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Religious Art Prints of the Renaissance

Collection of historical prints depicting Christ, Mary, and saints in various religious scenes, featuring intricate engravings and solemn themes from the Renaissance period.

The church father Eusebius of Caesarea, standing on a pedestal. On the obverse the scene in which he is visited in prison by his teacher Pamphilus of Caesarea., Church Father Eusebius of Caesarea, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 170 mm

Examples of obedience, Hieronymus Wierix, 1563 - Before 1619 print Christ hangs on the cross. Maria and John mourn at the foot of the cross. Under the show an open tomb that contains a deceased. Scenes with monks are depicted on the columns on either side. Antwerp paper engraving Obedience; 'Obedienza' (Ripa) (+ symbolical representation of concept). crucified Christ with Mary and John on either side of the cross; Holy Rood

Title page for 'Miracles et gratus de Notre Dame de BonseCours-les-Nancy'; Miracles et Graces de N. Dame de Bon Secours Lés Nancy. Two saints (Francis of Paula on the right and Carolus Borromeum left) kneel in a church for an altar with a French text and a representation of a mantelmadonna. A coat of arms on the ceiling.

Christ in the Wijnpers, 1596 - 1598 print Christ with the cross in a wine press, the whole in Cartouche and with four -line caption in Latin. This print is the title print with a series of performances of the suffering story. paper engraving Christ in the Wine-Press, 'Christ in the Kelter' (Is. 63: 3)

CREANT OF MARIA, HERNOYMUS WIERIX, 1611 - BEFORE 1619 print Mary is crowned in heaven by the trinity. Christ and God the Father put the crown on her head. The show is caught in a frame of beads. In every corner a medallion with scenes of the prophets, the apostles, martyrs and the church fathers. In the Cartouche at the bottom of the worship of Mary and the Christ child by St. Catharina, St. Agnes and other saints. Antwerp paper engraving coronation of Mary by God the Father and Christ (+ Holy Trinity). Madonna: i.e. Mary with the Christ-child. the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel. the virgin martyr Agnes of Rome; possible attributes: lamb, ring

The church father Eusebius of Caesarea, standing on a pedestal. On the obverse the scene in which he is visited in prison by his teacher Pamphilus of Caesarea., Church Father Eusebius of Caesarea, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 170 mm

Kerkvader Tertullianus van Carthago; Tertullianus. Ouderling van Karthago. Schryvende over de Mantel.The church father Tertullian of Carthago looks at an angel who offers him a laurel wreath. Tertullian is on a base. On the front a scene in which he writes one of his writings. PRENT In the middle of labeled: II. Share pages: 240.

Christ is undressed by soldiers; Passio Verbeticae Quae Redeptio Christ (...). Christ becomes sitting on the cross, undressed by soldiers. From series of 14 ovals with grotesken in which scenes are depicted by the passion. Shaded background.

H. Melito from Sardes, church father. The sacred church father melito from Sardes with a book in his hands, behind him an angel. Melito is on a base where his education in Christian doctrine has been displayed on the front.

H. Clemens of Alexandria, church father, Jan Luyken, After Jan Goeree, 1698 print The Holy Church Father Clemens of Alexandria listening to an angel who reads him a text. Clemens is on a pedestal where on the front his teaching has been portrayed in the school of Alexandria. Print in the middle of it marked: ii part page: 233. Amsterdam paper etching / engraving male saints (CLEMENS OF ALEXANDRIA). male saints (CLEMENS OF ALEXANDRIA) - male saint writing, studying, teaching, dictating (e.g. as Doctor of the Church)

Agony of Christ, Anonymous, 1600 - 1799 print The agony of Christ depicted by a putto with a jet wreath that carries the cross. On the left are putti with the torture tools. The image in frame is worn by two pilasters with a trophy with a crown on the left, scepter, spring, roses and lilies and on the right with a trophy with cross and torture equipment. An empty tablet in frame between the pilasters. paper engraving Passion of Christ

Allegorical performance with personification of the Roman Catholic Church; Title page for: S.N., Breviarium Romanum, 1693. The personification of the Roman Catholic church with bishop's staff, papal Tiara and a book with altar and the title of the book, surrounded by putti. Above her a pigeon as a symbol of the Holy Spirit. On the right two putti with a papal coat of arms. On the bottom Romulus and Remus and the Wolvin.

Worship by the kings; Christelyke mirror; Title page for: Izaak Duim, Christelyke Sweden Mirror, (...) of our blessed Savoth, and Savior Jesus Christ, 1742. The worship through the kings in a picture frame with putti with bazuinen, smoke barrels and scenes from the New Testament.

Coronation of the Virgin, Master of the Die, Italian or German, 1530 - 1560, Antoine Lafréry, French, 1512 - 1577, Raphael, (Italian, 1483-1520), Engraving, The Coronation of the Virgin: Virgin and Christ seated at center, flanked by two angels who draw back curtains. God the Father in upper register. Saint Jerome at right, with lion. At left, Saint John the Baptist. Two putti in foreground., Italy, 1530-1560, religion, Print, Print

OPERATION OF CHRIST, JOHANN SADEER (I), After Marcus Geeraerts (i), 1560 - 1600 print Christ is being taught by Mary and four other women after the cross. In standing oval with ornament. In the foreground, two men close the tomb with the corpse of Christ. The eleventh print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving the mourning over the dead Christ. ornaments ~ art. Christ's entombment (possibly by angels)

Jesus crucified Christ Altar of salt in Wieliczka's mines unknown

Leaf with four biblical scenes. In the mid top in an oval frame the rich and poor man. Left the marriage tenants who kill the son of the porch. Straightens the treasure in the field and the pearl (matte. 13: 44-45), and under the parable of the exuberant praying and the subdued praying. This print is an illustration of 'outsy belsche storyen, to a reading book for the youth'.

Christ hands out Kronen, Hieronymus Wierix, 1611 - Before 1619 print Christ hands out crowns of flowers. He is accompanied by Mary in her role as human intercourse. The show is caught in a frame of beads. In every corner a medallion with scenes of people who suffer and want to alleviate their pain by Mary. In the cartouche at the bottom men, including a pope and a emperor, kneel and ask for help from Mary. The print has a top in Latin. Antwerp paper engraving Mary devotion. Madonna (or Mary without Christ-child) as patroness or protectress, e.g. of a confraternity or lay order

Titelblad voor 'Miracles and graces of Notre-Dame de Bonecours-les-Nancy', Jacques Callot, 1630 print Two saints (Francis of Paula Right and Carolus Borromeus left) Kneeling in a church for an altar with a French text and a performance of a manteladonna. A coat of arms on the ceiling. Nancy paper etching title-page. the hermit and founder of the (Franciscan) Minim Friars, Francis of Paola; possible attributes: inscription 'Charitas' on breast, discipline, skull, staff. Charles Borromeo, cardinal of Milan; possible attributes: cardinal's hat, crucifix, rope round his neck, skull. Mother of Mercy, 'Mater Misericordiae', 'Schutzmantelmadonna', 'Schutzmantelmaria'. armorial bearing, heraldry

Creation of Adam and Eva and scenes from the life of Christ, Anonymous, 1560 - 1620 print God creates Adam and Eva in paradise (below). God creates heaven and earth and places the globe between the sun, the moon and the stars (above). This central performance (no. 1) is framed by numbered scenes that depict the credo. Left, from bottom to top: the Annunciation (no. 2), the birth of Christ (no. 3) and the Crucified Christ (no. 4). Right, from top to bottom: the resurrection of Christ (no. 5), the Ascension (No. 6) and the Last Judgment (No. 7). Under, from left to right: Pentecost, with the outpouring of the Holy Spirit (no. 8), Holy Communion (no. 9), forgiven sins (no. 10) and De Veterinary (no. 11). Above: The worship of the Trinity. Under each performance is a caption in Latin. In the upper corners the female personifications of faith (left) and strength (right). In the middle of a cartouche a inscription in Latin. Southern Netherlands paper engraving creation of man; the Garden of

Here, 1560 - 1600 print From series of 14 ovals with grotesken in which scenes from the passion are depicted. Shaded background. Netherlands (possibly) paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

OPERATION OF CHRIST, JOHANN SADRER (I), After Marcus Geeraerts (i), 1560 - 1600 print Christ is being taught by Mary and four other women after the cross. In standing oval with ornament. In the foreground, two men close the tomb with the corpse of Christ. The eleventh print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving the mourning over the dead Christ. ornaments ~ art. Christ's entombment (possibly by angels)

Prophet Daniel; Prophets from the Old Testament. In an ornamental frame, the prophet Daniël is in a landscape. Behind him the four animals from his vision coming out of the sea. The print is part of an album.

Copper engraving and etching by Theodor Galle depicting the Rosary Madonna and scenes from the life of Christ, created between 1591 and 1608.

Pulpit with the Holy Spirit and God the Father, Johann Conrad Reiff (Possible), After Paul Decker (I), 1687 - 1725 print Pulpit with Rocailles, the Holy Spirit in the form of a pigeon, putti, angels and God the Father Nuremberg paper etching pulpit, ambo, chancel. Holy Ghost represented as a dove (in flames). God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe

Triumphing Mary and Christ Child, Hieronymus Wierix, 1611 - Before 1619 print Maria sits on the clouds with the Christ child. The child has a life -size cross in the arms. The show is caught in a frame of beads. In every corner a medallion with scenes of overcome heretics. In the cartouche at the bottom, a man kneels for Mary and the Christ child. The print has a top in Latin. Antwerp paper engraving Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). heretic

Saint John sees Seven Gold Candlesticks, from the Apocalypse n.d. Jean Duvet French. Saint John sees Seven Gold Candlesticks, from the Apocalypse 386228

Apostel Andreas.The apostle Andreas with fish in his hand, against his tilted cross. He stands on a base where his crucifixion has been introduced on the front.

H. Ambrosius van Milaan, kerkvader.The sacred church father Ambrosius of Milan, standing on a base. On the front the scene in which the arm of a murderer by a miracle stiff the moment he wants to kill Ambrosius.

. In a decorated portal the Virgin Mary with the Christ child, flanked by the H. Catharina of Alexandria (left) and the H. Margaretha van Antiochia (right). Around an ornamental list decorated with flowers. On either side a cartouche with the H. Rupertus of Salzburg (left) and an unknown saint (right). At the bottom of a cartouche with the mercy of Altötting.

Altar with two angels, Gottfried Bernhard Götz, Joseph Anton Feichtmayer, 1740 - 1745 print Two angels with a palm branch in their hand are left and right on an altar with rocaille ornaments. At the top, two angels wear a flower arrangement in a vase. Augsburg paper engraving / etching altar. angels crowning and/or bringing palm-branches

The holy apostolic father Ignatius of Antioch is accompanied by a lion and looks at the angel holding an unrolled piece of paper beside him. Ignatius stands on a pedestal where the obverse depicts him being mauled by lions in the Colosseum at Rome., St. Ignatius of Antioch, Apostolic Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 279 mm × w 179 mm

The Apostle Petrus and his martyrdom, Allaert Claesz. (attributed to), 1510 - 1530 print Print from series of twelve. Apostle Peter with book and key in a frame with flowers. Circle with representation of reverse crucifixion of Peter. Loose leaf with handwritten text in black and red. paper engraving the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. Peter crucified upside down

Tabernacle with thorn coring; Tabernacoli da Ornare e Abellire di Altari. Tabernacle with in a medallion Christ with the thorn crown on the head between two soldiers. Print is part of an album.

Ornament with two women who personify faith and the weapon of Pope Clemens XI, 1714 print Numbered in the top left: no. 90. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornaments ~ art. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. coat of arms (symbol of sovereignty)

Annunciatie, Virgil, 1524 - 1562 print paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Woodcut by Lucas Cranach the Elder depicting the crucifixion with the Virgin Mary and St. John, showing figures in devotional composition.

Daniel Hopfer, The Crucified Christ in a Decorated Niche The Crucified Christ in a Decorated Niche

Christ is taken away, 1560 - 1600 print At the bottom of the denial of Christ by Peter. Shaded background. From series of 14 ovals with grotesken in which scenes from the passion are depicted. Netherlands (possibly) paper engraving Christ is led away ~ Garden of Gethsemane. Peter denies Christ, usually before a girl-servant and some soldiers

Augsburg, Herz, Johann Daniel (I), Heart, Thelott, Jakob Gottlieb, Altars, Altar with Christ with the Cross, verso - stamped, Design for an altar with a painting of an appearance of Christ with the cross. Eight statues of saints flank the altar at the top and bottom. The altar is crowned by angels with garlands and a scene with the archangel Michael., print, ornament print, prints, ornament prints, height 373 mm, width 210 mm, German, 1708-05-29 - 1760-01-06, print maker, printmaker, 1722 - 1740, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1693 - 1754, after a design by, Publication (Event), Publication, publisher

De confessional, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around show with two couples at Boom. One man confesses and has holy spirit above head, other man not and has devil above head. paper The forgiveness of sins' ~ Articles of Faith. Confession; "Sacramental Confession (Ripa) ~ The third of the Seven Sacrament

Tabernackel to Altar, Jean Lepautre, c. 1666 - c. 1693 print On the altar there is a statue of the Blessed Virgin with the child Christ, at the top a panel with God the Father. In the middle of the letter is the letter b. From the second edition of series with altars and tabernacles. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Last Supper, 1560 - 1600 print The Last Supper and (below) the betrayal of Judas. Shaded background. From series of 14 magazines with oval with grotesken in which scenes from the passion are depicted. Netherlands (possibly) paper engraving the episode of the Last Supper

Triumphing Mary and Christ Child, Hieronymus Wierix, 1611 - Before 1619 print Maria sits on the clouds with the Christ child. The child has a life -size cross in the arms. The show is caught in a frame of beads. In every corner a medallion with scenes of overcome heretics. In the cartouche at the bottom, a man kneels for Mary and the Christ child. The print has a top in Latin. Antwerp paper engraving Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). heretic

Project made for the master altar of the Church of St. Sulpice de Paris. Ontwerp Voor Het Hoofdaltaar in Saint-Sulpice Te Parijs. (FUHRING 112)

H. Epiphanius van Salamis, kerkvader.Salamis Sacred Church Father. Epiphanius, standing on a base. On the front a scene in which the body of the deceased epiphanius is reduced to Constantinople.

Last Supper; Passion of Christ. Christ and his students sit around a table. Christ holds the wine celk and makes a blessing gesture. The show has been caught in an ornamental picture frame that is decorated with personnifications of the three divine virtues and the chalice with host.

Fire from God kills people. If the people of Israel in the desert complains, God ignites in anger. At the edge of the camp, the fire kills different people. In the middle of a reference to the Bible text in Num. 11: 1. The performance is caught in an ornamental list of leaf refrices, birds and rollerwork.

Tabernacle with painting by Saint Virgin and Christ, Franz Ertinger, after Jean Lepautre, c. 1650 - c. 1678 print From series of 5 () Paps with Flemish disappointing copies to the Tabernacle Pour Orner et Embellir Les Autels series. Antwerp paper etching

Jews chained to palm tree; Title page for: Lambert Bidloo, the destruction of Jewschen People's, 1727. Two Jews are chained to a palm tree with a shield with s.p.q.r. In the background a procession with prisoners. Around a round arch with various performances deal with Judaism and the continuation of Jews.

John from the cross, holy.

H. Epiphanius van Salamis, church father, Jan Luyken, After Jan Goeree, 1698 print The holy church father Epiphanius of Salamis, standing on a pedestal. On the front a scene in which the body of the deceased Epiphanius is returned to Constantinople. Amsterdam paper etching / engraving male saints (EPIPHANIUS OF SALAMIS). male saints (EPIPHANIUS OF SALAMIS) - martyrdom, suffering, misfortune, death of male saint

Pencz, Georg, Germany, Sadeler, Johann (I), Christ and the Works of Mercy, verso lower left - stamped, Christ, half-length, standing, with cross and crown of thorns. Above his head the Holy Spirit (as a dove) and God the Father (tetragrammaton). In frame, surrounded by seven tondos with the performance of seven works of mercy by man, with Christ in the role of the needy., print, prent, prints, height 249 mm, width 196 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1582 - 1597, paper, papier, engraving, engraving (printing process), Work conception, German, 1500 - 1550-10-11

William Blake, Satan Before the Throne of God, 1825 Satan Before the Throne of God

Resurrection of Christ 1512 Albrecht Altdorfer German. Resurrection of Christ 429010

Pius V., Papa.

Design for an altar table, with alternative solutions, anonymous, 1550 - 1599 drawing Study of an altar list with figural scenes: Mary with Saint Anna and the child, the farewell of the apostles, the birth, announcement, the meeting of Mary and Elisabeth and the worship of the kings. Bavaria paper. ink pen / brush picture, painting. altar with altar-piece

Adoration by De Koningen, Cornelis Cort, After Giulio Clovio, in or after 1567 print Adoration by the kings in architectural accompaniment with putti and musician angels. On the right Joseph and Maria with the child on their lap for an antique building. The three kings offer gifts. The front king is kneeling, the two others are. Behind them a procession with riders and camels. In the frame a plaque with the presentation of Christ in the temple. Rome paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). angels singing, making music. ornament derived from architectural details

Five biblical scenes on a leaf. Above left a medallion with David and Jonathan who shake hands. At the top right David and Nathan. In the middle the death of Absalom. Bottom left the judgment of Salomon. At the bottom right of Job. This print is an illustration of 'outsy belsche storyen, to a reading book for the youth'.

Annunciatie, Albrecht Dürer, 1501 - 1505 print The angel Gabriel appears to Mary, while she is reading a reader in a high room. In the background God in heaven; Above Mary's head the Holy Spirit in the form of a pigeon. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper the Annunciation: Mary sitting

Tabernacle with a statue of Christ, c. 1658 - 1678 print Tabernacle in the form of a triumphal arch with a centrally a statue of Christ. Print is part of an album. Antwerp paper etching chalice bearing the Host. tabernacle ~ altar

Altarpiece with the Beautiful Virgin of Regensburg and Saints Christopher, Mary Magdalen, Florian and Catherine Standing in Niches, with God the Father Above Albrecht Altdorfer German. Altarpiece with the Beautiful Virgin of Regensburg and Saints Christopher, Mary Magdalen, Florian and Catherine Standing in Niches, with God the Father Above 429701

Christ and the works of Mercy, Johann Sadeler (I), After Georg Pencz, 1582 - 1597 print Christ, Halved, standing, with cross and thorns. Above his head the Holy Spirit (as a pigeon) and God the Father (Tetragram). In framework, surrounded by seven tondos with the execution of seven works of mercy by man, with Christ in the role of needy. Germany paper engraving Man of Sorrows, 'Imago Pietatis', 'Erbärmdebild', 'Schmerzensmann'; the upright Christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the Passion, standing or sitting in his tomb. the (seven) Acts of Mercy - VV - Christ present. tetragram (in Roman or Hebrew script) ~ symbol of God the Father (+ Holy Ghost (as a dove))

Display of the Covenant of the Princes, 1648, Salomon Savery, After Isaac Isaacsz, 1649 print Display of the covenant of the princes. Part of the impressions staged on June 23, 1648 on the Schouwburg in Amsterdam following the conclusion of the Peace of Munster. The sixth performance shows how two princes (Philip IV and Frederik Hendrik) Take the oath on a peace treaty. Behind them is the peace that keeps a laurel wreath above both. In the caption a verse of 6 lines in Dutch. Amsterdam paper etching theatre, theatrical performance. festivities on events of national importance. signing of peace treaty, concluding the peace. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa) Schouwburg Keizersgracht (1637-1772)

Alkmaar, Hoolwerf, Simon van, Boomcamp, Gijsbert, Folkema, Jacob, Title page for: C. Boomkamp, Christ the Messiah, 1741, Six biblical scenes from the life of Christ, verso - stamped, Six biblical scenes with scenes from the life of Christ on plaques of different sizes, connected to each other with ribbons. The largest and centrally placed plaque shows Christ on the cross, who is offered a sponge soaked in wine just before his death. Below the scenes are references to Bible verses., print, title page, prints, height 144 mm, width 97 mm, Dutch, 1692 - 1767, print maker, printmaker, 1741 - 1741, paper, etching, etchings, intermediary draughtsman, after a drawing by, Work conception, after a design by, Publication (Event), Publication, publisher

Aztecs of Mexico- Priests of Tenochtitlan sacrifice victims to the god Huitzilopochtli. Date: before 1519

Kiss by Judas and the arrest of Christ; Passio Verbeticae Quae Redeptio Christ (...). Judas kiss and the arrest of Christ; Down Peter who sustains the ear of Malchus. Shaded background. From series of 14 ovals with grotesken in which scenes are depicted by the passion.

Kerkvader Tertullianus van Carthago; Tertullianus. Ouderling van Karthago. Schryvende over de Mantel.The church father Tertullian of Carthago looks at an angel who offers him a laurel wreath. Tertullian is on a base. On the front a scene in which he writes one of his writings. PRENT In the middle of labeled: II. Share pages: 240.

Altar with cross, 1758 - 1820 print Design for an altar in interior. Stairs lead to the altar with a crucifix. In addition, four floating angels. Awarded by a pigeon in Stralenkrans with three angel heads. paper etching / engraving altar

When the Almighty was yet with me, When my Children were about me, 1825, William Blake, British, 1757-1827, 8 3/4 x 6 5/8 in. (22.23 x 16.83 cm) (sheet), Engraving, England, 19th century, God is Job's own ideal and bears a resemblance to Job. This God reigns supreme with the book of Law open in his lap. Being Job's ideal, he can claim that Job is perfect. Satan the Accuser appears before the Lord. Job questions his own piety. The two dim faces beneath the arms of Satan are the shadowy error of Job and his wife. Although angels cast scrolls listing Job's good deeds, until that error is given definite form, it cannot be recognized and cast out.

Asia; Asia; The four continents. Asia's personification, standing on a base surrounded by ornamental decorations. She has a flock jar in her hands and is flanked by a dromedary and an elephant. Above her two monkeys and two ottomans. Two Hermen down the print. The print is part of a series about the four continents.

Different saints in a landscape. Different saints and biblical figures are placed in a landscape. Above Elia and John the Baptist on either side of a cave. The Saints Paul and Antonius are in the cave. In addition to a white canvas, four women, personifications of: prayer, decay, silence and self-discipline. Under two female holy. On the left the H. Euphrosina and on the right a naked woman with long hair. This may be the H. Eugenia or the H. Maria van Egypt. Proof of proof for a title page.

Blessed talks, 1554 - 1580 print Centrally, the heavenly rulers worship the clouds and the people on earth the trinity. Around this performance eight small scenes in which the eight delights are depicted. In the middle of cartouche a Latin text. The print is part of a series about the few central statements of the faith. paper engraving Holy Trinity in which one, two or all figures are represented in human shape. praise of the judgement of God in heaven. beatitudes and blessings of Christ

Gabriël appears to Zacharias, 1740 print While Zacharias burns in the temple incense, the angel Gabriel appears to him to proclaim him the birth of his son John the Baptist. Zacharias and Gabriël stand for a sacrificial altar, believers who are present in the temple for the angel. A title above the show. Below six verse rules and a reference to Luke 1: 11-15. The print is part of an album. paper letterpress printing annunciation of the birth of John the Baptist to Zacharias: while he is offering incense in the temple an angel (Gabriel) appears to him

Christkind standing on Monogram, Hieronymus Wierix, 1563 - Before 1619 print The Christ child makes a blessing gesture and is on the monogram IHS. The show is caught in an oval frame with an edge writing in Latin. In the corners The Boste portraits of four Jesuit: Ignatius van Loyola (top left), Francis Xavier (top right), Aloysius Gonzaga (bottom left) and Stanislaus Kostka (bottom right). In the margin a two -way caption with an assignment in Latin. Antwerp paper engraving adoration of the name of Jesus. the Jesuit friar Aloysius Gonzaga; possible attributes: crucifix, discipline, lily, skull. the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. the Jesuit missionary Francis Xavier; possible attributes: cross, crucifix, flaming heart, Indian, lily, torch. male saints (with NAME)

Thomas Dalby, Archdeacon of Richmond, surrounded by saints in separate niches. Engraving.

Woodcut by Leonhard Beck, 1516-1518, depicting Saint Otilia, part of the Sipp saints series associated with Emperor Maximilian I, showing religious iconography in early 16th-century artwork.

Design for altar; Nouveau Livre d'Autel. Design for altar with the presentation of the last supper. Christ goes around with the chalice.

Title page with two clergymen and biblical performances. A frame with different cartouches with biblical performances. At the bottom left of a Roman Catholic spiritualem, the bottom right of a monk. In the middle of a cartouche with the holy three unit and an imagination of creation. Clockwise: Eva's creation, the fall, annunciation to Mary, the crucifixion, Moses with the dining of the law and a cartouche with faith, hope and love. On the basements at the bottom of the last judgment and hell. In the middle of an empty ornamental cartouche. Possibly a title page.

The Doop van Christ, Virgil, 1524 - 1562 print paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Copper engraving by Hieronymus Wierix from 1601 depicting Mater Dolorosa with the Passion of Christ. The artwork shows the Virgin Mary in sorrow, with Christs crucifixion elements and religious symbolism.

Cartouche with the Ascension of Christ, Jan Caspar Philips, 1736 print Landscape with the Ascension of Christ. Bystanders look full of wonder. The show is caught in a cartouche that is crowned by an eagle. paper etching / engraving the Ascension (Christ surrounded by radiant light or in a mandorla). predatory birds: eagle

Copper engraving by Nicolas Beatrizet from 1557 depicting the cross with Christ, showing religious iconography and devotional elements.

Saint Simon the Apostle and Saint Antony of Padua with Saint Mary (the Blessed Virgin) and the Christ Child with Saint Anne and God the Father. Lithograph after H. Minghni after Lo Spagna.

Copper engraving by Israhel van Meckenem depicting the enthroned Madonna between Saints Katharina and Andreas, created in the last third of the 15th century.

This 1664 copper engraving by Bartholomäus Kilian depicts a world scene featuring the Jesuits, showing figures, architecture, and religious symbolism.

Altar with worship by the shepherds, 1705 - 1754 print Design for an altar with rocaille ornaments and in the middle an image of the worship by the shepherds. On both sides are Adam and Eva, Eva stands next to the tree of the knowledge of good and evil with snake. At the top putti heads and a flying angel with trumpet and palm branch. paper etching / engraving altar. adoration of the Christ-child by the shepherds; Mary and Joseph present. Temptation and Fall: Adam and Eve in paradise (after the Fall) (Genesis 3:8-21). cupids: 'amores', 'amoretti', 'putti'. angels crowning and/or bringing palm-branches

Double jar whose lid is awarded by a temple; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. There is a woman in the temple. Left and right above stand on a six-arm candlestick under a canopy, FAMA and Victoria respectively. Sheet from series of 9 sheets.

Marcus of Aviano Praying, 1681; Vera Effigies R.P. Marci. Ab Aviano F.E. Capucinorum praedictaoris. Aetatis 49. Portrait of the Capuchin Monnik Marcus of Aviano kneeling praying for an altar, 1681. Thirteen small scenes of wonderful healings carried out by Marcus van Aviano in the year 1681, in Antwerp, Brussels, Aachen and Mungen (Munich). With caption of 2 columns in Dutch.

Wingwater bin with the baptism of Christ, c. 1677 - c. 1692 print Waterbak with on the back plate the baptism of Christ by John the Baptist. The holy water tray is supported by two angels on both sides of a mask. From series of 6 sheets with copies to the Inuentions Pour faire des plaques ou des Aubenistiers Seruans Aux Orfeures by Jean Lepautre. Design for holy water bins. Print is part of an album. after print by: Parispublisher: Antwerp paper etching ornaments ~ art. Holy Water font. baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Last Supper. In an architectural space, Christ is with his students around a table on the last supper. Upstairs space hanging curtains with human and animal heads.

The worship of the Kings, Monogrammist S (16th century), 1510 - 1530 print Gothic window with a representation of three sages. Eight medallions with performances from Maria's life. The Holy Catharina with rad and sword and holy Barbara with tower. Low Countries paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel. the virgin martyr Barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, Dioscuros (her father), peacock feather, sword, torches, mason's tools, tower. the Annunciation: Mary kneeling. Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56). Mary, Joseph and the new-born Christ (Nativity). Christ, perhaps dressed as a pilgrim, appearing to his mother, who is usually shown praying. Pentecost: the Holy Ghost descends upon (Mary and) the apo

A 1546 copper engraving by Sebald Beham showing Christ enclosed within a globe, highlighting detailed line work and symbolic composition.

Titelpagina voor De trappen des genadetroons van Jesus Christus.Christ stands with a lit person down the stairs of a platform. He points to an angel in the doorway of a round building in which several people are located.

German 16th Century after Martin Schongauer, Christ and His Disciples I Christ and His Disciples I

Saint Jerome, Saint Bernard of Clairvaux (), Saint Dominic Guzman, Saint Clare, Saint Gregory the Great, Saint Ambrose and Saint Augustine of Hippo. Engraving by S.A. Bolswert after Sir P.P. Rubens.

Worship by the shepherds; Crucifixion; Resurrection of Christ, Philips Galle (attributed to workshop or), 1578 print Three oval next to each other: left: the worship of Mary and the shepherds with the proclamation to the shepherds in the background; In the middle the three crosses on the Mount Golgota. Under the cross of Christ are Mary and St. John, Mary Magdalena embraced in kneeling attitude the foot of the cross; Right: the resurrection of Christ from his grave, soldiers flee away frightened. The ovals are caught in ornamental frames. Among the performances Latin texts from the O.T. and N.T. paper engraving typological juxtapositions. adoration of the Christ-child by the shepherds; Mary and Joseph present. Isaiah's prophecy of the birth of Christ ('Immanuel') (possibly with Mary, the angel Gabriel and King Ahaz) (Isaiah 7:14-16). Isaiah's prophecy of the Passion of Christ (Isaiah 52:13 - 53:12). crucified Christ with Mary Magdalene, who usually weeps and embraces the cross

Holy chair of Petrus in the Saint Pieter, Jacques Blondeau, after Giovanni Lorenzo Bernini, 1692 print Rome paper engraving the four Latin (Western) Fathers of the Church together: Ambrose (usually as bishop), Jerome (usually as cardinal), Augustine (usually as bishop), Gregory the Great (usually as pope). throne of St. Peter St. Peter's basilica

Relic holder in the form of medallion with Christ in Hell. Relic holder in the form of a medallion with Christ in hell, with his crucifix he breaks open the door behind which the dumbers are located. The edge of the medallion is decorated with precious stones.

Madonna and Child with Angels Bearing Symbols of the Passion. Date/Period: Ca. 1583. Drawing. Pen and brown ink and gray ink and wash. Height: 384 mm (15.11 in); Width: 262 mm (10.31 in). Author: Friedrich Sustris.

An altar, surmounted by a statue of the Virgin surrounded by votive offerings; in the foreground, sick or troubled people praying. Woodcut, 16--.