Satirical Political Cartoons

A collection of hand-colored etchings from the 18th century, showcasing humorous and critical depictions of society, politics, and class dynamics with vibrant colors.

Cartoon in which, in five separate scenes, the French sansculottes make the various European countries eat the French bread of freedom, 1793 John Bull England, in the center, is fed with lumps of bread by two sansculottes Around it, the same happens to the Netherlands, Savoy, Germany, and Italy In the top left the Dutchman is bayoneted and the bread is forced down his throat as he is robbed of his money, the river Scheldt between his legs, Sansculottes feeding Europe with the Bread of Liberty, 1793 Sans-culottes, feeding Europe with the Bread of Liberty , print maker: James Gillray, publisher: Hannah Humphrey, (mentioned on object), London, 12-Jan-1793, paper, etching, h 300 mm × w 365 mm

Set of Four: Much Ado About Nothing or Illustrations of Old Sayings, John Phillips, active 1840-1852, 1828, Soft-ground etching, colored by hand, Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)

Public lisitazion liitation of the womens room caricature, Johann Hieronymus Deleteenkohl -, publishing house

Comforts of Bath, Plate 11 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 11. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Lord John Russell cuts a plaster while the Marquess of Normanby sits in a chair with an ill countenance, Daniel O'Connell nursing his head. Coloured lithograph by H.B. (John Doyle), 1839.

James Gillray, 1757-1815, British, The English Regency, 1789. Etching, hand-colored.

Resolving the Rhine Association, 1813; Political Chemist and German Retorts or Dissolving The Rhenish Confederacy. Cartoon on the disintegration of the Rhine Association after the loss of Napoleon in the Battle of Leipzig, October 1813. In the workshop of an alchemist, Napoleon is stopped by the representatives of different European countries in a large German boiler. The boiler is burned by the Dutchman and the Brit. Around the boiler standing smiling Frederik I, king of Württemberg, Karel XIV Johan of Sweden, a Prussian Hussar and a few others. On the left the Pope Pius VII with two measuring cups in hand, here at a Tsar Alexander I sat at a table with three other men. On the right a Spaniard with a mortar labeled 'Saragossa'.

A Match for the Kings Plate-By Hacks. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 242 × 344 mm (image); 250 × 352 mm (plate); 253 × 355 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

WHO GRAPS ALL, LOOSES Who too embraces, badly hugged ". Anonymous print.

Republicin chef is roasting the European countries, 1795, Anonymous, 1795 drawing Cartoon with a kitchen in which a French soldier in uniform as a chef is roasting chickens above the fire. The chickens are referred to as: Spain, Emperor, Russia and England. The cook says 'I will get them ready'. The chicken called Prussia is on a plate on the floor. On the right the freedom is at the table with the chicken called Holland that she wants to roast by the cook. Netherlands paper. paint (coating) pen / brush spit ~ cooking

A manservant is offering

La Poule Published 1817 England. Hand-colored etching on paper . George Cruikshank

The Inflexible Porter 1808-14 Thomas Rowlandson. The Inflexible Porter. Miseries of Human Life. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1808-14. Hand-colored etching. Prints

Dr Richard Price kneeling on a large crown (with a demon on his back) to look through a peep-hole at a group of ruffians ransacking Marie Antoinette's bedroom; representing a speech by Price which allegedly advocated the French Revolution. Coloured etching by I. Cruikshank, 1790 ().

James Gillray, 1757-1815, British, Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, 1795. Etching, hand-colored.

Isaac Cruikshank, 1756-1810, British, A Magisterial Visit, 1795. Etching, hand-colored.

'Congratulation'. Artist: Unknown

unknown artist, A Barbers Examination, 1795. Etching, hand-colored.

Sir Francis Burdett conjuring up a ghost, expecting it to be that of Lord Edward Fitzgerald, but the ghost of William Pitt the younger appears. Coloured etching by G. Cruikshank, 1813.

A Plumper for Paul!-or-the Little Taylor Done Over; vide-the terrible Effects of provoking a Red-hot Shot from the Broad-Bottom'd-Whig-Battery March 13, 1807 James Gillray British. A Plumper for Paul!-or-the Little Taylor Done Over; vide-the terrible Effects of provoking a Red-hot Shot from the Broad-Bottom'd-Whig-Battery. James Gillray (British, London 1756-1815 London). March 13, 1807. Hand-colored etching. Hannah Humphrey (London). Prints

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Outré Compliments. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 8 7/8 × 6 1/4 in. (22.5 × 15.8 cm)Plate: 8 7/16 × 6 in. (21.4 × 15.3 cm). Date: August 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Steam Balance, Cartoon on the fraud of the firm C. de Bruyn & Zonen, 1834, verso - stamped, Cartoon on the fraud with a false scale of the firm C. de Bruyn & Zonen, 1834. The firm owned the first steam sugar refinery on the Lijnbaansgracht in Amsterdam. On 8 January 1834 they were caught using a balance with an extended arm. In the centre the false balance hanging from the clouds of steam coming from the factory 'De Vijf Gebroeders' and on which crates of sugar are weighed. On the right C. de Bruyn with his two sons. In the clouds a bible quote., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 220 mm, width 283 mm, print maker, printmaker, 1834 - 1834, paper, lithography (technique), hand coloring, Publication (Event), Publication, publisher

Quae Genus Attends on a Sporting Finale, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax" December 1, 1821 Thomas Rowlandson. Quae Genus Attends on a Sporting Finale, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". Thomas Rowlandson (British, London 1757-1827 London). December 1, 1821. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Brooking of the Corsican, 1813; Funcking the Corsican. Cartoon on Napoleon after his loss in the battle at Leipzig, 1813. A small figure of Napoleon stands angry to stamp feet on top of a large wooden barrel with Dutch gin, releasing the lid. Representatives from different European countries all smoke pipe and blow tobacco smoke to the emperor. Front a fat Dutchman sat on a barrel herring and a cheese, right the English set John Bull, a Prussian Hussar and others. On the left the king of Württemberg, an Austrian and a Spaniard.

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, c.1800-1842, British, 1823, Aquatint, hand-colored, Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)

Londen, Humphrey, Hannah, Engeland, Gillray, James, The High German method or destroying Vermin at Ratstadt, Austrian treatment of the French ambassadors, 1799, London, England, verso - stamped, Cartoon on the murder of the French ambassadors who had traveled to the Second Congress of Rastatt by Austrian hussars. Bonnier d'Argo and Roberjot have already been beheaded, De Bry flees in the background., print, engraving, cartoon, prints, engravings, English cartoons, height 260 mm, width 363 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1799-05-22 - 1799-05-22, paper, papier, etching, etchings, hand-colouring, Publication (Event), Publication, 1745 - 1818, publisher

One of a set of 6 (6): A Day's Journal of a Sponge, Peter Pasquin, active 1824-1826, 1824, Hand-colored aquatint, Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)

Rural Sports: Balloon Hunting October 25, 1811 Thomas Rowlandson Three women fall out of a cart as it goes up a hill. A man at left tries to hold the bridle of the kicking horse and loses his hat and wig.. Rural Sports: Balloon Hunting. Thomas Rowlandson (British, London 1757-1827 London). October 25, 1811. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Doctor indulged with his favourite Scene: Isaac Cruikshank c1790. Richard Price (1723-1791) Welsh philosopher, supporter of principles of French Revolution watching mob destroy Marie Antoinettes bed in search of her.

A Clerical Rebuke & Parochial Reply, George Moutard Woodward, ca. 1760-1809, British, 1794, Etching, hand-colored, Sheet: 10 1/4 x 15 7/16in. (26 x 39.2cm)

The Pleasure of Being Kick'd Out of Company, Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 9 1/4 x 13 7/8in. (23.5 x 35.2cm)

A hitt at backgammon , Backgammon, Fighting, Anger. Thomas Rowlandson (1756-1827). Prints and Drawings

Congratulations, long live the Constitution, I will go justice, my irons will be breezed, I will triumph of the vice Congratulations Long live the Constitution, I will be rendered justice, my irons will be broken, I will triumph of vice ". Anonymous print.

Unknown, Et nous aussi j'valsons, second half 18th century, hand-colored etching on paper.

Raimund, Ferdinand.

The Bookmaker and his Client outside the Ram Inn, Newmarket, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm), buildings, client, dog (animal), genre subject, hats, horse (animal), men, paper, writing (processes), England, Europe, Newmarket, Suffolk, United Kingdom

The Justice, Print made by Henry Thomas Alken, 1785-1851, British, after Henry Thomas Alken, 1785-1851, British, Published by E & C McLean, active 1823-1830, British, 1824, Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/16 x 11 1/4 inches (23 x 28.5 cm) and Image: 7 7/16 x 10 inches (18.9 x 25.4 cm), As You Like It, Act II, Scene VII, birds, books, breeches, carpet, casement windows, chair, coats, collars, costume, cravats, dog (animal), footstool, frames (furnishings), game (hunted animal), genre subject, gesture, handkerchief, humor, inkstand, interior, jackets, justice, literary theme, neckties, papers, parody, pheasants, pointing, satire, secretary (public officer), sporting art, staffs (walking sticks), table, tailcoat, trousers, waistcoat

Dibujo satírico. Celebración de la festividad de San Antonio Abad. Enero de 1872. La Carcajada.

Dutch cartoon, 1794 predicting advance of ballooning by 1804. Basket/gondola hangs from the ceiling, women and children in hysterics as two prospective aeronauts make wills. Prints of French ballooning accidents on wall. Aeronautics

Cartoon on the aristocracy (1), 1795, anonymous, 1795 print Cartoon on the aristocracy, 1795. A French soldier deprives three men (pastors) Moed their wigs and walks to a door. A keeshond drags a wig over the ground. The men complain that their eightability has now been taken away. Through the doorway a view of dancing around the freedom tree. See also Pendant. Netherlands paper etching aristocracy; 'Aristocratia' (Ripa). wig

The Thimble Rig: "A Scene from the Derby" July 10, 1834 John Doyle The imagery of this political satire derives from a speech by Lord Stanley made in Parliament that condemned plans by the government led by Lord Grey to divert Irish church funds to non-religious uses. The gambling game Thimble Rig (a kind of shell game) is being conducted by Edward John Littleton, supported by Lord Russell and Thomas Spring Rice, Lord Althorp and Lord Grey. John Bull stands at left as Stanley warns him against being cheated. At far left, Daniel O'Connell leads an Irishman away who would like to participate but cannot because of lack of funds.. The Thimble Rig: "A Scene from the Derby". HB Sketches, No. 329. John Doyle (Irish, Dublin 1797-1868 London). July 10, 1834. Lithograph. Thomas McLean (British, 1788-1875). Prints

Engraving titled 'Sie sind sehr gütig, da ich jedoch leicht hitzig werde, so trinke ich niemals Wein,' created by Johann Christian Schoeller between 1830 and 1839. The artwork is a colored engraving, measuring 21.3 x 25.3 cm, and was published by the Bureau der Theaterzeitung in Vienna. The piece features themes of masquerades, dance, and caricatures

The patriotic hunter ". Print. Paris, The patriot hunter ". Print.

Charles Williams, active 1796-1830, British, A Meeting of Monopolizers, or the Good Effect of Peace, 1801. Etching, hand-colored.

James Gillray, 1757-1815, British, The Republican - Attack, 1795. Etching, hand-colored.

Long heads upon change, or the return of Ld. Lauderdale , Peace treaties, Public debt, Lauderdale, James Maitland, Earl of, 1759-1839. Thomas Rowlandson (1756-1827). Prints and Drawings

A Domestic Dispute in Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Vignette of four figures struggling with a dagger, one of which is a woman with a baby slung across her chest. Another woman rushes into the scene from a doorway behind them set in a rustic building., Italy, 1807-08, figures, Drawing, Drawing

The adventures illustrated (if not illustres) of Louis Verbuel says Bonaparte. / Board 1st

George Moutard Woodward, ca. 1760-1809, British, A Peep at the Lion, 1802. Etching, hand-colored.

Cartoon of Napoleon, 1813-1814 A small raging figure of Napoleon is about to be extinguished from the clouds with a pillar of fire or dunce in one hand On the left Wellington and Francis II and right Bernadotte and Alexander are Napoleon's enemies with guns pointed at him Front right a smiling fat Dutchman sitting on a mortar used to shoot Orange apples at the emperor With title and inscriptions in French, Napoleon is being extinguished, 1813-1814 Le chef de la grande nation dans une triste position , print maker: George Cruikshank, England, 1814, paper, etching, h 266 mm × w 325 mm

Risorgimento. Garibaldi in defensa de Roma. Lithography by A. Matarelli. 1862.

Sympathy, or A Family On A Journey Laying The Dust July 12, 1784 Thomas Rowlandson. Sympathy, or A Family On A Journey Laying The Dust. Thomas Rowlandson (British, London 1757-1827 London). July 12, 1784. Hand-colored etching. William Humphrey (British, 1742-in or before 1814). Prints

The remorse of the Prussian The remorse of the Prussian (1806) ". Anonymous print at Martinet. Estampe.

Napoleon v bede, shest' kartinok Napoleon in trouble, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Doctors Differ November 28, 1785 After Thomas Rowlandson A melee of wigged doctors with two opponents engaged in fisticuffs in the foreground, one astride a figure fallen onto his back on the floor. Two other figures fight in the right background, and a row of seated figures is visible in the left background, and a figure standing on a stool at left.. Doctors Differ. After Thomas Rowlandson (British, London 1757-1827 London). November 28, 1785. Hand-colored stipple engraving. S. W. Fores (London). Prints

Mr. Gambado Seeing the World May 4, 1808 Thomas Rowlandson. Mr. Gambado Seeing the World. Academy for Grown Horsemen, and Annals of Horsemanship. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). May 4, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Soncha cave by Treildhold Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The York Magician Transforming a Foot-Boy to a Captain February 25, 1809 Thomas Rowlandson The Duke of York stands at left dressed as a magician, in a fur cap and long gown holds out a wand inscribed "Petticoat Influence." A young man dressed as an officer, stands beneath the wand, while smoke or clouds rise from his feet. The Duke says: "By the Mystery of my Art, no more be a Foot-boybut rise a Captain". The young man says: "Bless me how soon a foot-boy is turned to a Gentleman."This state has the order of the Magician star on the Duke's coat. For a state without the star, see 59.533.1304.. The York Magician Transforming a Foot-Boy to a Captain. Thomas Rowlandson (British, London 1757-1827 London). February 25, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

David Allan, 1744-1796, British, born in Scotland, At La Posta, undated. Watercolor, pen, and black ink on moderately thick, slightly textured, cream wove paper.

The Dandy Tailor, Planing a New Hungry Dress. Isaac Robert Cruikshank (English, 1789-1856); published by S.W. Fores (English, 1761-1838). Date: 1819. Dimensions: 214 × 323 mm (image); 232 × 335 mm (sheet, cut within plate mark). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

One of the Family!, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 11 15/16 x 9 1/4in. (30.3 x 23.5cm)

Dandy Pickpockets Diving. Isaac Robert Cruikshank (English, 1789-1856); published by Thomas Tegg (English, 1776-1846). Date: 1818. Dimensions: 223 × 325 mm (image); 240 × 330 mm (sheet cut within plate mark). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Berber costumes of Tunisia, 1828. Cook and waterseller at left, sorbet seller and coffee seller or caffettiere at right. Customers drinking and eating on a carpet in the foreground. Handcoloured copperplate engraving after Rinaldo Nanini Faentino from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1834.

Sandis if I held / more noise than task. / No. 12. (Registered title (letter)) | Proverbs. First series. (Title of all)

John Doyle ('H.B.'), 1797-1868, Irish, A Sherriff's Sale or Auction Extraordinary, 1840. Lithograph, hand-colored.

unknown artist, (H. W.), The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7), 1790. Etching, hand-colored.

The Secrets of Troppeau disclosed.(TI)

Isaac Cruikshank, 1756-1810, British, Interrogatories, or an Examination before the Commissioners, 1795. Etching, hand-colored.

Armed Heroes. James Gillray (British, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1803. Dimensions: . Etching, with hand-coloring, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Uncorking Old Sherry. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 14 1/16 x 10 in. (35.7 x 25.4 cm)sheet: 15 3/8 x 11 1/2 in. (39.1 x 29.2 cm). Publisher: Hannah Humphrey (London). Date: March 10, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Friends of order ... (IT)

Ho me. I know myself more money in spirit Ho me. I know myself more money in spirit ". Anonymous, 1789. Water-cut colored.

Saphir, Moritz Gottlieb (Moses) .

Patriotic Refrains (Carmagnol) Patriotic refrains (carmagnole) ". Anonymous print.

A Dog Fight May 1, 1811 Thomas Rowlandson A dog fight at center with spectators in a semicircle surrounding it. Some spectators have their own dogs who bark at the action. A few spectators watch from the rafters above.Grego notes that this print was never published.. A Dog Fight. Thomas Rowlandson (British, London 1757-1827 London). May 1, 1811. Hand-colored etching. Prints

Cartoon on King Leopold, 1832; Hunt the slipper, or "Cherche Qui Peut." A ruseio dutch game; Political sketches. Cartoon on the Belgian king Leopold I, 1832. Representatives of the European superpowers sitting on the ground and play a child's play where a slipper is passed behind. The Netherlands is in the middle, Russia, Austria and Prussia are left, right two men in citizen: Palmerston and Talleyland representing Great Britain and France. The Russian (Tsar Nicolaas I) sticks the slipper in the Bag of the fat Dutchman. Satire on political relationships between European superpowers during the negotiations in London about the XXIV articles and the independence of Belgium. At the top right state: HB sketches, no. 183.

Historic lithography . Napoleon's marriage to Josephine, This image depicts the marriage of Napoleon Bonaparte and Josephine de Beauharnais. It is, however, a fictional representation, as Napoleon and Josephine never had a religious ceremony. Created by George Cruikshank, 1814

An elegy on the glory of her sex Mrs. Mary Blaize.. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island April 12, 1814 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island. Thomas Rowlandson (British, London 1757-1827 London). April 12, 1814. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Print made by John Doyle ('H.B.'), 1797-1868, Irish, A Graceful Speciman of The Retort Courteous, 1831. Lithograph, hand-colored on moderately thick, smooth, beige wove paper.

Much wanted a reform among females!!! Marks, fect.. British Cartoon Prints Collection .

Pacific overtures - or - a flight from St Cloud's 'Over the Water to Charley.' A new dramatic peace now rehearsing , Rulers, Politicians, Nobility, Authors, Military officers, Government officials, Clergy, Judges, Theatrical productions, Audiences, Orchestras, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Grattan, Henry, 1746-1820, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Napoleon I, Emperor of the French, 1769-1821, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Windham, William, 1750-1810, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, George III, King of Great Britain, 1738-1820, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Ellenborough, Edward Law, Baron, 1750-1818, Fitzherbert, Maria Anne, 1756-1837, Grenville, William Wyndham Grenvill

Fast Day. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/4 × 12 1/16 in. (26 × 30.7 cm). Date: March 20, 1799. Museum: Metropolitan Museum of Art, New York, USA.

The Republican - Attack, James Gillray, 1757-1815, British, 1795, Etching, hand-colored, Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)

Illustration of the 1889, Fête des Vignerons (Winegrowers Festival); is a traditional celebration held five times a century in Vevey, Switzerland. It has been organized by the Brotherhood of Winegrowers of Vevey since 1797. The committee is free to choose the time intervals between parties, the maximum being five times per century. Until now, the interval between two parties has varied between 14 and 28 years. The next edition will take place in 2019, 20 years after the previous one (1999); . Th

Monstrosities of 1827, Print made by Robert Isaac Cruikshank, 1789-1856, British, after Robert Isaac Cruikshank, 1789-1856, British, Published by Thomas McLean, 1788-1875, British, 1835, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 7/8 x 14 5/8 inches (25.1 x 37.2 cm) and Image: 8 3/4 x 14 5/8 inches (22.3 x 37.2 cm), arch, caricature, cityscape, dogs (animals), dresses, fashion, garden, genre subject, hats, illustration, lace, leisure, men, monument, pants, park (grounds), people, ruffles, satire, top hats, walking, women

The Legacy, James Gillray, 1757-1815, British, 1786, Etching, hand-colored, Sheet: 11 5/8 x 6 1/4in. (29.5 x 15.9cm)

Ancient and Modern Military Dandies of 1450. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 253 × 354 mm (image); 265 × 360 mm (plate); 270 × 365 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

Henry Thomas Alken, 1785-1851, British, Set of twelve Scenes in the Life of Master George, 1823. Hand colored soft-ground etching.

Take away that Bauble: Cromwell dissolving the long Parliament, 1850. Artist: John Leech

Monstrosities of 1822 - Pt. 5, Print made by George Cruikshank, 1792-1878, British, Published by Thomas McLean, 1788-1875, British, 1835, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm), Plate: 10 5/16 x 14 15/16 inches (26.2 x 38 cm), and Image: 9 1/8 x 13 5/16 inches (23.2 x 33.8 cm), caricature, cityscape, dogs (animals), dresses, fashion, garden, genre subject, hats, illustration, lace, men, monument, obese, pants, park (grounds), ruffles, satire, statue, top hats, walking, women, City of Westminster, England, Greater London, Hyde Park, United Kingdom

A Game at Put in a Country Alehouse. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 11 7/8 × 14 3/4 in. (30.1 × 37.5 cm)Plate: 11 1/4 × 13 3/4 in. (28.5 × 35 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: August 10, 1799. Museum: Metropolitan Museum of Art, New York, USA.

'Card with Letter ""'. 1814. Dimensions: 8,3x11 cm. Museum: State Hermitage, St. Petersburg. Author: Ivan Terebenyov.

Hero's recruiting at Kelsey's; - or- Guard-Day at St. James's Js. Gy. ad vivam fect.. British Cartoon Prints Collection , Exhibited: Gillray and the Art of Caricature. Eating & drinking,Great Britain,1790-1800. , Soldiers,Great Britain,1790-1800. , Confectionaries,Great Britain,1790-1800. , Confections,Great Britain,1790-1800.

It's too weighing for us - courage is only temporary. (IT)

How to make a Freemason. English anti -Freemason caricature from 1800 from the book of the Freemasons by Eugen Lennhoff, published in 1932 / How to Make a Mason. English Anti Masonic Caricature from 1800 from the book the freemason by Eugen Lennhoff Published 1932, historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated,

Intérieur d'un wagon de troisième classe.... Honoré Daumier (1808-1879). Lithographs

Fresh, Fish, Henry Heath, active 1824-1835, British, 1825, Etching, hand-colored, Sheet: 4 3/8 x 5 7/8in. (11.1 x 14.9cm)

Honoré Daumier (1808-1879). "Warm! Hot! Bertrand must push for the sale of the goods, must beat the big cash, make the parade, attract the attention of the Jobard". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56111-12 Poster, stick, colleur, gommee, lithography colored, character, response, wall

John Bull in the Year 1800! John Bull in the year 1801! October 12, 1801 Thomas Rowlandson. John Bull in the Year 1800! John Bull in the year 1801!. Thomas Rowlandson (British, London 1757-1827 London). October 12, 1801. Hand-colored etching. Prints

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