Saints and Biblical Narratives

Dramatic and rich paintings showcasing biblical scenes like the descent from the cross, purgatory, and sermons, highlighting emotional expressions and Baroque aesthetics.

Purgatory by Daniele Crespi, (Circa 1590-1630)

Stations of the Cross by an unknown artist in the handling of the Catholic pilgrimage church to the Holy Trinity in Kappl, Waldsassen, Tirschenreuth County, Upper Palatinate, Bavaria, Germany. 5 Station - Simone of Cyrene helps Jesus carry the cross / Kreuzwegstationen eines unbekannten Künstlers im Umgang der katholischen Wallfahrtskirche zur Heiligsten Dreifaltigkeit in Kappl, Waldsassen, Landkreis Tirschenreuth, Oberpfalz, Bayern, Deutschland. 5 Station - Simone von Cyrene hilft Jesus das Kreuz tragen.

Allegory of Faith, 1731-1732, by Paul Troger, fresco on the Library ceiling, Benedictine Abbey of Melk, Wachau Cultural Landscape (UNESCO World Heritage Site, 2000), Austria, 18th century. Detail.

NACIMIENTO E INFANCIA DE CRISTO - SIGLO XVI - TRIPTICO EN TABLA - 135x33 cm portezuelas, 87 cm centro - NP 2635. Author: ANONIMO FLAMENCO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. Melchor. Gaspar. BALTASAR.

The Martyrdom of the Seven Sons of Saint Felicity, 1709 painting The painting represents the martyrdom of the seven brothers, the sons of the Holy Felicitas. The Holy Felicitas is shown to the right of the middle, as she comforts her youngest son Martialis and points to the angel who comes from above with the seven crowns and seven palm branches of martyrdom. The statue of Mars, right behind her, represents the pagan gods who refused to worship the early Christian widow. To the left of the statue, the Roman emperor Antoninus Pius sits on a throne, which witnessed that Felicitas had to witness the death of her seven sons before she was executed. On the right in the foreground, Saint Januaryus (brushed with lead balls); In the middle and left in the foreground, the Holy Alexander and the beheaded Vitalis; In the middle, sitting and kneeling, the holy Phillippus and Felix; Saint Silvanus is thrown of the tower in the background. In the background a hedge of spectators and an image of one

The Apparition of the Cross to the Emperor Constantine by Penni, Gianfrancesco (1496-1528) / Apostolic Palace, Vatican / 1517-1524 / Italy, Florentine School / Fresco / Bible,History /

Assumption of the Virgin, by Allegri Antonio known as Correggio, 1526 - 1530, 16th Century, fresco. Italy, Emilia Romagna, Parma, Santa Maria Assunta Cathedral, Dome. Detail. David severed head Goliath souls blessed raised arm green cloud yellow.

'The Martyrdom of Saint Andrew' (detail), ca. 1638-1639, Oil on canvas. Author: PEDRO PABLO RUBENS (1577-1640). Location: FUNDACION CARLOS DE AMBERES. MADRID. SPAIN.

The Assumption of the Virgin Mary, by Reni Guido, 1616 - 1617, 17th Century, oil on canvas. Italy. Liguria. Genoa. Sant'Ambrogio church. o del Gesu. Detail of the angels of figure of a boy and children with roses.

Fresco decoration on ceiling of the Basilica of the Madonna della Misericordia, by Mancini Francesco, 18th Century, fresco. Italy, Marche, Macerata, Madonna della Misericordia Basilica. Particolare. Evangelist book saint onlookers vault young people orange green white grey purple.

Saint Didacus Preaching. Date/Period: 1605 - before March 1606. Painting. Fresco transferred to canvas. Height: 2,037 mm (80.19 in); Width: 3,755 mm (12.31 ft). Author: Annibale Carracci.

The Baptism of Christ, Paris Bordone, circa 1535-1540, National Gallery of Art, Washington DC, USA, North America

The Resurrection, Bellini, Giovanni, 1477.

St. George Basilica interiors The interiors of Saint George Basilica in Prague: ancient frescos on ceilings Copyright: xZoonar.com/GoneWithTheWindx 6479015

Italy - Veneto Region - Verona - Church of St. Fermo Maggiore - Superior Church - Verona cries for the end of Black Death by A. Girola - The personification of Verona - Detail

Ceiling fresco at Neresheim abbey (St. Ulrich und Afra), Neresheim, Baden-Wuerttemberg, Germany, Europe

Corrado Giaquinto / 'The Adoration of the Shepherds'. First third of the XVII - Segundo tercio del siglo XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The felling of the Donar oak, also thunder oak or thor oak, near Geismar, by the missionary Boniface is one of the most famous events in German church history, ca 723, school picture, authentic reproduction of a school mural, around 1911, exact date unknown, historical

Stories of Christ: Christ in the Garden of Gethsemane, 1502, by Luca Signorelli (ca 1445-1523).

Ascension of Christ by Charles de La Fosse, oil on canvas, 1680s, 1636-1716, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 80x65

The Deluge or Flood: Noah builds an altar and makes a burnt offering in thanks for the receding of the waters and the preservation of the Ark and its occupants. 'Bible': Genesis. Mid-19th century chromolithograph.

CAPILLA DE LA VISITACION - BANCO DEL RETABLO - SAN JERONIMO -ALTORELIEVE - 1565-1566. Author: JERONIMO HERNANDEZ (1540-1586). Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN. SAN JERONIMO (347-420).

Miracle of Gideon's Fleece, c. 1490

'Resurrection of the Righteous (Heaven)'. Italy, Between 1582 and 1585. Dimensions: 127x351 cm. Museum: State Hermitage, St. Petersburg. Author: Bassano, Francesco, II (Francesco da Ponte).

Paining titled 'The Lamentation over the Dead Christ' by Rembrandt Harmenszoon van Rijn (1606-1669) a Dutch painter and etcher. Dated 17th Century

Alessandro Turchi, Lamentation over the Body of Christ, c. 1645-50, oil on touchstone.

THE AGONY IN THE GARDEN, by Raphael, 1505-20, Italian Renaissance painting, oil on wood. Christ is praying in the Garden of Gethsemane before his arrest, as his disciples asleep around him (BSLOC_2017_16_53)

Farewell to Tobias by Rudolph K.E. Lehmann, (1819-1892)

Jesus, God and the Holy Spirit, Franciscan Church of Vienna, Vienna, Austria, Europe

Virgin Mary holding Infant Christ by Hans Rottenhammer the Elder, Oil on copper, Baroque, 1564-1625, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 27,5x35

Archangel Michael Flinging the Rebel Angels into the Abyss, Giordano, Luca, 1655.

Allegory of Faith by Giovanni Francesco B. Guercino, 1591-1666

The Travellers at Emmaus, 1857

The Temptations of Saint Francis of Assisi, by Della Rovere Giovanni Mauro known as Fiammenghino, 1605 - 1615, 17th Century, oil on canvas. Italy, Lombardy, Boffalora, Lodi, Sant'Andrea Parish Church. Whole artwork. The temptations of St Francis of Assisi, tempting devil with semi-human features, horned with bat wings, clawed hands and feet, plants monks.

Cornelis van Poelenburch, Christ Carrying the Cross, early 1620s Christ Carrying the Cross

Painting titled 'Christ in Gethsemane' by El Greco. Domenikos Theotokopoulos (1541-1614) a Greek painter, sculptor and architect of the Spanish Renaissance.

MARTIRIO DE LOS SANTOS JUSTO Y PASTOR - SIGLO XIX. Author: ROSALES, EDUARDO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

The Adoration of the Magi Leonardo da Vinci (1452-1519 Italian) Galleria Degli, Uffizi, Florence

Seven Sacraments Baptism (I) 1642 Nicolas Poussin The Seven Sacraments: Baptism

Jesus Miracles - Raising Lazarus, fresco in the St Nicholas Cathedral in Ljubljana, Slovenia Jesus Miracles - Raising Lazarus, fresco in the St Nicholas Cathedral in Ljubljana, Slovenia Copyright: xZoonar.com/ZvonimirxAtletix 21022495

The Miracle of the Manna, by Robusti Jacopo known as Tintoretto, 1577, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Miracle man stick staff sheep lamb clothes: dress tunic: habit drapery: draping white yellow clouds shaft of light foreshortened view looking upwards.

Madonna of the Childbirth and Saints, by Trevisani Angelo, 18th Century, tela. Italy, Veneto, Pecol di Zoldo, Belluno, Area church. Whole artwork. Madonna of the Childbirth Virgin angels putti lamb saint Dominican man stick cartouche light shade draperies arched altarpiece stuccoes marble columns red yellow blue black.

Benjamin Robert Haydon, 1786-1846, British, Study of the Crucifixion, undated. Black chalk and white chalk on moderately thick, moderately textured, brown wove paper.

Alexander Heubel (1813-1847). Latvian painter. Three Men in a Fiery Furnace, 1845. Oil on canvas (36 x 59,6 cm). Detail. Latvian National Museum of Art. Riga, Latvia.

Mysteries of the Rosary, by Campi Vincenzo, 16th Century, oil on canvas. Italy: Emilia Romagna: Parma: Busseto: San Bartolomeo Collegiate Church. Whole artwork. Tondo Jesus Christ Risen from the Dead soldier resurrection flag standard cloth blue

Christ and the Woman Taken in Adultery, Mattia Preti, Italian, 1613-1699, 1640s, Oil on canvas, Made in Rome, Lazio, Italy, Europe, Paintings, 56 5/8 × 75 1/2 in. (143.8 × 191.8 cm)

Christ Giving Sight to Bartimaeus, William Blake, 1757-1827, British, 1799 to 1800, Tempera with pen and black ink on canvas, Sheet: 10 1/4 x 15 inches (26 x 38.1 cm), apostles, blind, Christianity, clouds, faith, halo, healing, hills, men, miracle, mountains, New Testament, religious and mythological subject, stones, sunlight

St Francis Xavier baptizing the Indians, by Luca Giordano (1634-1705), oil on canvas, 421x315 cm.

The Annunciation to the Shepherds, 1639

The Baptism of Christ - 1608/14 - 320x211 cm - oil on canvas. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: HOSPITAL TAVERA-HOSPITAL DE SAN JUAN BAUTISTA. Toledo. SPAIN. JESUS. ESPIRITU SANTO. PADRE ETERNO. SAN JUAN BAUTISTA (8 AC / 27 DC).

'The Burial of the Count of Orgaz' (detail), 1587, Oil on canvas. Author: EL GRECO. Location: IGLESIA DE SANTO TOME. Toledo. SPAIN. VIRGIN MARY. SAN JUAN BAUTISTA.

The Angel Appearing to Saint Jerome About 1638 oil on canvas Guido Reni Italian; 1575-1642

Christ on the Mount of Olives with Two Allegorical Figures by Vasari, Giorgio (1511-1574)/ Galleria Palatina, Florence/ Italy, Florentine School/ Oil on canvas/ Mannerism/ 19x60/ Bible

Elevation of the Cross, by Jacob Andries Beschey (1710-1786).

fresco ochsenhausen An image of a beautiful religious fresco in Ochsenhausen Germany Copyright: xZoonar.com/magannx 1917344

Entombment of Christ, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digit...

Italy, Florence, Museo di San Marco, The Last Judgment by Fra Angelico, detail, tempera painting, (1395 -1455)

Titian / Madonna and Child with Saints

CALVARIO-OLEO/COBRE-53,5 X 69, 5 CMS. Author: MAESTRO DE LAS CRUCIFIXIONES. Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN. JESUS. MARY MAGDALENE. VIRGIN MARY. SAN JUAN EVANGELISTA Y APOSTOL.

Christ Tempted by the Devil. Date: 1818. oil on wood. Museum: Smithsonian American Art Museum.

Saint Jacques church. Jesus : the sermon on the Mount. Sallanches. France.

The Denial of St Peter, Rembrandt van Rijn, 1660 painting Peter's denial. With his left hand, the Disciple Peter makes a gesture in denial on the accusation of the Kajafas maid who stands next to him with a candle in his hand. On the left two soldiers in armor, one of which sitting at a table drinks from one can. On the right in the background, the fascinated Christ turns over while soldiers. canvas. oil paint (paint) Peter denies Christ, usually before a girl-servant and some soldiers

Saul and the Witch of Endor. Fearing the outcome of a battle, Saul, king of the Israelites, consulted the fortune-telling witch of Endor. On hearing that he would lose, the king threw himself on his sword. His suicide - in the middle background - is a warning against witchcraft. In the foreground is a Witches Sabbath: the fortune-teller sits within a chalk circle, surrounded by other witches, satyrs and imaginary figures.

Sophonisba Kneeling Before Masinissa, Queen of Numidia. Sophonisba kneels for Masinissa, king of Numidia (see also SK-A-658).

Saul with the Witch of Endor, the necromancer or witch of Endor is a character in the 1st Book of Samuel of the Bible, Historical, digitally restored reproduction from an 18th or 19th century original

Moses before the Burning Bush. Room of Heliodorus. Vatican Museum. Rome. Italy.

ECUADOR. Ibarra. City Hall. Greatest hall. Allegory of the Foundation of San Miguel de Ibarra by Cristbal de Troya on September 28, 1606.

Resurrection of Christ by Santi di Tito, Basilica of Santa Croce Basilica of the Holy Cross in Florence, Italy Resurrection of Christ by Santi di Tito, Basilica of Santa Croce Basilica of the Holy Cross in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20146331

The calling of Saint Francis, 1616, fresco by Morazzone (1573-1625 or 1626), 11th Chapel, Saint Francis being pardoned by Jesus, receiving the Porziuncola Indulgence, Sacred Mountain of Orta (UNESCO World Heritage List, 2003), Orta San Giulio, Piedmont, Italy, 17th century.

Saint Peter the Martyr, fresco in the cloister of Santa Maria Novella Principal Dominican church in Florence, Italy Saint Peter the Martyr, fresco in the cloister of Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20823507

The Sacrifice of Abraham unknown

Saint John Baptizing in the River Jordan. Nicolas Poussin (French, 1594 - 1665)

INTERIOR-PINTURA DEL MILAGRO DE LAS BODAS DE CANAA. Location: IGLESIA DE LAS BODAS DE CANAAN. CANAAN. ISRAEL. JESUS.

Adoration of the Magi, oil on canvas, 17th century,. polychrome wood carving, Church of San Bartolomé, Atienza, Guadalajara Province, Spain.

Sacrifice of Isaac. Rottmayr, Johann Franz Michael (1654-1730), painter

Saint Peter the Apostle, fresco on the ceiling of the Cathedral of St Nicholas in Ljubljana, Slovenia Saint Peter the Apostle, fresco on the ceiling of the Cathedral of St Nicholas in Ljubljana, Slovenia Copyright: xZoonar.com/ZvonimirxAtletix 21022488

The Apparition of Apostle St Peter to St Peter of Nolasco by Francisco de Zurbaran, 1629, Spain, Madrid, Museo Nacional del Prado

The calvary, detail from the Deposition from the Cross, by Peter Candid (1548-1628), oil on canvas, 294x177 cm.

The Descent from the Cross, by workshop of Rembrandt van Rijn, 1650-52, Dutch painting, oil on canvas. Probably painted by Constantijn van Renesse (BSLOC_2016_6_236)

Paul-Dominique Philippoteaux (1846-1923). "Sketch for the church of Saint-Pierre-Saint-Paul-de-Montreuil-sous-Bois. The resurrection of Jesus Christ". Oil on canvas. 1874. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, holy history, Christian iconography, religious iconography, saint

Asciano, Italy, Abbey of Santa Maria of Monte Oliveto Maggiore, a fresco on the ceiling of the nave of the church

Saint Philip Baptizes the Eunuch, Jacob de Wit, 1748

Beulah Bradleigh, Station of the Cross No 1 Jesus is Condemned to Death, c 1936 Station of the Cross No. 1: Jesus is Condemned to Death

'The Temptation of St Anthony', c1649-1670. Artist: Abraham Teniers

Banquet of god by Hans Rottenhammer the Elder, Oil on copper, 1600, 1564-1625, Russia, St. Petersburg, State Hermitage, 34x45

LA ANUNCIACION EN EL RETABLO DE NUESTRA SEÑORA DE LA PAZ, O/L 196x156, S XVII - BARROCO ESPAÑOL -. Author: ALONSO CANO. Location: CATEDRAL DE SANTA MARIA MAGDALENA. GETAFE. MADRID. SPAIN. VIRGIN MARY. ESPIRITU SANTO. SAN GABRIEL ARCANGEL / ARCANGEL SAN GABRIEL.

Saint Francis welcoming Giles of Assisi, 1614-1615, fresco by Giovanni Battista della Rovere (active 16th-17th centuries), 5th Chapel, The clothing of the first followers of Saint Francis, Sacred Mountain of Orta (UNESCO World Heritage List, 2003), Orta San Giulio, Piedmont, Italy, 17th century.

Assumption of the Virgin, by Allegri Antonio known as Correggio, 1526 - 1530, 16th Century, fresco. Italy, Emilia Romagna, Parma, Santa Maria Assunta Cathedral, Dome. Detail. Rebecca woman face.

The Immaculate Conception - 18th century - oil on canvas - Italian Baroque. Author: CORRADO GIAQUINTO. Location: ACCADEMIA DI S. LUCA. Rome. ITALIA. VIRGIN MARY. VIRGEN DE LA ASUNCION.

The spirit of the mountain appears young people; Scholtz, Julius (1825-1893); 1847 (1847-00-00-1847-00-00);

Engel Angel LicenseRF Copyright: xZoonar.com/ZvonimirxAtletix 23325781

Madonna with the Child, Saint Catherine and Saint John. Date/Period: 1610 - 1620. Painting. Oil on canvas. Height: 1,400 mm (55.11 in); Width: 2,100 mm (82.67 in). Author: PIETRO DA CORTONA.

Landscape with a Saint in Ecstasy, 1612-1647 By: Pier Francesco Mola, Landscape, Oil Painting, Religion, Christian, Religion, Saint

Flagellation of Christ by Leon Palliere; oil on canvas; 1817

Jacob and Rachel Gustav Heinrich Nacke (1786-1835 German)

Eternal Father with open arms surrounded by angels, detail from the dome fresco by Isidoro Bianchi (1581-1662), 1623-1634, after its restoration, Church of Santa Maria dei Ghirli, Campione d'Italia, Lombardy. Italy, 17th century.

1637 fresco of Saint Christina in the Medieval CHURCH OF SANTA MARIA MAGGIORE in TUSCANIA - TUSCANY, ITALY

The sacrifice of Isaac

The annunciation to the shepherd. Dating: 1630 - 1650. Measurements: h 75 cm × w 108 cm; d 5.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Saftleven.

St Paul Healing the Cripple at Lystra Karel Dujardin (1626-1678) oil on canvas, 1663 Dujardin not only painted landscapes with Italian flair, but also large history paintings inspired by Italian examples. Here, the Apostle Paul towers above a group of sick people. When he heals a crippled man in the name of the Christian god, the onlookers take him to be the heathen god Mercury. Dujardin understood the art of using figural gestures to enhance the pathos and drama of a scene.

Saint Francis, Saint Damian and Mary interceding for humanity convincing Divine Justice not to fire his arrows on the world, fresco by Antonio Busca (1625-1684), 20th Chapel, Saint Francis canonized by Pope Gregory IX, Sacred Mountain of Orta (UNESCO World Heritage List, 2003), Orta San Giulio, Piedmont, Italy, 17th century.

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