Saints and Allegorical Figures

Copper engravings and prints represent saints and allegorical figures in historical contexts, showcasing attire, attributes, and gestures of reverence.

Deutsch, Niklaus Manuel, Five wise and five foolish virgins, Wise virgin with burning oil lamp in landscape, verso lower left - stamped, Wise virgin standing in landscape with long hair up. She holds a burning oil lamp., print, engraving, prints, engravings, height 182 mm, width 105 mm, Swiss, 1484 - 1530-04-28, print maker, printmaker, 1518 - 1518, first quarter 16th century, paper, papier, houtsnede

Portret van Margaret Lucas.Portrait of Margaret Lucas. She carries a cloak off with precious stones and fur and a crown on the head. Sandals to her bare feet. She stands in a niche with Minerva and Apollo on either side in the form of Karyatides, as a symbol of art and science. Under the portrait a predicted person in English on her inner and external beauty and an incentive to read her (literary and scientific) publications.

Saint Sebald in a Niche. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 13/16 x 8 3/8 in. (30 x 21.3 cm). Former Attribution: Formerly Attributed to Hans Springinklee (German, active 1512-22). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA.

The Prophet Jeremiah, from Prophets and Sibyls 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is is closely related to Baccio Baldini's Prophet Baruch (TIB 2403.062).. The Prophet Jeremiah, from Prophets and Sibyls 625981

Saint Lawrence, left hand resting on a grill, from the series 'Piccoli Santi' (Small Saints) ca. 1500-1527 Engraved by Marcantonio Raimondi Italian. Saint Lawrence, left hand resting on a grill, from the series 'Piccoli Santi' (Small Saints) 345994

Figure photography: Willem Hondius (1598-1652), portrait of Władysław IV Vasa, a fragment of a composition depicting a triumphant gate erected in Gdańsk on the occasion of the marriage of Władysław IV with Ludwika Maria Gonzaga in 1646, in the collections of Dominik Witke-Jeżewski in 1914; Grodzki, Walenty (1873-1932); 1914 (1914-00-00-1914-00-00);

Italy, Barbiere, Domenico del, Faam, verso - stamped, The winged fame standing on a globe, with two trumpets in her hands. Set in an oval decorative frame. Above two putti and below two old male figures., print, prints, height 402 mm, width 265 mm, Italian, 1506 - 1575, print maker, printmaker, 1516 - 1565, paper, papier, etching, etchings

Rubens, Peter Paul, Antwerp, Panneels, Willem, H. Agnes, verso lower left - stamped, St. Agnes with palm branch and lamb, looking up to heaven., print, prints, height 98 mm, width 73 mm, South Netherlandish, 1600 - 1632, print maker, printmaker, 1610 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Lothar I., Roman Emperor Stecher: Kilian, Philippdatierung: 1643/1693

Delphic Sibyl, print maker: Jan Luyken, Timotheus ten Hoorn, 1684

Faith. Beham, Sebald (1500-1550), graphic artist

Sheet 2 of series of 4 numbered sheets with plane decorations. Spes, personification of Hope, standing in oval. In the frame top center four dragons, two with tails twisted into each other. Shaded background, Plane decoration with Spes Plane decorations. Ovals with four virtues in a frame of grotesques with animals (series title)., print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, publisher: Frederik de Wit, print maker: Netherlands, publisher: Amsterdam, 1639 - 1706, paper, engraving, h 111 mm × w 83 mm

Mary, the mother of the sons of Zebedee, Karel van Mallery, Philips Galle, Cornelis Kiliaan, 1595-1599

Basil's big, holy.

Michael de Sanctis, holier.

Man in Turkish Costume Holding a Shield. Artist: Anonymous, 16th century; After Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: 7 1/16 x 3 3/4 in. (18 x 9.5 cm). Former Attribution: formerly attributed to Anonymous, Netherlandish, 16th century ; formerly attributed to Anonymous, Italian, 16th century ; formerly attributed to Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Alessandro Achillini. Woodcut by T. Stimmer, 1589.

Bliżej Kultury Eichler, Gottfried (1715 1770), Motz, Johann Michael (ca 1694 1758)

Keizer Maximiliaan I; Sigismundus; Liber Chronicarum.A king with a mate and scepter, for feet. The show is part of the sequence emperors in the Liber Chronicarum. The text identifies the man as Maximilian I. The print is part of an album.

Romeins patricious to Toga; Patriano antiquo Rom. Old Habiti, and Modern all of you MOTHER ACCURIZED FROM VERY FIGUREMENTS: DISQUORUM, REENTIUMSMQUAL NOTUY ORBIS. Romeins patricier in Toga, Naar Rechts, in ornamentrand

Apostle Simon, Martin Schongauer, c. 1470 - 1491 print The apostle Simon, in full, a book in one hand, the other hand based on a saw. This print is part of a series of twelve portraits of the apostles. Germany paper engraving the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll

Sparrow, active 1773-1787, Monument Pl. IV.

St. Martin, c. 1465-1500. Israhel van Meckenem (German, c. 1440-1503). Engraving;

Cosimo III. De Medici, Grand Duke of Tuscany.

Matías Antonio / 'Greed'. Late XVI century. Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

Master E.S. (German, active c. 1450 - active 1467), Saint Mark, c. 1460-1465, engraving

Netherlands, Angli: man and woman, dressed according to the English fashion of ca. 1610-'20, Man and woman, standing, seen from the front, dressed according to the English fashion of ca. 1610-'20. Clipped from map Europe, Blaeu exc., costume print, prints, height 70 mm, width 45 mm, print maker, printmaker, 1617 - 1617, first quarter 17th century, paper, engraving, engraving (printing process)

A copper engraving by Marcantonio Raimondi created around 1516-1518 titled 'Temperance', illustrating early 16th-century Renaissance allegorical representation of temperance.

Bliżej Kultury Eljasz Radzikowski, Walery (1841 1905), Unknown

Sforza, Francesco.

Sebald Beham (German, 1500 - 1550), Judas Thaddaeus, engraving

Utrecht, Bloemaert, Frederick, Abraham, 15 small figures, Standing man with long coat, verso - stamped, Standing man, front view, wearing loose-fitting clothing., print, prints, height 120 mm, width 90 mm, 1614 - 1669, print maker, printmaker, 1635 - 1669, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher

Copper engraving by Sebald Beham depicting Markus, with fine engraving lines and composition typical of Renaissance printmaking.

Netherlandish 15th Century, Saint George (), c 1490 Saint George ()

Lucas Cranach the Youngers 'Portrait of Heinrich I' (1563) is a woodcut showing Heinrich I with focus on facial features, posture, attire, and ducal and royal insignia.

Roman General () Seated before Ruins 1525-76 Lambert Suavius Netherlandish. Roman General () Seated before Ruins. Lambert Suavius (Netherlandish, ca. 1510-by 1576). 1525-76. Engraving. Prints

Nicolaes de Bruyn (1571-1656), Sankt Matthias, circa 1600

Johannes, Pieter Feddes van Harlingen, 1611 - 1623 print John the Evangelist is facing a tree with a book in his hands. He looks up at his attribute: an eagle with ink jar and writing utensils in the mouth. A city in the background. A Dutch inscription under the performance. Friesland paper etching life and acts of John the Evangelist. human figure with eagle's head ~ symbol of St. John

Ladislaus III., King of Hungary.

Farmer on the way to Markt, Anonymous, After Hans Sebald Beham, 1520 - 1599 print Copy in mirror image to print by Hans Sebald Beham paper engraving going to the market. farmers

The Angel and the Eighth Sphere, plate 48 from Planets and Spheres 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving in black on tan laid paper . Master of the E-Series Tarocchi

Bosch, Sebastian.

Barberini, Francesco.

Konrad II., Roman-German Emperor.

Bildnis des John Tavlerus

After Baccio Baldini, European Sibyl, early 15th century European Sibyl

Malachias. Dated: published 1613. Dimensions: plate: 17.5 x 13.4 cm (6 7/8 x 5 1/4 in.) sheet: 24.3 x 19 cm (9 9/16 x 7 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Theodor Galle after Jan van der Straet.

Antwerpen, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, Persian kings, King Darius, Antwerp, verso - stamped, King Darius of Persia standing with a scepter and sword in his hands. In the background we see how Darius was elected king of Persia. His horse is the first to neigh at sunrise. Above the image a three-line text in Latin., print, prent, prints, prenten, height 257 mm, width 199 mm, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, after design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

St. James the Great, 1545-1546. Hans Sebald Beham (German, 1500-1550). Engraving;

Avicenna unknown artist

Wszyscy Święci w MNK unknown

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

The King (from the Tarocchi, series E: Conditions of Man, #8), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving hand-colored with gold;

Heilige Paulus, Anonymous, After Guido Reni, 1595 - 1692 print The apostle Paul with sword, caught in an oval. Italy paper etching the apostle Paul of Tarsus; possible attributes: book, scroll, sword

The Holy Roch. Draughtsman: Gerard ter Borch (I) (mentioned on object). After Jacopo Tintoretto. Dating: c. 1611 - 1612. Place: Italy. Measurements: h 200 mm × w 132 mm. Museum: Rijksmuseum, Amsterdam.

Copper engraving by Sebald Beham showing Mathaeus, produced in 1541, with detailed line work and composition reflecting 16th-century European engraving techniques.

Walenburch, Adrian.

Bliżej Kultury unknown

Chronico (Genius of Time). Dated: c. 1465. Dimensions: sheet: 18.2 x 10.2 cm (7 3/16 x 4 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ as Salvator Mundi, Sheet printed with six blocks. The representation in the middle shows Christ as Salvator Mundi, standing in an architectural frame. Around this are five ornamental friezes with biblical scenes, birds, animals and plants., book illustration, ornamental print, prints, height 184 mm, width 142 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Emrik & Binger, Tombstone. (13th century), Tombstone, Grave slab or tombstone from the 13th century. Bishop crowns two princes., print, picture, historical object representation, book illustration, prints, pictures, Frederik Muller Historieplaten, height 375 mm, width 292 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, tone lithography, printer

Amsterdam, Londerseel, Assuerus van, Goltzius, Hendrick, The three divine virtues, Spes, Hope, verso - stamped, The personification of Hope, one of the three divine virtues, sitting by a tree with an anchor next to her. On the right in the background the resurrection of Christ. Around the image a marginal inscription in Latin., print, prent, prints, diameter 277 mm, print maker, printmaker, 1592 - 1635, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1558-01 - 1617-01-01, after print by, Publication (Event), Publication, 1572 - 1635-12-02, publisher

Nobile Franchese matraton; Ancient habits, modern et worldwide .... without title

Decorated Capital Letter C, Jakob Frey, Swiss, active Italy, 1681 - 1752, Giovanni Passari, Italian, Engraving on paper, Letter 'C' before the kneeling Pope St. Clement, with the anchor., Rome, Italy, ca. 1715, ephemera, Engraving, Engraving

Helleoportic Sibyl, from the series of Sibyls ca. 1530 Lucas van Leyden Netherlandish. Helleoportic Sibyl, from the series of Sibyls 364724

Standing saint in a niche (John the Baptist). Draughtsman: Alessandro Casolani (possibly). Dating: 1562 - 1606. Measurements: h 165 mm × w 95 mm. Museum: Rijksmuseum, Amsterdam.

Lucas van Leyden (Netherlandish, 1489-1494-1533), Saint Luke, 1518, engraving

Tuscany Siena Montalcino Farmacia dell'Ospedale6. Hutzel, Max 1960-1990 Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut from the last third of the 15th century depicting Pilate washing his hands, showing detailed figures, gestures, and composition.

St. John the Baptist, c. 1505. Giulio Campagnola (Italian, 1482-1515). Engraving; image: 34.3 x 23.7 cm (13 1/2 x 9 5/16 in.); sheet: 34.3 x 23.7 cm (13 1/2 x 9 5/16 in.).

Woman with lute; Bajadère. Upper woman in dress with a lute in her left hand.

Our Lady of Turska; Unknown, Kostrycki, Maciej (p Azów; People's Woodmark; Fl. Ca 1830-Ca 1838), Azarski, Zygmunt (1885-1943); 1921 (print); 1830-1838 (matrix) (1830-00-00-1921-00-00);Our Lady of Turska (painting), purchase (provenance), Lazarski, portfolio of the People's District of the Old 1921, Illustration, Łazarski, Zygmunt (Ca 1885-1943) - collection

Maria Magdalena gets rid of her wealth, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Maria Magdalena is sitting as a richly clad woman at a table full of luxury objects such as jewelry, perfume bottle, mirror. With a row of face and gaze raised upwards, her pearl cord gets rid of her wealth with an arm gesture. paper engraving St. Mary Magdalene renounces the vanities of the world, laying aside her jewels

Poesia (Poetry). Dated: probably c. 1470. Dimensions: sheet: 17.1 x 9.3 cm (6 3/4 x 3 11/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the S-Series Tarocchi.

Baccio Baldini (1436-1487). "The Prophets, Noah". First issue of a suite of 24 rooms (Bartsch 1). Chisel. 1450-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-25 XVEME XV XV 15th 15th 15 CENTURY, engraving

Heinrich II Jasomirgott, Duke of Austria.

Giulio Campagnola (1482-1516). "Saint Jean Baptist". Bartsch 3.Bartsch illustrated volume 25 (volume 13, part 2), page 245. Chisel. 1500-1510. Museum of Fine Arts of the City of Paris, Petit Palais. 112276-6 16th 16th XVI 16th 16th 16 Center, engraving

Bliżej Kultury Througher, J.

Santa Helena, 1750 - 1900, Woodcuts, 7 11/16 x 4 15/16 in. (19.5 x 12.5 cm), Paper / Sheet 7 11/16 x 4 15/16 in. (19.5 x 12.5 cm), Cream laid

Man van Smarten, Frans Crabbe Van Espleghem, 1490 - 1552 print Low Countries paper engraving half or three-quarter figure of the Man of Sorrows

Etching by Hans Lautensack from 1560 depicting a Roman tombstone with figure niches, showing sculptural details, inscriptions, and funerary architecture.

Pytheus.

Marches Macerata Camerino Pinacoteca3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Peter. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of painter Raphael.

Portret Van Julius Caesar Scaliger, Anonymous, after Tobias Stimmer, 1549 - 1584 print Print is part of an album. paper historical persons. cardinal. portrait of a writer

Woodcut by Hans Rudolf Manuel Deutsch from 1556 showing satirical depictions of changing church authorities and figures, emphasizing caricature and composition.

A copper engraving print by Meister der Propheten und Sibyllen circa 1470 depicting the Delphic Sibyl, showing detailed figure, drapery, and facial expression.

Queen Maria. Taken from a woodcut that represents Maria and her husband Sigismund of Luxemburg. Sigismund was also German Emperor and became Hungary's regent in 1387.

Sigibert I, King of Franconia.

Armand, Prince of CONTY.

Trophy of Marius, Anonymous, 1572 - 1585 print Trophy of the Roman army commander Marius on the Capitol in Rome. Print is part of an album. paper engraving Trophy ~ Battle, War. 'Victoria'; 'Vittoria', 'Naval victory', 'Victory of antiqui' (Ripa). Piece of Sculpture, Reproduction of a Piece of Sculpture. Armour. Cupids: 'Amores', 'Amoretti', 'Putti'

RICHARD II, 1367-1400, King of England, at Westminster, drawing after painting made at Jerusalem

SANTIAGO EL MENOR. Author: FRANCISCO DE ZURBARAN. Location: CONVENTO DE SAN FRANCISCO DE JESUS. Lima. PERU. SANTIAGO ALFEO EL MENOR.

Portrait of Jacobus Arminius, Pieter Holsteyn (II), c. 1624 - 1673 print Portrait of Jacobus Arminius, in the interior of a study. Under the portrait there are name and data in two lines in Latin. Among them two columns with four lines each; Left in Latin and on the right in Dutch. Below that the name and data of the portrayed person in two lines in Dutch. Northern Netherlands paper engraving study; 'studiolo'; library

St. Lawrence 1650 Wenceslaus Hollar Bohemian St Lawrence stands at left on a hill, looking right, holding a palm leaf in his left hand and a gridiron with the right.. St. Lawrence 360746

Sitting fish woman, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. chalk

The cardinal virtue of Temperance represented by a seated woman pouring wine() from one jug into another (possibly a modern impression). Artist: Anonymous. Dimensions: Sheet: 12 3/16 × 8 1/4 in. (31 × 21 cm). Date: ca. 1480-1520. Museum: Metropolitan Museum of Art, New York, USA.

Tadeusz Kosciuszko Eljasz Radzikowski, Walery (1841 1905)

A 1517 wooden print by Leonhard Beck showing Saint Oda, part of the saints series related to Emperor Maximilian I's family.

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