Satirical Illustrations

A collection of satirical prints showcasing exaggerated characters and humorous situations, often reflecting societal commentary.

Honoré Daumier, Le roi des grecs , 19th century Le roi des grecs ...

Portrait of Maurits, Prince of Oranje -Nassau, with a putto above, Jan Stolker, After Adriaen Pietersz van de Venne, 1734 - 1785 drawing A portrait of Maurits, Prince of Oranje-Nassau, above which a putto with a crown and on the left a boy fleeing a fire. paper. ink pen / brush historical persons. picture within picture

fine arts, graphic, book illustration, by Theodor Hosemann (1807 - 1875), Germany, 1859, private collection,

The Spanish Venus & Prince of Joinville.

La paix a tout prix. Dated: 1870. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

If, ô Kindren! Deeze Snaaken, / your eyes and your mind crush / regards them, Terwyl Gy spot / with Elangen Vastenzend-Zot. Leaf with a large presentation of costumed fastening night figures. Under the image a verse in three columns. Numbered at the top right: No. 26.

A revolutionary holding a rifle and kneeling to protect a fallen revolutionary ca. 1880-1910 José Guadalupe Posada. A revolutionary holding a rifle and kneeling to protect a fallen revolutionary. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

An English Sloop Engaging a Dutch Man of War, Print made by unknown artist, eighteenth century, Published by Bowles & Carver, 1763-1830, British, 1795, Mezzotint and etching on medium, slightly textured, cream laid paper, Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm), Plate: 6 × 4 3/8 inches (15.2 × 11.1 cm), and Image: 5 1/2 × 4 3/8 inches (14 × 11.1 cm)

Fall of King Charles IV of Spain forced to abdicate 1808

Mord on archimedes, Ernst Morrace, After Pier FriCESCO MATA, 1776 - 1820 print To a painting by Pier Francesco Mola from the Galerie Du Palais Royal in Paris. paper etching / engraving murder. (story of) Archimedes. armorial bearing, heraldry

Bah! I will make a grand tour!, from 'News of the day,' published in Le Charivari, February 14, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 5/16 in. (23.9 × 21.1 cm)Sheet: 11 7/8 × 11 9/16 in. (30.1 × 29.4 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: March 30, 1867. Museum: Metropolitan Museum of Art, New York, USA.

Old King Cole.. Opper, Frederick Burr (1857-1937). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Musicians, Kings, Entertainers, Concerts, Advertising , Books, Royal pages, Baldachins (canopies)

(Known air) in an obscure tower, a powerful king languit ... (IT)

ARTE S. XVIII. ESPAÑA. GOYA, Francisco (Fuendetodos, 1746-Burdeos, 1828). Pintor y grabador español. "MEJOR ES HOLGAR". Aguafuerte que perteneece a la colección de 84 grabados titulada "CAPRICHOS" de temática satírico-fantasmagórica, editados en el año 1799. Reproducción de M. Seguí i Riera.

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. ÀPor que esconderlos (Why hide them) . Number 30. Aquatint. 1799. Reproduction by M. Segui i Riera.

MADAME MARIE TUSSAUD the Swiss wax model maker in old age Date: 1760 - 1850

Print by Francisco Goya (1746-1828) Spanish romantic painter and printmaker regarded both as the last of the Old Masters and the first of the moderns. Dated 1780

The Approach of the British Pirate Alabama Published 1863 United States. Wood engraving on paper . Winslow Homer

Simson vernielt de zuilen van de tempel; Simson sterft doodende zijne vijanden.Simson destroys the columns of the temple with his last powers and kills themselves and the filistines present. Illustration for the Old Testament, Right. 16: 23-25. Under the show a title in Hebrew, English, German, Latin, French and Dutch.

A woman is nearly knocked over by a man carrying a large item on his head. Etching by Richard Dighton, 1821.

Acrobat floating on the armrest of a chair Tightrope walkers and acrobats (series title) Nice composition of tightrope walkers, jumpers and posturalists (series title), print maker: anonymous, intermediary draughtsman: Gerardus Josephus Xavery, publisher: Pieter Schenk (II), Amsterdam, 1728, paper, etching, engraving, h 147 mm × w 240 mm

For the Supreme Effort.

The 16th Century. Pachołcy Nobody () Drawing Taken from the Book of the Szydłowiecki family, from: Tygodnik Ilustrowany, 30.05.1863, No. 192 Kübler, Henryk (Ca 1822 ..), Kossak, Juliusz (1824 1899)

A travelling drug seller. Etching by J. van der Vliet.

Aeneas Rescues his Father from Burning Troy 1627 Rudolf Meyer Swiss. Aeneas Rescues his Father from Burning Troy 368261

DALI Salvador(1904-1989) Here comes the bogeyman Capricho-3 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Frederick II., King of Prussia.

Quasimodo clinging onto a bell, drawing by Lemud from The Hunchback of Notre-Dame, by Victor Hugo, illustration from L'Illustration, Journal Universel, No 1786, Volume LXIX, May 19, 1877.

Honoré Daumier, Trop étroit pour deux, 1870 Trop étroit pour deux

Jean Louis Forain, Au Piree Le depart des boches, c 1914 1919 Au Piree. -Le depart des boches.

Wizard swashed with a staff; But how weird he looked on his nose, when he was just shot in a thin wind, etc..a man waves a staff at Two Gnifling Boys. A Broken Column Behind HIM. Bottom Right: Bladz. 35. Bottom Left: Antique Helicon. At the Top Right: pl. II.

The Wedding Procession: Couple dancing left, Hans Sebald Beham, German, 1500-1550, Engraving on laid paper, ca. 1545, figures, Print, Print

The Temperance. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 328 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Un lutteur malheureux , Politicians, Economists, Publishers, Lawyers, Faucher, Léon, 1803-1854, Berryer, Pierre-Antoine, 1790-1868. Honoré Daumier (1808-1879). Lithographs

Monsieur Tamberlick, voyant avec dépit un gaillard qui chante beaucoup plus haut que lui.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1860. Prints; lithographs. Lithograph

A skeleton attempts to jump on to a man's sleigh. Etching by Swain.

Stage in the forest (illustration); Unknown, Męcina-Krzysz, Józef Feliks (1860-1934); 1890 (1890-00-00-1890-00-00);

The dance of death at Basel: death and the young man. Lithograph by G. Danzer after H. Hess.

L'Amiral Menschikoff en tournée d'inspection , Princes, Admirals, Menshikov, Aleksandr Sergeyevich, 1787-1869. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier (French, 1808 - 1879). A Rome. un martyr en 1871, 1871. From Actualités. Lithograph on newsprint paper. Image: 234 mm x 191 mm (9.21 in. x 7.52 in.). Second of two states.

Laurence Sterne, alias Tristram Shandy: "And When Death Himself Knocked at My Door". Artist: Thomas Patch (British, Exeter 1725-1782 Florence). Dimensions: Plate: 16 7/16 × 12 1/4 in. (41.7 × 31.1 cm)Sheet: 18 1/2 × 12 5/8 in. (47 × 32.1 cm). Date: 1769. Museum: Metropolitan Museum of Art, New York, USA.

Winter.' by Kate Greenaway, published in 1886. This almanac is from Great Britain

Tautology Puzzle-Cause, Serjeant at Law. Don Jacomo Carb-face. Signior Ferndinando Dreadnought, ye little son of Don Quixote. Prints, Cartoons (Commentary). 1730 - 1739. George Arents Collection. Courtship, Spaniards, Lawyers

Hands & his companion locked together in a deadly wrestle". Date: First published: 1883

Julian Fałat, Getting honey. Angerer, C. & Göschl (Wiedeń ; zakład graficzny i fotograficzny ; 1873-), reproduction atelier, Julian Fałat (1853-1929), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

ERZHERZOG ALBRECHT VI with his wife Mechtilde Date: - 1463

French Revolution (1789-1799). Return of Louis XVI to Paris after his arrest at Varennes after his escape attempt. June 25, 1791. Engraving by Dupre. Universal Library. Popular editions, 1851.

Hab.ts de la B. de Castries from playing cards "Jeu d'Or" 1700-1799 Anonymous, French, 18th century. Hab.ts de la B. de Castries from playing cards "Jeu d'Or". Anonymous, French, 18th century. 1700-1799. Etching and hand coloring (watercolor)

Drawing of an Italian strolling musician who plays the piffero by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Honoré Daumier (French, 1808 - 1879). Le roi des Potirons recevant les Hommages de ses Sujets, 1865. From Croquis d'automne. Lithograph on newsprint paper. Image: 248 mm x 215 mm (9.76 in. x 8.46 in.). Second of two states.

Nouvelle preuve de bienveillance.Artist: Garnier

Francisco de Goya (Spanish, 1746-1828). Tu que no puedes. (Thou who canst not.), 1796-1797. From Los Caprichos, no. 42. Etching and burnished aquatint. Plate: 214 mm x 150 mm (8.43 in. x 5.91 in.).

Honoré Daumier (French, 1808 - 1879). Mathieu Dumas, 1835. Lithograph on white wove paper. Image: 240 mm x 225 mm (9.45 in. x 8.86 in.). Only state.

Netherlands, Weissenbruch, Isaac, Black chimney sweep with a ladder, print, prints, height 76 mm, width 99 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Combat des écoles. - L'idéalisme et le réalisme. Honoré Daumier (1808-1879). Lithographs

The riding lesson (IT)

Begging. Musicians. Modern Age. 17th century. Colored engraving.

Figure 3 and 4 in: Traittez de barometers, thermometers, et notiometres, ou hygrometres, by Joachim d'Alence, d. 1707. Published in 1688. Different designs of barometers

This 1840s illustration shows de Soto discovering the Mississippi River. On May 8, 1541, south of present-day Memphis,Tennessee, Spanish conquistadorHernando de Sotoreaches the Mississippi River, one of the first European explorers to ever do so.

Dagobert reacts horrified at the sight of his dead horse Jovial L'Auberge du Faucon blanc Scenes from the novel Le Juif errant by Eugene Sue Le Juif errant , print maker: Jules David (1808-1892), (mentioned on object), printer: Formentin & Cie., (mentioned on object), publisher: Henri Jeannin, (mentioned on object), printer: Paris, publisher: Paris, publisher: London, 1844, paper, h 415 mm × w 560 mm

Zingende oorlogsinvalide. Twee, die den lof zingen van het dierbare vaderland (series title on object). Draughtsman: Jan de Waardt. Dating: 1885 - 1909. Place: Netherlands. Measurements: h 396 mm × w 199 mm. Museum: Rijksmuseum, Amsterdam.

3. / This is still annoying not to see any more than one eye! ... () | or devil the Spirit will nestle? (Title of the whole)

Moralizing Scene with an Old Woman and a Man. Adriaen van de Venne (Dutch, 1589 - 1662)

Drinking Song (Chanson à boire). Dimensions: 50.1 cm x 32.1 cm, 19.4 cm x 15.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: Bernard Henri.

Arthur Burdett Frost I, A Tramp and His Deeds, 1883, wood engraving on paper.

Fish auction at the fish market in Paris, France, illustration from L'Illustration, Journal Universel, No 682, Volume XXVII, March 22, 1856.

Five fools. Interior with five fools, one of which singles or reads. Another shows a kind of skate to the man with a white cloth on the head.

The Last Drop. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 1/8 × 7 13/16 in. (28.3 × 19.9 cm). Date: April 5, 1801.Standing on tiptoe, a short, heavy-bellied "cit," or City of London tradesman, struggles to drain a large punch bowl. In his haste, the tippler has abandoned ladle and glass and fails to notice the menacing skeleton, a literal representation of his fast approaching demise. Empty wine bottles on the floor signal hours of past indulgence, while the port and ale on the table indicate his intended future imbibing. The bottle marked Usquebaugh, a Gaelic word from which "whiskey" derives, contains a liquor used to make punch. Rowlandson's humorous take on humanity's capacity for self-destruction relies on a late medieval moralizing conceit, The Dance of Death, famously embodied by Hans Holbein the Younger in a woodcut series of 1538. Museum: Metropolitan Museum of Art, New York, USA.

Serie deutsche Bühnendichter, Schiller, die Räuber, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Netherlands, Bray, Dirck de, Lamplighter, verso lower left - stamped, A lamplighter walks through the streets with a ladder on his shoulder and a lantern in his hand., print, engraving, prints, engravings, height 93 mm, width 104 mm, Northern Netherlands, 1645 - 1694-05-09, print maker, printmaker, 1635 - 1694, paper, papier, houtsnede

Fun makes a comment on diseased water supply. Date: 18 August 1866

Believes Cr�b�ables with tripod , Directory era. Engraving of Tresca.

Bon mot du temps. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Great Britain, 18th century. Caricature of hairdressing of the so-called ""Macaroni"" (Now s'your a compleat macaroni. Le petit maitre pertant pour la promenade).

Seeking to catch the crown of Germany. (Registered title) | News. (Title of all)

Drat the child watercolours, works on paper

The Last Drop April 5, 1801 Thomas Rowlandson British Standing on tiptoe, a short, heavy-bellied "cit," or City of London tradesman, struggles to drain a large punch bowl. In his haste, the tippler has abandoned ladle and glass and fails to notice the menacing skeleton, a literal representation of his fast approaching demise. Empty wine bottles on the floor signal hours of past indulgence, while the port and ale on the table indicate his intended future imbibing. The bottle marked Usquebaugh, a Gaelic word from which "whiskey" derives, contains a liquor used to make punch. Rowlandsons humorous take on humanitys capacity for self-destruction relies on a late medieval moralizing conceit, The Dance of Death, famously embodied by Hans Holbein the Younger in a woodcut series of 1538.. The Last Drop 392709

This scene complements William Shakespeare's tragedy titled Twelfth Night. It illustrates lines in Act II Scene V. Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. He is the vain, pompous steward of Olivia's household. He is portrayed as the main antagonist. The illustration is by Sir John Gilbert (1817-1897), renowned for his prolific illustration of Shakespeare's works. Shakespeare was born in 1564 and died in1616. The book dates to 1887.

Robert II, Robert Curthose, Duke of Normandy (1051-1134) and William II, William Rufus, King of England (1056-1100). Both sons of William the Conqueror. From carved figures showing the sons with birds, standing on a chimera and dog. Robert et Guillaume le Roux, fils de Guillaume le Conquerant. Tinted lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829.

Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo. ca. 1880-1910 José Guadalupe Posada. Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

You Will Not Escape (No te escarparas) Francisco de Goya y Lucientes (Spanish, 1746-1828). You Will Not Escape (No te escarparas), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monste

Female figure with children playing, Jan Latour, After Jacques Callot, 1600 - 1699 print Female figure, seen on the back, with fan and top hat. On the left a child blows a trumpet on a barrel, two children with a windmill play in the background. The print is part of a three -part series of prints with various figures. paper etching fan. (playing with) toys ~ blowing. (playing with) toy mills

Sheet Music La mort des gueux by Etienne Decrept, performed by Mévisto. Dimensions: 27.7 cm x 17.6 cm. Museum: Van Gogh Museum, Amsterdam.

fine arts, Dore, Gustave (1832 - 1883), illustration, coloured, from ""Die wunderbaren Reisen des Freiherrn von Munchhausen"" (The Adventures of Baron Munchhausen), by Gottfried August Buerger (1747 - 1794), private collection,

In Spain. (Registered title) | News. (Title of the set)

Lantaarnopsteker.A lantern plug runs through the streets with a ladder on his shoulder and a lantern in his hand.

Final instructions , Nudes, Arrivals & departures. George Bellows (1882-1925). Prints and Drawings

Matteo da Baliaso.

Two of Hearts, E. Le Tellier, French, active late 19th century, B.P. Grimaud, Paris, France, Lithograph on paper, Two of Hearts playing card from a pack of transformation playing cards. Male figure depicted in outline, wearing the costume of a soldier with a sword at his left hip, raises a glass with liquid in his right hand. His left hand rests on a table shown at right, upon which is placed a bottle. Two symmetrical red hearts appear at center top and bottom., Paris, France, late 19th century, toys & games, Playing card, Playing card

The Bruiser, C.C. Churchill.... 1763. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

In 1812, the Grimm brothers, Jacob and Wilhelm, published Children and Household Tales, a collection German fairy tales. This illustration accompanied the tale "Tom Thumb" and shows Tom sitting on the rim of the hat of one of the strangers who bought him, at Tom's insistence, form his parents. This image is from Grimms Eventyr (Grimm's Fairy Tales) by Carl Ewald, published in 1922. The frontispiece has the illustrations by Philip Grot Johann and R. Leinweber. Johann was a well-known German illustrator and did pieces for Goethe, but he considered his pieces for Grimm's tales very important. He died young and Leinweber succeeded him as illustrator for later editions of the tales.

Minne-Mall van Dicke Leendert, and Lijsje Teunis, with Ioncker Maerten.

Les Barbotteuses. Dated: 1847. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Gustave Doré (1832-1883), designer and Léopold deghouy (1821-1861), engraver. "Death to love." Illustration for Honoré de Balzac, "Les Contes Dranitiques", Paris: Société Générale de Librairie, 1855 ". Paris, Maison de Balzac. 101792-1 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Three studies of a standing man, to the left, draughtsman: Antoon Derkinderen, 1869 - 1925, paper, brush, h 455 mm × w 344 mm

Enthousiaste, French Revolution

. !! Auguste Desperet (1804-1865). Press cartoon. "... !!". Board published in "caricature" of June 2, 1831. Lithography. Paris, House of Balzac.

Brittan, Jean Baptiste.

Pull, Gaspard, Pull! (Tire ferme, Gaspard.... y va s'neyer!) Honoré Daumier (French, 1808-1879). , November 13, 1844. Lithograph on newsprint, Sheet: 13 7/8 x 9 13/16 in. (35.2 x 24`. European Art November 13, 1844

Bliżej Kultury Kostrzewski, Franciszek (1826 1911), PECQ, Adolf (CA 1820 Post 1874)

Costumes of a chief and a youth of the Tlingit nation, Port des Francais (Lituya Bay), Northwest coast of America (Alaska). Illustration by Gaspard Duche de Vancy from Jean Francois Laperouses Voyage. Copperplate engraving by Dell'Acqua handcoloured Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Più Interessanti), Milan, 1815-1817.

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