Renaissance Woodcuts

Woodcut prints illustrating religious and historical themes, highlighting the Northern Renaissance's distinct style with intricate detailing.

Germany, Cranach, Lucas (I), Passion of Christ, Flagellation of Christ, verso lower right - stamped, Christ is tied to a column and a soldier administers the blows with a rod. Two soldiers sit on the ground and both make a rod. At the back left, Pontius Pilate oversees the execution of his order. The electoral and ducal coats of arms of Saxony are depicted against the back wall of the room., print, engraving, book illustration, prints, engravings, verso lower left - stamped, height 247 mm, width 169 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1509 - 1509, first quarter 16th century, paper, woodcut

John of Prado, holy.

Jacob Cornelisz van Oostsanen, The Kiss of Judas, 1512 The Kiss of Judas

Hercules and Scipio led by Minerva on the path of virtue, Jan Harmensz. Muller, After Bartholomeus Spranger, 1589 - 1593 print Minerva, as a personification of virtue, leads Publius Cornelius Scipio Africanus and Hercules on the path of virtue to the temple of eternal fame. The sensible Cupido shows them the way. Drinking and lover -chosen people as the imagination of the vice, which is left behind by Scipio and Hercules. Amsterdam paper engraving (Story of) Minerva (Pallas, Athena). Hercules at the cross-roads, 'Hercular am scheidewege': The Choice of Hercules (+ Varariant). (Story of) P. Cornelius Scipio Africanus Minor (P. Cornelius Scipio Aemilaianus). (Story of) Cupid, Amor (Eros)

Joseph draws in a car throughout Egypt; History of Joseph. Joseph draws in a car throughout Egypt to check the storage of the grain in the seven good years.

The Crowning of Thorns. 1509. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Hell (copy) after 1511 After Hans Baldung (called Hans Baldung Grien) German. Hell (copy) 416712

A 16th-century copper engraving by Marcantonio Raimondi depicting a young mother with two men, highlighting human figures, gestures, and detailed composition.

Dirck Volckertz Coornhert after Maerten van Heemskerck, The Triumph of Christ, 1559 The Triumph of Christ

Book 2, Fable 20: Minos and death (Minos et la mort) 1719 Nicolas Henry Tardieu. Book 2, Fable 20: Minos and death (Minos et la mort). Fables Nouvelles. Nicolas Henry Tardieu (French, Paris 1674-1749 Paris). 1719. Etching and engraving. Prints

Frontispiece to Les Gardes Françaises 1632 Abraham Bosse French Drawing in graphite on verso of a standing figure.. Frontispiece to Les Gardes Françaises 387562

1515 woodcut by Albrecht Dürer showing the Spanish marriage of Philipps in 1496 on the honorary gate of Emperor Maximilian I, German edition, part of historical representations.

Lot and His Daughters Georg Pencz German. Lot and His Daughters 432093

Parable of the two shutters. The blind trainer walks into the water and also takes blind follower in his fall. Imagination of the proverb and the parable: If one blind leads the other, they both fall into a pit. Why the meaning is: when unavoidable advice other inconveniences, it goes wrong. Reference to matte. 15:14. In the background a house and two shutters that fall. Under the representation the scope of the proverb in a five-line verse; On the right in Latin and links in French.

Mercury with a bowl of chopped heads of animals; DELECTUS SOCIORUM. Mercury offers a nobleman a bowl of chopped animal heads. It's about heads of a duck, peacock, boar, buck and deer. Under the show the motto: Piece, Quos diligas. Page from an emblem book, to the fresh text in Latin.

The Prince at the Bird-Catching. Dated: 1514/1516. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Leonhard Beck.

The Triumph of Julius Caesar no.9 plus 2 columns. Dated: 1599. Medium: chiaroscuro woodcut. Museum: National Gallery of Art, Washington DC. Author: Andrea Andreani after Andrea Mantegna.

Copper engraving by Lucas Hugensz. van Leyden depicting a young man with eight armed figures, created around 1510.

Pieter Bruegel the Elder's copper engraving 'The Land of Milk and Honey' (c. 1570) depicts a detailed landscape illustrating agricultural abundance and rural life, reflecting 16th-century Flemish artistic style.

Gantz loblich Pfeiffen wir all drei avs der Mvsic: Schon Melodey. Dated: c. 1580. Medium: engraving touched with yellow watercolor. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Woodcut by Hans Schäufelin depicting a company of people gathered in a garden, created in 1541.

Graflegging van Christus, Andrea Mantegna (school of), after Andrea Mantegna, 1475 - 1480 print paper engraving Christ's entombment (possibly by angels)

On the right Hercules is taming a carnivorous horse of Diomedes. On the left Diomedes falls prey to his own horse, Hercules tames the horses of Diomedes Diomedem Regem cum equis (title on object) Herculian themes (series title), print maker: Simon Frisius, Antonio Tempesta, print maker: Northern Netherlands, Italy, 1610 - 1664, paper, etching, h 98 mm × w 142 mm

Charles V sets foot in Africa, Jacob Neefs, 1636 print Karel V gets off board and sets foot in Africa. The emperor grabs the personification of the continent Africa, accompanied by a lion by the arm. On the left a ship where a man is hoisted by a man with a crowned eagle on it. Imagination of the fight against the Turks and the conquest of Tunis in North Africa, 1535. Present on the front of the triumph gate Arcus Caroli on the Friday market. Print is part of a series that illustrates the edition of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Antwerp paper engraving Africa represented allegorically; 'Africa' (Ripa). beasts of prey, predatory animals: lion. prince. sailing-ship, sailing-boat. flag raising

Nuremberg, Baldung Grien, Hans, Sebastian being shot with arrows by executioner, verso lower left - stamped, Saint Sebastian is tied to a tree on the right and is being tortured by an executioner. He stands diagonally behind Sebastian and aims his bow and arrow at the saint. On the ground lies a quiver of arrows and the executioner has a supply of arrows tucked into his boot. The artist had to find a solution in the representation for the representation of Sebastian in frontal view and the shooting executioner who aims his arrows at the body., print, prints, height 232 mm, width 160 mm, German, 1484 - 1545-09, print maker, printmaker, 1505 - 1507, first quarter 16th century, paper, woodcut

Letter S in a frame with a representation of soldiers in a tent camp. .

Making skeletons music, Hans Holbein (II), 1538 print Skeletes play on musical instruments, they blow on trumpets, hitting drums and the left is even used a hurberer. In the margin above the print is the text gene VII. paper more than one musician with instrument. dance of Death; Death together with one or more human beings

Odysseus as a beggar at the door of his house; Les Travaux d'Ulysse; Odysseus works. Odysseus sits as a beggar under a tree for his palace on Ithaca. The print is part of an album.

Adam and Eva at work after the fall, Hans Holbein (II), 1538 print Adam works on the land with a team in his hand, next to him is death. Eva breastfeeds a child and she holds a spider skirts. In the margin above the print is the text Gen. Ii. paper Adam engaged in agricultural activities, Eve suckling the children. dance of Death; Death together with one or more human beings

Heinrich Aldegrever (German, 1502-1555-1561), Dancing Couple, 1551, engraving

The Power of Women: The Poet Virgil Suspended in a Basket, c. 1512. Lucas van Leyden (Dutch, 1494-1533). Woodcut;

The drunken tamboer. Drumbling with left foot on drum and in right hand can drink.

Illustration for 'History of the Night of Saint Bartolomew'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1799. Prints; etchings. Etching

Dido. 1521 - 1526. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Artist: Giovanni Andrea Vavassore, Italian, 1518-1572, Hercules and the NemeanLion, mid 16thcentury, Woodcut, sheet: 28.5 × 18.9 cm (11 1/4 × 7 7/16in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

Woodcut by Albrecht Altdorfer from around 1513 depicting Christ standing before Kaiphas, showing figures and spatial arrangement.

St Michael Fighting the Dragon, from The Apocalypse Made 1496-1498 Germany. Woodcut in black on buff laid paper . Albrecht Dürer

Farmer and Wife with Goose. Dated: c. 1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Wenzel von Olmutz after Master of the Housebook.

Fight between Hellebaardiers, Jost Amman, 1573 print print maker: Neurenbergpublisher: Frankfurt am Main paper warfare; military affairs. battle

Simson carries the gates of Gaza; History of Simson. Simson carries the gates of the city of Gaza on his shoulders. In the background Gaza with the open city gate.

David and Goliath. 1551. Lautensack, Hanns, approximately 1520 -1564 or 1566. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Pyramus and Thisbe. THISBE affects her beloved Pyramus dying next to a well. He has just put his sword in his own breast, after seeing her blooded cloak in the claws of a lion.

Il Carnevale Italiano Mascherato Oue si Veggono in Figura Varie Inuetione di capritii Fra(nces) Bert(ell) 1642 Francesco Bertelli Italian. Il Carnevale Italiano Mascherato Oue si Veggono in Figura Varie Inuetione di capritii Fra(nces) Bert(ell). Francesco Bertelli (Italian, active Padua, first half 17th century). 1642. Book with 24 engraved plates, including title page. Books

The Scourging of Christ (verso); The Israelites Enslaved in Egypt (recto), pages 70 and 69, from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 170 mm (image/block/sheet); 445 x 295 mm (album sheet). Woodcut on cream laid paper, laid down on ivory wove album sheet. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Sebald Beham, Return of the Prodigal Son Return of the Prodigal Son

Three Soldiers and a Dog Artist's working dates 1520-1550 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Ecce Homo, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Print at the top left of marked: FOLI 16.

Urged by Fürwittig, Theurerdanck Tries to Manipulate a Polishing Stone, from Theurerdanck. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Melchior Pfintzing (German). Dimensions: Sheet: 13 in. × 9 3/16 in. (33 × 23.3 cm). Publisher: Hans Schönsperger. Date: 1517. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Sebald Beham, Christ Crowned with Thorns Speaking with His Mother, 1519 Christ Crowned with Thorns Speaking with His Mother

This brown ink drawing by Hans Bol depicts the farewell to the lost son, created in 1588 with lavings.

Bribery by Anonymous artist, print, Private Collection, 27x20

Saturn; Bottoms of scales: landscapes with biblical and mythological representations. Saturn seated on a stone at the foot of a tree. He has his zeis in his hand. From series of 8 sheets

Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons, 1508 (copy) n.d. After Albrecht Dürer German. Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons, 1508 (copy) 387779

Arthur asks Brune to become a knight of the Round Table, after he has killed a lion with his bare hands.

The Company of Undertakers, William Hogarth, 1697-1764, British, 1736, Etching and engraving on wove paper, Sheet: 10 3/8 x 7in. (26.4 x 17.8cm)

Otniël en Ehud, Hans Collaert (I) (attributed to), after Jan Snellinck (I), 1585 print The judges Otniël and Ehud. In the background, Otniël conquers the city of Debir. Under the representation of Otniël an explanatory text in Latin, stating that he was given Achsa as a woman for this victory. On the right in the background, Ehud Koning Eglon of Moab kills him by putting a sword into the belly. Under the presentation of Ehud also an explanatory text in Latin. Antwerp paper engraving Othniel conquers Debir, and receives Caleb's daughter Achsah to wife. the left-handed Ehud stabs the fat Eglon with a dagger in the belly and kills him

Germany, Cranach, Lucas (I), Martyrdom of the Twelve Apostles, Martyrdom of Bartholomew as he is flayed alive, verso lower left - stamped, The apostle Bartholomew is tied up and flayed alive with knives at his martyrdom. Bystanders and soldiers with a spear and halberd look on. In the background is a gate with two putti on top holding shields with the electoral and ducal arms of Saxony., print, engraving, prints, engravings, height 162 mm, width 126 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1510 - 1514, first quarter 16th century, paper, woodcut

Hans Holbein the Youngers 'The Duke' (c.1525-1540) is a woodcut portraying a duke in formal attire, highlighting facial expression, posture, and symbolic elements of rank and authority.

Appearance of the Holy Hyacinthus of Poland prevents a murder, Anonymous (Possible), After Johann Sadeler (I), 1595 - 1600 print Two men with swords try to kill a man. The H. Hyacinthus of Poland appears in the air and prevents the murder. The print is part of an eighteen -part series that forms a frame around an image of the H. Hyacinthus van Polen. Venice paper engraving miraculous activities and events ~ St. Hyacinth. monk(s), friar(s). murder. vision

Tytus Manlius; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 16th century (1561-00-00-1561-00-00);

Woodcut by Albrecht Altdorfer from around 1513 depicting Christ accepting the cross, showing figures and gestures in composition.

Man transmits through alcoholism, Hans Sebald Beham, 1537 print paper engraving vomiting. farmers

Hercules, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

Outer ornamental is considered more important than inner well-being. Allegories about human care for the body and the neglect of the soul (series title) Animae incvria ob nimiam corporis Cvram (series title on object) Animae incuria ob nimiam corporis Curam (series title), The personification of the happy man (Homo Carnalis) crowns a donkey with a beautiful headdress. This donkey symbolizes his body (Caro). Behind him on a street corner stands a poorly dressed woman, the personification of the soul neglected by man (Anima). Print from a series of four prints about human care for the body and ignoring the soul. Each print with a caption in Latin, French and Dutch, ass, donkey (animals used symbolically), spirit (or soul) versus body, the soul during lifetime, Poverty, 'Povertà', 'Povertà del doni', 'Povertà in uno ch'habbia bell'ingegno' (Ripa), head-gear: hat (men's clothes), (personifications of) 'Vanitas', the vanity of human life, Fragilití humana, Fugacità delle grandezze & della g

William Hogarth, 1697-1764, British, The Company of Undertakers, 1736. Etching and engraving on wove paper.

Shepherd and Old Warrior Made 1517 Italy. Engraving, on paper . Domenico Campagnola

February; Storm on Lake Galilee; Months of the year..

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Duke and Death, A duke is addressed by a woman and a child, he makes a defensive gesture and looks back at his entourage. Death with a laurel wreath on his skull grabs the duke by his fur collar. In the margin above the print is the text Ezechiel VII., print, book illustration, prints, illustrations, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Noli me Tangere (Christ Appearing to Mary Magdalen), from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on off-white laid paper, Mary Magdalen kneels at right. Christ appears before her, left, wearing a large hat and carrying a shovel over his left shoulder. Figures in background. Monogram of Dürer, lower left., Germany, 1509-11, figures, Print, Print

The Foolish Virgin. Dated: 1518. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Niklaus Manuel I.

Copper engraving by Lucas Hugensz. van Leyden titled 'Lamech and Cain', created in 1524, depicting the biblical characters Lamech and Cain.

Creation of Eve. Dated: 1547. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

In the foreground Isaac, riding a dromedary. In his right hand a cross with a banner. On the banner two shackles as a sign of his voluntary suffering. He is pulling a cart with attributes of his suffering: the ram that was sacrificed in his place, the sword of Abraham and the sacrificial fire. In the background, the sacrifice of Isaac. The print has a six-line Latin text on a separate piece of paper and is part of an eight-part series on the Triumph of the Passion, Triumph of Isaac Triumph of the Passion (series title) Patientiae Trivmphvs (series title), print maker: Dirck Volckertsz. Coornhert, Maarten van Heemskerck, publisher: Joannes Galle, print maker: Haarlem, Haarlem, publisher: Antwerp, 1559 and/or 1638, paper, engraving, etching, h 206 mm × w 256 mm

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, The Parable of the Royal Wedding, Six scenes in one landscape from the parable of the royal wedding., print, book illustration, prints, height 176 mm, width 142 mm, Northern Netherlandish, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlandish

Knights at a stud, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing riding a horse, ass, or mule; rider, horseman. stud farm. knight

Hans Holbein the Younger, The Last Judgment The Last Judgment

Painting of Saint Christopher, created between 1470 and 1480, colored and preserved in current condition.

Sebald Beham, Saint Sebald, 1521 Saint Sebald

Roman Republican consuls in elaborate helmets still image. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Helmets , To 499, Consuls, Roman

Urged by Fürwittig, Theurerdanck Tries to Manipulate a Polishing Stone, from Theurerdanck 1517 Hans Schäufelein German. Urged by Fürwittig, Theurerdanck Tries to Manipulate a Polishing Stone, from Theurerdanck 665570

The Death of Virginia. Dated: c. 1500/1510. Dimensions: sheet: 24.2 x 30.1 cm (9 1/2 x 11 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

Saint George Slaying the Dragon. The influence exerted by the emerging Renaissance art affected the depiction of Saint George. If the saint was usually represented as a knight in armour at the end of the 15th century, his costume took on classic Roman features in the 16th century. This is also clear to see in the ceremonial chain: around Georges waist is a classic lappet, or apron.

Drawing, David Receives the Holy Bread and Sword of Goliath above; Two Dragons Decapitated below; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Hans Collaert II (Flemish, 1560 - 1628); Published by Philips Galle (Flemish, 1537 - 1612); Subject: Philostratus, The Athenian (Greek, 170 - 247 CE); Netherlands; pen and ink, brush and gray wash, over black chalk on laid paper paper; 15.6 × 10.6 cm (6 1/8 × 4 3/16 in.)

This ox, so big and fat he is, / will soon not go wrong by Slagters byl, / fed with grass and hay, / despite his fair, 1715 - 1813 print Leaf with a large representation of a guild-os (also called Kermisos or Priceos), decorated with floral wreaths. Under the show a eight -line verse in two columns. Numbered at the top right: No. 47. print maker: Netherlandspublisher: Amsterdam paper letterpress printing prize-ox

Strijder at a corpse and ships, Anonymous, Hans Weiditz (II), 1514 - 1532 print Possibly Scipio Africanus Maior and Gaius Laelius at Carthage. Print is part of an album. paper letterpress printing finding a dead person. P. Cornelius Scipio Africanus Major storming New-Carthage

Polymestor vermoord Polydor; Polymnestor slays Polydorus, greed, and being conducted; The Metamorphoses or transformations; Metamorfosen Van Ovidius.Polydorus losses polydorus with a sword and throws it into the water. Standard undermarge for the title.

Solis, Virgil, Amsterdam, Witsen, Nicolaes Cornelisz., Metamorphoseos liber primus, Scenes from the first book of Ovid's Metamorphoses, Ovidii Metam. Lib. I Lycaon in Lupum VIII, Jupiter changes king Lycaon into a wolf, verso lower right - stamped, Jupiter has changed king Lycaon into a wolf, because he had tried to deceive Jupiter by slaughtering his son Arcas and offering him as supper. In the distance a building is on fire. Below the representation a four-line explanation in Latin., print, prent, prints, prenten, height 85 mm, width 85 mm, Noord-Nederlands, 1641-05-05 - 1717-08-10, print maker, printmaker, 1659 - 1659, paper, papier, etching, etchings, Work conception, German, 1514 - 1562-08-01

Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print, Print

Death of Mark Antony. unknown c. 1640-1660 Tapestry Dimensions: H 12'6" x W 8'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Dying Mark Antony being hoisted into Cleopatra's monument by Cleopatra & her 2 maid-servants (BRD) martial trophies with flowers & fruit; (L & R BRD) terminal figures stand on pedestals, (UPR & LWR BRD) medallions with heraldic symbols in center No French & Co. stock sheet in archive, no stock number Plutarch, Lives of the noble Grecians & Romans (1932), 1147, 1148 Related Works: Panels in set: GCPA 0237570-0237577; compositionally similar tapestry (same cartoon): GCPA 0237580-0237582

A 1549 etching and type print by Augustin Hirschvogel depicting the left half of the latest court, showing figures, architecture, and composition.

Saturn, 1572 - 1582 print Saturn sat on a stone at the foot of a tree. He has his scythe in his hand. From series of 8 magazines Germany (possibly) paper

September: Fish saleswoman, Anonymous, After Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1687 print The month of September: A fish saleswoman behind her stable sells fish to a woman from the city. At the top left the sign of the zodiac that belongs to the month of September: Libra. The print has a frame with a border script in Latin that refers to the works of the month of September. Copy in mirror image to the print of the same name of Crispijn van de Passe (i). unknown paper engraving September and its 'labours' (+ with zodiacal signs). stall, booth (~ market). commercial fishery (+ trade ~ crafts, industries, agriculture)

The Fat Kitchen. Dated: in or after 1563. Dimensions: sheet (trimmed to plate mark): 21.8 x 28.2 cm (8 9/16 x 11 1/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hans Liefrinck I after Pieter Bruegel the Elder.

Umbria Perugia Trevi Palazzo Communale, Pinacoteca6. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soliders, mules and various figures. Artist: After Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481-1536 Rome); Giovanni Antonio da Brescia (Italian, active ca. 1490-ca. 1525). Dimensions: Sheet (Trimmed): 6 7/8 in. × 11 in. (17.5 × 28 cm). Date: ca. 1520-25.Copy in reverse of a drawing by Baldessare Peruzzi. Museum: Metropolitan Museum of Art, New York, USA.

Egg dance, 1596 print A party takes place at an inn. A bagpipe player and two musicians who play kitchen attributes make music. In the middle a man dances the egg dance. With this dance, the player must try eggs, without breaking them, to work with his feet from a certain circle. paper engraving Existence and Modes of Existence (+ emblematical representation of concept). dancing games (children's games). improvised musical instruments (kitchen-utensils, etc.) - CC - out of doors

Torture, torture with a wheel with sharp points and flames, stretching wheel, Historic, digitally restored reproduction from a 19th century original.

Justice rewards the servant. Justice rewards the hard-working servant for the completed work. Behind the man stands two oxen with which he has edited the country on which the grain is now (right).

Amnon sends Tamar away, Heinrich Aldegrever, 1540 print Amnon standing at the door, pushes the crying tamar away with his right hand. At the top left a cartouche with text in Latin. Third print from a series of seven with the story of Amnon and Tamar. Germany paper engraving Amnon sends Tamar away; Tamar puts ashes on her head, rends her garment, lays her hand on her head and leaves crying

Head of Holofernes, 1645 - 1646 print The head of Holofernes hangs on a stick near the city gate of Betulia. Army units head out the city to the mountain passes where the opponent is stationed. The print is part of an album. paper Holofernes' head is hung on the city wall

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