Rural Landscapes and Daily Life

A variety of etchings depicting serene rural landscapes, showcasing farms, figures, and nature, with themes of everyday life and seasonal activities.

Figures on the ice at a dilapidated farm, Jan van de Velde (II), 1616 print Figures on the ice at a dilapidated farm and a wooden bridge. Fourteenth print from a series of sixteen. Northern Netherlands paper etching skates (winter sports). bridges by construction

Watermolen, Jan van Goyen (Possibly), 1606 - 1656 drawing paper. chalk brush watermill in landscape

Fire; Ignis; Landscapes with the elements. A house is on fire. A woman and her dog flights away, right to look at people.

A village scene with swineherds and, on the left, two figures washing a dead pig, representing the month of November. In the center a stone bridge. At the bottom the astrological symbol of the constellation archer. Print from a series of twelve, Landscape with swineherds: November November The twelve months (series title) Duodecim anni mensium (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Reinier Telle, Northern Netherlands, 1608 - 1618, paper, etching, h 158 mm × w 213 mm

Boudin, Eugëne (n.1824-07-12-D.1898-08-08), View of Díun Parc (main title), 1856, charcoal and rams of white chalk. Petit Palais, Musèe des Beaux-Arts in the city of Paris.

Village street scene drawn by Albert Flamen in brown ink, with slight damage at the lower corners.

Landscape with Procession 1808-1839 France. Lithograph in black on ivory wove paper . Gottfried Engelmann

Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in.).

Februari, Julius Goltzius, after Gillis Mostaert (I), 1596 - 1652 print Winter landscape with winter scenes. February is the Sprokkel month. Death wood remains of the winter are collected. Part of a series of the twelve months, where every month is depicted with the human activities and its climatic characteristics that are typical of her. print maker: Antwerppublisher: Amsterdam paper engraving February and its 'labours'. woodgathering, woodgatherer

Stoke-by-Neyland. Dimensions: plate: 17.6 x 25 cm (6 15/16 x 9 13/16 in.) sheet: 29.5 x 43.4 cm (11 5/8 x 17 1/16 in.). Medium: mezzotint on laid paper proof. Museum: National Gallery of Art, Washington DC. Author: David Lucas after John Constable.

Farmyard Artist's working dates 1630-1684 Holland. Pen and brown ink, with brush and brown, black, and blue wash, over graphite, on tan laid paper, laid down on cream laid card . Adriaen van Ostade

Woman with dog for building trap on a tower, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. watercolor (paint). graphite (mineral). chalk brush

Colored etching and copper engraving by L. Truchy from 1744 depicting a village view with peasants dancing, showing figures, attire, houses, and landscape elements.

Etching by Rembrandt from 1650 showing a landscape with a tower on brownish prepared paper, created with etching and pin techniques.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

The Hague, Hartogensis, Joseph, Woman on a path near a house and barn, dverso - stamped, print, prints, height 165 mm, width 201 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1849 - 1849, paper, papier, etching, etchings

Antwerp, Cock, Hieronymus, Master of the Small Landscapes, Doetechum, Johannes or Lucas van, Small landscapes, Landscape with farms, cattle and people, verso - stamped, Landscape with farms. In the foreground people and cattle., print, prints, height 167 mm, width 201 mm, print maker, printmaker, 1559 - 1561, paper, papier, etching, etchings, Southern Netherlands, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Moninckx, Pieter, Farmyard with laundry, an animal and figures, Sheet 21 recto from a sketchbook with 39 leaves., sketchbook sheet, drawings, 1606 - 1686, draughtsman, draftsman, 1645 - 1646, second quarter 17th century, paper, papier, chalk, kras

The Haystacks Made 1887-1889 United States. Drypoint with etching on cream wove paper . Julian Alden Weir

Drawing by Ferdinand Boberg. Uppland, Norunda hd., Björklinge sn., Sätuna Nordic

Village Street with Cattle andCarts. Artist: Unknown

June 1772 Hendrik Meijer Dutch. June 387477

Moonlight at Valmondois. Charles François Daubigny; French, 1817-1878. Date: 1877. Dimensions: 217 × 134 mm (image); 135 × 217 mm (plate); 187 × 262 mm (sheet). Etching and drypoint on white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

Snow's Farm. Reginald Marsh; American, 1898-1954. Date: 1930-1931. Dimensions: 202 x 252 mm (image); 228 x 313 mm (sheet). Etching and drypoint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

UneFerme. Artist: Charles-Émile Jacque, French, 1813-1894

Landscape with a mill and corn sheaves, c. 1803 - c. 1818 Page 47 from a sketchbook with 74 pages. paper. pencil windmill in landscape. sheaf

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Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso lower left - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible., print, prent, prints, prenten, height 145 mm, width 233 mm, 1817-09-04 - 1880-01-07, print maker, prentmaker, 1832 - 1880, paper, papier, pencil, inkt, etching, etchings, Nederlands, 1831-03-04 - 1910-03-26, intermediary draughtsman

Woman hangs outside the laundry at a farm, Henri Rul, 1872 - 1913 print paper ETCHING / ROUCH farm (building). hanging the wash to dry. adult woman

The Man near the Entry of the Ruinous Hedge 17th century Allart van Everdingen Dutch. The Man near the Entry of the Ruinous Hedge 427743

Slijpmolen in Utrecht, Herman Saftleven, 1619 - 1685 drawing paper. chalk brush watermill Utrecht

The Prodigal Son. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 242 × 321 mm (image); 263 × 333 mm (plate); 302 × 380 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with Castle, Simon Poelenburg, After Jan van de Velde (II), 1602 - 1649 print A castle is located on a high rock on the edge of the water. There are different boats on the water. In the background a tower with outbuildings. In the foreground two men. Amsterdam paper etching landscape with tower or castle - II - ideal landscapes

Winter landscape with polfers on ice, representing the month of February. At the bottom the astrological symbol of the constellation fish. Print from a series of twelve, Winter landscape with figures on ice: February Februarius The twelve months (series title) Duodecim anni mensium (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Reinier Telle, Northern Netherlands, 1608 - 1618, paper, etching, h 157 mm × w 217 mm

Horse Training. Wilhelm Alexander Wolfgang von Kobell (German, 1766-1855); after Philips Wouverman (Dutch, 1619-1668). Date: 1788. Dimensions: 296 x 317 mm. Aquatint in brown, on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with Buildings (recto); Studies for a Flagellation (verso). Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 6-1/2 x 10-1/16 in. (16.5 x 25.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Kate, Mari ten, Amsterdam, Gruyter jr., Willem, Flood at Beesd, 1855, verso lower left - stamped, Landscape with flood at Beesd in 1855. In the background flooded farms and the church tower of Beesd are visible., print, prent, prints, prenten, height 145 mm, width 236 mm, 1817-09-04 - 1880-01-07, print maker, printmaker, 1832 - 1880, paper, papier, etching, etchings, aquatint, roulette, drypoint, dry needle, Dutch, 1831-03-04 - 1910-03-26, intermediary draughtsman

Roman Landscape with View of Church Artist's working dates 1635-1675 France. Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper, incised and blackened on verso for transfer . Gaspard Dughet

Jan van Goyen, View of Scheveningen (recto), probably c 1650 1652 View of Scheveningen recto

Sir Richard Colt Hoare, 1758-1838, British, The Isola Farnese, undated. Brown wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper.

Face at Zaltbommel, Hermanus Numan, 1754 - 1820 drawing paper. ink pen / brush windmill Zaltbommel

Sanding between trees. Draughtsman: Egbert van Drielst. Dating: 1755 - 1818. Measurements: h 175 mm × w 199 mm. Museum: Rijksmuseum, Amsterdam.

Repair on the stone barn after the disaster, 1807; Four art plates representing the Rapenburg within the city of Leyden, such as it (on the other side) has shown, just before the fatal event, on the 12th Januar 1807. As partly the mutual ruins caused by that icy eruption. Face from the Groenebrug on the repair work in the destroyed area after the gunpowder disaster on the stone barn in Leiden on January 12, 1807. Multiple boats on the water, right is a small piece of the boring hall.

Two farmers with a dog on a country road, Jan Lauwryn Krafft (I) (Possible), After David Teniers (II), 1704 - 1765 print Landscape with two farmers and a dog on a country road. On the left a house with a man on a staircase. On a hill on a hill on a gallows. Southern Netherlands paper etching dog. landscapes in the temperate zone

Landscape with a bridge on which an angler, right a woman with a child on her back, Landscape with a bridge on which an angler, draughtsman: Gerard van Rossum (1698/99-1772), 1763, paper, brush, h 196 mm × w 310 mm

Black chalk drawing by Franz Schütz from around 1780 showing Amsteg at St. Gotthard with brown trace-style brushes and white highlights on brownish paper.

River face at Zonblantings, Jan van de Velde (II), 1639 - 1641 print River face at sin. A stone bridge in the middle. On the left two swimming figures and on the right conversing figures in a garden. 35th print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / brush / engraving / pen river. landscape with bridge, viaduct or aqueduct. bridge. sunset. dusk, evening twilight

Fabio Berardi after Canaletto, Mettendo i panni, c 1760 Mettendo i panni...

La Fileuse (Bartsch 31) Adriaen van Ostade (1610-1685). The bartsch 31). Water and dry tip, in 1652.

Amsterdam, Esveldt Holtrop, Jan Steven van, Merian, Matthäus (I), Spiegel der natuur en school der teekenkunde, Women doing the laundry by a canal, Two women doing the laundry by a canal. Behind them, tree trunks are stacked. On the right, a man lets his horse drink from the canal. The print is part of an album., print, prent, albumblad, prints, prenten, height 80 mm, width 124 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Swiss, 1593-09-22 - 1650-06-19, Publication (Event), Publication, 1777 - 1833-11-20, publisher

Inn in Anrath, Cornelis Ploos van Amstel, after Lambert Doomer, after Gerbrand van den Eeckhout, 1772 print Inn 'Zur Blauen Hand Am Kirchhof' in Anrath. In the doorway a woman with child on her arm. Next to the inn a large tree and some figures underneath. On the left a pig. Amsterdam paper etching village. trees. pig

Face at Goch, on the Niers. Draughtsman: Jan de Beijer. Dating: 1713 - 1780. Measurements: h 99 mm × w 161 mm. Museum: Rijksmuseum, Amsterdam.

Face in spa. .

Jacques Callot (1592-1635). "The four landscapes, the water mill. Third issue of a series of 4 supernumerary pieces in the series of engraved landscapes for Jean de Médicis" (Lieure 266, Meaume 717). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99604-5 Etching, engraving

THE ROYAL AGRICULTURAL SOCIETY OF ENGLAND, MEETING AT LEWES

Kirk Liston John Clerk of Eldin (British, 1728-1812). , n.d. Etching and drypoint on laid paper, 1 1/8 x 2 11/16 in. (2.8 x 6.8 cm). European Art n.d.

Bleekveld. Draughtsman: Anton Mauve. Dating: 1848 - 1888. Measurements: h 366 mm × w 513 mm. Museum: Rijksmuseum, Amsterdam.

View of a vault over a river. Two figures try to get a donkey and a horse ahead. In the background structures.

Rijn, Rembrandt van, The Obelisk, Landscape with a ban pole, verso lower left, print, prints, verso central, height 83 mm, width 160 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1652, second quarter 17th century, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

"Series of pencil sketches by Ferdinand Georg Waldmüller showing various figures, objects, and compositional arrangements."

Félix Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879 1880 Les Voisins de Campagne (Country Neighbors)

The Guardian of the Geese, after Millet 1888-99 Emile Boilvin French. The Guardian of the Geese, after Millet 371559

Farm. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 43 mm × w 72 mm. Museum: Rijksmuseum, Amsterdam.

fine arts, Wagenbauer, Max Joseph (1725 - 1829), painting, view of Nockherschwaige, watercolour, circa 1810, Stadtmuseum, Munich, Bavaria, Germany, landscape, German, Munich, geography, Europe, 19th century, historic, historical,

Eeckhout, Gerbrand van den, Doomer, Lambert, Amsterdam, Ploos van Amstel, Cornelis, Village view with large tree, Inn in Anrath, verso - handwritten, Inn 'Zur blauen Hand am Kirchhof' in Anrath. In the doorway a woman with a child in her arms. Next to the inn a large tree and some figures underneath. On the left a pig., print, prent, prints, enten, verso - stamped, Offered to my worthy friend the Wed Heer Hemsterhuis, G vd Eekhout del P. v Amstel JC. Fecit, height 135 mm, width 183 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1759 - 1760, paper, papier, printtekening, etching, etchings, roulette, 1624 - 1700-07-02, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29

Tristram J. Ellis, 1844-1922, British, Kensington Gardens: The Board Walk, 1881. Etching.

Shearers. Draughtsman: Hendrik Meijer. Dating: 1784. Measurements: h 90 mm × w 117 mm. Museum: Rijksmuseum, Amsterdam.

Chteau de Lourdes July 11, 1836 William Callow On June 6, 1836, the twenty-four year old Callow set out from Paris on a two-month walking tour. By early July, he reached the Hautes Pyrénées, and would spend three days around Lourdes, reveling in the wild mountain scenery-at that time, the small town was dominated by a medieval fortress and not yet associated with miraculous healing. Copley Fielding had encouraged Callows early talent for watercolor in London and, after the young artist moved to Paris in 1829 to work for Newton Fielding, he became friends with Thomas Shotter Boys and developed a style indebted to Richard Parkes Bonington. This sketch, made on site, demonstrates the artists early style characterized by calligraphic lines and luminous washes.. Chteau de Lourdes. William Callow (British, Greenwich 1812-1908 Great Missenden, Buckinghamshire). July 11, 1836. Watercolor over graphite, white gouache (bodycolor). Drawings

Thomas Girtin, 1775-1802, British, A Devonshire Farm, ca. 1798. Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper.

L'Estaque, 1878. André Paul Borel (French, 1828-1912). Etching; sheet: 36.3 x 52.3 cm (14 5/16 x 20 9/16 in.); plate: 23.8 x 32.9 cm (9 3/8 x 12 15/16 in.).

January, Esaias van de Velde, 1629 drawing Skaters at a church. paper. chalk brush public road in village. church (exterior). January and its 'labours'. ice ~ freezing weather. winter sports

Sheepfold at Sunset. Félix Hilaire Buhot; French, 1847-1898. Date: 1881. Dimensions: 135 × 271 mm (plate); 139 × 275 mm (chine); 316 × 450 mm (sheet). Etching, drypoint and aquatint on cream chine, hinged to white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pejzaż z mostem. Kochanowski, Roman (1857-1945), draughtsman, cartoonist

Study titled 'The End of the Day' by Josef Danhauser, executed in pencil in 1845, showing figures, gestures, and interior atmosphere.

Marine. Draughtsman: Sieuwert van der Meulen. Dating: 1698. Measurements: h 121 mm × w 214 mm. Museum: Rijksmuseum, Amsterdam.

Jean Louis Forain, The Road to Rocquencourt, 1909 The Road to Rocquencourt

Drawing by Ferdinand Boberg. Gotland, Källunge K: a Nordic

Land of the game of balls says Auvergnats

Interior of a Barn with a Family of Coopers. François Boucher (French, 1703 - 1770)

James Miller, active 1773-1814, Floating Barrel in a Stream, undated. Watercolor and graphite on medium, ,slightly textured, blued white, laid paper.

Beverloo, Constantijn Huygens (II), 1675, draughtsman: Constantijn Huygens (II), 15-Jun-1675, paper, pen, h 110 mm × w 156 mm

Eeckhout, Gerbrand van den, Doomer, Lambert, Amsterdam, Ploos van Amstel, Cornelis, Village view with large tree, Inn in Anrath, verso - handwritten, Inn 'Zur blauen Hand am Kirchhof' in Anrath. In the doorway a woman with a child in her arms. Next to the inn a large tree and some figures underneath it. Left a pig., print, prints, verso - stamped, Offered to Mr. J v , G vd Eekhout del Ploos v Amstel F 1757, height 135 mm, width 185 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1759 - 1760, paper, paper drawing, etching, etchings, roulette, color printing, 1624 - 1700-07-02, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29

Gezicht op Strépy. Sterry (title on object). Draughtsman: Constantijn Huygens (II). Dating: 30-Aug-1675. Measurements: h 93 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

the Nuwersluys

Drawing by Ferdinand Boberg. Skåne, just hd. , Just sn., Torup Nordic

Cottage with Peasants playing Cards. Date/Period: 17th century. Painting. Oil on canvas Oil. Height: 275 mm (10.82 in); Width: 375 mm (14.76 in). Author: David the younger Imitator of Teniers.

Waterfall in Ruhla, Louis Charles Hora Siccama, 1864 print A young man stands at a fence on the edge of a waterfall. A house behind it. Utrecht paper. etching / drypoint waterfall With the soul

The Unsafe Tenement. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1858. Prints; etchings. Etching

Landscape with watermill, Johannes Christiaan Janson, 1778 - 1823

Dr. William Crotch, 1775-1847, View of Windsor from down the River, 1832. Watercolor, graphite, pen and brown ink and black chalk on medium, slightly textured, cream wove paper.

Drawing by Ferdinand Boberg. Uppland, Oland's hd., Films sn., Österby Nordic

Engraver: Andries Jacobsz. Stock, Dutch, ca. 1580-after 1648, After: Jacques de Gheyn II, Dutch, 1565-1629, Landscape withGypsies, ca.1610, Engraving, sheet: 11.3 × 17.7 cm (4 7/16 × 6 15/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Wareham Bridge, Francis Seymour Haden, 1818-1910, British, 1877, Etching and drypoint, with plate tone on medium, smooth, cream antique laid paper, Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.8 cm), Plate: 5 7/8 x 8 3/4 inches (15 x 22.3 cm), and Image: 5 7/8 x 8 3/4 inches (15 x 22.3 cm), animal art, arches, architectural subject, banks, bridge (built work), buildings, chimneys, cityscape, cottages, figures, flood, fording, hat, hills, horses (animals), houses, men, reeds, riders, horseback, river, roofs, shores, village, Dorset, England, Europe, United Kingdom, Wareham

Two figures in a gate open, print maker: Johannes Mock, 1824

Fisherman's Quarter. Louis Auguste Lepère; French, 1849-1918. Date: 1915. Dimensions: 187 × 198 mm (image); 194 × 205 mm (plate); 257 × 310 mm (sheet). Etching on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Haw ..

Keleleel, J. great, 1888 print paper etching / drypoint castle

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

At the Saint-Jean-de-Monts Fair Made 1907 France. Etching on cream wove paper . Louis Auguste Lepère

Prévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), the Jardin de Paris and the Palais de l'Industrie (dummy title), 1870. Lead mine, Aquarelle rehabet. Carnavalet museum, history of Paris.

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