Renaissance and Baroque Drawings

A series of intricate drawings from the Renaissance and Baroque periods, highlighting figures in classical attire and elaborate poses with a focus on drapery and proportion.

Seated woman of classical Rome - note the buttoned sleeve and the open-toe sandals

Sketch of two standing figures, Bartholomeus Spranger (school of), 1556, draughtsman: Bartholomeus Spranger, (school of), 1556, paper, h 177 mm × w 123 mm

Hercules Leaning on His Club recto. Dated: c. 1440. Dimensions: Overall (approximate): 28.1 x 16.2 cm (11 1/16 x 6 3/8 in.) support: 32.4 x 21.4 cm (12 3/4 x 8 7/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Parri Spinelli.

Fortitude, plate 36 from Genii and Virtues. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 × 100 mm (plate); 186 × 105 mm (sheet). Engraving in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Holy Jakobus the superior, monogrammist FP (Italy; 16th century), after Parmigianino, c. 1500 - c. 1599 print paper etching the apostle James the Great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword

Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory. Artist: Anonymous, French, 18th century. Dimensions: sheet: 4 3/8 x 6 in. (11.1 x 15.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Recto - Front. Beatrice Meeting Dante at a Marriage Feast, Denies him her Salutation - Study for Dante and his Friend, Cavalcanti, 1851. Artist: Dante Gabriel Rossetti

Anonymous / 'The Immaculate Conception'. XVII century. Blue wash, Pencil on yellow laid paper. Museum: Museo del Prado, Madrid, España.

The Mocking of Christ. Dated: 1852. Dimensions: sheet: 45.7 × 28.7 cm (18 × 11 5/16 in.). Medium: black chalk with white heightening on two joined pieces of blue paper, laid down. Museum: National Gallery of Art, Washington DC. Author: Victor-François-Eloi Biennourry.

Venus with a Dove ca. 1780 Nicolai Abraham Abildgaard Danish. Venus with a Dove 382504 Artist: Nicolai Abraham Abildgaard, Danish, Copenhangen 17431809 Frederiksdal, Venus with a Dove, ca. 1780, Graphite, pen and ink, sheet: 8 1/16 x 6 1/2 in. (20.5 x 16.5 cm). The Metropolitan Museum of Art, New York. Purchase, C. G. Boerner Gift, 2008 (2008.384)

LOS DOS JUANES - DIBUJO - SIGLO XVI. Author: ALONSO BERRUGUETE (1488-1561). Location: ACADEMIA DE SAN FERNANDO-DIBUJO. MADRID. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL. SAN JUAN BAUTISTA.

Standing Figure of Apollo with a Lyre. Artist: Paolo Gerolamo Piola (Italian, Genoa 1666-1724 Genoa). Dimensions: 11 1/8 x 5 11/16in. (28.2 x 14.4cm). Date: 1666-1724. Museum: Metropolitan Museum of Art, New York, USA.

Back View of a Woman with Child Looking Over Her Shoulder. Drawing. Gray ink with graphite and gray wash on medium, slightly textured, cream wove paper. Height: 152 mm (5.98 in); Width: 86 mm (3.38 in). Author: JOHN FLAXMAN.

The Holy Matthew, monogram miss FP (Italy; 16th century), after Parmigianino, c. 1500 - c. 1599 print Italy paper etching the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Eugenio Cajés / 'The Immaculate Conception'. Ca. 1628. Grey-brown wash, White lead, Black chalk, Squared-up on yellow paper. Museum: Museo del Prado, Madrid, España.

Study for a figure of Christ, c1555 (1958). Artist: Unknown

Sebastiano del Piombo, A Prophet Addressed by an Angel, 1517 1519 A Prophet Addressed by an Angel

Face, anonymous, 1600 - 1699 drawing paper brush predatory birds: eagle. adult woman. telescope. sight, looking (one of the five senses)

Bliżej Kultury Simmler, Józef (1823 1868)

Nemesis (part of themémis and nemesis)

Standing woman who takes care of her plants, Ferdinand Roybet, 1850 - 1920 drawing paper. pencil standing figure - AA - female human figure. potted plants

An ink drawing of a woman in costume from Italy, created by Donna Milanese and Stewart Watson, fl. 1843-1847. The artwork dates to 1840 and relates to the theme of Grand tours in education, depicting women's clothing and dress in Italy from 1300 to 1399

Master ES, The Letter Y, 1467 The Letter Y

Hans Baldung Grien, Saint Andrew, 1519 Saint Andrew

Ecstasy of a Female Saint. Possibly Domenico Piola (Italian, 1627-1703); or Bartolomeo Guidobono (Italian, 1654-1709); or Giovanni Francesco Romanelli (Italian, 1610-1662). Date: 1647-1703. Dimensions: 405 x 255 mm. Brush and brown wash, over black chalk, on ivory laid paper, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A clay figure of an intersex person revealing their genital area (Hermaphroditos anasyromenos). Watercolour.

Canopy project representing a saint Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing in Saint. Pencil.

Orth August (1828-1901), Zionskirche, Berlin. () Glass window (approx. 1871): View. Material/technology N.N. Captured, 263.3 x 99.1 cm (including scan edges)

Virgin and child in glory, Paolo de Mattheis, Italian, 1662 - 1728, Pen and brown ink, gray wash, squared in brown ink, laid down, Upper left, Virgin and child surrounded by putti reach out to bless donor kneeling at lower right., Italy, Italy, ca. 1600-1700, figures, Drawing, Drawing

Justicia (Justice). Dated: c. 1465. Dimensions: sheet: 17.9 x 10 cm (7 1/16 x 3 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

Saint Lawrence in Glory 1657-1724 Italy. Brush and brown wash, heightened with lead white (partially oxidized), over black chalk, on brown laid paper . Sigismondo Caula

Standing man with loincloth, Erhard Schön, 1500 - 1600 drawing Man holds a Breidel with his right hand. paper. ink pen standing figure

Master of the E Series Tarocchi, Polimnia (Polyhymnia), c 1465 Polimnia (Polyhymnia)

Pen and ink drawing of Domitian by an anonymous artist, enhanced with lavation.

Francisco Bayeu / 'Franciscan Saint'. XVIII century. White chalk, Red chalk on brown paper. Museum: Museo del Prado, Madrid, España.

Study for the St Bernard Figure, by Lippi Filippino, 15th Century, metal point with white lead on pink treated paper. Italy, Tuscany, Florence, Uffizi Gallery. Whole artwork. Man St Bernard tunic: habit highlights.

Female personification of Faith who kneels raising a chalice in her left hand, after Parmigianino ca. 1520-60 Anonymous, Italian, 16th century Italian. Female personification of Faith who kneels raising a chalice in her left hand, after Parmigianino 397293

Canopy project representing Tobie Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing Tobie. Pencil.

Drawing, Study for "Scientific Group"; Daniel Huntington (American, 1816-1906); United Kingdom; graphite on lined blue laid paper; 30.6 x 19.8 cm (12 1/16 x 7 13/16 in.); Bequest of Erskine Hewitt; 1942-50-258

José del Castillo / 'Allegory of Chastity'. 1771. White chalk, Black chalk on grey laid paper. Museum: Museo del Prado, Madrid, España.

Black Cat Cigarettes, Propaganda card titled 'Christendom after Twenty Centuries' by Louis Raemaekers (1869-1956) a Dutch painter and editorial cartoonist. Dated 20th Century

Design for Dedication Page to Charles III of Spain and the Two Sicilies. Date/Period: Ca. 1762. Drawing. Pen and brown ink, brush and wash, black chalk on white laid paper. Height: 354 mm (13.93 in); Width: 245 mm (9.64 in). Author: Giovanni-Battista Tiepolo.

Left Foot, Simon Andreas Krausz, 1770 - 1825 painting linen (material). oil paint (paint) brush foot

Depiction of a Roman soldier sitting on a parapet asleep by an anonymous artist, executed with paint brush, showing figure, posture, and environment.

Study of a Woman Walking to the Right 1808-62 Wilhelm Schadow German. Study of a Woman Walking to the Right 383934 Artist: Wilhelm Schadow, German, Berlin 17881862 Dsseldorf, Study of a Woman Walking to the Right, 180862, Graphite, white chalk, on light brown paper, sheet: 13 3/4 x 10 9/16 in. (34.9 x 26.9 cm). The Metropolitan Museum of Art, New York. Purchase, Alain and Marie-Christine van den Broek d'Obrenan Gift, 2008 (2008.632)

'Virgin and Child with St John the evangelist'. The Netherlands. The Netherlands, Late 15th century. Dimensions: 22,4x15,9 cm. Museum: State Hermitage, St. Petersburg. Author: Rogier van der Weyden (follower of).

Feather drawing in gray by Annibale Carracci depicting Madonna with child as patron saint of Bologna on brown paper, created before 1593/94.

"Pencil and brown pen drawing by Johann Peter Nepomuk Geiger depicting a biblical scene with multiple figures, gestures, and spatial composition."

Angel on a cloud reading a book, draughtsman: Giuseppe Cesari, 1578 - 1640, paper, brush, h 312 mm × w 180 mm

Cartoon for St Simon, 1874. Ford Madox Brown (d.1893)

Drawing, Corner detail with partially nude male figure; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Engraver: Unknown, Tarocchi card with Apollo, E.Series, ca.1467, Engraving, sheet: 18.5 × 10.5 cm (7 5/16 × 4 1/8in.), Made in Italy, Italian, 15thcentury, Works on Paper -Prints

Young nobleman in a hubcap with feather. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Anonymous / 'Two Studies for Standing Figures'. Early XVII century. Pencil, Ink on laid paper. Museum: Museo del Prado, Madrid, España.

A Left Foot..

Depiction of John the Baptist by Lorenzo Costa, executed with pen and paintbrush on green-primed paper with white highlights.

Study for Portrait of a Man in an Arm Chair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands 1816-1826 Netherlands. Graphite tracing or drawing on paper . Christian Josi

Study ofdrapery. Artist, attributed to: Jacob Jordaens, Flemish, 1593-1678

The Tiburtine Sibyl, 1875. Artist: Edward Burne-Jones

Personification of the bottom up, Frans Louis Stracké, c. 1800 - c. 1900 drawing paper. deck paint. pencil Symbolic Representations, Allegories and Emblems ~ Education; 'Teaching', doctrine ',' education ',' Establishment '(Ripa)

Sketch of a statue of H. Joris. Draughtsman: Jacob Maris. Dating: 1847 - 1899. Measurements: h 123 mm × w 75 mm. Museum: Rijksmuseum, Amsterdam.

Two Hermes from Hercules; Hermen (copies). Two Hermen (square pillar with human bust or upper body) from Hercules. The left has the upper body and genitals of Hercules, the lion skin with head and paws over his head and shoulders. The judge has the upper body of Hercules with his knots in hand. The Hermes are on an increase with a two-legged text in Latin.

Paolo Caliari's drawing shows an allegorical female figure, executed with brown pen and washes, white highlights, on blue-tinted paper, dated 1555-1565.

Cupid delivering Psyche - Drapery Study for Psyche, 1865-66. Artist: Edward Burne-Jones

Beggar Woman Leaning on a Stick. Dated: 1628/1630. Dimensions: Overall: 13.4 x 11.9 cm (5 1/4 x 4 11/16 in.) support: 20 x 17.6 cm (7 7/8 x 6 15/16 in.). Medium: brush and brown wash on laid paper, on Richardson album sheet. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Lazio Roma Rome SS. Giovanni e Paolo7. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

An anonymous pen drawing showing two figures in coats, one kneeling and the other sitting.

Vignet with minerva, sitting in the clouds.

A feather drawing on brownish paper by an anonymous artist depicting King Midas, with violet lavation, white highlights, oxidation, and cross-knick marks.

Standing Youth Leaning on a Long Staff (recto); Seated Man (verso). Artist: attributed to Domenico Veneziano (Italian, active by 1438-died 1461 Florence). Dimensions: 8-5/16 x 4-5/16 in. (21.1 x 11.0 cm). Date: 1438-61. Museum: Metropolitan Museum of Art, New York, USA.

Albert-Ernest Carrier-Belleuse, Drawing for a Projected Monument to Jean-Jacques Rousseau, 1875, Black and white chalk on brown heavyweight wove paper.

Anonymous / 'The Divine Shepherdess / Boy Standing, with a Disc or Sphere'. XVIII century. Red chalk on grey laid paper. Museum: Museo del Prado, Madrid, España.

Saints Peter andJohn. Artist: Sigismondo Caula, Italian, 1637-1724 Artist, formerly attributed to: Bagnacavallo (Bartolomeo Ramenghi), Italian, 1484-1542 Artist, formerly attributed to as the Style of: Giulio Pippi, called Giulio Romano, Italian, ca. 1499-1546

John Downman, 1750-1824, British, Robert, Duke of Normandy, 1779. Black chalk with stumping and graphite on thin, smooth, beige wove paper.

Statue of William, Duke of Normandy. John Sell Cotman (England, Norwich, 1782-1842). England, 1822. Prints; etchings. Etching

Female nude sculptural figure shown from the back. The right leg is shown down to the knee. The left leg is shorter in length and broken irregularly. A wedge, possibly a fragment of the sculpture, connects the leg with a square block. The reverse is not grounded. Silverpoint, heightened with brush and white gouache on laid paper mounted on laid paper. Date: ca. 1475. Museum: Cooper Hewitt, Smithsonian Design Museum.

Woman Sewing in a Doorway (Victoria Lodging House Guestrow), William Smith (Aberdeen, Scotland, 1865 - 1941)

Bernardino India (Attributed to) / 'Studies of telamons and caryatids'. XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Verso/Back: Early compositional Study / Study for the Figure of Milton and two Designs for Tombstones, 1845. Recto/Front: Chaucer at the Court of Edward III - Study, 1845. Ford Madox Brown.. Verso:. On the left is a full length figure of Milton standing with a staff in his right hand and a laurel wreath on his head.. On the right two designs for tombstones.. Recto: Geoffrey Chaucer stands at the top, on the left, reading from a lectern.. On the left John of Gaunt, in armour and being teased by a young boy, stands behind him.. Seated on the right with a beard is King Edward III and below him reclining is The Black Prince.. At the bottom are various other figures in medieval dress, five in a row on the right with a bishop and a faint figure just below them and seven on the left.. The scene is encapsulated by a trefoil arch in brown ink.

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, A crowning group similar to those in 1938-88-1302, 1938-88-1311, 1938-88-1318. The medallion with the bust portrait is supported jointly by the women and the angel. At right stands the eagle. Crouching outside are at left the bull and at right the lion., Rome, Italy, 1793, architecture, Drawing, Drawing

St. Augustine of Hippo - 17th century - 38x17 cm - oil on panel. Author: PEDRO PABLO RUBENS (1577-1640). Location: ASHMOLEAN MUSEUM. OXFORD. ENGLAND. SAN AGUSTIN (354-430).

Canopy project representing the Assumption Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the Assumption. Pencil on layer.

Apollo, Marsyas, and Midas 16th century Anonymous, Netherlandish, 16th century Netherlandish. Apollo, Marsyas, and Midas 335503

Maria with child surrounded by Putti, Hermanus Johannes van den Hout, after Guido Reni, 1823 - 1869 print Two putti hold a halo above Maria's head. Christ raises his right arm. Study of a detail from a painting by Guido Reni. Netherlands paper Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). cupids: 'amores', 'amoretti', 'putti'

Jean Auguste Dominique Ingres (1780-1867). "Study for the portrait of Madame Devaucey". Pencil and feather raises on very light paper connected in the middle, 19th century. Museum of Fine Arts of the City of Paris, Petit Palais. 52019-2 Pencil, study, paper, portrait, rejoit, pen

The Virgin with the Child. Nino Pisano marble sculpture, Pisa. Tuscany, Italy. Europe. Drawing by Chapuis. Travel through Tuscany 1881 by Eugene Muntz (1845 - 1902) Le Tour du Monde 1886

Heinrich II, King of France.

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, A: The Virgin stands in front of a high and large throne, the seat of which is covered with a cloth. She is seen from the front, carrying in her right arm the Child, and in her left lowered hand a book. B: The motif of the group is variated, in opposite direction. The Child puts his right arm around the neck of the Virgin. Below, at right, a helmet. The background is shaped like a niche, the upper part of which is like the sun with rays. Framing line., Rome, Italy, 1820-1850, Drawing, Drawing

Studie voor een mansportret. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1610 - 1630. Place: Verona. Measurements: h 267 mm × w 172 mm. Museum: Rijksmuseum, Amsterdam.

Perugia (Umbria - PG), Major Fountain in Piazza IV Novembre, Nicola and Giovanni Pisano, tiles. In each compartment there are two tiles. The Dialectic

Man with ax, Sébastien Leclerc (I), 1706 print print maker: Francepublisher: Paris paper etching adult man. tools, aids, implements ~ crafts and industries: axe

Standing man pointing to the right point to the back, Sébastien Leclerc (I), 1706 print print maker: Francepublisher: Paris paper etching adult man

Men climbing a large cliff to reach the fortress on top. Watercolour by an Iranian painter ().

Standing man with staff, to the left, Johan Hendrik Koelman, 1830 - 1887, paper, pencil, chalk, h 281 mm × w 222 mm

Fresco Depicting Draped Female Holding an Orb and a Wand. Unknown 1st century A.D.

Daniel-Dupuis. "The nest". Plaster. Paris, Carnavalet museum. Female allegory, allegorical figure

Seven detailed hand studies by Raffaellino del Garbo showing hands in various poses, executed in silver pencil with brown spring reinforcements, white highlights on gray-brown prepared paper, circa 1500-1510.

Annibale Carracci / 'The Apotheosis of the Apostle James'. Second half of the XVI century. Fresco painting on mural transferred to canvas. Museum: Museo del Prado, Madrid, España.

of 3