sibyl Agrippa holding a scroll and standing.

Vicente Carducho / 'Saint Lawrence'. Ca. 1598. Black chalk, Squared-up on yellow laid paper. Museum: Museo del Prado, Madrid, España.

Smaak. De vijf zintuigen (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 128 mm × w 74 mm. Museum: Rijksmuseum, Amsterdam.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), S. Pietro Regalato. Engraving.

Saint Peter 1515 Lucas van Leyden Netherlandish. Saint Peter 336249

Langovia, Barbara.

Bust of a young woman. Beham, Sebald (1500-1550), graphic artist

Sibille Van Cumae, Genaamd Amalthea, Frans Huys, 1546 - 1562 print The Sibille van Cumae sitting to the left with a book in her hands. A ruin in the background. The print is part of a ten -part series about the Sibillen. Antwerp paper engraving Cumaean sibyl

GALLA PLACIDIA, 2nd wife of Roman emperor Theodosius I, the last to rule both empires ; she died in childbirth at Constantinople (attribution not certain) Date: - 394

Master FB, Young Woman and Death Young Woman and Death

Afra virgo, in or before 1558 Prent shipped album "different nations age. Venice paper engraving Prent shipped album "different nations age. Venice paper engraving

Hugh Capet, vintage engraved illustration. Magasin Pittoresque 1844.

Sibille Van Cumae, Frans Huys, 1546 - 1562 print The Sibille van Cumae with a book on her lap, sitting under a tree. In the background a city in a landscape. The print is part of a ten -part series about the Sibillen. Antwerp paper engraving Cumaean sibyl

Portrait of Johannes Calvijn, Pieter Holsteyn (II), 1689 - 1720 print Portrait of Johannes Calvin, in the interior of a study. Under the portrait there are name and data in two lines in Latin. Among them two columns with four lines each; Left in Latin and on the right in Dutch. Below that the name and data of the portrayed person in two lines in Dutch. Amsterdam paper engraving study; 'studiolo'; library

An Oriental Ruler Seated on His Throne. Dated: c. 1495. Dimensions: overall: 30.6 x 19.7 cm (12 1/16 x 7 3/4 in.). Medium: pen and black ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Crucifix in Wawel an illustration for the trial of Władysław Łuszczkiewicz about the sculptures of the 14th century in Krakow Salb, Marcin (fl. 1862 1899), lithography of Time by Marcin Salb (Kraków), Uzczkiewicz, W Adys AW (1828 1900)

Bust of a Man in an Extravagant Costume. Dated: 1560/1600. Dimensions: plate: 16 x 12.2 cm (6 5/16 x 4 13/16 in.) sheet: 17.4 x 13.6 cm (6 7/8 x 5 3/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: French 16th Century after René Boyvin or Pierre Milan.

Scholastika, Heilige.

Thalia. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); After Léon Davent (French, active 1540-56); Engraved by Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: Sheet (Trimmed): 8 13/16 × 7 1/16 in. (22.4 × 18 cm). Date: ca. 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Brown feather drawing with gray wash by Sébastien Le Clerc depicting paired pork commissaries, glued on a leaf with a pierced decorative strip, showing figures and uniform details, dated 1650-1664.

Portrait of Jean-Philotée Achillini playing on Vihuela; Man sitting in landscape playing on vihuela. Man sitting in landscape, possibly Jean-Philotée Achillini (1466-1538), plays on a Vihuela. On a text sign that hangs in the tree is a name: Phil / One / O

Kneeling Maria in an architecture, Anonymous, c. 1500 - c. 1520 drawing North-Italy paper. ink. chalk pen / brush

A wizened old woman with her dog, with the story of their bravery at the battles of Belgrade and Dettinghen. Line engraving, c.1743, after Winder.

A Nymph from Hypnerotomachia Poliphili (The Strife of Love in a Dream), Plate 55 from Woodcuts from Books of the 15th Century. Unknown Artist (Venice, late 15th century); printed by Aldus Manutius (Italian, 1449-1515); commissioned by Leonardo Crasso (Italian, active c. 1499-1509); original text by Francesco Colonna (Italian, 1433/34-1527); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1499. Dimensions: 134 x 71 mm (image); 281 x 188 mm (sheet). Woodcut in black, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat. Origin: Italy. Museum: The Chicago Art Institute, USA.

St. Francis 15th century Anonymous, German, 15th century German. St. Francis 382482 Artist: Anonymous, German, 15th century, St. Francis, 15th century, sheet: 11/16 x 7/16 in. (1.8 x 1.1 cm). The Metropolitan Museum of Art, New York. Gift of Felix M. Warburg and his family, 1941 (41.1.223)

A Woman From Savoy 1737 Anne Claude Philippe de Tubières, comte de Caylus French. A Woman From Savoy 398842

Seated Monk. Artist: Denijs Calvaert (Netherlandish, Antwerp ca. 1540-1619 Bologna). Dimensions: 10 5/16 x 9in. (26.2 x 22.9cm). Date: mid-16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Count Reinoldus; Reinold US COMES; Liber chronicarum. A flower celk with a man, turned to the right and with a sword in the hands. The show is part of the family tree of Keizer Hendrik II the Saint in the Liber Chronicarum. The text identifies the person as a Count Reinoldus, grandson of Otto I of Saxony. The print is part of an album.

Passe, Crispijn van de (I), unknown, The four evangelists, The evangelist John, verso lower left - stamped, The evangelist John writing his Revelation. Behind him his attribute the eagle. In the background the sign of the woman giving birth, crowned and with wings. She is threatened by a seven-headed dragon. The woman's child is carried away to God the Father. The representation is set in a round frame with an inscription in Latin. Print from a series of four with the evangelists., print, prints, diameter 101 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Saint John the Baptist standing in landscape, figures and buildings in the backgroud ca. 1505-10 Giulio Campagnola Italian. Saint John the Baptist standing in landscape, figures and buildings in the backgroud 372054

Portrait of S. Joannes de Matha

German 15th Century, Saint Maurice, c 1480 1490 Saint Maurice

Louis XIII, ninth century, vintage engraving. Louis XIII, ninth century, vintage engraved illustration. Magasin Pittoresque 1843. Copyright: xZoonar.com/PatrickxGuenettex 10660393

Netherlands, Harrewijn, Jacobus, Statue of Erasmus in Rotterdam, verso - stamped, Statue of Erasmus on a pedestal on the Grote Markt in Rotterdam., print, prints, height 132 mm, width 80 mm, South Netherlands, 1660 - 1740, print maker, printmaker, 1682 - 1730, paper, papier, etching, etchings

Oude Nar with Kat, Anonymous, After Alexander Voet (II), After Jacques Jordaens, 1662 - 1674 print An old jester with his cat. Antwerp paper engraving cat. buffoon (in general) (German: 'Schalksnarr')

Luca Antonio de Giunta (Italian, active 1506-1522). Soltan Charadin, Barbarossa Re Dalgeri, 1535. Woodcut on handmade laid paper. Image: 350 mm x 256 mm (13.78 in. x 10.08 in.).

Antwerp, Silvius, Willem, Borcht, Pieter van der (I), Leest, Antoni van, Jewish doctor, In the top margin a line of German text., print, engraving, book illustration, prints, engravings, height 143 mm, width 83 mm, 1545 - 1592, print maker, printmaker, 1576 - 1576, paper, papier, woodcut, letterpress printing, Work conception, South Netherlandish, 1545 - 1608, after a design by, Publication (Event), Publication, Dutch - 1580, publisher

Penitence of Saint Jerome 1480 Germany. Metalcut with hand-coloring on paper .

Lazio Latina Sezze S. Lucia9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mendel, Marquard .

Paul Gauguin (French, 1848 - 1903), Eve, in or after 1895, woodcut on japan paper

Portrait in half as to the left of Quinten Massijs. Under the portrait his name and eight rules in Latin. Print from part 1 of the Pictorum series Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. Series of 72 artists' arrangements made by Hendrick Hondius I, Simon Frisius, Andries Jacobsz. Stock and Robert de baudous.

Maria Anna Adelgundis, Begeissin to StA Walpurga In Eyesholes.

Portrait of Quinten Massijs, Hendrick Hondius (I), 1610 print Portrait in half to the left from Quinten Massijs. Under the portrait are name and eight rules in Latin. Print from part 1 of the Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. Series of 72 artist portraits made by Hendrick Hondius I, Simon Frisius, Andries Jacobsz. Stock and Robert de Baudous. The Hague paper engraving portrait, self-portrait of painter

Santa Claus of Flüe (branches); unknown, leudner, Joseph (1813-1853), Verlag von G.J.manz (fl. Ca 1840-1870); 1850-1870 (1850-00-00-1870-00-00);

GRABADO-ANGELES MUSICOS- CONJ.031713. Location: PRIVATE COLLECTION. France.

Luise Henriette, Princess of Orania, Countess of Nassau to Horse: Whole figure, half of right, body in the ladies seat on saddle padding on the side of the right; with sprinkled hat, long hairlocks, pearl necklace; In Dekoll. Riding costume with jewelry loop on chest, back and bulging sleeves; Weared; Riding in the right, reins in the left; the horse decorated with fringed loops and feathers on the croup; In the background right your foundation Oranienburg. Below the representation Lat. Legend, the bottom left publisher note, right Stecherbung. Copper engraving by Peter Trochel, moved by Johann Hoffmann.

Italy, Schiaminossi, Raffaello, Il sacrato collegio apostolico, Christ, Mary and the twelve apostles, S. Ioannes, John the Evangelist, verso - stamped, Saint John the Evangelist with a chalice from which a snake crawls. Around his head a circular nimbus. Title in bottom margin., print, prent, prints, prenten, height 505 mm, width 374 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1607, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Painting in fresco of a bald man in robes playing a harp with sphinx head in the Sepulchres of Thebes, Egypt. Copperplate engraving from James Bruce's "Travels to Discover the Source of the Nile, in the years 1768, 1769, 1770, 1771, 1772 and 1773," London, 1790. James Bruce (1730-1794) was a Scottish explorer and travel writer who spent more than 12 years in North Africa and Ethiopia. Engraved by Heath after an original drawing by Bruce.

Portrait of the painter Quinten Massijs (I), Johannes Wierix, 1572 print In the margin an eight -line caption in Latin. Antwerp paper engraving / letterpress printing portrait, self-portrait of painter

Peter from Christ, the Apostles, and Saint Paul, 1563/64. Lucas Cranach the Elder, After (German, 1472-1553). Woodcut with letterpress text, hand colored; image and sheet: 21.9 x 11.6 cm (8 5/8 x 4 9/16 in.).

Tiburtine Sibille; Sibylla tyburtina; Ten sibilles; Sibillaru decem. The Tiburtian Sibille standing for a balustrade. In her right hand she holds a writing tablet and she points up with her left hand. Title and a line of Latin text in undermarge. Numbered bottom left: 0.

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