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Scenic Landscapes and Village Life

Etchings illustrate serene landscapes with rustic villages, waterways, and figures, showcasing peaceful rural life and natural beauty.

The Little Landscape with Two Goats (Dutuit 47) Karel Dujardin (1622-78). The small landscape with both goats (Dutuit 47). Forte, 1652-1660.
The Little Landscape with Two Goats (Dutuit 47) Karel Dujardin (1622-78). The small landscape with both goats (Dutuit 47). Forte, 1652-1660.
211 assets in this story
View of a river near a ferry house, draughtsman: Hendrick van Cleve, 1584, paper, pen, brush, h 186 mm × w 286 mmView of Utrecht, (plate II), Herman Saftleven, 1648 print Middle plate of 'View of Utrecht' with a part of Utrecht. In the foreground meadows with cows and a meandering road. On the right an artist is sketching while a man with a dog is watching. In the background behind a row of trees, part of the city with the Dom. Utrecht paper etching cow. church (exterior). working situations ~ painter - CC - out of doors Dom Van UtrechtView of a village on a river, on which a boat is being loaded with baskets and sacks, a village between Woerden and Alphen aan de Rijn, depicting the month of September. At the top the constellation belonging to this month: Libra. Ninth print in a series of twelve, September The twelve months, with village scenes (series title), print maker: Jan van de Velde (II), publisher: Claes Jansz. Visscher (II), Northern Netherlands, 1618, paper, etching, h 276 mm × w 362 mmVillage beside a Canal. Dated: second half 17th century. Dimensions: sheet (trimmed to plate mark): 12.4 x 21.1 cm (4 7/8 x 8 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johannes Ruisscher (reworked by Anthonie Waterloo).Air, 1628 - 1689 print Allegory on the element of air: landscape with bird catchers, a rider and an elegant company. paper etching 'Aria', 'Carro dell'aria' (Ripa). bird hunting. landscapes in the temperate zoneThe Waterhouse, 1665. Wenceslaus Hollar (Bohemian, 1607-1677). Etching; sheet: 10.1 x 14.1 cm (4 x 5 9/16 in.); platemark: 9.1 x 12.7 cm (3 9/16 x 5 in.).Landscape with ferry Landscapes (series title), Hilly landscape with ferry with horse carriage. Right in the foreground are two men on the shore. Eighth print from a series of eight with landscapes., Landscapes (landscape with figures, staffage), ferry, Johannes Gronsveld, Amsterdam, 1679 - 1728, paper, engraving, h 129 mm × w 178 mmunknown, Paris, Bonenfant, Antoine, Antwerp, Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Landscape with a house, figures and cattle, verso - stamped, An Italian landscape with a house with a tower. In the foreground goats, chickens, donkeys and two men with a hunting horn and hunting dogs. On the left a view of a river., print, prints, height 242 mm, width 315 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, etching, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher, granter of privilegeViews: Le Pilier isolè, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching;Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), varies Figure. First issue of a series of 8 rooms. (A. de Vesme 173; Dutuit 109) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.Country Houses, couple and cornfield in the foreground, from the series The Small Landscapes (Praediorum Villarum). Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: 6 7/8 x 9 13/16 in. (17.5 x 25 cm). Former Attribution: Formerly attributed to Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Series/Portfolio: Praediorum Villarum (Small Landscapes). Date: 1559-61. Museum: Metropolitan Museum of Art, New York, USA. Author: Johannes van Doetecum the elder. After The Master of the Small Landscapes. Lucas van Doetecum.Jan van de Velde II, July JulyLandscape. Artist: Jean Pillement (French, Lyons 1728-1808 Lyons). Dimensions: 7 3/4 x 12 1/8 in.. Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.Paysage avec une statue équestre. 1701 - 1800. Canaletto, 1697-1768. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print CollectionFace on spa with the healing source (left leaf); Vicus Spadanus (Amoenissimus et Saluberrimus). Left leaf of a view of the city Spa with the road to the medicinal source (La Fonteyne Sauvenier) designated with the letter B. Bottom left in the bet a woman at the saving source shells water to the people, behind a wooden fence Are waiting. At the bottom of the margin two two-year verses in Latin.Antwerp, Galle, Theodoor, Philips, Borcht, Pieter van der (I), Small landscapes, View of a village, recto lower left - engraved, View of a village consisting of several farms. In the foreground left herders with a flock. On the right in the foreground a pool., print, prints, verso - stamped, height 148 mm, width 204 mm, South Netherlandish, 1545 - 1608, print maker, printmaker, 1601 - 1601, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher, uitgever, Publicatie, 1571 - 1633Bril, Paul, Nieulandt, Willem van (II), Italian landscape with Tobias and the angel, verso - stamped, In an Italian landscape with overgrown ruins, Tobias and the angel are on their way. Tobias' dog walks in front of them. Various figures and shepherds with their sheep. On the other side of a river lies a city., print, prints, height 238 mm, width 318 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07Entrance to the Faubourg, Saint-Marceau, Paris, 1850. Charles Meryon (French, 1821-1868). Etching;Juli; Iulius; De twaalf maanden.A landscape with resting and eating farmers during haying, representing the month of July. Left and top right the symbols belonging to this month of the constellation lion. Seventh print from a series of twelve.Landscape with figures and pack mules on a road near ruins. On the left a watermill. Eleventh print from part four of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Landscape with ruins and a watermill Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mmSiege of Hagestein by Graaf Willem VI, 1406. Capture of Slot Hagestein by Graaf Willem VI, 1406. The bellers carry the ice from the Frozen Slott Ladders to the walls.Jean François Millet, known as Francisque, created a red chalk drawing of a southern landscape featuring a fountain and an aqueduct.The Fontana dell'Aqua Giulia (Vedute dell avanzo del Castello del'Aqua Giulia) ca. 1753 Giovanni Battista Piranesi Italian. The Fontana dell'Aqua Giulia (Vedute dell avanzo del Castello del'Aqua Giulia) 364593Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Marine. Second number of a suite of 13 pieces (A. de Vesme 105. Dutuit 85) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.Landscape Halfway through Overveen, Anonymous, After Jan Vincentz. van der Vinne, 1690 print Farm located along a path. On the right five figures and two dogs. A covered wagon in the background. Amsterdam paper etching landscapes (+ landscape with figures, staffage). outskirts of village (+ city(-scape) with figures, staffage). covered wagon, hooded wagon Overveen. HaarlemAllegory on the province of Holland, Jan Caspar Philips, 1746 print View of people at work in the countryside of the province of Holland. In the foreground two putti with maps of areas around Delft and the Rhine. They flank the weapon of The Hague. On the right cheeses, cods and tons with herring. In the margin a four -line caption in Dutch. paper engraving / etching landscapes. coat of arms (as symbol of the state, etc.). maps, atlases Holland. Delft. RhineFourth face on the ruins of the palatine; Roman ruins, 1561. Fourth face on the ruins of the palatine in Rome. Two men play with their dogs between the ruins.Entrance to the Suburb of Saint-Marceau, Paris 1850 France. Etching, drypoint, engraving and roulette on ivory laid paper . Charles MeryonBril, Paul, Nieulandt, Willem van (II), Landscape with a house, figures and cattle, recto lower right - handwritten, An Italian landscape with a house with a tower. In the foreground goats, chickens, donkeys and two men with a hunting horn and hunting dogs. On the left a view of a river., print, prent, prints, verso - stamped, 8, height 244 mm, width 315 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchingsen, engraving, engraving (printing process), brush, Borstel, Work conception, 1554 - 1626-10-07December, Jacob Matham, after Jan Wildens, 1614 print A wide landscape with a lot of activity. Pigs are slaughtered for the winter. Imagination of the month of December. Haarlem paper engraving landscape symbolizing December. December and its 'labours'Hilly landscape at Bois de Gauchy (). Draughtsman: Josua de Grave. Dating: 1667. Measurements: h 95 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.Landscape with the parable of the weeds under the grain, 1613 Landscape with farm. In the foreground the parable of Christ about the devil that sows weeds between the grain, while the arable farmers sleep (Mat. 13:24). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Landscape with farm. In the foreground the parable of Christ about the devil that sows weeds between the grain, while the arable farmers sleep (Mat. 13:24). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etchingCastle on River, Hendrick Hondius (I), 1614 print A castle surrounded with water. On the left comes smoke from a fever one. Four figures on a bridge right. At the top left: CLXXXIIII. At the bottom right in margin a borax bus as a signature from Hondius. paper engraving landscape with tower or castle. castleVenice, Canaletto, Vedute altre prese da i Luoghi altre ideate da Antonio Canal, Views of existing and imaginary places, Landscape with ruins, Landscape with ruins. In the foreground a square column. In the background on the left a pyramid. On the right a monument with an arch and a fountain., print, prent, prints, height 144 mm, width 217 mm, Italian, 1697 - 1768-04-20, print maker, printmaker, 1707 - 1768, paper, papier, etching, etchings, Work conception, after own design byCanaletto, The Equestrian Monument (upper right), c 1735 1746 The Equestrian Monument upper rightPond and a Village, plate fifteen after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones). Claes Jansz. Visscher (Dutch, 1587-1652); after Unknown Flemish Artist, misidentified as Pieter Bruegel, the elder (Flemish, 1525/30-1569). Date: 1612. Dimensions: 100 x 157 mm (image); 103 x 159 mm (plate); 115 x 173 mm (sheet). Etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Claes Jansz. Visscher, II.Gezigt van de Groote Fonteyn in / Het Bosch.Pond and a Village, plate 15 from Regiunculae et Villae Aliquot Ducatus Brabantiae ca. 1610 Claes Jansz. Visscher Dutch. Pond and a Village, plate 15 from Regiunculae et Villae Aliquot Ducatus Brabantiae 415301The Pond. Dated: published 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: the Elder after Lucas van Doetechum after Master of the Small Landscapes Claes Jansz Visscher after Johannes van Doetechum.Veduta di Campagna vincino a Gamberaia. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Michele Marieschi after Giuseppe Zocchi.View of the ruin of house Ter Kleef; T'huijs in Cleef at Haerlem; Castles. Ruin of the house Ter Kleef, in the foreground on the left a shepherd with bucks. On the right two conversing figures. Fourded from a series of six.Nieulandt, Willem van (II), Views of Rome, Castello di St. Angelo, Castel Sant'Angelo, verso - drawn in pencil, Castel Sant'Angelo on the Tiber in Rome, with the Ponte Sant'Angelo on the left. In the foreground on the bank three figures are talking to each other., print, prent, prints, prenten, height 228 mm, width 284 mm, Noord-Nederlands, 1584 - 1635, print maker, prentmaker, 1594 - 1635, paper, papier, etching, etsenLandscape 1803-1822 France. Lithograph in black on ivory laid paper . LameauPossible depicted Rome, Landscape with ruin and draftsman, draughtsman: Herman van Swanevelt, (mentioned on object), 1629 - 1641, paper, brush, h 182 mm × w 283 mmLandscape. Dated: 1635 or after. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.View of a source of an unknown river in Greece, Anonymous, After Hendrick van Cleve, 1585 print View of a source of an unknown river in Greece. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving spring, source of river or stream - HH - ideal landscapes GreeceFace on Montfoort, draughtsman: Abraham Rademaker, 1685 - 1735, paper, pen, brush, h 89 mm × w 160 mmFish Market. Dated: 1767. Medium: transfer technique and roulette. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel after Jan van Goyen.View of the Vecht at the Buitenplaats Boom and Bosch in Breukelen, Daniël Stendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 30. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house. sailing-ship, sailing-boat Vecht. FractureLa Promenade sur L'Eau (The Walk by the Water), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) ca. 1618 Jacques Callot French. La Promenade sur L'Eau (The Walk by the Water), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes). Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 ParJune, Anonymous, After Jan van de Velde (II), 1684 - 1729 print Landscape with shepherds with their cattle on a field near a village near a wooden bridge; Ouderkerk aan de Amstel to Abcoude, representing the month of June. At the top of the constellation belonging to this month: lobster. Sixth print from a series of twelve. Germany paper etching June and its 'labours'. landscape symbolizing June. Cancer (zodiacal sign of June). herd, flock Ouderkerk aan de Amstel. AbcoudeDeukalion and Pyrrha, Johannes or Lucas van Doetechum, After Gerard van Groeningen, 1601 - 1652 print Deucalion and Pyrrha are in the water of a large flood that destroyed the earth. In the middle they kneel down for an oracle in a temple. They are advised by the oracle to throw stones behind them. They do that in the foreground. The stones change to children. Under the show the text from the Metamorphoses of Ovidius, Book 1, Versrules 411-414. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper etching Deucalion's flood; Jupiter sends a great flood to destroy mankind; Deucalion and Pyrrha afloat. Deucalion and Pyrrha pray, usually at the shrine of Gaea-Themis. stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)Market scene by a canal in Haarlem, Jan van de Velde (II), 1603 - 1641, draughtsman: Jan van de Velde (II), 1603 - 1641, paper, pen, brush, h 205 mm × w 310 mmDella Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), new views and perspectives. Title. Second issue of a sequel to 8 rooms. (A. de Vesme XIX; Dutuit 111) (Main title), 1645. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.Six men with scoops for a castle, Jacques-Philippe Le Bas, after David Teniers (II), 1740 print Paris paper etching castleFace on veere, with the proverb: one blind leads the other; Landscapes with biblical scenes. View of the city wall of Veere above which the Grote Kerk towers. On the left the city gate. In the foreground the proverb: one blind leads the other: two blind men run in succession. The front runs the water from the canal, the other follows. On the right a shepherd with some sheep.The barrels disembarked (Bartsch 20) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The barrels disembarked (Bartsch 20). Water-strong on paper, 1645-1675.Anonymous chalk drawing from 1784 depicts a river landscape viewed from ruins, including monastery ruins and sculptural elements on the border wall.View of Sneek, Jacob Folkema, 1702 - 1725 print View of the city of Sneek above which a banderole with the name and weapon of the city is adorned. The margin contains two lines of text in Dutch, completely marked in the right: 4. The print is part of a series of prints with cityscapes on various cities in Friesland. paper etching city-view, and landscape with man-made constructions SneekIgnacio Iriarte (Attributed to) / 'Landscape'. XVII century. Grey-brown wash, Pencil, Pencil ground, Grey-brown ink on yellow laid paper. Museum: Museo del Prado, Madrid, España.View of Leersum. Draughtsman: Jan de Beijer. Dating: 14-Jul-1750. Measurements: h 132 mm × w 248 mm. Museum: Rijksmuseum, Amsterdam.Nel Colosseo, 1792, Collection ou Suite de Vues Pittoresques de l'Italie (plate 2), etching on laid paper, plate: 27.4 x 37.2 cm (10 13/16 x 14 5/8 in.), sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.), Feuchtmayr 1975, Vol. A, no. 55, State iii/iii, Johann Christian Reinhart (artist) German, 1761 - 1847Veue de Prieure et Village de Croissy. Dated: 1650. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Israël Silvestre.Zeelst. Draughtsman: Josua de Grave. Dating: 5-Nov-1674. Measurements: h 92 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.The VillaMedici. Artist: Francesco Piranesi, Italian, 1756-1810Landscape with mill aan Water, Albertus Brondgeest, 1796 - 1849 print Netherlands paper etching / brush windmill in landscape. windmillDella Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), landscapes and ruins of Rome. The sleeping pastre. Twelfth number of a suite of 13 pieces. (A. de Vesme 830; Dutuit 127) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.Title page to "Amoenissimi Aliquot Locorum in divertis Provincys" Wenceslaus Hollar Bohemian 1643-44 Hollar was one of the most important printmakers of the seventeenth century. His technical virtuosity and his ability to render things, places, and people with astonishing detail and truthfulness has been highly regarded since his lifetime. He was so prolific and versatile that it has been noted that all we known of the 17th century is known through the work of Hollar.This landscape is the title page to a series that Hollar created once he had moved to London. It is partly based on landscape drawings he had made earlier along the Rhine. To those works, a group of landscapes around London were added. View more. Title page to "Amoenissimi Aliquot Locorum in divertis Provincys". Amoenissimi Aliquot Locorum in divertis Provincys. Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). 1643-44. Etching, first state of three. PrintsVillage face, anonymous, c. 1700 - c. 1800 drawing paper. ink. pencil pen / brushSouthern river landscape with ruin and fairground customers. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 295 mm × w 480 mm. Museum: Rijksmuseum, Amsterdam.Two horsemen on a path along a river near a castle. On the water a boat with an elegant company. Seventh print of a series of 36 prints of landscapes, divided into six parts, Figures near a castle in a river landscape Playsante lanscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mmPetersburgs Gesigt van 't Groote cabinet, stande / op' t Bergje Alwaer Syne en Haere Keyserlyke Czaer = / Sche Majesteiten Veel Vermaeck Bebben Gevonden. // Veuë de Petersbourg, of the large cabinet which is / on the small mountain, where their imperial majesties / Czariennes found a lot of pleasure.Ad Metellae Echo, Print made by unknown artist, Published by Antonio Lafreri, 1512-1577, French, 1549, Line engraving and etching on medium, slightly textured, cream laid paperThe Little Monument, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 112 x 83 mm (image); 120 x 86 mm (plate); 432 x 587 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.View of the Zuidmolenstraat, Bergen op Zoom, Valentijn Klotz, 1671, draughtsman: Valentijn Klotz, draughtsman: Josua de Grave, (rejected attribution), draughtsman: Constantijn Huygens (II), (rejected attribution), Bergen op Zoom, 23-Oct-1671, paper, pen, brush, h 200 mm × w 268 mmLandscape. Dated: in or after 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.Roosendaal. Roosendael (title on object). Draughtsman: Constantijn Huygens (II). Dating: 12-Apr-1676. Measurements: h 106 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.A Woman Spinning and a Fisherman. Artist: Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616-1677 Haarlem). Dimensions: 11.5 x 12.1 cm. Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.Winter landscape with flask players on the ice: January, Jan van de Velde (II), 1630 - 1690 print Winter landscape with flask players on the ice, representing the month of January. At the bottom of the astrological symbol for the zodiac sign Waterman. Print from a series of twelve. Amsterdam paper etching landscape symbolizing January. Aquarius (zodiacal sign of January). skates (winter sports). 'kolf' on the iceVIEW OF BONHOMMES Israel Silvestre and Israel Henriet. "VIEW OF BONHOMMES". Floor, 1650-1655.Saint Quintins Castle near Cowbridge in Glamorgan Shire, 1775, Paul Sandby, British, 1731 - 1809, 9 3/8 x 12 1/4 in. (23.81 x 31.12 cm) (plate)10 5/8 x 13 7/8 in. (26.99 x 35.24 cm) (sheet), Etching and aquatint, England, 18th century, Paul Sandbys print could easily be confused for a drawing. The artist, one of the first to use the term 'aquatint,' published his first series of aquatint etchings in 1775. They are based on a series of landscape watercolors Sandby did in Wales, with the aquatint imitating the artists celebrated subtle wash transitions. Here he even mimics the watercolor mounts used for old master drawings, adding a tinted aquatint frame around the image.Face on Kelagh (formosa), 1664; Kellagh. View of the Dutch branch Kelangh (Chi-Lung on Formosa), September 1664. In connection with the expeditions of the VOC from 1662-1665 led by Balthasar Bort against the Chinese warlord Coxinga. In the caption the legend A-B. Signature at the top right: 110.Two identical landscapes one above the other with houses on the left and right, in the center a figure walks across the road. The upper landscape concerns a print yet to be worked out, the lower landscape is finished. Printed from two plates, the lower print is numbered 6 in the upper left, Two landscapes, print maker: Christian Friedrich Fritzsch, 1729 - 1774, paper, etching, h 99 mm × w 140 mm, h 101 mm × w 143 mmVáclav Hollar (1607-1677). "Views of Germany. Wesel". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 112277-17 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engravingAutumn, ca. 1625, 1620 - 1629 print The autumn season. In the foreground an elegant pair, right and left harvesting by farmers at the house ter Meer in Maarssen. With caption of 4 lines in Latin. Northern Netherlands paper etching autumn ~ human activities (the four seasons of the year) House Ter MeerHunting: nets and hides for catching ground birds. Engraving, c.1762, by B.-L. Prevost.Boat on a River near a Town after a painting in the cabinet of the Duc de Choiseul Anonymous, French, 18th century French. Boat on a River near a Town after a painting in the cabinet of the Duc de Choiseul 415846Face of the Kleyne hates the Hertogenbosch; The Kleijne hates the hertogens Bosch. .Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Penningeby, View of Penningby Castle, The print is part of an album., print, album sheet, prints, height 226 mm, width 350 mm, 1655 - 1727-05-18, print maker, printmaker, 1709 - 1709, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervisionInn Het Molentje aan de Amstel, Johannes Leupenius, 1666 - 1693 print View of the inn the mill on the Amstel. In the foreground, a figure is drawn on the bank. The print is part of a six -part series with performances from aan de Vecht and Amstel located castles and inns. Amsterdam paper etching hotel, hostelry, inn. river Inn Het Moolentje. Amstel (river)Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), La Mothe en Lorraine (Dutuit manuscript, Italian school, page 100. N ° 240) (main title ). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.Euphrosyne of Alexandria, 1 of 24 prints from the series Solitudo Sive Vitae Foeminarum Anachoritarum (Female Hermits inLandscapes). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603Print at the top right numbered: 70.Print made by unknown artist, sixteenth century, Ad Metellae Echo, 1549. Line engraving on medium, slightly textured, cream laid paper.Haarlem, Barbiers, Pieter Bartholomeusz., Landscape with ruins and figures, verso - stamped, In the foreground on the left a woman is sitting on the ground. Next to her is a man who raises his arm in the air. He is leaning on a spade. Next to him is a dog. A third figure walks through the ruins. In the air are some birds., print, prent, prints, prenten, height 180 mm, width 235 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, prentmaker, 1809 - 1837, paper, papier, lithografie (techniek)Castello Bomarzo. Draughtsman: Bartholomeus Breenbergh. Dating: 1625. Measurements: h 235 mm × w 248 mm. Museum: Rijksmuseum, Amsterdam.Waterfall between columnar basalt rocks at Regla, between Mineral de Monte and the thermal waters of Tontileo, northeast of Mexico City. Roches basaltique et Cascade de Regla, au nord-est de Mexico. Copperplate engraving by Milanese painter Gaetano Riboldi after a sketch by Alexander Humboldt rom Scipion Breislaks Traite sur la Structure Exterieure du Globe, Treatise on the Exterior Structure of the Globe, Jean-Pierre Giegler, Milan, 1822.The separation between Holland and 't Sticht. Draughtsman: Cornelis Pronk. Dating: 1729. Measurements: h 146 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.Birds catching, Jan Luyken, Anonymous, 1711Lebey de Batilly, Denis, Frankfurt am Main, Bry, Theodor de, Boissard, Jean Jacques, Denis Lebey de Batilly, Emblemata, 1596, Group of walkers in a park outside the city walls, verso - stamped, View of a city in the mountains. In front of the city walls, groups of people are walking in a park., print, book illustration, emblem, prints, height 75 mm, width 85 mm, South Netherlands, 1528 - 1598-03-27, print maker, printmaker, 1596 - 1596, fourth quarter 16th century, paper, engraving, engraving (printing process), 1528 - 1598, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, writer