Rural Life Landscapes

Prints showcasing pastoral scenes with farms, people engaged in seasonal activities, and serene countryside settings in various styles.

Landscape with a field where farmers are harvesting grain. On the left a group resting along a country road near a church, the village of Groenendal in Krimpenerwaard, depicting the month of August. At the top the constellation belonging to this month: virgin. Eighth print in a series of twelve, August August The twelve months, with village views (series title)., print maker: Jan van de Velde (II), publisher: Claes Jansz. Visscher (II), Northern Netherlands, 1618, paper, etching, h 275 mm × w 364 mm

The Pond, plate 9 from Regiunculae et Villae Aliquot Ducatus Brabantiae ca. 1610 Claes Jansz. Visscher. The Pond, plate 9 from Regiunculae et Villae Aliquot Ducatus Brabantiae 415308

The Hanging, plate eleven from The Large Miseries of War Artist's working dates 1612-1635 Netherlands. Etching on paper . Gerrit Lucasz van Schagen

Frozen river with skaters near a church, Aelbert Cuyp, 1630 - 1691 drawing paper. pencil skates (winter sports)

Northern Netherlands, Velde, Jan van de (II), Landscapes, small size, Landscape with pigs and peddlers, verso lower left - stamped, Landscape with pigs and swineherds near a house. On the right two peddlers. Fourth print from a series of six., print, prent, prints, prenten, height 100 mm, width 200 mm, Noord-Nederlands, 1593 - 1641-11-04, print maker, printmaker, 1603 - 1641, paper, papier, etching, etsen

Jakob puts peeled branches in the drinking troughs of the sheep, 1613 Jakob puts peeled branches in the drinking troughs of the sheep to ensure that the white sheep cast fur spotted young. With that he misleads Laban who has agreed with him that he will receive all the colorful animals as wages (Gen. 30:37). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Jakob puts peeled branches in the drinking troughs of the sheep to ensure that the white sheep cast fur spotted young. With that he misleads Laban who has agreed with him that he will receive all the colorful animals as wages (Gen. 30:37). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Overmermeer, destroyed by the French in 1672; Overmore; Series of thirteen images of the villages and castles in the province of Utrecht by the French in 1672 destroyed. The French Between The Ruins Of The Village Overmore. Seventh Print in a Series of Thirteen Images of the Villages and Castles in the Province of Utrecht Destroyed by the French in 1672.

View of a skittle alley in the Alkmaarder Hout. In front are several figures walking with children and dogs. Beneath the image the title in Dutch and French, View of a skittle alley in the Alkmaarder Hout Gesigt in den Hout by de Kegel-baan (title on object) Views of Alkmaar (series title) Alle de voornaamste gesigten van de stadt Alckmaar geleegen in West-Vriesland (series title on object), print maker: Leonard Schenk, intermediary draughtsman: Abraham Rademaker, publisher: Leonard Schenk, print maker: Amsterdam, intermediary draughtsman: Noord-Nederland, publisher: Amsterdam, 1746, paper, etching, h 171 mm × w 199 mm

Martszen de Jonge, Jan, Amsterdam, Visscher, Claes Jansz. (II), Northern Netherlands, Visit of Queen Henrietta Maria to Adriaen Pauw at the Castle in Heemstede, 1642, verso - stamped, The visit of the English Queen Henrietta Maria and Prince William II to Adriaen Pauw at the Castle in Heemstede, 8 September 1642. The company is received at the gate, the castle on the left., print, news print, prints, Frederik Muller Historieplaten, height 300 mm, width 384 mm, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Noord-Nederlands, 1586 - 1652-06-19, 1609 - 1647, intermediary draughtsman

Tobias Returns Home with His Bride. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Gerard de Jode after Hans Bol.

House De Kluys near Brussels, draughtsman: Josua de Grave, 1674, paper, pen, brush, h 130 mm × w 210 mm

Farmers around a table in a shed (the taste); Landscapes with the five senses. Taste. Around A Table in An Open Barn Sitting And Smoking People. Outside The Shed and On The Roof Also A Few Men. The Print is part of a Series or Landscapes with the Five Senses.

December, Jacob Matham, after Jan Wildens, 1614 print A wide landscape with a lot of activity. Pigs are slaughtered for the winter. Imagination of the month of December. Haarlem paper engraving December and its 'labours'. landscape symbolizing December

Return of Tobias, Claes Moeyaert, 1612 - 1655 print Tobias falls into his father Tobit. His mother Anna watches. On the left is the angel with a staff in his hand and in the foreground Tobias' dog. Amsterdam paper etching the meeting of parents and son ~ Tobias' return

Claes Jansz Visscher after Johannes van Doetechum, the Elder after Lucas van Doetechum after Master of the Small Landscapes, Large Farm, published 1612 Large Farm

William Finden, 1787-1852, British, Mannering, Hazlewood and Smugglers, 1836. Open etching.

The hunter's lodge on the estate of Soestdijk Palace. In the foreground are two hunters with a group of hunting dogs. The print is one of a series of sixteen views of Soestdijk Palace and its estate, Jagershuis op het landgoed van Paleis Soestdijk 't Jagers Huijs van Vooren, anders genaamt Eyken-Daal Generale afbeeldinge Vant Lust-Huijs en Hof van sijn Koninklijcke Majestijt van Groot Britanie t Soest-Dijk (series title), print maker: Hendrik de Leth, unknown, 1725 - 1747, paper, etching, h 130 mm - w 161 mm

Graphite drawing by Peeter Bout showing a market scene set before a city gate along a riverbank, featuring vendors and visitors.

Archers, Anonymous, After David Teniers (II), 1626 - 1740 print Archers shoot arrows at a goal. Other men watch. On the right two houses. paper etching archer's weapons: bow. landscapes. shooting with bow and arrow, archery (~ games of skill)

The looks of Indramago above Buytenzorg. View of a square; L.O. A fence with opening in which a few figures, in the foreground man who removes horse and 4 groups of indigened with parasols. Behind the square river with 3 bridges and 3 fountains. Inscription; In the middle: the comforts of Indramago above Beuytenzorg Binen / on 't Pleyn, with DESELFS Speelhuys, water Fonteyne and / bridges. Signed and dated.

Rider on the road along a farm, anonymous, after Esaias van de Velde, 1617 print paper etching farm or solitary house in landscape

Face locking Charlottenborg and the ruins of the Klongkkk, Johannes Jacobsz van den Aveele, 1706 The print is part of an album. Stockholm paper etching Charlottenborg lock. Monastery The print is part of an album. Stockholm paper etching Charlottenborg lock. Monastery

Farmyard with man with gathering, Hermanus Fock, 1781 - 1822 print A face on a farmyard with a well. Under the tree in the foreground, a man with a bunch of branches runs on his shoulder. Amsterdam paper etching woodgathering, woodgatherer

The Nieuwersluys in the Land-shelf Utrecht Zoo who showed itself / in the Jaer 1670, coming from Loenen, Alwaer against the French Inval / in the Jaer 1673 a strong Schans Wierdt, which has been taken closer bykans / all-way Wegh.

Louis XIV (king of France), Paris, Swanevelt, Herman van, Diverses veuës dedans et dehors de Rome, Title page and twelve views of Rome and surroundings, Casa Rustico for della porta del populo, Farm outside the Porta del Popolo, verso lower left - stamped, Cattle are grazing in front of the farm and on the left two figures are standing on a path., print, prints, height 114 mm, width 184 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1652 - 1653, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Imperial court, Sadeler, Aegidius, Brueghel, Jan (I), unknown, Landscape on the coast with a windmill, verso center bottom - stamped, Moored fishing boats lie in the water. In the middle a coastal road with figures along a row of wooden houses. In the background a mill on a hill., print, prints, verso bottom center - stamped, height 182 mm, width 286 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Work conception, 1568 - 1625-01-13, after a design by, Publication (Event), Publication, publisher, granter of privilege

Two views of Zutphen View of the Wal in Zutphen 1744/ The Mastpoort and Fishmarket in Zuthpen 1744 , print maker: Hendrik Spilman, (mentioned on object), intermediary draughtsman: Monogrammist JBD, (mentioned on object), Haarlem, 1750, paper, etching, h 165 mm × w 110 mm

Italian farm, Jacques Callot, 1621 print View in the courtyard near a farm, including a resting man, carts, a dog, a cow. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching farm (building). dog. cow. hand-cart

January. Artist: Hendrik Meijer (Dutch, Amsterdam 1744-1793 London). Dimensions: sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm). Date: 1772. Museum: Metropolitan Museum of Art, New York, USA.

Image of the wall painting representing 'the male age' in the stairwell of the waiting room of the Royal Pavilion of the N.S. station Amsterdam et al. in Amsterdam.

Sheep shearers, draughtsman: Hendrik Meijer, 1784, paper, pen, brush, h 90 mm × w 117 mm

Workshop Burning Building Driving Tree on the water, Cornelis van Noorde, in or before 1767

Scheveningen, draughtsman: Abraham Delfos, after: Jacob Isaacksz van Ruisdael, 1741 - 1820, paper, brush, h 353 mm × w 496 mm

Jachthuis in Smyrna, Jan Luyken, After Cornelis de Bruyn, 1698 print View of the hunting lodge of the Dutch merchants in Smyrna. In the foreground a group of hunters, six of which are on horseback. Delft paper etching / engraving riding a horse, ass, or mule; rider, horseman. hunting dogs Smyrna

The Market at Dolo. Dated: c. 1735/1746. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CANALETTO.

View of arsenal Israel Silvestre (1621-1691) and Israel Henriet (1590-1661). "View of arsenal". Floor, 1650-1655.

Netherlands, Bos, Anthonie van den, Woman with child standing in front of a farm on the Amstelveense Weg, verso - stamped, print, prints, height 130 mm, width 160 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchings

Leth, Hendrik de, Photographic reproduction of a print of a view of the house and farm Jagerlust, formerly De Vlotter, in Haarlem by Hendrik de Leth, verso - stamped, photograph, photo, reproduction, photos, topography, Spruitenbosch (1) the Lustplaets van den Heere Marcus Bavelaer aan den Heere wegh naer (2) Westerhout te zien., recto - printed, Heemskerk, verso - handwritten, '22.61., height 175 mm, width 208 mm, photographer, 1900 - 1930, photographic paper, photo paper, gelatin silver print, gelatin silver development print, Work conception, Noord-Nederlands, 1703-05-31 - 1766-06-17

View of Haarlem and Overveen, seen from the dunes. In the foreground right people are working in a meadow where linen is being bleached, Gezicht op Haarlem en Overveen Gezigt op de stad Haarlem, en de linnen- en gaaren-bleekeryen te Overveen, te zien van de hooge duinen agter de Kleever Laan , print maker: Jan Caspar Philips, (mentioned on object), intermediary draughtsman: Jan de Beijer, (mentioned on object), publisher: Isaak Tirion, (mentioned on object), Amsterdam, 1750, paper, etching, h 174 mm × w 410 mm

View of a castle with a rowing boat in the moat In the foreground a wooded landscape with riders on horseback, Landscape with Castle Veu de Marcoussy du cost, print maker: Albert Flamen, publisher: Albert Flamen, (free after), Paris, 1648 - 1692, paper, etching, h 123 mm × w 217 mm

A wintry scene near a frozen river: a man attempting to break the ice with a hammer, another leans on his shovel. Etching by G. Giampiccoli after M. Ricci.

Imperial court, Prague, Sadeler, Aegidius, Savery, Roelant, Six small landscapes in Tyrol, Bridge over a village canal, verso bottom center - stamped, A village canal with houses on two sides. In the background a bridge with a traveller. The last print of a six-part series with landscapes in Tyrol, print, prints, height 122 mm, width 155 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, engraving, engraving (printing process), Northern Netherlands, 1576 - 1639-02-25, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, granter of privilege

Village face with Vissers, Hendrik Roosing, 1726 - 1786 print Face in a village on a river where three fishermen are working in a boat. On the right on the waterfront is a fourth fisherman. Rotterdam paper etching fisherman. village. river

Jacques Callot, Almshouse, c 1622 Almshouse

Peasant Kermis, Nicolaes de Bruyn, after David Vinckboons, 1642 - 1665 print A village fair. Right in the foreground an inn, for which eating and drinking people. On the flag on the inn the title Die Boire Cermis. In the middle of a procession running and dancing people. On the second plan a fair market with a rederijkers performance behind it. The town hall in the background. print maker: Antwerppublisher: Amsterdam paper engraving pleasure fair and circus. performance in the open air (pleasure fair). inn, coffee-house, public house, etc.. (annual) fair, trade fair. theatre, theatrical performance. court jester, court fool

Maskerade near a harbor, Reinier Nooms (attributed to), 1650 - 1664 print A ruin at a harbor, with three large sailing ships lying in front of anchor. On the quay a parade of masked men walking and on horseback, with jugs of wine and grapes. A group of spectators at an inn. paper etching harbour. masquerade, masked ball. festivities (+ parade, pageant, cavalcade ~ festive activities)

at the crommen. Rhine. in Utrecht. 1757.

The Lorrain (Claude Gell�e says). The Lorrain (Claude Gell�e says). The flock on a stormy time.

Jacques Callot (1592-1635). "The whims, the inn. Thirty-nineteenth number of the suite of 50 pieces engraved in Florence" (Lieure 252, Meaume 844). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-18 Etching, engraving

Destruction in Beusichem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print Destruction in Beusichem, due to the flood of January 1809. A family mourns at their destroyed farm and drowned cattle. print maker: Netherlandsafter drawing by: Beusichem paper etching / engraving Dike-Break Beusichem

View of the oval forest in the garden of Buitenplaats Duinrell, Anonymous, 1675 - 1711 print View of the oval forest in the garden of Buitenplaats Duinrell, seen towards the east. A few figures on the right on the center of the garden. Numbered in the bottom right: 9. Print from a series of sixteen prints from Duinrell. Amsterdam paper etching / engraving French or architectonic garden; formal garden Buitenplaats Duinrell

Amsterdam, Wendel en Zoon, J., Asch-Karmans Kermis-Wensch 1839, Fair print of the Amsterdam ash cart men for the year 1839, verso - stamped, Fair print on behalf of the ash cart men (cart man or garbage man) in Amsterdam for the year 1839. View of the Oude Schans with the Montelbaanstoren in Amsterdam with a man emptying an ash bucket into the cart while another man collects money from home. At the bottom a poem in two columns. On behalf of Jan de Jong, the cartman of district no. 18., print, picture, fairground picture, prints, pictures, Frederik Muller History plates, height 335 mm, width 217 mm, print maker, printmaker, 1838 - 1838, paper, letterpress printing, woodcut, Dutch, printer

Satire on False Perspective: Frontispiece to "Kirby's Perspective" February 1754 Luke Sullivan Irish. Satire on False Perspective: Frontispiece to "Kirby's Perspective" 365241

View of the Louvre and the Tuileries; The Garden of Madamoiselle and a Stuck Vande Loever to Parys; Faces on Paris and surroundings. View of the Seine, part of the Louvre and the Tuileries in Paris.

Face on old heemstede; Old Heemstede 1607. After a Egte Sketch of D. Vinkeboons. View of old Heemstede (Slot Heemstede) with some well-to-do figures and a fisherman.

Circle of cypresses in the gardens of the villa d'Este in Tivoli; Fontana De Scogli Tra l'Altre Due de Cigni, E the Cipressi Tra Li Spartimenti del Giardino; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Circle of cypresses (Rotonda dei Cipressi) with fountains and sculptures. Numbered at the bottom right: 25. The print is part of an album.

Landscape with a Farmhouse, from Four Small Landscapes. Hendrick Goltzius (Dutch, 1558-1617); printed by Willem Jansz. Blaeu, Amsterdam (Dutch, 1605/20). Date: 1597-1600. Dimensions: 114 x 144 (image); 117 x 148 mm (plate/sheet). Chiaroscuro woodcut in black, ochre, and green, on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: HENDRICK GOLTZIUS.

Winter landscape with kolf players on the ice: January; Ianuarius; The twelve months; Duodecim Anni Mensium. Winter landscape with kolf players on the ice, representing the month of January. Down the astrological symbol for the zodiac sign Aquarius. Print from a series of twelve.

Scene of Pillage, plate four from The Large Miseries of War Artist's working dates 1612-1635 Netherlands. Etching on paper . Gerrit Lucasz van Schagen

Wenceslaus Hollar, Speyer, 1635 Speyer

Amsterdam, Tollenaar, Dirk Wijbrand, The Garbage Cart Man to Amstel Residents, Fair print of the garbage collectors of Amsterdam for the year 1865, verso - stamped, Fair print of the Amsterdam garbage collectors for the year 1865. View of the fair on the Botermarkt with the old Waag. Two garbage carts on the market. With poem in two columns. Of the garbage cart man in district no. 30: J. Oudhoff., print, fair print, prints, Frederik Muller Historieplaten, height 344 mm, width 215 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1865 - 1865, paper, papier, letterpress printing, letterpress, wood engraving

Market scene, Willem Schellinks (possibly), 1637 - 1678, draughtsman: Willem Schellinks, (possibly), 1637 - 1678, paper, pen, brush, h 187 mm × w 283 mm

View of the Buitenplaats Hogerwoert, Jan Goeree, 1710 print De Buitenplaats Hogerwoert near Haarlem. Above the country estate, in the clouds, two nymphs (writing and poetry) Surrounded by Putti. Next to them the personification fame. She blows praise in the form of flowers over Hoogenwoert. Amsterdam paper engraving Rural Housing, E.G. Country-House, Villa, Cottage. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti' Heerwoert

Print made by unknown artist, eighteenth century, A View of the Three Walks in the Garden of Chiswick House, ca. 1753. Etching.

Face to Culemborg. Draughtsman: Jan de Beijer. Dating: 20-Jul-1750. Measurements: h 183 mm × w 218 mm. Museum: Rijksmuseum, Amsterdam.

View of the Buitenplaats Boom and Bosch near the Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 31. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house Vecht. Fracture

Men and a mule at Via Appia, Jan Both, 1644 - 1652 print paper etching mule Via Appia Antica

Slot ter Lee, Jan de Beijer, 1713 - 1780 drawing paper. ink. pencil pen / brush castle House Ter Lede. Fierce

Skaters and kolf players on the ice cream for farms; Landscapes to Esaias van de Velde.

Title print of twelve landscapes with figures, Anonymous, After Gillis van Scheyndel (I), 1624 print Title print of twelve landscapes with figures, with three cows in the foreground. In the background a ruin, farms and the contours of a village. after print by: Haarlempublisher: Amsterdam paper etching cow. prospect of village, silhouette of village. landscape with ruins

. Rocky river landscape with classical Roman ruins. Right on the roof terrace of a building trying to wash three Caucasian boys the black skin color from a moor. This is the imagination of an emblem with the message the impossibility of some companies. The print has a Latin caption with the caption of the emblem Impossibile from Andrea Alciati.

River face with barge; Four Rhine landscapes.

The Hospital. Dated: c. 1633. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Cats, Jacob (1741-1799), Haarlem, Wit, Izaak Jansz. de, The twelve months, Summer month, Shepherd with cattle at a stream and a farm, verso - stamped, print, prints, ro: I. de Wit Jz. fc; lo: J. Cats del., mo: ZOMERMAAND, height 202 mm, width 235 mm, Noord-Nederlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, 1741-06-11 - 1799-11-09, intermediary draughtsman

The Fishmongers. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Peeter Bout.

. View of the flooded area outside the Haarlemmerpoort in Amsterdam, after the storm in the night of 14 on November 15, 1775.

Abraham drives Hagar and Ismaël, Jacob Matham, after Abraham Bloemaert, 1603 print Haarlem paper engraving the banishment of Hagar and Ishmael (Genesis 21:9-21)

Tumult und Aufflauff zu Leiptzig an. 93 den 19. und 20. Meiens geschehen, durch Ziffern Angezeiget, Und in der Historie Weiter erkleret. 1594. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The location of the Carthusian Monastery in Amsterdam, Left a cornfield where is harvested, In the 17th century the site was a garden inn or tavern place, The Netherlands, print maker: Jan van de Velde (II) (possibly), Dating 1609.

Farmhouses with a herdsman in the foreground and milkmaids near cows, Landscape with farms and a herdsman Small landscapes , print maker: Johannes of Lucas van Doetechum, Meester van de Kleine Landschappen, publisher: Joannes Galle, Antwerp, 1559 - 1561 and/or 1610 - before 20-Dec-1676, paper, etching, h 135 mm × w 194 mm

'T Gesigt van de Betuwe

Shipyard. Dated: 1761. Medium: transfer technique with etched hatching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel after Herman Saftleven.

Figures are skating on a river On the left are some houses On the shore a flag flies On the right bank a church In the foreground a soldier stands next to his horse, Winter landscape with figures skating Homecoming , print maker: Lodewijk Johannes Kleijn, (mentioned on object), Lodewijk Johannes Kleijn, (mentioned on object), printer: Hilmar Johannes Backer, (mentioned on object), print maker: Netherlands, Netherlands, printer: Dordrecht, c. 1838, paper, h 102 mm - w 137 mm

Singel in Amsterdam, Jan Schenk, 1731 - 1746 print View of a part of the Singel in Amsterdam. There are different barges on the quay of the canal. People can be seen on the side, including a man with a horse and a child with a hoop. In the air a banderole with text and two putto with the weapon of Amsterdam. Amsterdam paper etching sailing-ship, sailing-boat. (bowling a) hoop. dog Single

Southern harbor, Leendert Brasser, 1766, draughtsman: Leendert Brasser, 1766, paper, pen, brush, h 226 mm × w 246 mm

Face from Zuilenstein Castle on Amerongen, Daniël Stopendaal, 1682 - 1726 print View from Zuilenstein Castle near Leersum on Amerongen. Amsterdam paper etching landscapes in the temperate zone. village Zuilenstein Castle. Amerongen

Painting by Nicolaes Pietersz. Berchem showing a populated area with a fountain where a rider waters her mule. Executed with brown brush and cover colors over reddish tones, in an oval format.

Watermill. Draughtsman: anonymous. Draughtsman: Remigio Cantagallina (rejected attribution). Dating: 1600 - 1699. Measurements: h 102 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.

Two views of Zutphen The Droogenaps Tooren te Zutphen aan de Wal te zien 1744/ De Boogen boven de Berkel te Zutphen aan de Wal te zien 1744 , print maker: Hendrik Spilman, (mentioned on object), intermediary draughtsman: Monogrammist JBD, (mentioned on object), Haarlem, 1745, paper, etching, h 165 mm × w 105 mm

Winter, Giles Sadeler (2), after Pieter Stevens (1), after Pieter Stevens (2), 1624 - c. 1650 print Winter landscape with a frozen river on the right on which is skating and pumped. In the distance a bridge and a village on the right bank. Left in the foreground, wood is cut, sawn and gathered print maker: Praagpublisher: Venice paper engraving winter ~ human activities (the four seasons of the year). skates (winter sports). 'kolf' on the ice. woodgathering, woodgatherer. woodcutting, woodcutter ~ forestry

Dalsendyk buyten Uytregt

Plan general du Chasteau et petit Parc de Vincennes. Dated: 1668. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Israël Silvestre.

Smith's Yard at Etang, Print made by Philip Gilbert Hamerton, 1834-1894, British, 1876, Drypoint and etching on moderately thick, moderately textured, beige laid paper, Sheet: 10 1/4 x 14 5/16 inches (26 x 36.3 cm), Plate: 7 5/16 x 10 1/2 inches (18.5 x 26.7 cm), and Image: 5 13/16 x 8 15/16 inches (14.7 x 22.7 cm), blacksmith, boat, cart, church, ducks, equipment, genre subject, house, illustration, landscape, plow (agricultural equipment), steeple, tools, trees, wall, well (container component), woman, yard

Landscape with a water mill; The water mill.

A farmer with a horse on the leads on a road along a castle. Three figures and a dog for the gate of the castle. Tenth print of a series of 36 prints of landscapes, divided into six parts.

Cartoon on the flight of the collector of the Wijnimpost P. Ryers, 1751, 1751 print Cartoon on the collector of the Wijnimpost P. Ryers who fled with the money from the proceeds on 13 August 1751. He was presented with a money fair sitting in a car pulled by four women. Marked at the top right: IV part Pagi 81. Northern Netherlands paper letterpress printing

Ruins at the Sint Jan in Brussels, 1695, Augustin Coppens, 1695 print Presentation of the ruins behind the town hall to Sint Jan in Brussels after the bombing by the French, 13-15 August 1695. Tenth print in the series of twelve. Brussels paper etching devastated, ruined place or city (~ warfare) Brussels

Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, plate 19 from Some Views of Triumphal Arches and other monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 125 x 268 mm (image); 135 x 268 mm (plate); 340 x 467 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Autumn: The Wine Market. Dated: c. 1628/1629. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Amsterdam, Danckerts, Cornelis (II), Justus, Waterloo, Anthonie, Landscapes, series A, Two stone bridges over a river, verso lower left - stamped, Two stone bridges over a river can be seen. On the front bridge two horsemen are riding towards an entrance gate. In the foreground on the right a man is fishing on a wooden jetty., print, prints, height 156 mm, width 210 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever, 1635-11-11 - 1701-07-16, 1664-03-02 - 1717-07-22

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