Religious Struggles and Conflicts

Prints illustrating historic religious confrontations, including Christ driving out money changers and persecutions during the Reformation.

Abimelech and Isaac swear each other an oath, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728 print Abimelech and Isaac swear each other an oath to do each other no harm. Illustration of the Bible text Gen. 26: 31. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper etching / engraving the treaty with Abimelech, who has come to Beersheba with Phichol and Ahuzzath

Viering van de Vrede van Rijswijk, 1697.Celebration of the Peace of Rijswijk closed on September 20, 1697 between France and the Allies. Outstretched flags and festivities on the street. With verse of 8 lines.

Death of Judas, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm)Plate: 2 13/16 x 1 3/4 in. (7.1 x 4.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

ECCE GOMO; The passion. Pilate shows Christ to the Jews who have collected outside the courthouse.

Graflegging van Christus.The body of Christ is worn by three men, including Joseph of Arimatea and Nikodemus, to his open tomb. Behind them Maria mourns two women. At the front Does a woman kneel with folded hands, Mary Magdalene (). At the front left the torture tools are. In the distance the three crosses on a rock. Under the show a eight-line, Latin text and underneath the assignment, also in Latin. In the middle of the arms of Cardinal Borromeo.

Home of the lost son; Parable of the lost son. The lost son returns home. He is met by his father, who welcomes him warmly. He leaves a calf slaughter for a party meal to celebrate the return of his son. Under the show an explanatory text in Latin. This print is part of an album.

Moses at the burning blackberry bush / Moses and Aaron for the pharaohe.two representations of a plate. At the Top Right Numbered: 95 and 97.

Ecce Homo, Nicolaes de Bruyn, 1632 print On a terrace, Pontius Pilatus shows the guessed Christ to the Jewish people. Under the Verhoog, a soldier brings Barabbas out. Pilate asks the crowd who needs to be released: Barabbas or Christ. Rotterdam paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). choice between Christ and Barabbas

The Adoration of the Magi, from The Life of the Virgin Made 1503 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

Ecce Homo, Giovanni Domenico Tiepolo, 1749 print Christ is shown to the people by Pilatus at his palace. In the margin under the performance, there are two lines of Italian text under the title. Venice paper etching / engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Petrus and Johannes between the sick ..

Nebuchadnezzar Seeing the Three Jews Unhurt in the Flames. Philips Galle (Holland, Haarlem, 1537-1612). Holland, 1565. Prints; engravings. Engraving

Lot mowing the crowd to calm; Incestus; History of Lot; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. For the door of his house, Lot tries to calm the men from Sodom. The men request him to leave his guests out so that they can take them. One of the angels attracts destiny. Under the show a reference in Latin to the Bible text in Gen. 19. This print is part of an album.

Mozes teaches Israelites in laws, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728 print Moses teaches Israelites in laws. Illustration of the Bible text Deut. 5: 1-33. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper etching / engraving Moses teaching (in general)

'William the Conqueror seizing his Brother Odo, Bishop of Bayeaux & Earl of Kent', 1773. Creator: Charles Grignion;Grignion, Charles;C Grignion;Charle

Evangelist Mattüs, 1570 - 1618 print The evangelist Matthew standing next to a table on which books and writing utensils. Behind him a sitting angel like his attribute. A mountainous landscape is visible through an arc window. The print has a Latin caption. The print is part of a four -part series about the four evangelists. paper engraving the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Antwerp, Jode, Pieter de (II), Joyous Entry of the Cardinal-Infant into Ghent, 1635, Ferdinand greeted by the Archbishop of Cologne, verso lower left - stamped, Landscape with Ferdinand of Austria, greeted by Ferdinand of Bavaria, the Archbishop of Cologne, 18 October 1634. The bishop holds a biretta in his left hand. Behind him stands a gentleman with a chain of the order of the Golden Fleece. Ferdinand of Austria is accompanied by soldiers on horseback. In the margin a caption in Latin. Eleventh print from a series of 42 illustrating the publication of the description of the entry of Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prints, height 370 mm, width 260 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1636 - 1636, paper, papier, engraving, engraving (printing process), etching

Scaling of Christ and Christ shown to the people, Jan Luyken, 1700 print Two performances on a plate. Above: Christ, chained on a pole, is flashed by soldiers. Under: Pontius Pilatus shows the brushed Christ to the Jewish people who shouts him. Amsterdam paper etching flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1). Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6)

Inhabitants of Nazareth Verwore Christ from the city, Johann Sadeler (I), After Maerten de Vos, 1581 print In the foreground a canyon with Christ next to Peter. On the right of the second plan the inhabitants of Nazareth who drove Christ and drive out of their city. In the background on the left, Christ continues his journey through Israel. The print has a Latin caption with a Bible text (Luc. 4) and is the third print of a series of four. Cologne paper engraving Christ, having been chased out of Nazareth, passes unharmed through the multitude

Nadab and Abihu killed by flames. The sons of Aaron, Nadab and Abihu, committed a sin in the eyes of God by making a wrong fire in their fires. God lets God burn the brothers. Biblical performance from Lev. 10: 1-3 with the title of the representation in six languages in the margin.

French 19th Century, alors, il s'approcha d'elle Parody of van Dyck's Betrayal of Christ, 1832 ...alors, il s'approcha d'elle: Parody of van Dyck's Betrayal of Christ

Job hears from three messengers about the calamity that has befallen him. Standing in the doorway is his wife, who holds her handkerchief in front of her face. The landscape shows Jobs cattle and camels being stolen, his shepherds and cattle killed by lightning, and the house in the town to the left, in which Job's children were holding a feast, collapsing in the storm. In the sky the tetragram, symbolizing God the Father and the inhabitants of heaven making their appearance. Below the representation a reference in Latin to the Bible text in Job 1. Job hears the bad news from messengers History of Job Thesaurus sacrarum historiarum veteris testamenti , Jan Snellinck (I), print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1579 and/or 1585, paper, engraving, h 215 mm × w 266 mm

Christ heals the sick. .

Battista Franco, The Ark of the Lord in the Temple of Dagon The Ark of the Lord in the Temple of Dagon

Jesus Christ driving the money changers from the temple. Christ in halo brandishing a whip attacking traders. The temple filled with priests, merchants, animals, children. Copperplate engraving by David Deuchar after an original by Rembrandt from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

German Charlatan (IFF 33) (registered title)

Ferdinand greets through the Archbishop of Cologne; entry from Ferdinand in Ghent in 1635 (no. 11); Superat Praesentia Famam / Cardinalis Infans Coloniae Agrippinae AB RectorBus PrincipiBusq. Excipitur; Tabula V. Cardinalis Infans Colonia Agrippinae Ab electoribus Principibusque Excipitur. Ferdinand greeted by Ferdinand van Bavaria, the Archbishop of Cologne, 18 October 1634. Presentation at the bottom right of the front of the triumph port Arcus Fernandi on the Friday market. Leaf no. 11 In a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Two representations on one slide. Above: the apostles Paul and Barnabas in the city of Lystra. In front of the temple Paul is healing a lame beggar. The assembled crowd looks on in admiration. Below: the people of Lystra think Paul and Barnabas are gods and bring cattle to the city gate which they want to sacrifice for the two apostles. Paul tries to stop them, while Barnabas rips open his clothes., Paul heals a Cripple at Lystra and the inhabitants of Lystra who want to sacrifice cattle to the two apostles Actor XIV vs.8: Paul heals a Cripple, at Lystre / Actor XIV vs.11: The Lystrians bring in Oxen to sacrifice them to Paul , print maker: Jan Luyken, (mentioned on object), publisher: Pieter Mortier (I), (mentioned on object), anonymous, (mentioned on object), 1700, paper, etching, h 364 mm × w 239 mm

Herod lets His Barbier Tryfon, Tyro and his son sty on suspicion of betrayal.

Out of Christ, Claudine Stella, After Nicolas Poussin, 1646 - 1697 print paper engraving / etching Christ brought from one judge to another

Funerali di Aronne still image. Conjectural works. 1936. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Biblical events, Grief, Funeral rites and ceremonies, Jewish, Aaron (Biblical priest) , Death and burial

The generation of Lazarus, Anonymous, 1600 - 1650 drawing prepared paper. ink brush / pen the raising of Lazarus ('Lazarus, come out')

Expulsion of the exchange from the temple, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ is in the middle of the temple and waves with his whip. The traders try to ward off and flee the strokes. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

Christ before Caiaphias (PassionSeries). Artist: Nicolaes de Bruyn, Flemish, 1571-1656 After: Hendrick Goltzius, Dutch, 1558-1617

Death of Judas, from the series 'The little apostles' (Les petits apôtres) ca. 1632 Jacques Callot French. Death of Judas, from the series 'The little apostles' (Les petits apôtres). The little apostles (Les petits apôtres). Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1632. Etching. Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Crossword.

Saul in the middle of the prophets, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print Saul meets a procession of musician prophets (1 Samuel 10:11). He touched by the Spirit of God. The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching Saul meets a group of prophets playing harps, drums, flutes and lyres

A drawing by an anonymous artist depicting Saint Benedict awakening a dead child under arcades with a view of a palace and scaffolding, executed with pen and ink wash including staffage figures.

Israelites get sick from the quail they eat, 1720 - 1728 print Large quantities of quadries are supplied by the wind at the camp of the Israelites. The Israelites are insatiable and only continue to eat quail, after which they are punished by God with illness and death. Under the show is the title in six different languages. print maker: Amsterdampublisher: The Hague paper engraving a multitude of quail falls and covers the camp. when the people eat the quails a plague breaks out

Peruvians light the SACRED FIRE in honour of the Sun, on the eve of the High Festival of the Sun Date: 1726

Amsterdam, Rieuwertsz., Jan, Luyken, Crucifixion of an elderly man, verso - stamped, Print numbered top right: 123. In the margin a two-line caption with a reference to the biblical book Rom. 6:6., print, book illustration, prints, height 129 mm, width 74 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1683, paper, etching, etchings, Publication (Event), Publication, publisher

Christ drives the money changers from the temple, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Lot and the two angels, Anonymous, 1550 - 1570.

Dans rond het gouden kalf.The idolatry of Israel with the dance around the golden calf. In the foreground being danced and music is made around a pillar with the golden calf. A feast will be eaten in the foreground. In the background Moses on the mountain with the stone tablets of the law. Illustration of the Bible text ex. 32: 6-19. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Saint Laurence of Rome. Engraving by G. Audran after Le Sueur.

Triumph of Christ (second part), Anonymous, After Titian, in or after 1510 - in or after 1511 print Part of the triumph of Christ with Saint Laurentius with the grid, Saint Sebastian with an arrow in the chest and other martyrs and saints. At the top of French text. Italy paper the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk. the martyr and deacon Laurence of Rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins)

Almanach for the year of grace mdclxxix. (IT)

Theophilos van Byzantium on a market in Constantinople, Reinier Vinkeles (I), after Jacobus Buys, 1782 print Theophilos from Byzantium on a market in Constantinople. At the top right: III.D.PL.III. Bottom right: p. 270. Amsterdam paper etching / engraving market Constantinople

Jonah encourages Ninevites to do penitence. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Albrecht Beiling, commander at Schoonhoven, was condemned by Jacoba of Bavaria to be buried alive, in the year 1426. Albrecht stands before his own grave with a cross in his hands and his face to heaven. The cleric next to him points to heaven and carries a rosary. Death of Albrecht Beiling Death of Albrecht Beiling , print maker: Johann Wilhelm Kaiser (I), (mentioned on object), 1840 - 1884, paper, steel engraving, h 290 mm × w 218 mm

The death of Ananias. .

Saints Peter and Johannes heal a Lamme, Parmigianino (Attributed to), After Rafaël, 1513 - 1540 print While the saints heal Peter and John a lame in a temple, a crowd watches men and women. On the right a young woman who carries a basket with birds on the head runs. Italy paper etching column, pillar ~ architecture. healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). carrying something on the head or on the shoulders

Gerard Hoet created a drawing of Moses addressing the people of Israel, executed with gray wash over graphite pencil.

Justitia appears on the empress. The empresser is supplied noted for Justitia that has appeared to her. There are frightened servants around the empress. PRENT Left and at the top right labeled: I. part. - Pag: 175.

Priests fallen to the ground Le Lutrin. Chant Cinquiée. (title on object), Four priests have fallen on the floor and are surrounded by books. Two groups of clergymen look at the scene. One of them addresses the priests., Organization, functionaries and dignitaries in Roman Catholic church, clergy in general, book, falling, Bernard Picart (workshop of), Amsterdam, 1717, paper, engraving, h 200 mm × w 148 mm

Chilkia reads the laws to King Josia, Caspar Luyken, 1708 print Nuremberg paper etching King Josiah sends Hilkiah, Saphan and three other officials to Huldah, the prophetess, who predicts that the punishment of Jerusalem will come, but only after Josiah's death

Charity being given to poor hungry beggars by a rich household. Engraving by L. Audran after S. Bourdon.

First Chapter of the Order of the Holy Ghost, Woodcut Engraving from the Original Painting by Jean-Francois de Troy, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Similarity of the rich man and the poor Lazarus, Anonymous, After Hans Collaert (I), after Ambrosius Francken (I), after Gerard de Jode, 1585 print A rich man is sitting at the table with his family and guests. Beyond the house, the beggar Lazarus begges, whose swears are licked by a dog. In the background, the continuation of the story is depicted. When the rich man and Lazarus died, Lazarus is sitting on his lap in heaven near Abraham. The rich man is in the flames of hell. Under the performance a reference in Latin to the Bible text. Antwerp paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

The crowned thorns Christ a powerful baroque stitch by Gregoire Huret The Dorn -crowned Christ a powerful baroque stitch by Gregoire Huret

Chilkia reads the laws to King Josia. .

Christians share bread to the hungry and the Saint Martin who cuts his cloak in half; Uijtdeling from bread to advanced people / Martinus Snydt his skirt in Tween and gives a person arms man half of.Two performances on a plate. Above: Christians Share Bread to Hungry Beggars. Below: The H. Martinus van Tours Has Cut His Cloak in two with a Knife and Gives a piece of His cloak to a beggar. Other Christians Admires Admiring.

Idolatry of Solomon; The defodery of Salomon .. Solomo brings a sacrifice to an idol that is on a base. Around him are women who have seduced him to idolatry. (1. Could. 11: 8).

Woman in worship at Golgota / Mental Armor / Ascension / Christ Washs Peter's feet. Four performances. Top left: a woman looks from a distance in worship to Golgota, where the three crosses stand. At the top right: a warrior, dressed in the spiritual armor. (Eph. 6: 11-17) There is a cross and a burning heart on his breast armor. His opponent is a lion. Bottom left: The Ascension of Christ. At the bottom right: Christ washes the feet of Petrus. The other disciples are around them.

The Baptism of theEunuch. Artist: Claude Vignon, French, 1593-1670

Christ Shown to the People (PassionSeries). Artist: Nicolaes de Bruyn, Flemish, 1571-1656 After: Hendrick Goltzius, Dutch, 1558-1617

The Blessing of Abraham, John Alexander, active 1715-1752, British, after Raphael, Italian, 1483-1520, Italian, 1717, Etching and engraving, Sheet: 11 3/8 x 19 5/8in. (28.9 x 49.8cm)

Illustration for the play Hennuyer, Bishop of Lisieux. Draughtsman: Reinier Vinkeles (I). Dating: 1770 - 1780. Measurements: h 140 mm × w 83 mm. Museum: Rijksmuseum, Amsterdam.

Panurge and the Hogepriestes Bakbuk; Adventures of Gargantua and Pantagruel. In a temple, Panurge, Souffleed by the high priest's of the Bakbuk Bottle, his ritual question: What is the answer to my life question, what is truth, what is wisdom On the left, the giant pants pants along with a group of figures looks up the ritual in the background.

John Alexander, active 1715-1752, British, The Blessing of Abraham, 1717. Etching and engraving.

The Annunciation. Dated: 1598. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Francesco Villamena after Michelangelo.

Moses of Choren.

Passion stations Statio IX. The third fall of Jesus Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

Two biblical performances. Above: the scouts have returned from Canaan and show the big fruits to the Israelites, which they found in Canaan. Below: Moses points to the copper hose attached to a stake. The Israelites that are bitten by snakes and lie around it and look at it as a means to stay alive. In the background the tent camp of the Israelites. Among the performances a reference to the Bible texts and the titles in Dutch and French.

Murder of Amnon, son of David, Anonymous, 1722 - 1784 print During the banquet of Absalom, Amnon, the eldest son of David, is murdered. The banquet takes place in a beautiful departure where there is a large group of a festively set long table. Servants carry vascular work and in the background an orchestra plays in an orchestra bin. Amnon is attacked and pierced with a sword. Numbered below: No. 59 1. paper etching Amnon is murdered at Absalom's banquet

Elisa raises the son of the woman from Sunem from death. .

Wedding in Kana, Jan Luyken, 1708 print Amsterdam paper etching the marriage-feast at Cana (John 2:1-11)

Christ collapses under the weight of the cross. Christ collapses under the weight of the cross that he bears on his shoulders on the way to Golgota. Soldiers draw to Christ with ropes and focus their spears on him. Behind Christ The grieving Maria's and John the Evangelist. Herod on his horse right.

Saul takes care of the priests of NOB. Saul recommends his body guard to kill the priests of NOB because of their help to David. In the foreground the priests and their family members are slaughtered. In the background on the right the bodyguards refused to carry out sauls command (1 Sam. 22:18). The print has a Hebrew, Latin, French, English, German and Dutch caption.

Abuse of the Jews in Tracia. Design for a print.

Jacques Callot, The Death of Judas, c 1634 1635 The Death of Judas

David as King Anointed, Pieter Sluyter, After Gerard Hoet (I), 1720 - 1728 print Under the watchful eye of his father and brothers, Samuel David, who kneels for him. His shepherd is lying next to him on the floor. In the background a sacrifice burns on a high altar. Illustration of the Bible text 1 Sam. 16: 13. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Samuel anointing David in the presence of his father Jesse and his brothers

Moses and Eleazar reveal the brazen serpent to the people afflicted with snakebite. Lithograph by A. Blanco after P.P. Rubens.

Frederik II, Elector of the Palatinate, begs for forgiveness at Karel V, 1546, Jan Luyken, 1730 print A throne room. In the foreground cheering courtings. In the background the throne with Frederik II who begs for forgiveness at Karel V. print maker: Amsterdambookseller: The Haguebookseller: The Hague paper etching Forgivingness. throne-room

Jeremiah breaks the jug. .

This 1512 copper engraving by Albrecht Dürer depicts Pilate washing his hands, showing detailed figures, clothing, and religious iconography of the Passion series.

Christ stripped of his clothing, Philips Galle (attributed to workshop or), After Jan van der Straet, 1585 - 1586 print Christ stripped of his clothing by soldiers on Golgota. The print has a Latin caption and is part of a series about the passion, death and resurrection of Christ. paper engraving Christ disrobed

Embleem met de christelijke kerk die beschermd wordt tegen aanvallen van goddelozen zoals duivels; Den wech des eeuwich levens.For a round church building, people are displayed that represent the church like Christ and clergy. Two angels take the church against attacks of unbelievers or wicked protection. A devil breaks the globe. The text in this illustration in the book encourages the reader to prepare himself about the church and protect her with godlyness.

Doornenkroning, Giovanni Battista Coriolano, after Ludovico Carracci, 1599 - 1649 print Christ is crowned with the crown of thorns. A man gives him a reed stick. Another man mocking his tongue to Christ. Italy paper engraving / etching the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Idolatry of King Manasse and the godliness of King Josia, Jan Luyken, After Ottmar Elliger (II), 1700 print Two performances on a plate. Upstairs: King Manasse and his entourage kneel for idols on the large square of Jerusalem. In the background the temple of Solomo. Under: King Josia has all idols destroyed and avoids the altar of JeroBeam by digging up human bones and burning on the altar. Amsterdam paper etching Manasseh's apostasy. Manasseh builds pagan altars in the temple of Jerusalem and worships the stars

Amsterdam, Luyken, Caspar, Adoration of the Golden Calf, verso - manuscript in brown ink, print, prints, verso - stamped, 67, height 112 mm, width 146 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, etching

Apostle Simon Zelotes, Jan Luyken, After Jan Goeree, 1698 print The apostle Simon Zelotes standing on a pedestal where his crucifixion has been portrayed on the front. Print in the middle of it marked: fol: 337. Amsterdam paper etching / engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll. martyrdom and death of Simon Zelotes: he is sawn in two, or beaten to death

Karel V, German Emperor, receives the keys of the gates and the rod of Justice of Utrecht.Kzier Karel V is overtaken in Utrecht by light from torches such as Lord and the rod of Justice and the keys of the city offered. Design for a print.

Morals and customs of the former Paris / Street Singer (1728).

Vida de San Juan de la Cruz (1542-1591). Apaleado por el cómplice de una mala mujer. Grabado de 1890.

Meeting of David and Abigaïl, and Saul at the witch of Endor, Jacob Folkema, 1702 - 1767 print Two Biblical performances from 1 Sam. 25 and 1 Sam. 28. Abigaïl meets her future husband David, and Saul speaks with Samuel's spirit with the witch of Endor. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 54. paper etching David and Abigail (1 Samuel 25). Saul and the witch of Endor (1 Samuel 28:3-25)

Scourging Christ; Flagellatr Christvs. Christ, tied to a pillar, is valid by soldiers under the watchful eye of Pilate. In the background many spectators. At different elements from the show are letters that correspond to the legend in the margin.

Chalk and gray ink drawing depicting a cross acceptance scene, with figures positioned around the cross, emphasizing posture, gesture, attire, and spatial arrangement within the composition.

Death of Judas, plate fourteen from The Martyrdoms of the Apostles. Jacques Callot; French, 1592-1635. Date: 1612-1635. Dimensions: 73 × 46 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

ECCE GOMO; Christ is sentenced to death; Stazione I Sue Condannato a Morte; Cross roads; Via crucis. Christ is shown by Pilatus at his palace to the people. In the margin under the show are under the title two lines of Italian text.

Christ for the high priest Annas.

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