Renaissance Decorative Prints

Ornamental prints featuring mythological figures, dolphins, and grotesques, showcasing intricate designs and engravings from the 16th and 17th centuries.

Pendant which a goddess with laurel, Anonymous, Hans Collaert (I), Philips Galle, 1581

Letter S.letter S against a background with braid and terms.

Dagger Sheath with a Landsknecht. Jacob Binck; German, c.1500-1569. Date: 1563-1575. Dimensions: 163 x 36 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Umbria Terni Amelia Palazzo Petrignani6. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Strapwork Grotesque with Scene from Ovid; Engraved by Pieter van der Heyden; Workshop of Hieronymus Cock (Netherlandish, ca. 1510 - 1570); After Jacob Floris the Elder (Flemish, 1524 - 1581); Netherlands; engraving on laid paper; 10.4 × 13.8 cm (4 1/8 × 5 7/16 in.)

Ornamental Panel ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Arabesque Panel, from 'Recueil d'Ornemens à l'usage des jeunes artistes', Gilles Paul Cauvet, French, 1731-1788, Mme. Dabry, Crayon-manner etching on white laid paper, Paris, France, France, 1777, ornament, Print, Print

Cross-Shaped Pendant Design with Hope Standing in a Circular Temple before 1573 Jan Collaert I Netherlandish Vertical panel with a cross-shaped pendant design at center, decorated with the personification of Hope standing in a circular temple at the center of the vertical arm. Surrounding this scene is a flower-arabesque pattern inhabited by insects, including a butterfly at top. The ornament hangs from a ribbon and has three pearls descending from the lower arms. At bottom left and right, axe-shaped ornaments that may have been designs for earrings or buttons. From a set of ten plates with pendant designs, five of which show deities in niches. Four designs in the series are decorated exclusively with ornate flower-arabesques and are most likely designs for pendant versos. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573. Jan Collaert I produced several series of plates with pendant designs, a practice continued by his son, Adriaen Collaert.

Watch cover with standing goddess with helmet and lance; Two watch covers; Small ornament with gods (). One of two blades with oval medallions with a mythological figure in a frame of leaf raft and grotesken. Shaded background.

Ornamental Design with a Bat in the Center 1550 Heinrich Aldegrever German Ornament panel design with a bat at center, a trophy above, and a shell at the bottom. Flanking the trophy are two satyrs holding dragonflies.. Ornamental Design with a Bat in the Center 422731

Panel with the Element Earth, Daniël Marot (I), 1712 print In the middle of the top is a crowned cartouche with the Monogram RWR (William Rex), a cartouche with Ceres on her car in a landscape with a house (Het Loo) In the background at the bottom. From series of 6 sheets, including 4 sheets with the four elements and two sheets on which there are two vertical panels each. print maker: Netherlands (possibly)after own design by: Netherlandspublisher: Amsterdam paper etching vase ~ ornament. ornament ~ grotesque. earth (one of the four elements). (story of) Ceres (Demeter)

Aldegrever, Heinrich, Germany, Frisian with foliate scrolls, verso bottom center - handwritten, Frisian with foliate scrolls that end in a volute., print, ornamental print, prints, 9, height 22 mm, width 67 mm, German, 1502 - 1561, print maker, printmaker, 1512 - 1560, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Depicts a double cup (Doppelbecher), created by Sebald Beham in 1531 as a copper engraving. The work emphasizes ornamentation and vessel form.

Design for a frame for the portrait of Armand Guéraud 1862 Charles Meryon French. Design for a frame for the portrait of Armand Guéraud 378020

Two Candelabers with Rollerk, 1567 print On the left a caratide on her head a structure of rolling work with a vase full of fruits and flowers. On the right a Herme and above it a cartouche with a fish on which a garland hangs. Shaded background. Belongs to series of 14 magazines cartouches with rolling work, grotesken, trophies and Frisians. The title page is missing. Netherlands (possibly) paper engraving

a design by, Publication (Event), Publication, publisher, publisher" Italy, Italy, Candelabrum with a child at the bottom, Candelabrum, consisting of a child between leaf tendrils, vases, two griffins and a two-headed eagle., print, ornamental print, prints, ornamental prints, height 173 mm, width 72 mm, print maker, printmaker, 1500 - 1600, 16th century, paper, engraving, engraving (printing process), Work conception, after a design by

Ornamental Design for Knife Handle with Fire, from The Four Elements. Johann Theodor de Bry; German, 1561-1623. Date: 1585-1595. Dimensions: 90 × 22 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Dagger Sheath with a Landsknecht Printed 1563-1575 Germany. Prints intended to inspire gold-, silver-, and metalsmiths were sometimes produced in the shape of the objects they were meant to decorate. These designs offer foliate details and appropriate figural vignettes for knives and dagger sheaths like the ones seen in the Aldegrever prints above this case. The Landsknecht on this particular sheath does not wear a dagger, only his Katzbalger sword.. Engraving in black on ivory laid paper . Jacob Binck

Leeuw met een vaandel / Roofvogel bij zijn nest; Ascendit in Ludibrio / In Virtute Tua; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above a lion with a lance and banner with IHSV (in Hoc Signo Vinces). The lion is on weaponry. Under a bird of prey at a nest with branches and stones.

Thalia in rollerwork frame; Nine muses.

Fragment of an aurifries, with embroidery of gold thread and silk ,, c. 1550 Fragment of an aurifries, with embroidery. The fragment has a medallion within a wide edge in which an image of "the flight to Egypt". Above the medallion, a Renaissance ornament of a vase with flowers is embroidered. The fragment includes an excerpt with invnr. BK-NM-11712-A. Low Countries silk. embroidering Fragment of an aurifries, with embroidery. The fragment has a medallion within a wide edge in which an image of "the flight to Egypt". Above the medallion, a Renaissance ornament of a vase with flowers is embroidered. The fragment includes an excerpt with invnr. BK-NM-11712-A. Low Countries silk. embroidering

Chair panel early 18th century Style of Daniel Marot the Elder French. Chair panel 227005

Vignette with a child and a lines; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1532 (1st edition) (1532-00-00-1561-00-00);

Title sheet of series flat decorations with personifications of the five senses; Persons of the five senses surrounded by grotesken with animals and fruits. Cartouche with text, flanked by two female herman and fruit roses. Shaded background. When series consisting of a title page and 5 sheets with flat decorations.

Lazio Viterbo Bagnaia Villa Lante99. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design by Aldegräver; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 14.2 x 4 cm (5 9,16 x 1 9,16 in.)

Design for a Banknote, Charles Percier, French, 1764-1838, Black crayon, pen and ink, brush and bistre wash on light brown paper, Five classicizing figures stand around a central crowned emblem with an eagle in the center and a stylized vegetal border. The figures hold attributes including a cornicopia, laurel branch, and winged Victory., France, ca. 1815, Drawing, Drawing

Etching by Augustin Hirschvogel depicting an ornamental strip, created in 1543, showing decorative motifs, composition, and design patterns.

Salvator, leaf from the consequence of Godfather, Adam and Eva with rich framing. .

Master bg (German, active c. 1470-1490), Arms of Rohrbach and Holzhausen, c. 1480-1490, engraving

Amsterdam, Marot, Daniël (I), Netherlands, Second Liure d'Ornements, Two vertical panels, On the panel on the left is a dancing zephyr under a dome at the top, on the panel on the right are three putti on a cloud. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 275 mm, width 184 mm, 1663 - 1752-06-04, print maker, 1712 - 1712, first quarter 18th century, paper, etching, Work conception, to own design of, Publication (Event), Publication, publisher

Two grotesque designs: panels in frameworks next to each other, on the left, under the canopy, a medallion featuring Athene enthroned. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Banknote motif: the number 1 against an oval of woven lathe work, inside a rectangle decorated with grain. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 3 1/8 x 1 5/16 in. (7.9 x 3.3 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Etienne Delaune, Hercules Hercules

The coat of arms of the Behaim family (Bartsch app 57) Beham, Hans Seald. The coat of arms of the Behaim family (Bartsch app 57). 1515-1520.

Design for a sheath with a banner carrier. Design for a dull sheath. The lower part is decorated with a candelabé, consisting of leaf raft and a squatted Sater with a bokkop. Above a standard bearer.

Design for a dagger sheath, Monogrammist AS (15th century), 1400 - 1500, draughtsman: Monogrammist AS (15e eeuw), 1400 - 1500, paper, pen, brush, h 154 mm × w 43 mm

Basilicata Matera Matera Duomo35. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ceiling, from 'Desseins de Plaphons', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1650, Print, Print

Jager met lange stok; Vlakdecoraties met jachtscènes.Hunter in ornamental frame of leaf raft and animals on dark fond of stylized leaf refines with a dog, a rabbit and birds. Second edition.

Heinrich, Count in the Ardennes, Duke of Bavaria.

Warsaw. A bas -relief with the image of Adam Naruszewicz from the facade of the Czapski Palace, Krakowskie Przedmieście, the corner of Traugutt; Bułhak, Jan (1876-1950); 1921 (1921-00-00-1921-00-00);

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slick with vases, birds and arabesks. On the right a candle slick with arabesks, birds, vases and dolphins. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Heinrich Aldegrever, Ornament, 1552 Ornament

Southern Netherlands, Frame with the Ascension of Christ, verso - stamped, A frame with the Ascension of Christ. In the middle below the imprints of his feet in the ground. In the middle above, Christ disappears into a cloud. Two angels point to symbols of Peter and the papacy. On the left, a fishing boat and two fish. On the right the keys of Peter under a church canopy., print, prent, prints, prenten, height 306 mm, width 206 mm, print maker, prentmaker, 1650 - 1750, paper, papier, engraving, engraving (printing process)

Umbria Terni Terni Palazzo Spada4. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament with putti. A large plot of leaf drinks between which eleven putti is located, spreads from the lower right corner over the magazine.

Title sheet of series of flat decorations with personifications of the five senses, 1563 - 1633 print Cartouche with text, flanked by two female hermes and fruit bunches. Shaded background. Belongs to series consisting of a title page and 5 sheets with flat decorations. paper engraving the (five) senses

Vastenavond vreugdekrans en toneelstuk, 1720; Vasten avonds vreugde krans en tooneel stuk; Het Groote Tafereel der Dwaasheid.Fastening breeze and play. Central performance in which Cupido Pan (or Marsyas) learns to play the flute, a naked Nymph in the background. Here the show should be interpreted as John Law who has discontinued his mask and if the god of the wind trade is recommended by the good mind from the wind trade. The Nymph then has to imagine Mrs. Law. In a separately printed frame with dwarfs, musical instruments and food that refer to fast. With different verses. Print 62 in the series The great scene of foolishness with cartrots at the 1820 wind trade or action trade.

Zoan Andrea (Italian, active c. 1475-1519), Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving

Oak branch French first quarter 18th century View more. Oak branch. French. first quarter 18th century. Gilt bronze. Metalwork-Gilt Bronze

Design for Knife Handles with an Armed Woman and Susanna and the Elders, from Mansches de Coutiaus. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 5 3/16 × 4 1/16 in. (13.1 × 10.3 cm). Date: 1580-1600.Panel with two knife handles, both with ovals at center, with an armed female figure at left and Susanna and the Elders on blackwork backgrounds with ornamental design. From a series of twelve plates. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Bagnaia Villa Lante11. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

De Schandal, Etienne Delaune, 1528 - 1583 print Both Adam and Eva are kneeling on a volute, with a stick on which a banner hangs. They reach for the apples on the tree in the middle. From series of 6 magazines. France (possibly) paper engraving

Drawing, Design for a Door Plate; Italy; pen and ink, brush and wash on paper

Sierkan ..

Vignette with the coat of arms of the city of Haarlem, Anonymous, 1600 - 1699 print The coat of arms of the city of Haarlem with a tree. paper vignette. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Zacharias Heyns, 1607. With large emblematic device with coat-of-arms of Haarlem on title, the title page of De Witte Lavender. It depicts various badges and emblems associated with the Brabantsche Rederijkerskamer te Amsterdam.

Relief on the races of the Limoges cathedral, c. 1875 - c. 1900 photograph Francepublisher: Paris cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). rood-screen, choir-screen; iconostasis. fantasy ornament. cupids: 'amores', 'amoretti', 'putti' Limoges Cathedral

Pendulum In the form of a rectangular urn, Anonymous, Daniël Marot (I), After 1706 - Before 1800 print Pendulum in the form of a rectangular urn with a lid supported by two female terms. The pendulum is surrounded by ornamental frames, two dials and two watch cabinets. Copy of page 2 from the Nouveaux Liure de Boïtes de Pendulles series, published by Daniel Marot around 1706. Netherlands (possibly) paper etching

Panel with Grotesque Candelabrum Containing a Mask, a Couple of Tritons and Two Children. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 2 11/16 × 2 in. (6.8 × 5.1 cm). Date: 1549.Ornamental design with mask, flanked by two peasants and two goat's heads above. At bottom, two tritons carry two children or putti. Museum: Metropolitan Museum of Art, New York, USA.

Letter c.letter C against a background with braid and a portrait medallion.

unknown, Passe, Simon van de, Coat of arms of Frederick V, verso - stamped, Medallion with the coat of arms of Frederick V, below it his motto in Latin. On the obverse of the medal the family portrait of Frederick V, his wife Elisabeth Stuart and their son Prince Frederick Henry of the Palatinate., print, prent, prints, engravings, height 62 mm, width 48 mm, Noord-Nederlands, 1595 - 1647-05-06, print maker, printmaker, 1604 - 1647, paper, papier, engraving, engraving (printing process)

Willem Carel Hendrik Friso, Prince d'Orange & Nassou, 1725 - 1780 print Portrait of William IV on horseback in a landscape with a tree on the left and a coat of arms on the right. The show is caught in a decorative frame with tendrils, fruits, coats of arms, putti and sphinxes. Numbered at the top right: 5. paper letterpress printing armorial bearing, heraldry. trees. floral interlace ~ ornament. equestrian state-portrait

Aldegrever, Heinrich, Germany, Flat decoration with foliate tendrils and grotesques, verso bottom center - handwritten, Fall decoration with ordered foliate tendrils that rise symmetrically from the lower body of a satyr. In the middle a mask., print, emboss, ornamental print, prints, 26, height 139 mm, width 44 mm, German, 1502 - 1561, print maker, printmaker, 1552 - 1552, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Two scenes from the first crusade, Dominique Sornique (Attributed to), 1729 - 1733 print Paris paper engraving / etching militant proselytizing: religious war, crusade, etc.. knight. walls ~ fortified city

Twee draken door vuur verdelgd / Vier dieren die van het Donker houden; Wicked shall perish / loved darkness rather that the light; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Above two dragons. Fire drops on them from the sky. Below four animals that love the dark: a bat, owl, pad and sea monster.

Textile Fragment 4th century. Textile Fragment 443400

Oval with ornamental tendrils and leafy vines. At top is Neptune., Oval with the element water Ovals with the four elements (series title), print maker: Hans Janssen, (mentioned on object), Hans Janssen, publisher: Hans Janssen, (possibly), Amsterdam, (possibly), 1615 - c. 1630, paper, etching, h 118 mm × w 79 mm

unknown, Paris, Mariette, Pierre (II), France, Lepautre, Jean, Frises ou Montans a la moderne seruans pour l'Utilité des Lambris, Panel with a bust of a woman in niche, Left panel of sheet 3., print, ornamental print, prints, ornamental prints, height 220 mm, width 77 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1657, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, granter of privilege

Print, Ornamenti o Grottesche (Grotesque Ornament); Designed by Stefano della Bella (Italian, 1610-1664); Italy; etching on laid paper

Aldegrever, Heinrich, Germany, Flat decoration with grotesques, verso bottom center - handwritten, Flat decoration with bottom center a crouching female satyr with an owl and a bird on her arm. On either side two herms standing in vases. Behind the satyr's back are crossed a spinning wheel and a broom. The herms each carry a woman with a spinning wheel on their heads., print, engraving, ornament print, prints, engravings, 23, height 68 mm, width 49 mm, German, 1502 - 1561, print maker, printmaker, 1549 - 1549, second quarter 16th century, paper, engraving (printing process), Work conception, after own design by

Panel with skull in medallion; Vignettes.vignet. Two kneeling putti holds a garland between which is a scales and a radiant sun. The whole is surrounded by an edge of bay leaves. One of 18 sheets.

Arcades with Riders in Fantastic Thickets. Culture: South Netherlandish. Dimensions: Overall: 101 x 76 1/2in. (256.5 x 194.3cm). Date: ca. 1520-50. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with the Christian religion in the middle, triumphing about death, c. 1589 - c. 1590 print Between the cartouches there are a kind of griffins two by two in the rolling work. One of 3 sheets from a series of 4 Frisians with a whole cartouche in the middle and two half cartouches on both ends paper engraving Allegorical representation ~ Religion; 'Religion' 'religion of SS. Maurice e Lazarus '' Religion True Christian "(Ripa)

Bound Drawing, Brackets and a Column Capital with Eagles, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango); Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on cream laid paper; 1977-110-4-4

Design for a Processional Staff, Black chalk, brush and watercolor on paper, Beveled lower edges. The staff has a capital consisting of acanthus calyx and a pedestal. It is marked AB. Above stands an oval frame with acanthus leaves and lily sprays laterally, with a palmette on top. The Immaculate Conception is represented. A glory of rays is outside., Italy, 1750-1775, ornament, Drawing, Drawing

Talbot's Rose: A Record of the Knights of the Garter, 1486-1589. Dated: 1589. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jodocus Hondius I after Thomas Talbot.

Piece. Culture: French. Dimensions: L. 4 x W. 5 1/4 inches (10.2 x 13.3 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Caprarola S. Maria della Consolazione0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, coffering, woodworking, intaglio, fresco painting, painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for Door and Adjoining Wall Panel Decorations, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Rectangular panels with classical motifs including rinceaux, columns, urns, and swags. The overdoor features the Virgin on the Crescent () with a putto., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Blon, Michiel le, Goudweger en de Dood, verso - stamped, A gold weigher is startled by Death who has appeared at his table and fills his pot with gold coins. On the wall hangs the Bible reference Luke 12. The scene is set in an elegant frame with pilasters on either side. Various coins are depicted outside the frame., print, prent, prints, height 85 mm, width 163 mm, German, 1587-07-09 - 1656, print maker, printmaker, 1623 - 1623, paper, engraving, engraving (printing process)

Girandole with standing woman; A Cahier de Six Girandoles à l'Usage des Orfévres et des Freds; Oeuvres The Sculptures and Bronze, Contenant Girandoles, Flambeaux, Feux (...). An oramic three-armed girandole with a standing woman, grape drinks and a pine cone.

Print, Design for a Bowl, De Hoopman va Narheit, Le Capitaine des Follie (The King of Fools); Designed by Theodor de Bry (French, active Netherlands and Germany, 1528 - 1598); Netherlands; engraving on white laid paper; 12.5 x 10.5 cm (4 15/16 x 4 1/8 in.)

Ceiling; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. Square cartouche in a rolling frame of rollerwork with garlands of fruits. The four corners are decorated with mascarons in the form of a lion's head, which holds the ends of two fruits of fruits in its mush. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Page of the Codex Mendoza, Anonymous, 1750 - 1900 print Reproduction of Folio 2 of the Codex Mendoza, a sixteenth-century Aztec Codex. paper etching ancient American script (Maya, Aztec, Inca)

Blois, France, Vauquer, Jacques, Designs for goldsmiths, Medallion with flowers, tendrils and cherubs, Medallion from sheet 9 from the series Liures De Fleurs propres pour O'rfeures Et Graueurs., print, ornament print, prints, ornament prints, diameter 39 mm, French, 1621-10-11 - 1686-08-31, print maker, printmaker, 1631 - 1686, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Galerie d'Apollon. Édouard Baldus (French, born Germany, 1813 - 1889)

Carvings 1898, Middle East

Headband with Ram's Head Claude Mellan French. Headband with Ram's Head 393600

Project for a Doorknocker, Pen and ink, brush and wash on paper, Design for a doorknocker with mask and two entwined griffins sharing a pearl in their mouths., Italy, 18th century, ornament, Drawing, Drawing

David Barnaart vignette. A comb in a frame of objects. In the middle above the coat of arms of the city of Haarlem. In the middle of David Barnaart monogram.

Birago, Giampietrino, Italy, Ornament panels, Fragment of a candelabrum constructed from a lidded vase with foliate scrolls crowned with a breastplate and two children armed with sticks and shields, verso middle - stamped, print, ornament print, prints, height 299 mm, width 78 mm, Italian, print maker, printmaker, 1500 - 1500, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Woman dancing elegantly in front of a column, having dropped an instrument from her left hand. Perhaps the column indicates a theatre, or a festival to Bacchus or Ceres.

The International Exhibition: ornamental door by White and Parlby of Great Marlborough-street, 1862. '...a door, wrought in carton pierre...It is a work in the French Renaissance style, and is modelled with great care and beauty, the laurel branches and acanthus foliage being admirably managed. The general setting out of the work is also pleasing, which is of great importance in a work of this kind'. From "Illustrated London News", 1862.

Orphrey 15th-16th century Italian, possibly Florence. Orphrey 222610

Order Dell' Annunciata, Italy, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888 Issued by Kinney Brothers Tobacco Company Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.. Order Dell' Annunciata, Italy, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes. 1888. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Book of Job, Plate 14, When the Morning Stars Sang Together, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), Plate: 8 × 6 1/2 inches (20.3 × 16.5 cm), Image: 7 1/2 × 5 7/8 inches (19.1 × 14.9 cm), and Binding: 16 inches (40.6 cm)

Window with presentation and caption "Cornelis Dircksz. Kerckmeester, Anno 1696" in Kwabomsting., Anonymous, c. 1800 - c. 1900 Window with representation in kwabom frame. With caption "Cornelis Dircksz. Kerckmeester, Anno 1696". Note: In the middle diamond of the caption there are vague letters to see as if this is a mistake. Belongs to the same series as inv. Nos. BK-KOG-218, 219 and 224. From the Ned. Herv. Church in Twisk. glass. lead (metal). Window with representation in kwabom frame. With caption "Cornelis Dircksz. Kerckmeester, Anno 1696". Note: In the middle diamond of the caption there are vague letters to see as if this is a mistake. Belongs to the same series as inv. Nos. BK-KOG-218, 219 and 224. From the Ned. Herv. Church in Twisk. glass. lead (metal).

Armorial panel 1685 Swiss. Armorial panel 195337

Flavius Magnus, Roman senator of Narbo, later Consul of Rome, c.390-475. Byzantine Empire, 5th century. Le Consul Magnus. Empire de Bizance, Ve Siecle. Cabinet des Medailles, Bibliotheque Imperiale. Chromolithograph by Franz Kellerhoven after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

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