Scenic Engravings

Detailed landscapes and city views, created through line engraving, capturing nature and architecture with a serene atmosphere.

Print, Niobe, from Ovid's Metamorphoses; Print Maker: William Wolleft; engraving (etching) on paper; Bequest of George Campbell Cooper; 1896-3-346

View of Meudon Palace and Village Artist's working dates 1762-1810 England. Etching in black on ivory laid paper . Jacques Rigaud

Dartmouth, on the River Dart, Samuel William Reynolds, 1773-1835, British, after Joseph Mallord William Turner, 1775-1851, British, 1823-1827, Mezzotint

Detail of illustration on p. 213, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Robert, Hubert, 1733-1808, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786. Composé par Robert, peintre du Roi, gravé par Guttenberg--appears below image. This is a detail view of the illustration on p. 213; it is not an overall view of p. 213.

Berchem, Nicolaes Pietersz., Amsterdam, Gronsveld, Johannes, Landscapes with shepherds and cattle, River landscape with shepherds and cows, verso lower left - stamped, River landscape with rock formation and cattle with a woman milking a cow in the foreground on the left. Second print from a series of four with landscapes with shepherds and cattle., print, prent, prints, prenten, height 148 mm, width 196 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

Old Sarum, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1830, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm), Plate: 7 1/4 x 10 inches (18.4 x 25.4 cm), and Image: 5 1/2 x 8 1/2 inches (14 x 21.6 cm), England, Europe, Old Sarum, Salisbury, United Kingdom, Wiltshire

Etching titled 'Persépolis. Vue du plateau, face nord.' by Pascal Coste, created between 1851 and 1854. Additional, Takht-i-Djemchid Takht-i Jamshîd. Published in Paris by Gide et J. Baudry. Depicts antiquities from Iran

Richmondshire Castle and Town, Print made by John Wykeham Archer, 1808-1864, British, after Joseph Mallord William Turner, 1775-1851, British, 1820, Line engraving, engraver's proof (touched) on moderately thic, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm), Chine collé: 10 9/16 × 15 3/8 inches (26.8 × 39.1 cm), and Image: 7 9/16 × 10 7/8 inches (19.2 × 27.6 cm)

William Miller, 1796-1882, British, Between Clairmont and Mauves, 1833. Line engraving on medium, smooth, cream, wove paper.

The Fifth Plague of Egypt, plate 16 from LIber Studiorum Published 1808 England. Etching and engraving in brown on ivory laid paper . Joseph Mallord William Turner

Coastal landscape at Storm, Pierre Etienne Moitte, After Peter Paul Rubens, 1747 print Paris paper etching / engraving storm. coast

Posterunek wojskowy pod Sobraon. Kretzschmer, Hermann (1811-1890), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Cascatella di Tivoli. Dated: 1792. Dimensions: plate: 37 x 27.9 cm (14 9/16 x 11 in.) sheet: 49.2 x 39.2 cm (19 3/8 x 15 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

The Genesis creation narrative is the creation myth of both Judaism and Christianity. The Third Day of Creation: The Seas are created. From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

S. Fisher, active 1831-1844, Mount St. Michael, Cornwall, 1838. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

British Residency at Ankober. Illustrations. 1845. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division. Ethiopia

Parnassus and Castalian Spring, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving on thick, slightly textured, crea, wove paper, with cream, chine colle, Sheet: 9 13/16 × 7 7/16 inches (24.9 × 18.9 cm), Plate: 9 1/4 × 6 15/16 inches (23.5 × 17.6 cm), Chine collé: 8 3/4 × 6 5/16 inches (22.2 × 16 cm), and Image: 4 × 3 1/4 inches (10.2 × 8.3 cm)

St. Agatha's Abbey, Easby, John Le Keux, 1783-1846, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Line engraving and etching on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm), Chine collé: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm), and Image: 8 × 11 1/4 inches (20.3 × 28.6 cm)

The giant Enceladus, most powerful ofthe Titans, defies Zeus but pays for his presumption by being buried beneath Mount Etna : its eruptions are his struggles to free himself

Edward Francis Finden, 1791-1857, British, The School of Homer, 1833. Etching and engraving, 3rd state on medium, slightly textured, cream, wove paper.

Etched by Joseph Mallord William Turner, 1775-1851, British, Hedging and Ditching, 1812. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.

S. Fisher, active 1831-1844, Mount St. Michael, Cornwall, 1827-1838. Open etching.

Edward Lear, 1812-1888, British, Catania.

J. Henshall, Winchelsea, Sussex, 1827-1838. Line engraving, first published state.

A brown feather drawing with lavated shading over pencil by Johann Baptist Stuntz before 1793 showing children in a domestic scene, emphasizing posture and interaction.

A dramatic coastal scene featuring rugged cliffs that extend down to the sea, creating a cove that accommodates various large vessels. To the side, an entrance to a dark and vacant cave is visible. This artwork was created for the tragic ballet 'L'alunno della giumenta, ossia l'Ippotoo vendicato,' composed and directed by Salvatore Viganò for the Royal Teatro alla Scala in the spring of 1812. The piece was created by A. Sanquirico and engraved by Carolina Lose, published in Milan by Antonio Bossi Editore

Brzozowski, Feliks (1836-1892), Jezioro Powidzkie; from: "Tygodnik Powszechny" II, 824. Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, Piastuszkiewicz, Kazimierz (fl. 1876-1891), engraver, Tygodnik Powszechny (Warszawa ; czasopismo ; 1877-1885), publisher

Reproduction of drawing: Wojciech Kossak (1856-1942), Aground; from: `Kłosy', 1877, 1, no. 217. Kossak, Wojciech (1856-1942), draughtsman, cartoonist, unknown, engraver, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

W. R. Smith, active 1819-1851, Whitehaven, Cumberland, 1837. Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle.

Bliżej Kultury Hanfstaengl, Fr.

Zabudowania u podnóży Himalajów, w okolicach Gangotri. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

The Mill. Dated: published 1823. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Charles Turner after Rembrandt van Rijn.

Print made by William Miller, 1796-1882, British, Berwick-on-Tweed, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

William Miller, 1796-1882, British, St. Cloud, 1835. Line engraving, first published state.

In India, on the March, Samuel Davis, 1757-1819, British, undated, Watercolor, pen, gray ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/4 x 11 7/8 inches (23.5 x 30.2 cm), architecture, caravan, hills, landscape, leisure, march, Asia, India

Ier Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers l'Orient, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna); Carl Conti (Austrian, Vienna 1740-1795 Vienna); Clemens Kohl (Austrian, Prague 1754-1807 Vienna); Franz Karl Zoller (Klagenfurt 1747-1829 Innsbruck). Dimensions: sheet: 20 1/2 x 25 11/16 in. (52 x 65.3 cm)plate: 19 7/8 x 25 1/16 in. (50.5 x 63.7 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA.

Fish Market, Rotterdam, W. Floyd, active 1845, after Joseph Mallord William Turner, 1775-1851, British, 1834-1836, Line engraving

Pont Aber Glaslyn, William Burgess, 1749-1812, British, 1785, Watercolor, pen and black ink, gray ink, gray wash and graphite on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 14 9/16 × 18 3/4 inches (37 × 47.6 cm), Contemporary drawn border: 12 3/16 × 16 13/16 inches (31 × 42.7 cm), Image: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm), and Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)

Holy Island, Northumberland, William Tombleson, ca.1795-1835, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Fox Hunting A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check ..., Henry Thomas Alken, 1785-1851, British, And Richard Gilson Reeve, 1803-1889, after Walter Parry Hodges, 1760-1845, 1834, Aquatint, hand-colored, Sheet: 14 5/8 x 20 1/2in. (37.1 x 52.1cm)

Alcyone discovers the dead body of her husband Ceyx and attempts to throw herself off a cliff into the sea. Line engraving with etching by William Woollett after Richard Wilson, 1769.

Paestum (vignette), Print made by John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving; first published state on medium, slightly textured, cream wove paper

Kreva. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

A gouache drawing with white highlights on ocher-colored paper by Alexandre Gabriel Decamps depicting a scene titled 'The Potions', circa 1832.

The Avenue of the Fountains 1653-1655 Italy. Etching on ivory laid paper . Stefano della Bella

Flood at the Kanaalsluis in Gorinchem, 1820, Willem van Senus, After Cornelis van Hardenbergh, 1820 print The water breaks through the Kanaalsluis in the Linge near Gorinchem during the flood on January 26, 1820. Rights of people flee the city in the background with the water gate on the right. Part of a group of illustrations from a book about the flood of 1820. print maker: Netherlandsafter drawing by: Gorinchem paper etching / engraving flood Gorinchem. Waterpoort. Linge

Robert Wallis, 1794-1878, British, Saumur, 1833. Line engraving on medium, smooth, white, wove paper.

Print made by David Lucas, 1802-1881, British, Noon, 1830. Mezzotint and drypoint on medium, slightly textured, cream laid paper.

Print made by Edward Alfred Goodall, 1819-1908, British, Florence, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

James T. Willmore, 1800-1863, British, The Lanterne of St. Cloud, 1835. Line engraving.

Ben Arthur, Scotland, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper, Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)

The Choice of Reuben and Gad, Illustration for The Century Magazine (XXXVII, No. 5, March 1889, p. 687), Mary A. Hallock Foote, American, 1847-1938, John Henry Ellsworth Whitney, American, 1840-1891, Wood-engraving in black ink on paper, From high vantage point, a couple, at right, observe covered wagons and horses halted below., USA, 1889, graphic design, Print, Print

Belmonte, near Palermo. Floyd, W. (fl. 1834-1844), graphic artist

Albenga on the Corniche (Costal) Road Written 1841 England. Watercolor and white gouache over graphite on gray wove paper . Elizabeth Murray

Edward Francis Finden, 1791-1857, British, The Castellated Rhine, 1833. Line engraving, third state on medium, slightly textured, cream, wove paper.

Cape Melville & Melville Monument, Charles Hamilton Smith, 1776-1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm), landscape, marine art

View of a harbor with the ruin of a tower on the Waterkant, Anonymous, 1700 - 1799 print paper. cardboard. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. tower, clock tower ~ monumental adornment. ruin of a building ~ architecture

Rome's album Cascatelle in Tivoli Unknown, puppy, Tomasso (ca 1790 1864)

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758-1838, British, John Warwick Smith, 1749-1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)

Clearing a Wreck on the North Coast of Cornwall, from "Sketches from Nature" 1822 Thomas Rowlandson. Clearing a Wreck on the North Coast of Cornwall, from "Sketches from Nature". "Sketches from Nature". Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching. Prints

Grotto of Neptune, plate twenty-three from the Ruins of Rome Published 1798 England. Hand-colored aquatint on paper . M. Dubourg

Shows a cave depicted with brush and bister, with white highlights, emphasizing interior structure and textures, painted in 1795.

Print made by Richard Parkes Bonington, 1802-1828, British, Glenfinlas, 1826. Lithograph on medium, smooth, cream wove paper.

Saltzberg, 1818, by George Heriot. Gift of Archdeacon F.H.D. Smythe, 1957.

Tomb of the Horatii, draughtsman: Jacob van der Ulft, 1688, paper, pen, brush, h 130 mm × w 221 mm

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 357985

Illustrated Poem The Water Lily’ (Die Wasserlilie - Heinrich Heine) 1848 Eugen Neureuther Eugen Neureuther is principally known for his work as an illustrator. This print contains a poem by Heinrich Heine framed by floral tendrils. The text is further surrounded by a scene illustrating the heartbroken water lily, executed in Neureuther’s romantic fairytale’ style.. Illustrated Poem The Water Lily’ (Die Wasserlilie - Heinrich Heine) 855981

Bethany. Mayer, Luigi. Rosenmüller, Ern. Frid. Car., 1768-1835. Prints. 1800 - 1899. Dorot Jewish Division. Palestine , Description and travel, Bethany

Veduta d'Ajacccio in Corsica and Veduta di Frejus, 1808, by Vivant Denon (1747-1825). Issued in Florence by G. Tofani. The work features two lithographs on one plate, showcasing views of Corsica and Frejus, rendered in etching and aquatint printed in brown ink

The Bank of Escaut 1841 Holland. Etching on paper . Carel Nicholaas Storm van's Gravesunde

Print made by Charles J. Hullmandel, 1789-1850, British, Zaragoza, 1823. Lithograph on medium, slightly textured, cream wove paper.

Tomb of Louis XII, François I, Henry IV, Louis XIV, and all the kings of France in the Valois Cemetery at St. Denis. E. A. Pernot; French, 18th-19th century. Date: 1817. Dimensions: 198 × 285 mm (image); 307 × 473 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Coast Scene With Figures,1822-28 Richard Parkes Bonington (d.1828), Landscape, 19th Century, Watercolour, Women, Frame, Animal, Horse, Seascape, Coast, Coast, beach, Art Movement, Romanticism, Seated, Works on Paper

Portelet Bay on the island of Jersey, Great Britain, digitally restored reproduction of an original 19th century painting, exact original date unknown

William Marshall Craig, ca. 1788-1828, British, Landscape with Lime-Kiln and Workmen, ca. 1808. Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper.

Schaffhausen Photo reproduction of painting. .

Basse Égypte. 1-4. Vues de Foueh Fuwa et de trois autres villages sur la branche de Rosette, 1809 - 1828., 1809 - 1828., Paris. Publisher, Impr. impériale., 50 x 70 cm

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

The two mules. (Registered title) | MORALE OF FABELS OF THE FONTAINE (TITLE OF THE ASSEMBLY)

Sand washing in Gold Field of Sudan. Vintage art lithograph from Pierre Tremaux travel in Northern Africa. 1850s

Joseph Mallord William Turner, Ville de Thun, January 1, 1816, Etching and mezzotint printed in brown inks.

The Tiber at Fiumicino, c. 1809 - c. 1812 drawing Drawing from a group of 46 drawings and studies from mainly cityscapes and landscapes in and around Rome. Italy paper. graphite (mineral). watercolor (paint) brush river (+ landscape with figures, staffage) Fiumicino. Tiber

South-West Send van 't Fort Winneba, or Wimba, from Smith, signed 1727, Jacob van der Schley, after Smith print paper etching

A pattern in Connemara. Ireland. Drawn by W.H.Bartlett, engraved by H. Griffiths. From 'The Scenery and Antiquities of Ireland' by N.P.Willis and J.Stirling Coyne.Illustrated from drawings by W.H.Bartlett. Published London c.1841.

Aors in the bird's eye view, Georg Balthasar Probst, 1742 - 1801 print Romulus and Remus are looking for an omen in a flight of birds. The number of birds determines which of the twins has the right to set up a city and to give it its name. Romulus is on the left of the Tiber River and sees more birds fly by than Remus on the right side. Numbered at the top right: 209. Numbered in the bottom left: 51. publisher: Augsburgprint maker: Germany paper. cardboard. watercolor (paint) etching / brush Romulus and Remus look for an omen from the flight of birds (auspices); Remus sees six vultures, Romulus twelve Tiber

Artist: Konrad Grob, Swiss, 1828-1904, After: Giacinto Gigante, Italian, 1806-1876, Pompeii, Color lithograph, Image: 22.2 × 31.8 cm (8 3/4 × 121/2in.), Made in Switzerland, Swiss, 19thcentury, Works on Paper -Prints

Baltimore. Lithographer: Unknown

'Amoy', c1880. Artist: Fleming.

Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 42.9 x 60.2 cm (16 7/8 x 23 11/16 in.); image: 33.8 x 53.2 cm (13 5/16 x 20 15/16 in.).

Joseph Mallord William Turner, 1775-1851, British, From the Isola Borromena, Lago Maggiore, ca. 1795. Watercolor and graphite on medium, slightly textured, cream wove paper.

Athena.

Phyloæ.. Félix Bonfils (French, 1831 - 1885)

Artist: Konrad Grob, Swiss, 1828-1904, After: Giacinto Gigante, Italian, 1806-1876, Pompeii, Color lithograph, Image: 22.2 × 32 cm (8 3/4 × 125/8in.), Made in Switzerland, Swiss, 19thcentury, Works on Paper -Prints

Cadaques by Salvador Dali oil on canvas, 1923, 1904-1989, USA, Florida, St. Petersburg, Salvador Dali Museum

"Norham Castle", from the photographed edition of the "Liber Studiorum", by J. M. W. Turner, 1864. '...a photograph from any work of art...in which variety of colour is a prominent characteristic must be full of relative untruthfulness and can scarcely be other than inharmonious. Hence, photographs from the oil pictures and water-colour drawings of Turner...are to the last degree disappointing...On the other hand, photographs from rare proof engravings after, or monochrome drawings by, Turner, in which (as through the medium of photographs) colour does not interfere with th

Ludlow Castle Turner, Joseph Mallord William(1775-1851 British) Watercolor The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA

Study for The Life, Segantini, Giovanni (1858-1899)

Alpine Castle above a Wooded Lake. Dated: c. 1870. Dimensions: overall: 103 x 69 cm (40 9/16 x 27 3/16 in.). Medium: charcoal with stumping,scraping, erasing and wetting, and white chalk on beige laid paper, laid down. Museum: National Gallery of Art, Washington DC. Author: Maxime Lalanne.

View of Jean-Baptiste Douville's camp on the Congo River at the village of Quitumba, Angola. Handcoloured copperplate engraving after Jean-Baptiste Douville from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1834.

Hoffmann, Joseph, Angerer, Victor, Götterdämmerung, Die brannende Walhalla, Photographic reproduction of a painting depicting the Rhinemaidens taking back the ring and Walhalla going up in flames, photograph, photo, reproduction, page, photos, photographically illustrated books, height 91 mm, width 118 mm, 1839 - 1924, photographer, 1866 - 1876, photographic paper, photo paper, albumen print, albumine print, Austrian, 1831-07-22 - 1904-01-31

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