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Religious Symbols and Iconography

Prints of ornamental designs depicting religious scenes, symbols, and moral virtues, featuring detailed engravings and historical references.

Society of Christ, Hieronymus Wierix, 1608 print Christ is bound by a pillar and is flashed by two soldiers. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament ~ cartouche. flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

. Death as a skeleton is kneeling on the ground and holds a torch in both hands. For his body a shield with the image of a coffin and a mined grave. On the head of death an hourglass with wings. Above the death of the monogram of Christ IHS.

Different Jewish utensils with an explanation in Frans in the margin at the bottom of the margin: a garment that is worn under the rear, brush with five knots for the names of God, a sabbath lamp, two unemited breads, a lolev, a lemon or Etroch, a shofaror and a mezuza.

Heraldic flag of the association of bookbinder companions, 1895 - side with image of St. John the Evangelist. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Mikha Archango. Calendar page design; Thoma, Hans (1839-1924); around 1900 (1895-00-00-1905-00-00);Archangel Michael (Saint), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Last Judgment (iconogr.), Calendars, German drawings, dragons, Waga (attribute)

Frame with the seven gifts of the Holy Spirit. A picture frame with a temple containing the seven gifts of the Holy Spirit. In the middle above the pigeon of the Holy Spirit. Left, right and below seven gifts of the Holy Spirit in flames. At the bottom of two putti, the one with cross of faith and the other with the anchor of hope.

Parijs, Daumont, Jean-François, Delafosse, Jean Charles, Tardieu, Pierre François, NN Attributes D'Eglise, Trophies with music book and angels on coffin, Paris, verso - stamped, On the left a trophy with Christ on the cross, a staff, a mitre, a music book, a censer and chalices. On the right a trophy with ampullae, angels on a coffin, a vase, a cross and a censer., print, engraving, ornamental print, prints, engravings, ornamental prints, height 383 mm, width 238 mm, French, 1711-12-24 - 1771-01-15, print maker, printmaker, 1771 - 1775, paper, papier, etching, engraving (printing process), Work conception, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, French - 1775, publisher

Stadszegel van Leiden.The front and back of a city stamp of Leiden (ca. 1293). Above: Leiden city stamp with Central Saint Peter with its key. In addition to lead the double keys as a symbol for the city. Among the holy kneeled figures. In the middle under also a kneeled figure. Around a peripheral in Latin. Below: Saint Peter in a Gothic building flanked by two lions. In the middle of the crossed keys on a coat of arms. Around a peripheral in Latin. In the upper left corner: p. 12.

The Lamb of God on the Ark of Alliance at Saint-Roch Church

Chandelier with Maria and an angel, c. 1875 - c. 1900 photograph Europe cardboard. paper. printing ink collotype chandelier, candelabrum. Mary (without the Christ-child). angels Europe

Tsjilpend vogelkuiken / Kraaiende Haan; Your mouth for evil / I cried out to the Lord; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Upstairs is a bird chick on a mountain. This may be a host. Under a rooster crows to a sun.

Print, Vignette, The Pelican in the Crown of Thorns; Print Maker: Jakob Frey; After Giovanni Passari (Italian); Switzerland; etching on paper; 7.1 × 14 cm (2 13/16 × 5 1/2 in.)

Cross Ilazny from the church gate in a wrapping - front view on a 1: 5 scale; Pretty, Szymon (Ca 1864-1942); 1917 (not after 17.07.1917) (1917-00-00-1917-00-00);

Rosary of polychrome wood with Mary and the Christ child, in the Sint-Leonardus church in Zoutleeuw, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Saint-Leonard Music State paper collotype / photolithography aids for prayer, e.g. rosary. Mary standing (or half-length), the Christ-child in front of her, close to her bosom; sitting Sint-Leonarduskerk

The church under fire, 1553. The church under fire, 1553. The Catholic Church is attacked from all sides by the armies of heretics and unbelievers. Left Turks attacked the church. Saints in heaven with laurel wreaths, in the foreground canons. Only the left top here from a total of four blades. Cartoon on the reform, approx. 1560.

1. Cup designed by Michelangelo Cartani, executed by Aug. Castellani, Rom. Presented by the city of Rome, to Pope Pius IX. 2. 3. Niello by Tissot, Paris. 4-6. Watches by Falize, Paris. 7. Watch. 8. 9. Crosses.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Clocks & watches, Crosses, Drinking cups, Niellos

Frame with liturgical objects. Design for a round frame with liturgical objects and the stone tablets.

Design for a wall painting in the town hall in Den Bosch, c. 1889 - c. 1891 An angel urges virgins to vigilance. Page 28 Verso from a sketchbook with 33 sheets. paper. pencil. chalk. ink pen Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa). Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa). Non-Narrative Representations of the Wise and the Foolish Virgins

Frame with performances from the start of the life of Christ. A picture frame with left and right putti showing four cartouches. At the top left the three kings at King Herod, bottom left flight to Egypt. At the top right of the child murder in Betlehem, the bottom right of the baptism of Christ by John the Baptist. In the middle above the star of Betlehem and the three gifts of the three kings: gold, incense and myrr. At the bottom two putti filling six stone barrels with water: a reference to the first miracle of Christ at the wedding in Kana.

Christ as Salvator Mundi, Anonymous, 1700 - 1799 print Numbered at the top right: 138. paper etching 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

Saint Mary (the Blessed Virgin) with the Christ Child. Colour lithograph by F. Bedford, 1852, after J.A. Vinter after F.E. Knecht.

Copper engraving by Meister der Berliner Passion from 1450-1470 depicting the Holy Trinity, showing figures, gestures, and iconographic attributes.

Nuestra Señora de San Juan de los Lagos Our Lady of Saint John of the Lakes. Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Christian art and symbolism , Mexico

Vignet with Christ at grieving Maria Magdalena after his resurrection in medallion in three suffering tools in landscape. Vignet with Christ at grieving Maria Magdalena after his resurrection in medallion at suffering tools, thorns crown, lance with sponge and cross of Christ, in landscape. In the background there are three soldiers in the opened grave.

Nehalennia altar with standing Nehalennia with arms under her cloak, Anonymous, 1715 print An Nehalennia altar that was found at Domburg on Walcheren. The goddess Nehalennia standing with her arms under her cloak. A dog next to her. Leiden paper etching other foreign deities included in the classical Pantheon (with NAME)

An Indian man and woman. A standing Indian man with a spear and an Indian woman with jug and cup. Surrounded by a list of flower vines. Under the show a two-legged fresh. Numbered at the top right: 75.

Rhombus with Love Personification, a king with scepter and cup and Daniel in the lion's owl.A Window in Which Three Oval Windows With Caption; Presenting "Daniel in the Lion's Owl" with caption, "Love" and a King With Scepter and Cup with Caption.

S. Dimas, le bon larron (St. Dismas, The Good Thief), March 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Feast Days of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Dimas, le bon larron (St. Dismas, The Good Thief), March 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Feast Days of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

. Allegory on the triple alliance from 1788 in rebus form. In the middle the coat of arms of the Republic of the Seven United Provisions. Above the coat of arms of Prussia (left) and the United Kingdom (right), crazed by angels and by the hand of God. In addition to the coats of arms three swords that are bound together and the personification of justice. On the right a rooted tree and the personification of steadfastness.

Drawing, Design for pendant in form of cross; Italy

Chinese hats, sceptres and flags. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.

Notre Dame du Rosaire / Our Lady of the Rosary, no 128 Georgin, Franis (1801 1863)

Picture with Saint Francis kneeling by the skull and crucifix surrounded by floral decoration, church print print picture material, painted cut Glossy white paper in which very fine lace has been cut in freakish form; beneath his name Franciscus remember praying religion religious ceremony ceremony Francis Francis of Assisi

Man with stick and banner; Petits Parasols Chinois. In a landscape a man with a stick is on an increase next to a banner with the serene title. At the top a crown with flowers.

Tree with Thomas of aquino (part at the bottom right). The philosopher and theologian Thomas van Aquino is located at the bottom of a tree. On the tribe of the tree the crucified Christ. The branches of the tree represent the three parts of Aquinos 'Summa Theologiae'. At the top of the middle of God the Father and the Holy Spirit as a pigeon. Above left and at the top right of a coat of arms.

Spijkers van het Kruis, Raphaël Sadeler (II), 1622 print Two of the nails with which Christ was nailed to the cross. Print Maker: Munichprint maker: Munich publisher: Munich printer: Ingolstadt paper engraving / letterpress printing nails of the cross ~ relics of Christ. nails ~ instruments of the Passion

Christ rises from his tomb bearing a flag. Watercolour painting.

The Republic walking on the body of a man wearing a turban. (TF)

On the Choor der Catharijne Church

Kabbalistic symbols surrounded by portraits of famous alchemists, Aegidius Sadeler (II), 1609 print Title of the book in a framework in the middle, surrounded by kabbalistic symbols and 6 portraits of famous philosophers/alchemists. At the top left Hermes Trismegistus, in the middle left Morienus Romanus, left under Raimundus Lullus. At the top right Jābir Ibn Hayyān, on the right Central Roger Bacon and right below Paracelsus. print maker: PraagFrankfurt paper engraving title-page. tetragram (in Roman or Hebrew script) ~ symbol of God the Father. Cabalism, 'Kabbalah' ~ Jewish spiritual current. non-biblical prophets (with NAME). sorcerer, magician, wizard, warlock: Paracelsus. alchemistic symbols

GRABADO-NUESTRA SENORA DE ATOCHA-N 2429. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN. VIRGIN MARY. VIRGEN DE ATOCHA. ISABELLA II OF SPAIN.

Wish letter with the descent of the Holy Spirit, c. 1700 - c. 1899 print Wish letter with described cartouche within a decorative framework with a representation of the descent of the Holy Spirit (Pentecost). Handwritten message in calligraphy (Pentecost letter) by G. Kuyper to her uncle and Peet. Numbered at the top right: No. 53. Netherlands paper. ink etching / pen Pentecost, Whitsunday

Prospectus of 'The nineteenth century in word and image' of publishing house A.W. Sijthoff in Leiden, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1899 photomechanical print A standing woman in a long dress holds a bright candle above her head. Various symbols can be seen on the left and right, including a crown, caduceus, passer and triangle and gear. paper printing block standing figure - AA - female human figure. candle. caduceus (staff with two snakes, attribute of Mercury)

Our Lady of Częstochowa. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Frame with performances from the beginning of the life of Christ, Anonymous, 1650 - 1750 print A frame with Putti left and right that show four cartouches. At the top left of the three kings at King Herod, bottom left the flight to Egypt. At the top right of the child murder in Bethlehem, at the bottom right the baptism of Christ by John the Baptist. In the middle of the star of Bethlehem and the three gifts of the three kings: gold, incense and myrrh. At the bottom two putti that fill six stone barrels with water: a reference to the first miracle of Christ at the wedding in Kana. Southern Netherlands paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh) (+ variant). first visit of the three Wise Men to King Herod. the star appears again and guides the three Wise Men to Bethlehem (+ variant). Christ orders (six) jars to be filled with water ~ marriage-feast at Cana (+ variant)

Etching by Wenzel Hollar showing the various ensigns of religious orders of knighthood, created between 1627 and 1677, depicting symbols, insignia, and heraldic devices.

Ceiling in a Dilwara temple at Mount Abu, Rajasthan, India, anonymous, 1865 - 1890 photograph Mount Abu paper. cardboard albumen print temple, shrine ~ Hinduism, Buddhism, Jainism. (decorated) ceiling Mount Abu

Cross Elazny church at the cemetery in Jadów - views from the front and from the side; Kotarbi, Mieczys Aw (1890-1943); 1917 (not after 14/09/1917) (1917-00-00-1917-00-00);

Worship by the shepherds, anonymous, 1600 - 1699 drawing Flanders paper. oil paint (paint)

Cover for six prints with faces in and near the Adbij van Sénanque, T. Laval, 1855 Avignon paper abbey, monastery, convent ~ Roman Catholic church. monk(s), friar(s) Abdij van Notre-Dame de Sénanque

Antependium for Sundays after epiphanias and trinitis

Buzdygan priest Janusz Radziwi, from around 1650 in the collections of the Krasi Mountain Assembly in Warsaw - general views from the side, from above and detail; Frania, Zygmunt (1882-Post 1932); 1919 (1919-00-00-1919-00-00);

Pre-romanesque and Mozarabas. Codex Vigilanus. Ilustrated version of Chronicon Albeldense, 976. Visigothic cross. Replica. Spain.

Allegorical representation with heaven and earth, Joseph Mulder, 1685 print A pigeon sitting in a jet on a cross with anchor. Below that dark clouds above a crying eye in a jet rack that is rooted in the earth. Left and right a snake and dragon. paper engraving journey to heaven, pathway to heaven. heaven, celestial paradise, New Earth. earth, world as celestial body

Memorial plaque at Celebration 200 years from Groningen 1672-1872. Memorial plaque at the 2007 year celebration of Groningen 1672, on 28 August 1872. Presentation in the form of the two-headed eagle in the weapon of Groningen. Central to Groningen's siege in July-August 1672 by the troops of Christoph Bernhard von Galen, bishop of Münster. At the top of a portrait of Karl Rabenhaupt, left and right the beginning and the end of the toppings. At the bottom of two children with an unexposed bomb (July 31, 1672), two emergency coins, weapent trophy and banners with the year 1672 and 1872.

Portret van paus Pius IX.The pope is and profil as a relief. His name and latin letters and numbers under the portrait. This includes papal weapon and the words: signed to the medal beaten on the papal currency in Rome.

View of the Doncaster Cross, James Caldwall, 1749 - 1793 print paper etching / engraving the cross ~ symbols of Christ Doncaster

Cornelius Christoffels, Wrought Iron Cross, Campanario, c 1936 Wrought Iron Cross, Campanario

Father Anastazy Kiedrzyński; Głębocki, Adrian (1833-1905); after 1850 (1857-00-00-1857-00-00);

Religious representation from Asian space

Holy Veronica; Veronica; Liber chronicarum. A flower celk with Saint Veronica, the woman who offered Jesus Christ a canvas to sweat sweat and blood from his face. The print is part of an album.

Boom with Thomas van Aquino (part bottom right), Anonymous, 1590 print The philosopher and theologian Thomas van Aquino is a tree at the bottom. On the tribe of the tree the crucified Christ. The branches of the tree represent the three parts of Aquinos 'Summa Theologiae'. At the top of the middle God the Father and the Holy Spirit as a pigeon. At the top left and top right a coat of arms. print maker: Italypublisher: RomeVaticaanstadItaly paper etching Christian doctrine. the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast). Christ crucified on a tree or on a vine

Israelites come to Jordan river. unknown c. 1560-1600 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. In landscape, priests, carrying ark, leading the march, as Israelites leave their camp to cross Jordan river (Joshua 3-4) Borders missing. No French & Co. stock sheet in archive, no stock number

Mecca and Medina, Anonymous

Greeting letter with Circumcision of Christ. Greeting letter with described cartouche within a decorative frame with a presentation of the Circumcision of Christ. Handwritten message in calligraphy (Christmas letter) by Abram Jans to his father and mother. Numbered at the top right: N. 2.

First day of creation: separation of light and darkness, 1646 print God floats on a cloud in the form of a tetragram: above him there is light, under him darkness. On the first day of creation, God created light and darkness. Under the performance a reference in Latin to the Bible text in Gen. 1: 3. This print is part of an album. paper engraving division of light and darkness. tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Sampler, Sarah Borley, Medium: silk, paper Technique: satin, chain and back stitches, Medallion, sprays of flowers and illustration of the church in Great Bookham (considered to be one of the most interesting churches in Surrey), Great Bookham, Surrey, England, 1826, embroidery & stitching, Sampler

Benedictine monastery, milk: detail (from: sketch and photo album 21)

Design for Gas? Lights for a Church ca. 1880 Richardson Ellson & Co.. Design for Gas? Lights for a Church 386750

American 20th Century, San Luis Obispo Mission Altar Tabernacle From the portfolio Decorative Art of Spanish California, 1935 1942 San Luis Obispo Mission Altar Tabernacle From the portfolio Decorative Art of Spanish California

Sacrifice from which smoke rises, 1822 Page 49 Recto from a sketchbook with 94 sheets. paper. pencil. ink pen sacrifice ~ Greek religion

Excluded a medallion with an eagle from the tombstone of Zygmunt August in the Zygmuntów chapel in the Wawel cathedral. Board from the unpublished portfolio Eagles Łepkowski, Ludwik (1829 1905), Cercha, Stanisław (1867 1919)

Portugal/India: 'The Banner of the Spanish Inquisition' (left) and 'The Banner of the Inquisition in Goa', engraving, Bernard Picart (1673 - 1733), 1722

Stüler August (1800-1865), Church in Schirwindt (approx. 1845): Chor window. Ink, pencil watercolored on paper, 46.1 x 31.9 cm (including scan edges) Stüler Friedrich August (1800-1865): Kirche, Schirwindt

Flag of Russia, Anonymous, 1667 - 1670 drawing Flag of the Empire Russia. White flag with a double -headed eagle under a crown, within a laurel wreath, in the legs a banderole with the motto 'Virtute Supero'. Flag on flagsteng and mast foot. Shown on folio 62r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) pen / brush flag, colours (as symbol of the state, etc.) Russia

Two cartel clocks with winged figure and chickens; Cahier the Six penduishes and cartels. Designs for two cartel clocks. The clock on the left is worn by a winged figure whose legs in leaves are overflowing. Two chickens flank the right bell.

In Guadalcanal Chapel. This image depicts Christian and native symbolism in Guadalcanal Memorial Chapel, constructed in the memory of American casualties on Guadalcanal, drawn by Coast Guard Combat Artist John Floyd Morris.

Juanita Donahoo, Crucifix, c 1936 Crucifix

Portrait of Monsignor Georges Darboy, Archbishop of Paris. Part of Memorial Album of Roman Catholic clergymen cases during the Commune of Paris.

Saint Mary (the Blessed Virgin). Engraving.

Fragment of a small painting: part Christ's nimbus and a fragment of the characters and anachorets of molasses (with number 234035 MNW); approx. 1005-1036 (1005-00-00-1036-00-00);Faras (Sudan), Jesus Christ, anachoreci, inscriptions, wall paintings, Polish excavations in Faras (Sudan)

American 20th Century, Plate 2 Jemez Book of Baptisms From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 2: Jemez Book of Baptisms: From Portfolio Spanish Colonial Designs of New Mexico

Netherlands, Weissenbruch, Isaac, Vignette with the arms of Pope Pius IX, The arms of Pope Pius IX with the two keys of Saint Peter and the papal tiara, print, prints, height 71 mm, width 81 mm, 1826-08-27 - 1912-11-13, print maker, printmaker, 1846 - 1912, paper, papier, houtgravure

Three men, Mathieu Lauweriks, 1935 print Three standing men with pointed hats, possibly the three kings. The left man wears a sword and the right a staff. At the bottom four six -pointed stars. Japanese paper (handmade paper) standing figure. hacking and thrusting weapons: sword. sceptre, staff (symbol of sovereignty). head-gear: hat

Nuestra Señora de San Juan de los Lagos (Oracion) Our Lady of San Juan de los Lagos (Prayer). Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1890 - 1920. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Christian art and symbolism , Mexico

Gift of the late Earl of Mayo to the Rajah of Kuppoorthulla, 1872. 'The Rajah of Kuppoorthala, or Kapporthulla is an independent native Prince in the Punjaub, whose praiseworthy conduct as a ruler, and his faithful friendship with the British Indian Government, have frequently been commended...The late lamented Viceroy, the Earl of Mayo, having been hospitably and sumptuously entertained by the Maharajah, when on his returning journey from the Kangra Valley, a few weeks before his death, ordered a suitable gift to be prepared and sent to his Highness, as an acknowledgment of such princely beha

The triumphant Christ Child standing on the Jesuit monogram, above instruments of the Passion; surrounded by Cherubim. Engraving.

Zacharias sees the Menora, Jan Luyken, 1683 print Zacharias sees the Menora. Zechariah 4: 2. Amsterdam paper etching seven lamps ~ 'menorah'

ka, fragment of one of the quarters of the Olkusz polyptyk from the basilica Andrzej in Olkusz, presenting the birth of the Virgin Mary - view in a 1: 1 scale; Sztolcman, W Adys Aw Roman (1873-1950); 1914 (not after 20.10.1914) (1914-00-00-1914-00-00);

The big agenda / or resurrection of bells. (IT)

Nazi Youth Day symbol 1932

Handels item with caritas that holds three children, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print paper vignette. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

S. Teresa P. (Teresa of Avila). Czerski, Stanisław (1777-1833), graphic artist

This woodcut series by Erhard Schön from the 16th to 19th century depicts Christian and mythological scenes, combining religious iconography with classical mythology.

Nuestra Señora del Pilar, representación de la Virgen María que se apareció al apóstol San Jaime en Zaragoza sobre un pilar de piedra. Estampería popular del siglo XVIII, pintado a mano.

Saint Mary (the Blessed Virgin). Engraving.

Regalia of England #1, Heraldry - Emblems & Orders

Diamond with Divine Love, Anonymous, 1640 Oval diamond on which "the Divine Love" is a mother with four children, two of whom embrace each other. With inscription. glass. lead (metal). Oval diamond on which "the Divine Love" is a mother with four children, two of whom embrace each other. With inscription. glass. lead (metal).

Infu W. Otto, bishop of Bamberg; Lesser, Aleksander (1814-1884); 1845-1884 (1845-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Otton Z Bamberg (Saint - Ca 1060-1139), Otton from Bamberg (Saint - Ca 1060-1139) - iconography, 12th century, gift (provenance), clergy, infules, personalities, foreign personalities, outfits, clothing, clothing outfits

Case printing depicting orphans in the crown, against the background of the mother's shield Bosk, Against the background of the cross and text: Catholic Congress 1921 25 sq m in Warsaw; 1921 (1921-00-00-1921-00-00);

Christ in the pre-assigned; Qvæ Gessit Christvs Descendens Ad Infernos. After his death, Christ descends in the pre-borne. He reaches the gates of hell. At different elements from the show are letters that correspond to the legend in the margin.

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