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Rural Travelers and Agricultural Scenes

Black and white etchings depicting travelers resting near a river and farmers working under a shelter, capturing rural life and labor.

Two ties, a man and a girl, in conversation; Smokowski, Wincenty (1797-1876); 1841-1842 (1840-00-00-1845-00-00);
Two ties, a man and a girl, in conversation; Smokowski, Wincenty (1797-1876); 1841-1842 (1840-00-00-1845-00-00);
259 assets in this story
Etching and copper engraving by Pierre Etienne Moitte in 1768 depicting Italian costume with figures arranged in a balanced composition.Etching by Francesco Antonio Meloni from 1705 depicting Diana and Endymion, highlighting mythological figures, gestures, and classical landscape elements.Despair (IT)"The Blind Man of Bagnolet" from The Complete Works of Béranger 1836 J. J. Grandville. "The Blind Man of Bagnolet" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Pierre François Godard (French, Alençon 1797-1864 Alençon). PrintsAn episode in Tristram Shandy: Obadiah riding a coach horse knocks Dr. Slop off his pony into a pond, a sign to Shandy Hall hangs over him. Etching by J. Bretherton, 1773, after H.W. Bunbury after L. Sterne.Lithograph by Moritz von Schwind from 1825 showing 'The Country Area on Leopoldsberg No.VI: The Return Home,' depicting figures returning through a rural landscape, ocher plate.A Vintage, William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1834, Line engraving on thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm), Plate: 10 1/8 × 5 1/2 inches (25.7 × 14 cm), Chine collé: 9 7/8 × 5 1/4 inches (25.1 × 13.3 cm), and Image: 2 1/2 × 3 3/4 inches (6.4 × 9.5 cm)Lambertier est donc avecCaroline?. Artist: Paul Gavarni, French, 1804-1866Digging for potatoes; from: `Tygodnik Ilustrowany` 1883, p. 164. Eismond, Józef (1862-1937), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Szymański, Franciszek (fl. ca 1880), woodcutterToo Many for a Jew September 20, 1785 Thomas Rowlandson. Too Many for a Jew. Thomas Rowlandson (British, London 1757-1827 London). September 20, 1785. Hand-colored etching and aquatint. Samuel Alken (British, London 1756-1815 London). PrintsPortrait of M. EschenbachEtching and copper engraving by Jean Moyreau depicting the Dauphin Fountain, created in 1753.Event arrives at Aix. Dept. Bouches du Rhône Le II December. 1790. (IT)Muzikant in Pierrot, Benoît Audran (II), After Jean Antoine Watteau, 1708 - 1729 print The top plate depicts a man with a hat who plays for two sites and a standing pierrot figure on his string instrument. On the bottom plate there is a woman in Akimbo attitude with a walking stick and a seated couple and a standing pier rot figure. Both scenes take place in the open air. print maker: Francepublisher: Paris paper etching making music; musician with instrument - CC - out of doors. types in 'commedia dell'arte': Pierrot. adventurerThe Dancing Lesson, Part 2 The Minuet Published 1835 England. Etching on paper . George CruikshankMan on bridge, Hermanus Fock, 1781 - 1822.Colonel from the Streltsi Militia, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 15/16 x 4 11/16 in. (17.62 x 11.91 cm) (image)9 x 5 3/4 in. (22.86 x 14.61 cm) (plate)10 3/16 x 6 13/16 in. (25.88 x 17.3 cm) (sheet), Etching, France, 18th centuryAllegorical vignette on Dutch Naval Macht, 1782, Reinier Vinkeles (I), After Jacobus Buys, 1782 print Vignette with a Dutch admiral standing for the sitting Dutch Virgin. Northern Netherlands paper etching / engravingDrawing by Drouet depicting a faun playing a flute to a nymph, one of sixteen copies after Herculaneum wall paintings, executed with gray feder and lavation.Four Subjects, Print made by Bradshaw & Blacklock, active ca.1850, British, after 1850, Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper, Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm), apron, basket, bonnet, bowl, cart, children, clouds, costume, discussion, dogs (animals), eating, family, farm, field, genre subject, gesturing, grass, hats, hills, hoe, jackets, landscape, laughing, leaves, path, sign, spoons, trees, wheelbarrowSketch of summer. No.22 Plate (registered title) | 2nd suite of 1855-1858. (Title Title) | CityGiature. (Registered Title)Signo crucis flumen dividit, Pl. 20 23. Gaetano, Giovanni Battista 16..-16... Valladolid, Juan Francisco de. Prints. 1682. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Mogrovejo, Toribio Alfonso de, Saint, 1538-1606N � 29 / Not beast the student, he studied nature (title registered) | Hidden moralities (1831) (title of all)Müller, A., London, Bruckmann, Friedrich, Harvest-home, Photographic reproduction of a drawing of a scene from Das Lied von der Glocke by Friedrich Schiller, by A. Müller, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Registered., height 284 mm, width 227 mm, German, 1814 - 1898, photographer, 1870 - 1875, photographic paper, photo paper, albumen print, albumine print, intermediary draughtsmanCartoon with sleeping judges and the ministers of Delden and Brocx, 1873, 1873 print Cartoon with sleeping judges and the ministers of Delden and Brocx. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 52, 1873. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paperOh! Saperlotte, je crois que nous sommes pincés!. Honoré Daumier (1808-1879). LithographsUn charge deplacée. Honoré Daumier (1808-1879). LithographsThe passage of the ford (registered title) | Planche # 11 of the album Lithographic, 1830. (Title Title)Civilis and Cerialis negotiate on the broken bridge, 69-70, 1880 - 1889 print Civilis and cerialis negotiate and close peace on the broken bridge. According to a cut out text that is stuck behind the print, this album is opposed to the title of the first part (of an unknown work). Netherlands paper extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations NetherlandsMan in Walker, with Other Figures in aPark. Artist: Auguste Lepère, French, 1849-1918Capanne, by Andrea Bernieri. Acquisition history unknown.Eed van de Griek, Karl Loeillot -Hartwig, 1829 - 1835 print Paris paper Oath. kneeling figureThree men stone a dragon. Three men stone a dragon, while three dressed men watch.Count Andrassy, Diplomatic review cartoon sequence from humorous leaves, UnknownThe Death of Prince Józef Poniatowski. Rambert (fl. post 1850), graphic artist, Raffet, Auguste (1804-1860), draughtsman, cartoonistYoung people in love with a rhyme dictionary under the foot of a tree; L'AMANT ET LE DICTIONNARE DE RIMES; Feelings; Nuances du sentiment. .Jakob complains to Laban. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 365 mm × w 251 mm. Museum: Rijksmuseum, Amsterdam.Grandville (Jean-Ignace-Isidore Gérard, dit) (1803-1847). Attributed to French, François Louis (1814-1897). Brévière, Louis-Henri (1797-1869). "We also recommend that curious people not to annoy the new hosts in the Jardin des Plantes too much. This, which could, despite the precautions that have been taken, not be without danger! ... Portrait Charge de Balzac". Balzac, Honoré de (1799-1850). engraving. 1842. Paris, house of Balzac. 145718-5Bliżej Kultury unknownGrandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. Pride and baseness". Colored lithography, 1829. Paris, Maison de Balzac. 34928-10 Baseness, humorous, lithography colored, pride, peacock, personification, snake, animalEtched by Joseph Mallord William Turner, 1775-1851, British, Juvenile Tricks, 1811. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.. Allegory in which a small Keeshond (patriots) and orange customers are weighed on a scales on a tree. De Keeshond does the scales spoke despite all the frantic attempts from the orange customers to get the weight on their side. On the side of the Keeshond are the freedom, caution, love and religion at a monument with a portrait of the Amsterdam mayor Hendrik Hooft Danielsz., 1787.Influence of time on modes of 1860. (registered title) | News. (Title of the whole)The Anglers of the Dove-Stansbury and Felton Sort the Prey,1862 John Everett Millais (d.1896) and Joseph Swain (d.1909), Fine Art, 19th Century, Paper, Printing, Wood Engraving, Fish, Men, FishingEveryone's turn in politics Charles Joseph Travies of Villers, says Traviès (1804-1859). Press cartoon. "Each one in politics". Board published in "caricature" of December 27, 1833. Lithography. Paris, House of Balzac.The Death of Two Children, Gravelot, French, 1699 - 1773, active in England, Etching on paper, France, 1758, Print, PrintUkrainian Lirnik; Regulski, Aleksander (1839-1884), Kordysz, Józef (1824-1896), Miniatow, A. (Kiev; Litographic; Ca 1860-1870); 1861 (1861-00-00-1861-00-00);Print (France)A couple on horseback and a young child on a pony are stopped at a gate by a farmer who points at a tollgate sign pinned to the fence. Process print after Fred Branston after W. Harvey.Rustic from Moscow, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 9/16 x 3 5/8 in. (11.59 x 9.21 cm) (image)5 3/16 x 4 1/4 in. (13.18 x 10.8 cm) (plate)6 15/16 x 5 1/2 in. (17.62 x 13.97 cm) (sheet), Etching, France, 18th centurySTEPHEN Y LA FANTASMA - 1835 - LITOGRAFIA - 198x140 - ILUSTRACION DE LA REVISTA EL ARTISTA. Author: FEDERICO DE MADRAZO Y KUNTZ (1815-1894). Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.Flirting on the Sea-Shore and on the Meadow - Drawn by Winslow Homer (Harper's Weekly, Vol. XVIII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 1/2 in. (23.2 x 34.3 cm)sheet: 10 7/16 x 15 7/8 in. (26.5 x 40.4 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: September 19, 1874. Museum: Metropolitan Museum of Art, New York, USA.Monk of the Order of St. Basil, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 x 5 in. (17.78 x 12.7 cm) (image)9 x 5 3/4 in. (22.86 x 14.61 cm) (plate)10 1/2 x 7 in. (26.67 x 17.78 cm) (sheet), Etching, France, 18th centuryStanding men and a ship model, Pieter van Loon, 1846 drawing paper. pencilEssaye un peu de ne pas me mener à tous les jugemens (sic), quand tu - seras Procureur du Roi, et tu verras! ,. Paul Gavarni (1804-1866). Lithographs and Other WorksFerdinand is in a landscape and takes to the starry sky. .On a beau dire..., from Ces Bons Parisiens, published in Le Charivari, September 4, 1857. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 9 11/16 × 11 1/8 in. (24.6 × 28.3 cm)Image: 8 3/16 × 10 3/16 in. (20.8 × 25.9 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Ces Bons Parisiens. Date: September 4, 1857.See 22.61.72 for another impression of this print on white paper. Museum: Metropolitan Museum of Art, New York, USA.Retorica, Jacques -Antoine Friquet de Vauroze, After Sébastien Bourdon, 1663 - 1716 print Two men in a statue of Mercury. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa). Specific aspects, allegorical aspects of mercury; Mercury as PatronLe PetitEmigre.. Artist: Paul Gavarni, French, 1804-1866Portrait of Juguda Kazaz, Misiz, at Work as a Tomb Sculptor in the Josaphat Valley, Near Tchioufout-Galeh, Crimea. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Éditeur Ernest Bourdin (French, active 19th century). Date: 1837. Dimensions: 255 × 195 mm (image); 256 × 197 mm (primary support); 452 × 349 mm (secondary support). Lithograph in black on gray wove chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.La crinoline en temps de neige, from Croquis d'Hiver, published in Le Charivari, November 13, 1858. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 10 1/2 × 14 3/4 in. (26.6 × 37.5 cm)Image: 8 11/16 × 10 5/16 in. (22 × 26.2 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Croquis d'Hiver. Date: November 13, 1858. Museum: Metropolitan Museum of Art, New York, USA.Christian Josi, ca. 1765-1828, Dutch, The Peasant's Repast, 1797.Print, Via Crucis, frontispiece; Giovanni Domenico Tiepolo (Italian, 1727 - 1804); etching on cream laid paper; 22.6 x 18.8 cm (8 7/8 x 7 3/8 in. ); 1931-67-66-1The triumph of the third state (IT)A Picnic By Land. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1858. Dimensions: 234 x 352 mm (image); 274 x 399 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.La première leçon de natation. Honoré Daumier (1808-1879). LithographsTeun de Jager at the corpse of Zijtje, Ferdinand Carl Sierich, 1849 - 1905 drawing Design for a print. pencil. paper. chalk brush landscapes. dog. hunter. violent death, being killed; being mishandled and maltreated; seeking death (+ finding of dead or dying person)N ° 1 / ETRENES PRUSINENES (TI)Michał Elwiro Andriolli, illustration for the novel by B. Zaleski `Czarnoksiężniczka` The Sorceress, series `Bohaterki poezji polskiej, odtworzone przez E. Andriollego` Heroines of Polish Poetry recreated by Elwiro Andriolli; from: `Kłosy` 1884 no. 9?????????. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter'Les Traitants', c1750-1800, (1924)Artist: Jean-Honore FragonardSketch of summer. Planche N2 (registered title) | 1st Suite of 1853. (Title Title)Richard Gilson Reeve, 1803-1889, Plate 4. The Return, 1813. Aquatint, hand-colored.Paris, Leviez, Charles, Pillement, Jean Baptiste, Recueil De Differents Panneaux Chinois, Woman and children fishing under an awning, verso - stamped, A Chinese woman is fishing with a net on a stick. Three children are sitting to her left. Behind them, a woman looks on from a wooden building with an awning., print, engraving, ornamental print, prints, engravings, ornamental prints, height 358 mm, width 248 mm, print maker, printmaker, 1755 - 1775, paper, papier, etching, etchings, Work conception, French, 1728-05-24 - 1808-04-26, after a design by, 1708 - 1778, sellerCuylenburgh, Cornelis van (II), Northern Netherlands, Koning, Theodoor, Title page for: De Politieke Kruyer, vol. 2, 1784, verso - stamped, 1784. Allegory in which, under the approving supervision of the Dutch Freedom, an armed citizen prevents an armored knight with a broken banner with orange apple from entering the throne of freedom., print, prints, Frederik Muller Historical Plates, height 175 mm, width 136 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1784 - 1784, paper, papier, etching, etchings, engraving, engraving (printing process), 1758 - 1827-09-22, intermediary draughtsmanThe hunt. / N ° 7. (Title registered (letter)) | Rome. Business of the day. (Title of all)Sketch by various artists. (Title registered (letter))Group Herders has fun in the summer, 1654 Group of shepherds at the table under the continuation of the poem on the previous page (Folio 50) that describes the contrast between the love of Cicilia and Floriaen and that of Clorinde and the Shepherdler; On the melody of Siet Cupido Swijren. Gesina has probably added the two lines at the bottom. Zwolle paper. ink. watercolor (paint) brush / calligraphy Group of shepherds at the table under the continuation of the poem on the previous page (Folio 50) that describes the contrast between the love of Cicilia and Floriaen and that of Clorinde and the Shepherdler; On the melody of Siet Cupido Swijren. Gesina has probably added the two lines at the bottom. Zwolle paper. ink. watercolor (paint) brush / calligraphyAbruzzo L'Aquila L'Aquila S. Maria di Collemaggio7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Les Propos de Thomas Vireloque: Not taught anything-yet stupid already. Paul Gavarni; French, 1804-1866. Date: 1853. Dimensions: 202 × 162 mm (image); 358 × 263 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Posing as an official of the local agricultural fair, from 'The Good Bourgeois,' published in Le Charivari, January 30, 1865 January 30, 1865 Honoré Daumier. Posing as an official of the local agricultural fair, from 'The Good Bourgeois,' published in Le Charivari, January 30, 1865. 'The good bourgeois' (Les Bons Bourgeois). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 30, 1865. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). PrintsGraf monument for Johan Maurits, Count of Nassau -Siegen, 1678, G. Zanders, 1825 - 1832 print Graf monument for Johan Maurits in Kleef, died on December 20, 1679, completed in 1678. There are a number of figures around it. In the lower margin a rule of German text. Cleves paper grave-building, monumental tomb ClevesMr. Mayieux in Longchamps. / No. 42. (registered title)Souvenirs () Charlet, Nicolas Toussaint (1792 1845), Gihaut FrèresThomas Mann Baynes, 1794-1854, British, Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight, 1836. Hand colored lithograph.Martyrdom of Saint Bartholomew. Engraving by J.C. Levasseur after A. Borel after A. Carracci.Une assemblée modèle.... Honoré Daumier (1808-1879). LithographsEtching by Jacob Ernst Marcus from 1814 showing a vagabond and a young maid extending a basket with apples, illustrating rural life and everyday activities.Arlequin and Piro talk about the regions of the Kleine Arlequin, Anonymous, After Gerardus Josephus Xavery, 1720 - 1728 print Amsterdam paper etching / engraving types in 'commedia dell'arte': Harlequin. conversation, dialogue; conversation pieceDaily (IT)Belgian soap, 1830; Savon Belge, Cela Fait Joliment La Barbe Aux Hollandais. Cartoon on Prince Frederik shaved by the Barbier Jambe de Bois, 1830. The prince is sitting on a ton, behind him the cheerful Belgian insurgent as a barber with a gun bullet as a soap.Unknown, A Picnic by Land, 1858, wood engraving on paper.Jésus! il vient de me passer une bête. - C'est quelque barbillon qui sera venu flner par ici, histoire de faire son petit - jugement de Pris, le gueux! ,. Paul Gavarni (1804-1866). Lithographs and Other WorksThe winter. Draughtsman: Charles Rochussen. Dating: 1872. Measurements: h 227 mm × w 344 mm. Museum: Rijksmuseum, Amsterdam.Shepherd pair, c. 1652 Shepherd's shepherd under pastoral poem on the melody of shepherds left. Gesina has added two couplets above the illustration in her own words. Zwolle paper. ink. watercolor (paint) brush / calligraphy Shepherd's shepherd under pastoral poem on the melody of shepherds left. Gesina has added two couplets above the illustration in her own words. Zwolle paper. ink. watercolor (paint) brush / calligraphyPeasants Going to Work Made 1863 France. Etching in dark brown on off-white laid China paper . Jean François MilletOpium poppy flower fairy, Papaver somniferum, with flower hat and dress of leaves. Handcoloured lithograph by Louis Lassalle from Louise Leneveux' Les Fleurs Parlantes (The Talking Flowers), Louis Janet, Paris, 1848.KIT, A MEMORY; BY JAMES PAYNMicha Elwiro Andriolli, to the poem W. Hugo "Epos Lion"; Z: "K Osy" 1884 No. 987, p. 345; Gorazdowski, Edward (1843-1901), Andriolli, Micha Elwiro (1836-1893); 1884 (1884-00-00-1884-00-00);Federowski, Michał (1853-1923)-collection, Hugo, Victor (1802-1885). Epos Lion, Kłosy (Warsaw - magazine - 1865-1890) - illustrations, illustrations for literary works, Polish paintingEdmond Morin (1824-1882). "What we drink: water". Bois, 1880. Museum of Fine Arts of the city of Paris, Petit Palais. Drinking, drink, bucolic, water, stream, source, couple, engravingL'Allée des Peintres. Jean-Baptiste-Camille Corot (French, 1796 - 1875)