Satirical Political Caricatures

Colorful etchings depicting humorous scenes and characters from British society, reflecting social and political satire of the 18th and early 19th centuries.

The Conymham family moves to Slane, William Heath, 1830 The Conymham family moves from Windsor Castle to Slane Castle, 1830. The Round Lady Conyngham, mistress of King George IV, pushes a wheelbarrow loaded with things, Lord Consyngham runs behind her with a large bag on his head. They are called after by a woman and rags. print maker: Englandpublisher: London paper etching moving (house). wheelbarrow. political caricatures and satires Windsor Castle

A Fashionable Suit October 1, 1799 Thomas Rowlandson. A Fashionable Suit. Matrimonial Comforts. Thomas Rowlandson (British, London 1757-1827 London). October 1, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

unknown artist, Mutual Politeness; or Reasons for Delay!!, 1803. Lithograph.

Life in Philadelphia woodcut print. It shows an African American woman in a millinery shop, trying on a large bonnet. She asks the advice of a man, who tells her he doesn't like it because it is too large and hides her face.

Isaac Cruikshank, 1756-1810, British, The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), 1793. Etching, hand-colored.

34 / My dear friend, in critical circumstances like those where we find ourselves, you have to know to sacrifice oneself for its fellows. (IT)

Criticism of the attitude of English politics in the Belgian question

The Welsh Sailor's Mistake, or Tars in Conversation June 30, 1808 Thomas Rowlandson. The Welsh Sailor's Mistake, or Tars in Conversation. Thomas Rowlandson (British, London 1757-1827 London). June 30, 1808. Hand-colored etching. Prints

LHERIETIER (Romain or Paul Thomas dit) (N.1809-D.1885), Portraits of Brasseur, Gil-Pérès, Grassot, Lessouche, Luguet and Hyacinthe in stage costumes, theater of the Palais-Royal. (Faithful title), 1858. Carnavalet museum, Histoire de Paris.

The head of the family in good humour , Quarreling, John Bull Symbolic character, Napoleon I, Emperor of the French, 1769-1821, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835. Thomas Rowlandson (1756-1827). Prints and Drawings

Substitutes for Bread. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1795. Dimensions: 217 × 340 mm (image); 247 × 350 mm (plate); 270 × 396 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA. Author: JAMES GILLRAY.

The powers of Europe as alchemists who dissolve the alliance of German princes with Napoleon. Coloured etching by T. Rowlandson, 1813.

Burning the books , Princes, Generals, Mistresses, Nobility, Book burning, Bribery, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776-1852. Thomas Rowlandson (1756-1827). Prints and Drawings

Cartoon on the separation between the Netherlands and Belgium, 1830; The Separation or the Gray Mare - The Better Horse. Cartoon on the political separation between the Netherlands and Belgium proposed as the separation between a man, a fat Dutchman, and his wife, a lean Belgian. The muffling man is sent by his wife the avenue with the 'buy a bromine (buy a broom).

Print made by Henry Thomas Alken, 1785-1851, British, The Justice, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper.

Francois II, returning from the war / requests its retirement balance to the English people. (IT)

One of the Advantages of a Low Carriage. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1801. Dimensions: 250 × 355 mm (image); 257 × 360 mm (plate); 285 × 397 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

'The Hunt Supper', c1780-1825.

Money Lenders November 8, 1784 Thomas Rowlandson. Money Lenders. Thomas Rowlandson (British, London 1757-1827 London). November 8, 1784. Hand-colored etching. William Humphrey (British, 1742-in or before 1814). Prints

No Swallow without an Opening, Richard Newton, 1777-1798, British, 1792, Etching, hand-colored, Sheet: 12 1/4 x 19 1/2in. (31.1 x 49.5cm)

Taming of the shrew, Katharine and Petruchio, The modern Quixotte, or, what you will, Gillray, James, 1756-1815, engraving 1791, Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has been usurped by Pitt), seated behind Pitt are the King of Prussia and a figure representing Holland as Sancho Panza, Selim III kneels to kiss the horse's tail; a gaunt figure representing the old order in Franc

Cries of London, No. 1 : Buy a trap, a rat trap, buy my trap , Animal traps, Rats, Dogs, Children, Peddlers, Merchants. Thomas Rowlandson (1756-1827). Prints and Drawings

Reply from Popinotte to Popinot (TI)

Johnny safe returned to his Mama, from "The Military Adventures of Johnny Newcome" 1815 Thomas Rowlandson Johnny, in civilian riding-dress, is shown into a parlor by an footman. His parents sit by the fire at left.. Johnny safe returned to his Mama, from "The Military Adventures of Johnny Newcome". "The Military Adventures of Johnny Newcome". Thomas Rowlandson (British, London 1757-1827 London). 1815. Hand-colored etching and aquatint. Patrick Martin & Co (British, active London, 1813-15). Prints

George Cruikshank, 1792-1878, British, Conjurer with Pistol and Cards, ca. 1826. Pen and brown ink, black ink, watercolor, and graphite on medium, slightly textured, cream wove paper.

() Isaac Cruikshank, 1756-1810, British, St. George & The Dragon & Mad[emoiselle Rippooting, 1791. Etching, hand-colored.

The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1756-1810, British, 1801, Etching, hand-colored, Sheet: 8 3/4 x 14 5/8in. (22.2 x 37.1cm)

Germans Eating Sour-Krout Published 1803 England. Hand-colored etching on paper . James Gillray

Excise inquisition erecting by English slaves under the scourge of their task-masters the excise officers, Dent, William, active 1783-1793, artist, England, en sanguine engraving 1790, a British satire on an attempt by William Pitt and George Rose to transfer to excise law certain import duties; standing in opposition is Edward Thurlow. The central image shows Britannia, wrapped in a blanket labeled Extension of Excise, being rocked to sleep in a cradle by Pitt and Rose. Another man, possibly Wi

Mathilde von Spoleto, parody of Told gallery of interesting and drolling Scenen to the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Good source

Black Monday, or the Departure for School. John Jones (English, 1745-1797); after William Redmore Bigg (English, 1755-1828). Date: 1790. Dimensions: 454 × 606 mm (image); 481 × 607 mm (plate); 509 × 634 mm (sheet). Hand-colored mezzotint on laid cream paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thomas Rowlandson, The Consultation, published 1785 The Consultation

Evidence to character - being, a portrait of a traitor by his friends & by himself , Politicians, Judges, Nobility, Authors, Courtrooms, O'Connor, Arthur, 1763-1852, Buller, Francis, 1746-1800, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Grattan, Henry, 1746-1820, Erskine, Thomas Erskine, Baron, 1750-1823. James Gillray (1756-1815). Prints and Drawings

Integrity Retiring from Office Published 1801 England. Hand-colored etching and aquatint on paper . James Gillray

Peter Plumb's Diary May 20, 1810 Thomas Rowlandson A plump couple sleep in armchairs by the fireplace, while a young woman and man kiss by a piano at right.. Peter Plumb's Diary. Thomas Rowlandson (British, London 1757-1827 London). May 20, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Country characters no. 5: Tax gatherer , Government employees, Tax payers, Taxes, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

The State Waggoner and John Bull.-or-the Waggon too Much for the Donkeys! March 14, 1804 James Gillray British. The State Waggoner and John Bull.-or-the Waggon too Much for the Donkeys!. James Gillray (British, London 1756-1815 London). March 14, 1804. Hand-colored etching. Hannah Humphrey (London). Prints

James Gillray, 1757-1815, British, Swearing to the Cutting Monster or - A Scene in Bow Street, 1790. Etching, hand-colored.

() William Dent, active 1784-1793, The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French, 1792. Etching with watercolor on laid paper.

John Abernethy, caricatured under "Physic", one of six scenes in "the march of intellect". Coloured etching by R. Seymour after himself, 1829.

La Poule. George Cruikshank (English, 1792-1878); published by Hannah Humphrey (English, c. 1745-1818). Date: 1817. Dimensions: 247 × 352 mm (image); 257 × 365 mm (sheet cut to plate mark). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Children's room with three women and children. Draughtsman: Gesina ter Borch (signed by artist). Dating: c. 1660 - c. 1661. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

The new Master of the Crown Inn discharging Betty the head Chambermaid, Henry Heath, active 1824-1835, British, 1830, Etching

A Glee March 1, 1808 Thomas Rowlandson Three men sit at a round table over punchbowl, lemons, glasses, decanter, and jar of tobacco. Above the design is the question, "How shall we Mortals spend our Hours" A young man at left happily sings, "In Love!" An old naval officer, wearing a cocked hat, with a wooden leg and a patch over one eye smokes a long pipe, and sings, "In War." The third, a gaping dishevelled man, sings, "In Drinking.". A Glee. Thomas Rowlandson (British, London 1757-1827 London). March 1, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Extravaganza's of 1827, Print made by Henry Heath, active 1824-1835, British, after Henry Heath, active 1824-1835, British, Published by Thomas McLean, 1788-1875, British, 1827, Etching, hand-colored on moderately thick, moderately textured, cream wove paper, Sheet: 11 x 15 11/16 inches (28 x 39.9 cm), Plate: 10 1/2 x 15 5/16 inches (26.7 x 38.9 cm), and Image: 9 5/16 x 14 5/16 inches (23.7 x 36.3 cm), bags, bonnets, capes, caricature, coats, costume, dogs (animals), dresses, ermine, fat, fur, garden, genre subject, hats, humor, leisure, nobility, park (grounds), parody, purses, ribbons, satire, scarves, shoes, smoking, talking, tassels, top hats, uniforms, walking

A self-indulgent man afflicted with gout: the pain is represented by a demon burning his foot. Coloured lithograph by G. Cruikshank, 1818, after Captain Hehl.

College pranks : Or crabbed fellows taught to caper on the slack rope , Students, Teachers, Practical jokes. Thomas Rowlandson (1756-1827). Prints and Drawings

Charles Ansell, ca.1752-active 1790, British, An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part, 1798. Etching, hand-colored.

The Plumb-Pudding in Danger;-or-State Epicures Taking un Petit Souper. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 10 1/4 x 14 1/4 in. (26 x 36.2 cm)sheet: 10 3/8 x 14 7/16 in. (26.4 x 36.6 cm). Publisher: Hannah Humphrey (London). Date: February 26, 1805.Napoleon Bonaparte, declared emperor of France in 1804, and the English statesman William Pitt sit across a dining table, each carving out a piece from a plum pudding in the shape of the world. The diminutive Napoleon, rising from his seat in order to reach the table, hungrily takes Europe while Pitt carves a large slice of ocean, illustrating the respective areas of power in the ongoing war between Britain and France. Museum: Metropolitan Museum of Art, New York, USA.

The Branded Bully, or the Ass Stripp'd of the Lion's Skin. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 5/8 × 14 3/16 in. (27 × 36 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.

The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite, () George Townshend, 1724-1807, British, 1791, Etching, hand-colored, Sheet: 10 1/4 x 14 1/2in. (26 x 36.8cm)

Chevalier, c'est à vous que je bois!.... Honoré Daumier (1808-1879). Lithographs

Floating Batteries or, an Attempt to Enter the Baltic, William Dent, active 1784-1793, 1791, Etching with watercolor on laid paper, Sheet: 8 3/16 x 11 1/16in. (20.8 x 28.1cm)

Pharoah's fat kine - pharoah's lean kine IC.. British Cartoon Prints Collection . Obesity,1800-1810. , Nutrition,Great Britain,1800-1810. , Nutrition,France,1800-1810. , Health,Great Britain,1800-1810. , Health,France,1800-1810.

English dandies at the home of a bankrupt friend as he is evicted for debt. Tom and Jerry taking the hint at Logic's beling blown up at Point Nonplus or long wanted by John Doe and Richard Roe and must come. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce Egan's Life in London, Sherwood, Jones, London, 1823.

James Gillray, 1757-1815, British, Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), 1782. Etching, hand-colored.

fine arts - Rowlandson Thomas (1756 - 1827) drawing ""Connoisseurs of art"" caricature appetent men coloured drawing,

Isaac Cruikshank, (), 1756-1810, British, A Delitanti Performance of Midas at Turnbridge Wells, October 1792, 1792. Etching, hand-colored.

Vue plan coupé et elévation des nouveau omnibus du boulevard. Honoré Daumier (France, Marseilles, 1808-1879). France, 1853. Prints; lithographs. Lithograph

A New Prop for a Rickety Stool, Isaac Cruikshank, 1756-1810, British, 1798, Etching, hand-colored, Sheet: 8 1/2 x 13in. (21.6 x 33cm)

Royal amusement or nature will prevail!! , Conversation, John Bull Symbolic character, Napoleon I, Emperor of the French, 1769-1821. Thomas Rowlandson (1756-1827). Prints and Drawings

The Buck-Basket. A scene from the Merry Wives of Windsor, Print made by Henry Heath, active 1824-1835, British, Print made by Thomas McLean, 1788-1875, British, 1827, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm), Plate: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm), and Image: 9 7/8 × 14 inches (25.1 × 35.6 cm)

The Farmers Toast, Charles Williams, active 1796-1830, British, 1801, Etching, hand-colored, Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm)

Jean-Ignace-Isidore Gerard Grandville, 'Les Metamorphoses du jour' 1829.illustration from a famous series of political caricatures

Honoré Daumier (1808-1879). "We are shareholders of the Agricultural Institute and Archi-Colle of Coëtbo from the physiogni-the fire company the health company des-Mors-Lycos, of surety paper for ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56110-13 Shareholder, agent, drink glass, conversation, discuss, gommee, agricultural institute, lithography colored, character, police officer

A plan for general reform , Reform. Thomas Rowlandson (1756-1827). Prints and Drawings

Admiration with astonishment no. 4 , Card tricks. Thomas Rowlandson (1756-1827). Prints and Drawings

Venus Attired by the Graces, Print made by James Gillray, 1757-1815, British, Published by Hannah Humphrey, ca. 1745-1818, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper mounted to heavy board

Otpravlenie Suvorova v Italiiu Suvorov in Italy, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Man for a viewing box, 1800 print A man looks through the hole of a viewing box to which an English flag is attached. Next to the viewing box is the owner, a man with a triangular hat and a tail. paper etching performance in the open air (pleasure fair). performance in the open air (pleasure fair)

Henry Thomas Alken, 1785-1851, British, Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass', undated. Graphite and watercolor on medium, slightly textured, blued white, wove paper.

William Dent, active 1784-1793, Call of The House, or, Slave Trade in a Land of Liberty, 1792. Etching with watercolor on laid paper.

An Irish Howl March 1, 1799 After Thomas Rowlandson. An Irish Howl. After Thomas Rowlandson (British, London 1757-1827 London). March 1, 1799. Hand-colored etching; reduced copy. Prints

Governor Landenberg, medieval Switzerland. The local peasants present him with customary gifts of chickens, goats, and baskets of wool. Balio di Landerberg. Handcoloured copperplate engraving by Verico from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

King Joe's Reception at Madrid August 21, 1808 Thomas Rowlandson. King Joe's Reception at Madrid. Thomas Rowlandson (British, London 1757-1827 London). August 21, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Rake's-Progress at the University - No. 3 - 'The Master's Wig the guilty wight appals, who brings his Dog within the College walls.', James Gillray, 1757-1815, British, Published by Hannah Humphrey, ca. 1745-1818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 13/16 x 13 7/8 inches (25 x 35.3 cm) and Image: 9 x 13 7/8 inches (22.8 x 35.3 cm), academic robes, angry, breeches, broom, caricature, cravats, dog (animal), doorway, genre subject, gesturing, grass, green, humor, men, mortar boards, parody, pointing, quadrangle, satire, servant, shadows, spying, students, tassels, The Rake's-Progress at the University, university, watching, wigs, youth

A seated man in front of a chamber pot which is emitting bubbles, a group of people stand behind him; representing Gwyllym Lloyd Wardle's involvement with Mrs. Clarke. Coloured etching, 1809.

Londen, Fores, Samuel W., England, Gillray, James, King Henry IVth. The last scene, Cartoon on Charles Fox, 1788, London, verso - stamped, 1788. In the center the sturdy Fox is depicted as Falstaff, on the right Sheridan as Bardolph., print, cartoon, prints, English cartoons, height 258 mm, width 424 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1788-11-29 - 1788-11-29, paper, papier, etching, etchings, Publication (Event), Publicatie, Engels, 1761 - 1838, publisher

The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done 1850 George Augustus Sala British. The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done 395544

A Midwife Going to a Labour February 12, 1811 Thomas Rowlandson A portly elderly woman walks against strong wind and rain, holding a lantern and a bundle. A watchman is behind her at left, asleep at his post, and a chimney sweep is walking against the weather at right.. A Midwife Going to a Labour. "Tegg's Caricatures". Thomas Rowlandson (British, London 1757-1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

A Rider Falls into Water. Artist: After () Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet (trimmed to image): 8 1/4 × 12 3/4 in. (21 × 32.4 cm). Date: 1780-1820. Museum: Metropolitan Museum of Art, New York, USA.

"And in this suit for seperation, gentlemen, observe two things" from Metamorphoses of the Day 1829 J. J. Grandville. "And in this suit for seperation, gentlemen, observe two things" from Metamorphoses of the Day. 1829. Hand-colored lithograph. Prints

The roi s'umuse (ti)

Cinque-Tetes or the Paris Monster, American Political Cartoon, American History, The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

Failed air journey of A. Hopman (Plate II), 1804, Daniël Vulaard (I) (Possible), After Jacob Smies, 1804 - 1805 print Chaos in the notary's office where Abraham Hopman and Louis Samuel Loude let their will make up. Their wives pull their hair out of their heads, children crying on the floor. In the background the unsuccessful attempts to fill the air balloon with hot air on the Overtoom in Amsterdam on July 5, 1804. There are plates of earlier failed flights of hot air balloons on the walls. A vessel is equipped with cannon, rudder, flags and a barometer on the ceiling. Hopman and Loude took attempts on July 5 and 6, 1804 to make a trip in a hot air balloon called 'Lust to Research'. Ultimately, the air balloon was released without passengers. See also the Pendant. Netherlands paper etching balloon flight (sport). notary. making a testament Vertoom

Visiting the Sick. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1806. Dimensions: 253 × 352 mm (image); 265 × 363 mm (plate); 287 × 390 mm (sheet). Hand-colored etching, slightly aquatinted on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Income Tax. J. Lewis Marks; English, 1769-c. 1832. Date: 1814-1832. Dimensions: 279 × 376 mm. Hand-colored etching on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: J. Lewis Marks.

Aleksandr i Luiza Alexandrinet en son conseil privé. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

A milling match : Between decks , Sailors, Boxers Sports, Boxing, Dance. Thomas Rowlandson (1756-1827). Prints and Drawings

The Political Rat Catcher or Jack Renegado's new Patent Trap's, Annibal Scratch, active 1791, 1784, Etching, hand-colored, Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)

The Fox and the Grapes. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 1/2 × 14 3/8 in. (26.7 × 36.5 cm)Plate: 10 1/16 × 13 9/16 in. (25.6 × 34.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: September 15, 1808. Museum: Metropolitan Museum of Art, New York, USA.

Richard Newton, 1777-1798, British, All of One Mind or a Mutual Agreement amongst Traveller, 1794. Etching, hand-colored.

A New French Phantasmagoria. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 1/4 × 11 5/16 in. (26 × 28.7 cm). Subject: Napoléon Bonaparte (French, Ajaccio 1769-1821 St. Helena). Date: 1803. Museum: Metropolitan Museum of Art, New York, USA.

fine arts, Richter, Ludwig (1803 - 1884), ""Bildermann"" for the letter ""B"", pen lithograph, ""Illustriertes ABC-Buch f™r gro_e und kleine Kinder"" von Robert Reinicke, Leipzig, 1845, private collection,

Set of twelve Scenes in the Life of Master George, Henry Thomas Alken, 1785-1851, British, 1823, Hand colored soft-ground etching, Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)

Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1756-1810, British, 1799, Etching, hand-colored, Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)

Scotch Harry's news or nincumpoop in high glee , Rulers, Politicians, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811. James Gillray (1756-1815). Prints and Drawings

Pillars of the Constitution. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1809. Dimensions: 347 × 250 mm (image); 350 × 255 mm (plate); 355 × 268 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Eligible balance of the MARC of silver. (IT)

The Old Womans Complaint, or the Greek Alphabet January 15, 1809 Thomas Rowlandson An elderly schoolmaster sits at left addressing an old countrywoman who faces him. Four boys stand behind her. The schoolmaster says: "Good woman you are always making complaints against my Scholars, what have they done to offend you now" She answers: "Please your Honors Worship they followd me up and down—and said one to another—At her!—beat her! damn her!—pelt her!— and a great deal more that I do not recollect." The leader of the boys bows and says: "Indeed Sir, we were only repeating our Greek Alphabet, in order to get quite perfect—what the Old Woman heard was only Alpha—Beta— Gamma—Delta—and so on to the conclusion.". The Old Womans Complaint, or the Greek Alphabet. Thomas Rowlandson (British, London 1757-1827 London). January 15, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

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