Satirical Scenes of Society

Humorous and satirical depictions of social situations and characters, highlighting societal themes through exaggerated artistic styles.

after Thomas Rowlandson, Mr. H. Angelo's Fencing Academy, 1887, hand-colored etching

Royalty in a Rage or Family Quarrels Robert Cruikshank, July 1820. George IV angry with his brothers Frederick and William, unwilling to support him in his divorce proceedings against Queen Caroline. Etching. Caricature British

The Soncha cave by Treildhold Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

View of the decoration from the tragedy Die Räuber Gallerie Droller Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

James Gillray, 1757-1815, British, What a Cur ' tis, 1795. Etching, hand-colored.

'Cooks, scullions - Hear me, every mother's son.' , Public speaking, Cooks, Servants. Thomas Rowlandson (1756-1827). Prints and Drawings

Henry Thomas Alken, 1785-1851, British, Set of twelve Scenes in the Life of Master George, 1823. Hand colored soft-ground etching.

The Whigs as a follower of France

circus acrobatics ground acrobatics artists performing on ther street coloured lithograph by Mortel ""Tableaux de Paris"" circa 1830 private collection,

Nouveau divertissement des soirées. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Present for Past Favours, William O'Keefe, active 1794-1807, 1796, Etching, hand-colored, Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)

John Bull making a new batch of ships to send to the lakes. A satire on British efforts to recover after major naval losses on the Great Lakes in 1813 and 1814. According to Lanmon, it is based on Thomas Rowlandson's 1798 satire 'High Fun for John Bull or the Republicans Put to Their last Shift.'

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 237 mm (image); 212 × 245 mm (plate); 245 × 343 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Charles Williams, active 1796-1830, British, The Wrymouth Candidates of the Strangers at Home Plate, c. 1814. Etching.

The Rochester Address or The Corporation Going To Eat Roast Pork and Oysters with the R-G-T. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 8 9/16 × 28 3/16 in. (21.8 × 71.6 cm)Plate: 7 13/16 × 27 1/16 in. (19.8 × 68.8 cm). Subject: George IV, King of Great Britain and Ireland (British, London 1762-1830 Windsor). Date: April 4, 1789. Museum: Metropolitan Museum of Art, New York, USA.

The night converter, from Scribe and Aumer Gallerie Droller Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Nuremberg, Campe, Friedrich, Germany, Voltz, Johann Michael, Who - this year in Europe no longer celebrated - Napoleon's Day on the Island of St. Helena was festively begun, Celebrating Napoleon's birthday on St. Helena, 1815, verso - stamped, Cartoon in which the exiled Napoleon celebrates his birthday on St. Helena, together with the rats. Napoleon standing before a people of rats who honor him as a monarch. Napoleon hands out medals to some rats. In the sky a hot air balloon, in the distance a blockade ship. On the occasion of Napoleon's banishment to Saint Helena in October 1815., print, prent, prints, prenten, Frederik Muller Historieplaten, height 183 mm, width 257 mm, German, 1784-10-16 - 1858-04-17, print maker, printmaker, 1815-06 - 1815-09, paper, papier, etching, etchings, hand colouring, Publication (Event), Publication, 1777-09-13 - 1846-08-09, publisher

English dandies and ladies boarding a stagecoach in London, 1820. White Horse Cellar, Piccadilly. Tom and Logic bidding Jerry goodbye upon his going into training and his return to Hawthorn Hall. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce Egan's Life in London, Sherwood, Jones, London, 1823.

The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

The Westminster Mountebank, or Palace Yard Pranks, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 11 1/8 x 17 5/8in. (28.3 x 44.8cm)

Italian Picture Dealers Humbugging My Lord Anglaise May 30, 1812 Thomas Rowlandson British A handsome English lord visiting Italy is introduced to a disreputable art dealer by an obese nobleman. The grimaces and gestures of the Italians suggest that they intend to defraud, or "humbug," the tourist. A voluptuous Mary Magdalene, purportedly by Guido Reni, is propped on a table for inspection and all the works on display undoubtedly are copies. When this print was published in 1812, Britain and France had been at war for two decades and Englishmen could not visit Italy. A partially erased date of 1806 in the lower right corner indicates that Rowlandson conceived the image when southern Italy remained accessible but issued it at a time when making a Grand Tour had become a nostalgic memory.. Italian Picture Dealers Humbugging My Lord Anglaise 392780

James Gillray, 1757-1815, British, The Doctor Indulged with his Favorite Scene ---, c. 1790. Etching, hand-colored.

It is well disgusting the abbot; But again, he is better than to be lanterned. (IT)

Window of publisher Thomas Tegg in London; Tail Piece to Volume Three. View of a street with irritations People for the window of publisher Thomas Tegg, which shoots the personification of the utensility from the air with a rifle. Four green figures, the genii of the caricature, draw a net with new inspiration towards the publisher. On the right the tower of St Mary-le-Bow. Under the print a two-legged fresh from Alexander Pope.

Patriotic gift of young workers Jean-Baptiste Lesueur (1749-1826). Patriotic gift of young workers. Gouache on cut carton glued on a sheet of washed blue paper.

Le Perrquier Patrot. (You)

Congress of Vienna

Five scenes in the field of art and culture; Title page for: Wiener Allgemeine Theater-Zeitung, 1843. Five scenes on a leaf: a painting woman behind a cloth on an easel, in conversation with two men; Three men reading the newspaper, one with a long pipe; A man in historical clothing with a viewing cupboard on a standard; a woman with a harp and a singer with sheet music; A woman in front of a mirror.

Refinement of Language October 1, 1802 Thomas Rowlandson A design in six squares, arranged in two rows, with six different men performing jobs: A Timber Merchant, A Turkey Merchant, A Man of Letters, A Banker, A Merchant Taylor, and Master of the Mint.. Refinement of Language. Thomas Rowlandson (British, London 1757-1827 London). October 1, 1802. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Happy Effects of that Grand System of Shutting Ports Against the English!!. Isaac Cruikshank; English, 1764-1811. Date: 1808. Dimensions: 215 × 330 mm (image); 248 × 351 mm (plate); 265 × 375 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Prussian prize-fighter and his allies attempting to tame imperial Kate, or, the state of the European bruisers.' Cartoon shows Catherine II and Frederick William II as pugilists, stripped to the waist with fists raised, on either side stand other European heads of state. Other figures, reduced in size as their stature is reduced, appear in close proximity to the boxers, the king of Poland is between the wide-spread legs of Prussia (fearing partition), Louis XVI and Charles IV representing Fr

The Production of a Post House. Artist: Thomas Rowlandson (British, London 1757-1827 London). Author: Related outhor Rev. James Beresford (British, 1764-1840). Dimensions: Plate: 6 11/16 × 9 15/16 in. (17 × 25.2 cm)Sheet: 7 5/16 × 10 13/16 in. (18.5 × 27.4 cm). Series/Portfolio: Miseries of Human Life. Date: 1808. Museum: Metropolitan Museum of Art, New York, USA.

Videniia 1796 i 1801 gg. Apparitions of 1796 and 1801, satirical illustration Videniia 1796 i 1801 gg.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Nautical improvisation, Anonymous, 1827 Two English naval officers politely insult each other sitting next to each other at the table, watched by a burger. On the back wall two paintings about raising boys at sea. print maker: Englandpublisher: London paper etching mocking, insulting; teasing. fist-fight. officer. political caricatures and satires

The Derby Favorite, A Little Amiss, John Doyle ('H.B.'), 1797-1868, Irish, 1840, Lithograph, hand-colored, Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)

John Bull Bother'd; - or - The Geese Alarming the Capitol, James Gillray, 1757-1815, British, 1792, Etching and aquatint, hand-colored, Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)

The concert./saches give us, and banks the envy / to enjoy the pleasures of good harmony. (IT)

Netherlands, Present state of Belgium, Cartoon on the desperate state of Belgium, 1831, verso - stamped, Cartoon on the desperate state of Belgium after the losses in the Ten Days' Campaign in August 1831. The Belgian king Leopold I sits desperately on his throne and reaches for his throne. On the left in the foreground lies De Potter, on the right sits Baron Surlet de Chokier in a chair., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 202 mm, width 338 mm, print maker, printmaker, 1831 - 1831, paper, papier, lithografie (technique), met de handkleur

James Sayer, 1748-1823, British, A Shot at the Min----r, for a Call of the House, 1787. Etching, hand-colored.

With slight alterations, similar to plate 46, loc. cit. Date: 1807-08. Paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Isaac Cruikshank, (), 1756-1810, British, The Freemen Triumphant or the Mare Foald or Here Folly, 1789(). Etching, hand-colored.

'The embarrassment of the hoods', 1882-1884.Artist: J Rocault

The Hanoverian Horse and British Lion March 31, 1784 Thomas Rowlandson Charles James Fox rides the British lion at left, facing William Pitt, who rides the white horse of Hanover, within the House of Commons. A crowd, including Charles Wolfran Cornwall, flees at right.. The Hanoverian Horse and British Lion. Thomas Rowlandson (British, London 1757-1827 London). March 31, 1784. Hand-colored etching. William Humphrey (British, 1742-in or before 1814). Charles James Fox (British, 1749-1806). Prints

The morgue or public charnel house of Paris on a bank of the Seine. A woman turns in horror from a corpse, an officer of the guards contemplates a female cadaver, and an attendant smokes a pipe. Handcoloured aquatint engraving after an illustration credited to Victor Auver from "A Tour through Paris," William Sams, London, 1825. Illustration copied from Richard Peake's "French Characteristic Costumes," 1819.

Flower market on the Quai Dessaix, held every Wednesday and Saturday. Women customers look at flowers in pots near a fountain. Handcoloured aquatint engraving after an illustration credited to Victor Auver from "A Tour through Paris," William Sams, London, 1825.

Jean-Ignace-Isidore Gerard Grandville, 'Les Metamorphoses du jour' 1829.illustration from a famous series of political caricatures

Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1756-1810, British, 1792, Etching, hand-colored, Sheet: 8 3/4 x 14 1/2in. (22.2 x 36.8cm)

The Loss of Eden - and Eden, Lost. December 21, 1785 Thomas Rowlandson. The Loss of Eden - and Eden, Lost.. Thomas Rowlandson (British, London 1757-1827 London). December 21, 1785. Hand-colored etching. William Hinton (British, active London, 1779-86). Prints

Mr. Fuals trained at Bancal. (IT)

Grabado satírico. Siglo XIX.

Watch-boxes increased in number during Queen Anne's reign. Made of timber or stone, the wooden ones provided targets for bored young "gentlemen" who tipped it over. Circa 1795 caricature by George Cruikshank, English

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 258 mm (image); 215 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Dr. Syntax with Kitty Cowslip, Thomas Rowlandson, 1756-1827, British, 1821, Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige, wove paper, Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm), buildings, children, cottage, dancing, dishes, dog (animal), elderly, genre subject, kissing, men, sitting, tent, women, youth

A Lesson Westward - or A Morning Visit to Betsy Cole, Robert Dighton, 1752-1814, British, Printed by Carington Bowles, 1724-1793, British, 1782, Mezzotint and etching, hand-colored with gummed gouache on moderately thick, slightly textured, gray laid paper, Sheet: 13 7/16 x 9 13/16 inches (34.2 x 25 cm) and Image: 12 1/2 x 9 13/16 inches (31.7 x 25 cm), academies, brothels, caricature, carriage, carriages, cart, courtesans, dresses, dresses, driving, genre subject, hats, hats, horses (animals), houses, illustration, jewelry, ladies, learning, piglets, pigs, prostitutes, roads, satire, stripes, wheat, wheels, women

Watercolor by Fritz von Dardel. Artur Hazelius, the creator of Skansen 1896. Nordic

Tangeelen from owl mirrors live; New Dutch childrens prints. Leaf with 8 performances about the life of Tijl owl mirror. Under every image a caption. Numbered at the top right: No. 58.

Botheration Dec. 17, 1793 Samuel Alken. Botheration. Samuel Alken (British, London 1756-1815 London). Dec. 17, 1793. Hand-colored etching. S. W. Fores (London). Prints

Unknown, Le Suprème Bon Ton No. 10: Les Chapeaux a l'Irato, 1815, hand-colored etching on paper.

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!, Print made by Charles Jameson Grant, active 1830-1852, British, after Charles Jameson Grant, active 1830-1852, British, Published by Gabriel Shire Tregear, active 1828-1840, British, 1833, Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm) and Image: 9 3/8 x 14 3/4 inches (23.8 x 37.5 cm), baskets, caricature, cat (domestic cat), children, collars, crowd, cuffs, death, gesturing, hanging (execution), hats, historical subject, humor, killing, men, modern, parody, Protestantism, Puritan, Puritans, religion, ruffs, satire, sticks, trial, women

French revolutionary women march to the Palace at Versailles 1789

Great Holiday in Mr. Punch's Park. John Leech (or possibly after); English, 1817-1864. Date: 1840-1849. Dimensions: 254 × 321 mm. Watercolor, and pen and brown ink, over graphite, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Failed air travel from A. Hopman (plate II), 1804; The year 1804 !!!. Chaos in the notary's office where Abraham Hopman and Louis Samuel loud have their will. Their women pull the hair out of the head, on the floor crying children. In the background the unsuccessful attempts to fill the air balloon with hot air on the Overtoom in Amsterdam on July 5, 1804. On the walls hang plates of previous failed flights from hot air balloons. A vessel is equipped with cannon, helm, flags and a barometer on the ceiling. Hopman and Loude undempted on 5 and 6 July 1804 attempts to make a journey in a hot air balloon called 'lust to research'. Ultimately, the hot air balloon without passengers has been delivered. See also the pendant.

Regency actor in front of the magistrates in a parlour. A man holds a horn to his ear, another rests his gouty legs on a footrest. A Scene from Turnpike Gate. Proteus defending himself before the Magistrates for using too powerfully the Action for the Word. Handcoloured engraving etched by Theodore Lane from Pierce Egans The Life of an Actor, Pickering and Chatto, London, 1892.

Irish gentlemen drinking punch at a committee meeting to discuss a pillar to commemorate King George IVs visit to Ireland. A pillar committee. Handcoloured engraving after an illustration by from Pierce Egans Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney, of Brian Boru Esq., and his Elegant Friend Sir Shawn ODogherty, published by William Evans, London, 1829.

Two dressed monkeys hold a weapon in the form of a mannequin, 1819 print Under the weapon the weapon spell Dandi - Dando - Dandum on a ribbon formed by trousers on which an order sign with a dog hangs. Under the image a description of the weapon in English. paper etching dandy, beau. shop-window figures. monkeys, apes

Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood 1787 or later After Henry William Bunbury Four small scenes make gentle fun of various aspects of riding. In "How to Stop Your Horse at pleasure," a man rides full tilt into a barn and places his feet on the door frame. In "Geoffrey Gombado" (as pseudonym used by the artist Bunbury), a gouty man sits by a table grumpily holding a crutch while eyeing his boots. In "How to Ride up Hyde Park," a man gallops to the left and turns his head to grin at the viewer. Finally, in "A Bit of Blood, " a man in a red coat and carrying a cudgel and rides near a signpost lettered "The Bridle Way. Horselydown," with a coastal view at right.. Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood. Academy for Grown Horsemen. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1787 or later. Hand

Lady Godina's Rout;-or-Peeping-Tom Spying out Pope-Joan, 1796. James Gillray (British, 1757-1815), Hannah Humphrey. Etching hand-colored with watercolor; sheet: 26.6 x 37 cm (10 1/2 x 14 9/16 in.).

Italy, 18th century. Caricature of the bashful faction. Engraving washed with watercolor.

King George IV imitating the actor John Kemble in front of Princess Augusta, his mistress the Marchioness of Conyngham, and the mimick Charles Mathews. The King at Home; or Mathews at Carlton House. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1756-1810, British, 1790, Etching, hand-colored, Sheet: 8 1/2 x 13in. (21.6 x 33cm)

A Snug Cabin, or Port Admiral June 21, 1808 Thomas Rowlandson British Officers gathered around a table on board a shp raise their glasses to offer a toast at the end of a meal. A sailor opens a bottle at right. An empty basket of bottles at left. Food on the sideboard at left next to a silver urn and large platter.. A Snug Cabin, or Port Admiral. Thomas Rowlandson (British, London 1757-1827 London). June 21, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Balancingist Equilibrium Player Ilustracja Z Serii Gaukelwerk Games unknown, Peller

Pastime in Portugal : Or a visit to the nunnerys , Military officers, Nuns, Nobility, Selling. Thomas Rowlandson (1756-1827). Prints and Drawings

Grotesque Borders for Rooms & Halls December 1, 1800 Thomas Rowlandson Three strips arranged horizontally with various scenes. Top scene: Private Theatricals; Middle scene: Lilliputian Poney Races; Lower scene: A Lilliputian Stage Coach Stopping to Change Horses.. Grotesque Borders for Rooms & Halls. Thomas Rowlandson (British, London 1757-1827 London). December 1, 1800. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Amsterdam, Munster & Zoon, Hendrik van, Netherlands, Oortman, Jan (Sr.), Gerrit, In this print children will be able to notice: that the nature of each region, and the special clothing of each people, make the people very clearly distinguishable from each other, verso - stamped, Sheet with 8 representations of the clothing of different nationalities and peoples. Center above the seal of the Society for the Public Good. A caption under each image. Numbered top right: LA, print, prent, volksprent, prints, prenten, volksprenten, height 333 mm, width 420 mm, 1781 - 1822-09-19, print maker, printmaker, 1811 - 1829, paper, papier, houtcut, letterpress printing, boekdruk, Noord-Nederlands, 1753-09-16 - 1823-05-05, Publication (Event), Publicatie, Nederlands, publisher

Last farewell Louis XVI, from his family on January , Carlo Lasinio -, Copper Engraver

A father is recruited in the revolutionary armies instead of his son unfit in the service Jean-Baptiste Lesueur (1749-1826). A father is recruited in the revolutionary armies instead of his son unfit for service. Gouache on cut carton glued on a sheet of washed blue paper.

A Parti Carré for a Crown, Print made by Henry Heath, active 1824-1835, British, Print made by S. W. Fores, 1761-1838, British, 1827, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm), Plate: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm), and Image: 8 3/8 × 12 1/4 inches (21.3 × 31.1 cm)

Drawing, Water color; A vegetable stall; Designed by Saverio della Gatta (Italian, 1777 - 1829); Italy; pen and black ink and water colors on paper.; 11.9 × 18.2 cm (4 11/16 × 7 3/16 in.)

Frankrijk ontneemt de pruiken, 1795. Vijf gekleurde tekeningen naar spotprenten (1795) (title on object). Draughtsman: anonymous. Dating: 1795. Place: Netherlands. Measurements: h 150 mm × w 223 mm. Museum: Rijksmuseum, Amsterdam.

The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris April 16, 1815 Thomas Rowlandson British Napoleon standing on a balcony with his generals, accompanied by the Devil and a skeleton representing Death, who points at a crowd below that brandishes heads on pikes.. The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris. Thomas Rowlandson (British, London 1757-1827 London). April 16, 1815. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Isaac Cruikshank, 1756-1810, British, Mad Tom's First Practical Essay on the Rights of Man, 1792. Etching, hand-colored.

Schuster, Ignaz.

A whole family lost C.W.. British Cartoon Prints Collection . Town criers,England,1810-1820. , Money,1810-1820.

The Rival Whiskers. Theodore Lane; English, 1800-1828. Date: 1820-1828. Dimensions: . Etching and aquatint, with hand-coloring, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

English tourists defacing an ancient tomb with hammer and chisel on the isle of Iona, Inner Hebrides, Scotland. Doctor Prosody clears up the antiquities of Iona. Handcoloured copperplate engraving drawn and engraved by Charles Williams from William Combes The Tour of Doctor Prosody, in search of the Antique and the Picturesque, through Scotland, the Hebrides, the Orkney and Shetland Isles, Matthew Illy, London, 1821.

Thomas Rowlandson, 1756-1827, British, Checkmate, undated. Watercolor with pen and black ink over graphite on medium, slightly textured, blued white laid paper.

A morning ride , Kings, Horses, Horseback riding, Military officers, George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817. James Gillray (1756-1815). Prints and Drawings

Bachelor's Hall, Robert Dighton, 1752-1814, British, undated, Watercolor, gouache, pen, brown ink, and black ink on medium, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 7/8 inches (34.6 x 25.1 cm), bachelors, dinner, eating, feast, food, genre subject, hall, meal, men, sportsmen

James Gillray, 1757-1815, British, The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", 1806. Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper.

Napoleon as Emperor addressing the Senate on the glory of France and other matters. Coloured etching by Charles Williams, 1813.

Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1757-1815, British, 1786, Etching, hand-colored, Sheet: 9 5/8 x 14 15/16in. (24.4 x 37.9cm)

The horoscope of England: the pass, the present, the future The horoscope of England: the past, the present, the future ". Anonymous print.

Procession of the Cod Company from St. Giles's to Billingsgate September 18, 1810 Thomas Rowlandson Seven hefty women approach a pier with baskets on their heads, two of them smoking pipes. An eighth woman sits at left, also smoking a pipe, with baskets of cod and lobsters next to her.. Procession of the Cod Company from St. Giles's to Billingsgate. Thomas Rowlandson (British, London 1757-1827 London). September 18, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The first May in Prater Gallerie Droller Scenen for the Theaterzeitung, st vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

medicine physicians ""The Pysician as Human Being"" copper engraving Hendrik Goltzins Haarlem 1576 private collection,

Netherlands, Stoopendaal, Daniel Willem, Sugar and Syrup Battle 1824, Fights over sugar and syrup, 1824, verso - stamped, Cartoon on the attempts of the firm JH Rupe & Zn to sell sugar in small quantities. Men fight over syrup and sugar loaves on the street in front of a shop called 'De Goude Schraper', where sugar and syrup are offered for sale. In response to the ban in Amsterdam on the sale of sugar and syrup in small quantities. See also the pendant., print, picture, cartoon, prints, Frederik Muller Historieplaten, height 238 mm, width 270 mm, 1776-01-24 - 1829-06-15, print maker, printmaker, 1824 - 1824, paper, papier, lithografie (technique), met de handkleur

Scene from the New National Operetta, from Puck. Joseph Keppler; American, 1838-1894. Date: 1883. Dimensions: 282 x 475 mm (image); 302 x 477 mm (sheet). Color lithograph on newsprint. Origin: United States. Museum: The Chicago Art Institute, USA. Author: JOSEPH KEPPLER.

James Gillray, 1757-1815, British, The Lover's Dream, 1795. Etching, hand-colored.

The Plumb-pudding in danger. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1805-02-26. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Napoleon I, Emperor of the French, 1769-1821, Pitt, William, 1759-1806

English Georgian dandies with world champion bareknuckle boxer Tom Cribb. Cribb's Parlour: Tom introducing Jerry and Logic to the Champion of England. Handcoloured copperplate engraving by Isaac Robert Cruikshank and George Cruikshank from Pierce Egan's Life in London, Sherwood, Jones, London, 1823.

of 3