Serene Landscapes in Print

Eighteenth-century prints featuring tranquil rural landscapes. Scenes depict trees, rivers, and human figures harmoniously interacting with nature in detailed engravings.

Amsterdam, Safft, Johan Christiaan Willem, Forest path with a rider and a walker, verso - stamped, View of a landscape with a road leading past a house. On the road a rider and a walker., print, prent, prints, prenten, height 95 mm, width 125 mm, Dutch, 1778-10-04 - 1849-10-29, print maker, prentmaker, 1788 - 1849, paper, papier, etching, etsen

Simson and Delila; Robur Ubi Simson Meretrici Prodit Avarae, Hostibus, Effosso Lumine, Praeda Fuit; Spacious bible. Simson is sleeping on Delila's lap while cutting his hair. Armed filkeins appear behind the tree to capture Simson. The story is situated in a forest landscape. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in RI. 16:19.

Attributed to Pieter Cornelisz Kunst, Landscape with the Baptism of Christ, c 1530 Landscape with the Baptism of Christ

Two riders go against the wind, Stefano della Bella, 1620 - 1664 print A landscape with two horsemen on horseback on a forest path that has strong wind. The clothing of the figures and the branches of the trees flutter in the wind. France paper etching storm. winds. riding a horse, ass, or mule; rider, horseman Rome

Landscape with a Fallen Tree 1764 Hubert Robert Hubert Robert forged a successful career depicting landscapes, architecture and antiquities. He made etchings only during a brief period in his youth in Rome, encouraged by friendships with local collectors, some of whom were amateur printmakers themselves. This image is inspired by a painting by Italian baroque artist Salvator Rosa, then in the collection of Roberts patron, Jacques-Laure le Tonnelier, the Bailli de Breteuil (1722-1785), ambassador of the Order of Malta to the Holy See.. Landscape with a Fallen Tree. Hubert Robert (French, Paris 1733-1808 Paris). 1764. Etching. Prints

Rock landscape with two figures resting on a stone, Christian Wilhelm Ernst Dietrich, 1774 paper etching rock-formations (+ landscape with figures, staffage). resting - BB - out of doors. index finger forwards, pointing, indicating. landscapes in the temperate zone - HH - ideal landscapes

Carl Wilhelm Kolbe, Landscape with Nudes Boarding a Boat, 1799 Landscape with Nudes Boarding a Boat

Expirated house at a tree, Adolf Lavaerts, c. 1800 - 1862 print paper etching farm or solitary house in landscape. neglected dwelling

Landscape with shepherd in Octagonal Framework, Anonymous, After Paul Bril, 1582 - 1700 print Landscape with shepherd in octagonal framework, copy to print of Paul Bril with landscape Spiegelverd. paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. (high) hill

Fruit trees and herbs on Java, 1596, 1646 print Fruit trees and herbs on Java, 1596. Tamarind (Assa), Derian and black pepper. Printing the worked plates for the original illustrations in the travelogue of the first Schipvaert from Cornelis de Houtman to the East Indies in 1595-1597. No. 35. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. plants; vegetation Java

. A hilly landscape with in the foreground travelers, including a lady on a horse, at a source.

The Battle of Qos-qulaq. Artist: after Giuseppe Castiglione (Italian, Milan 1688-1766 Beijing); (direxit) Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Benoit Louis Prevost (French, 1747-ca. 1804). Dimensions: Sheet: 25 11/16 × 39 5/8 in. (65.2 × 100.7 cm)Plate: 22 5/8 × 36 1/8 in. (57.5 × 91.8 cm). Series/Portfolio: The Conquests of the Emperor of China(Les Conquêtes de l'Empereur de la Chine). Date: 1774.This print shows the 1759 battle of Qos-qulaq during which the Khoja were defeated. Qing officers on horseback instruct their cavalry and archers on horseback chase enemy horsemen.Part of a set of sixteen, "The Battle of Qos-qulaq" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in

Landscape with a ruin, Nicolas Perelle, after Willem van Nieulandt (II), After Paul Bril, 1673 - 1695 print Paris paper etching landscape with ruins. rock-formations. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. lake

Le Porcher (Bartsch 8) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. Porcher (Bartsch 8). Water-strong on paper, 1645-1675.

View of the countryside with young shepherdess and animals, and behind them a small temple with the statue of goddess Diana, Herculaneum, Campania, Italy, engraving by Giuseppe Aloja from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 53, 1757-1787, Naples.

Landscape with ruin and various buildings in the background, Jean Baptiste Brébes, 1675 - 1683 print Paris paper etching landscape with ruins. landscapes (+ landscape with figures, staffage). mountains

Death of Petrus de Martelaar, Martino Rota, After Titian, 1530 - 1583 print Saint Peter de Martelaar, also known as the Holy Peter of Verona, is killed by two Cathars on his way to Milan in a landscape. Two putti with a palm branch float above. print maker: Italyafter design by: Italypublisher: Venice paper engraving martyrdom, suffering, misfortune, death of St. Peter Martyr

Figures on a path at Schemering, Gillis van Scheyndel (I), 1640 - 1653 print A rolling landscape in the twilight. In the foreground a rider and a running man. In the background two figures with a knapsack over the shoulder. The print is part of a series of seven landscapes. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving dusk, evening twilight. road, path. riding a horse, ass, or mule; rider, horseman

No. 92. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Paris, Langlois, François, Nancy, Callot, Jacques, Life of Mary in emblems, Hind in a forest, verso lower left - stamped, Representation of a hind in a wooded area. This sheet is part of the emblem series 'Life of Mary in emblems'. The first state of this series contains, besides a title page and 26 emblems, three sheets with hymns to Mary in letterpress without an illustration., print, emblem, prints, height 62 mm, width 81 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1625 - 1629, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, 1646 - 1646

Mercurius en Argus, Hieronymus Cock, after Matthys Cock, c. 1551 - before 1558 print Landscape with castle. Argus rests on a stone while his cows graze in the neighborhood. Mercury plays on his shepherd's flute, the music Sust the Herder Argus asleep. Later, Mercury Argus Vermorden would free the beloved of Jupiter, IO, to free. Print from a series of 13 landscapes with biblical and mythological scenes. Antwerp paper etching Mercury lulls Argus into sleep by making music

Landscape with Small Group of Buildings, second half 1700s. Imitator of Guercino (Italian, 1591-1666). Pen and brown ink; sheet: 30 x 20.1 cm (11 13/16 x 7 15/16 in.); secondary support: 32 x 21.9 cm (12 5/8 x 8 5/8 in.).

Rotary landscape with waterfall and bathing figures.Numbered at the bottom Right: 1.

Title print with antiquity fragments, Stefano della Bella, 1620 - 1664 print A landscape with fragments of monuments from antiquity in the foreground. On the left an empty coat of arms of a cardinal. On a large marble block on the left a text. In the background on the right a ruin. France paper etching ruin of a building ~ architecture Rome

An Extensive Estuary Landscape with the Story of Mercury and Herse; Tobias Verhaecht (Flemish, 1561 - 1631); about 1610; Pen and brown ink and brush and brown and blue wash; 24.3 x 35.3 cm (9 9,16 x 13 7,8 in.)

David Vinckboons brown, blue, and gray ink drawing depicting a landscape scene with a rabbit hunt around 1601-1602, showing hunters, dogs, and terrain.

Battista Franco, after Titian, Landscape with a Man Leading a Horse Landscape with a Man Leading a Horse

Fire; Ignis; The four elements. Allegory on the fire element: landscape with castle on a hill and front right a company around a fire.

Haarlem, Numan, Hendrik, Figures at work on a farm, verso lower left - stamped, print, prints, height 103 mm, width 137 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, woodcut

View of Isola Tiberina 1626-1680 Italy. Pen and brown ink on buff laid paper . Giovanni Francesco Grimaldi

Landscape 17th century Attributed to Aureliano Milani Italian. Landscape 340085

Design for a print, Raven who wants to imitate the eagle Design for illustrations for an edition of Jean de la Fontaine's Fabelen (series title), draughtsman: anonymous, 1668 - 1740, paper, pen, brush, h 67 mm × w 80 mm

December; The twelve months. Round table with a winter landscape with winter scenes. December is the slaughtermand. Central is the slaughter of pigs, after which the animals are smoked and pickled. In the background, the cattle is brought to the slaughter. Empty the zodiac. Capricorn. The print is part of a twelve-part series over the twelve months.

Landscape with Christ who drives out a demon with a man who could not speak, Jan van Londerseel, after David Vinckboons, 1601 - 1702 print Forest -rich landscape with a city built against the hills in the distance. In the foreground a swamp area in which Christ right under the watchful eye of bystanders is expanding a demon with a man who could not speak. On the other side of the swamp, a farmer and farmer with child watch the miracle from a distance. Under the show the title in Latin and a reference to the Bible text in Luc. 11:14 and Mat. 9:32. In Statenvering Matthew 9:32 it is described as follows: If they now went out, they see, as they brought to him a person who was stupid and of the devil. And if the devil was ejected, the stupid spoke. " The new Bible translation 21 says: As they left the house again, someone brought him to him who was possessed and could not speak. After the demon was pushed out, the stupid began to speak. Amsterdam paper engraving healing of a possessed man

Landscape with Actaeon and Diana and her companions, draughtsman: Cigoli, 1569 - 1613, paper, pen, h 94 mm × w 143 mm

The boat of the fisherman (Bartsch 13) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The boat of the fisherman (Bartsch 13). Water-strong on paper, 1645-1675.

Elia fed by the Raven, Pieter Nolpe, after Pieter Symonsz Potter, 1623 - 1653 print Elijah is sitting under a tree on a river, where the ravens bring him bread and meat. There is a big book next to him. To the Bible text in 1 Kon. 17: 6. At the bottom of the margin two two -line texts in Dutch. Amsterdam paper etching / engraving Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Walkers in a hilly landscape and shepherd boy, Gillis van Scheyndel (I), 1605 - 1653 print Two performances on a leaf. Upstairs: A few walkers walk on a path in a hilly landscape with rocks. A ruin in the background. Below: A young shepherd's whistle is playing with a tree. There are two of his goats in front of him. A hilly landscape in the background. The prints are part of a series of twelve landscapes. Netherlands paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. goat. flute, aulos, tibia. 'en route', traveller under way. landscape with ruins

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Pen and brush study by Maximilian Johann Georg von Dillis showing an idealized landscape with a lock and round temple on a hill, executed in brown pen, gray brush, and wash over pencil, circa 1807.

. Praying bear in landscape with ruins with a cloud sky with light beams at the top. Eighth print in series of twelve.

Northern Landscape Fantasy Evoking Tivoli. Dated: c. 1664. Dimensions: overall: 18 x 27.3 cm (7 1/16 x 10 3/4 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolaes Pietersz Berchem.

Rider and walkers on a road at Lisse, Esaias van de Velde, 1710 - 1747 print print maker: Haarlemafter own design by: Haarlempublisher: Amsterdam paper etching / engraving prospect of village, silhouette of village Smooth

Sitting figure under a tree at a fence ..

Alpire an arianthus (Huttinian 125) Anthonie Waterloo (1609-1690). Alphea and Arethuse (Hollstein 125). Floor, mid-17th century.

Sligo conquered by King James, 1690; Slego taken by King James; England's spectres imagending the main events in Yrland from the year 1690 to the Velttogt van S: K: K: Mayesteit of Great Britain 1691. The Irish city of Sligo conquered by the troops of the distanced King Jacobus II, 1690. Plate no. 3 in the Series 'England's spectre,' about the war between Willem III and Jacobus II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French.

Landscape with mountains and a lake, figures in the foreground. Artist: Jan van der Meer the Younger (Dutch, Haarlem 1656-1705 Haarlem). Dimensions: sheet: 6 1/8 x 9 7/8 in. (15.6 x 25.1 cm). Date: 1687. Museum: Metropolitan Museum of Art, New York, USA.

Poverty hinders the progress of ingenious spirits, Pieter van der Borcht (I), after Andrea Alciato, 1545 - 1608 print In the foreground a young man whose left hand and foot wings are attached. He tries to fly, but a stone attached to his right arm with a rope hinders this. In the background a vast mountainous landscape. Antwerp (possibly) paper etching / engraving monsters of mixed human and animal shape; 'Mostri' (Ripa) (+ legs, wings, etc.). rocks. proverbs, sayings, etc.

Man with rake in a barn, Carel Lodewijk Hansen, c. 1780 - 1840.

The Cave, from the set The Flight intoEgypt. Artist: Herman van Swanevelt, Dutch, ca. 1600-1655

Jacques Callot, French (1592-1635), Bunch of Grapes, etching

In the year and 1775 and 1776. Water shortage in the years 1775 and 1776.

Joseph Anton Koch, Tivoli and the Waterfalls with Shepherd Families, 1821 Tivoli and the Waterfalls with Shepherd Families

View of the Inn Kleingaarden, Hans Collaert (I), After Hans Bol, After Jacob Grimmer, 1530 - 1580 print View of the Inn Kleingaarden in the municipality of Sint-Pietersleeuw, near Brussels. Drunk and eaten around the inn. The print is part of a series with faces from the Brussels area. Antwerp paper engraving inn, coffee-house, public house, etc. Saint Peters Lion

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Two riders going against the wind, verso - stamped, A landscape with two riders on horseback on a forest path who have a strong headwind. The clothes of the figures and the branches of the trees flutter in the wind., print, prints, height 130 mm, width 133 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

The Genesis creation narrative is the creation myth of both Judaism and Christianity. The Third Day of Creation: The plants are created. From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Landscape with a village and a flute-playing man, print maker: Lucas van Uden, Frans van den Wijngaerde, 1605 - 1673.

View of the Klein Bijgaarden inn in Sint-Pietersleeuw, near Brussels. People are drinking and eating around the inn. The print is part of a series with views of the surroundings of Brussels, View of the Klein Bijgaarden inn Cleijnen Bijgaerden Views of the surroundings of Brussels (series title), print maker: Hans Collaert (I), Hans Bol, Jacob Grimmer, (attributed to), Antwerp, 1530 - 1580, paper, engraving, h 138 mm × w 199 mm

Rider at farm, Anthonie van den Bos, 1778 - 1838 print paper etching farm or solitary house in landscape

Landscape with shepherd at antique sarcophagus ..

Near a rocky road, three travelers are talking to each other. In the field behind the road, two shepherds are grazing their cattle. In the background can be seen the church tower of a village., Landscape with travelers and two shepherds, print maker: Jan Lauwryn Krafft (I), (mentioned on object), David Teniers, (mentioned on object), Southern Netherlands, 1704 - 1765, paper, etching, h 147 mm × w 116 mm

Italy, Daman, Venice, Titian, Grimaldi, Giovanni Francesco, Landscape with Three Men, verso - stamped, Landscape with Three Men at the Edge of a Lake., print, prints, height 326 mm, width 456 mm, Italian, 1606 - 1680-11-28, print maker, printmaker, 1616 - 1680, paper, papier, etching, etchings, Work conception, 1488 - 1576-08-27, inspirator, Publication (Event), Publication, publisher, uitgever

In this state the landscape near Lisse, in addition to changes in the clouds, also has an inscription: by Lis. The name of the previous publisher, Berendrecht, has been removed with horizontal lines, Horseman and ramblers on a road near Lisse Landscapes (series title), print maker: Esaias van de Velde, (mentioned on object), Esaias van de Velde, publisher: Hendrick Hondius (I), Haarlem, 1615 - 1616, paper, etching, engraving, h 88 mm × w 173 mm

Hero en Leander, Hieronymus Cock, after Matthys Cock, c. 1551 - before 1558 print Water landscape with thunderstorms. Leander swims through the thunderstorm towards his beloved Hero who sits on an island. Left front can be seen how Leander takes off his clothes. Print from a series of 13 landscapes with biblical and mythological scenes. Antwerp paper etching (story of) Hero and Leander - suffering, misfortune

Wildens, Jan, Haarlem, Matham, Jacob, The twelve months, December, verso lower left - stamped, A wide landscape with much activity. Pigs are slaughtered for the winter. Depiction of the month December., print, prints, height 286 mm, width 432 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1614 - 1614, paper, papier, engraving, engraving (printing process), Southern Netherlands, 1585 - 1653-10-16, intermediary draughtsman

Flight to Egypt, Gabriel Perelle, 1673 - 1695 print publisher: ParisFrance paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. landscapes

John of Gouverneto.

Landscape with a Hare Hunt, 1601-1602. Date/Period: From 1601 until 1602. Pen and brown ink, blue, gray and brown wash, traced for transfer. Author: DAVID VINCKBOONS.

Judas and Thamar, from Landscapes with Biblical and MythologicalScenes. Artist: Hieronymus Cock, Flemish, ca. 1510-1570

Landscape with Philemon and Baucis, from Large Landscapes 1644-1659 Netherlands. Toward the end of his life, Peter Paul Rubens realized a series of six large landscape prints, all but one engraved by Schelte Adamsz. Bolswert. The genre of landscape painting had become especially important to Rubens in his final decade, when he purchased a country estate and retired from city and court life. Though artists more typically represent Philemon and Baucis, the modest and elderly couple from Ovidís Metamorphosis, when they receive Jupiter and Mercury as dinner guests, here we see the destructive forces of nature at Jupiterís command with the gods and their humble hosts ascending to a mountain top at the viewerís left.. Engraving in black on cream laid paper . Schelte Adamsz. Bolswert

. January is the ice cream. Left in the foreground is cutting and gathered and transported on cars. Right skaters on a canal. At the top right in the air the zodiac sign Aquarius. The print has a Latin caption.

Callot, Jacques, Nancy, Monastic life in emblems, Nightingale on a bush, verso lower left - stamped, Representation of a bird sitting on a bush in a deserted landscape. This sheet is part of the emblem series 'Monastic life in emblems'. The second state of this series contains, in addition to an illustrated title page and 26 emblems, a title page and a sheet with a dedication, both in letterpress without an image., print, emblem, prints, height 61 mm, width 83 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1621 - 1635, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Landscape with a wooden shed, Claes Jansz. Visscher (II), After Abraham Bloemaert, After Boëtius Adamsz. Bolswert, 1620 print View of a dune landscape with a wooden shed. A shepherd is resting in front of the barn, his cattle stands for him. A few sailing ships in the background. Amsterdam paper etching barn. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. farm or solitary house in landscape. dune coast

A dark brown ink drawing by Johann Christoph Dietzsch depicting a hilly landscape with a small castle and hikers, emphasizing terrain, architecture, and human figures.

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, Fuga Deiparae in Aegyptum (The Flight into Egypt), c 1555 1557 Fuga Deiparae in Aegyptum (The Flight into Egypt)

A Farmer and a Sheep Crossing a Rustic Bridge. Dimensions: overall: 27.3 x 23.6 cm (10 3/4 x 9 5/16 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-BAPTISTE LE PRINCE.

Oven with shovel. A sight on a semicircular oven in a forestish landscape. There is a large wooden shovel against the side of the oven. The door of the oven is carricated with a long branch.

. Landscape with a river. In the air Daedalus and Icarus. Icarus flies too high to the sun. The wax of his wings melts and it falls out of the air. In the foreground a fisherman (left) look at the scene, while a shepherd looks at the sky. The first print of a six-part series of landscapes with mythological scenes.

The Moscow Tavern, c. 1773. Jean Baptiste Le Prince (French, 1734-1781). Pen and brown ink and brush and brown and gray wash on white laid paper; sheet: 19.5 x 24.2 cm (7 11/16 x 9 1/2 in.).

Pyramus en thisbe, Anonymous, after David Vinckboons, 1591 - print Thisbe finds the body of her beloved Pyramus in a fountain. He robbed himself of life because he thought this was killed by a lioness. Thisbe stands by his body and falls into his sword. Left front the lioness under a tree. Under a single -line caption in Latin. Low Countries paper engraving / etching Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Italian landscape with probably the ruins of the cemetery of the legendary Horatii brothers. In the center of the print a road with a caravan. On the right a shepherd with sheep. The print is part of a series depicting various places in the Mediterranean, Landscape with some ruins Sepulcrum trium Horatiorum Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 173 mm × w 246 mm

The Triumph of Bacchus. Artist: Joseph Anton Koch (Austrian, Obergibeln bei Elbigenalp 1768-1839 Rome). Dimensions: sheet: 11 x 7 1/16 in. (28 x 18 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Apollo and Mercury; After Claude Lorrain (French, 1600-1682); Print Maker: Giovanni Volpato (Italian, 1733 - 1803); engraving on paper; Plate: 63.3 × 46.9 cm (24 15/16 × 18 7/16 in.) Paper: 69 × 50.7 cm (27 3/16 × 19 15/16 in.)

Landscape with a Temple above a Lake, 16th century. Monogrammist HI (Italian), and Monogrammist DB (Italian). Engraving; overall: 19.9 x 31.1 cm (7 13/16 x 12 1/4 in.).

Heilige Jerome in the Wildernis, Pietro Testa, c. 1630 - c. 1631 print In a landscape is the saint Hieronymus with a cross and a stone in his hands. On the left a book and an ink jar. On the right the lion and three putti. paper etching St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him. cupids: 'amores', 'amoretti', 'putti'

Saint William of Maleval, hands tied with rope fastened to a tree. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 13 7/16 x 11 5/16 in. (34.2 x 28.8 cm). Date: 1661.St. William was an immoral soldier who later took up a monastic life. He is depicted here doing penitence in a forested valley in a region of Siena known as Maleval. Rosa presents the saint as a solitary penitent figure tensely situated in an uncomfortable pose and quietly contemplating a cross. The loneliness of the figure is augmented by the jagged style in which the forest is rendered, especially through the extreme gradations of shading. The theme of the contemplative penitent is common in works by Rosa as also seen in the Metropolitan's Self-Portrait (21.105) where the artist represents himself as a scholarly penitent. Museum: Metropolitan Museum of Art, New York, USA.

Thistles, copperplate engraving by Johann August Corvinus after Johann Melchior Fuessli by Johannes Jakob Scheuchzer, 1734, Amsterdam

Landscape with the fall of Icarus, Jacob Matham (workshop of), After Hendrick Goltzius, 1603 print In a wide hilly landscape, shepherds watch with their herd of how Icarus flies too close to the sun. His wings melt his wings through the heat. His father Daedalus flies under him. Haarlem paper engraving death i.e. the fall of Icarus (Daedalus present)

Oven with shovel. A sight on a semicircular oven in a forestish landscape. There is a large wooden shovel against the side of the oven. The door of the oven is carricated with a long branch.

Landscape with the H. Hieronymus. Hieronymus, praying for a crucifix in a landscape, booking next to him and a skull. In the background two lions.

Landscape with Seated Couple

Netherlands, Everdingen, Allaert van, Hamlet in mountainous area, Hamlet with man on horse, View of wooden houses on either side of a path with large boulders. In the foreground a man and a woman, a little further on a man on horseback., print, prent, prints, prenten, height 105 mm, width 111 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etchings, drypoint, dry needle

La Vera Perfettione del Disegno di varie sorti di recami, page 25 (verso). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design depicts a mountainous landscape with a few houses spread out amongst it. In the foreground on the right are 5 figures seated at a table conversing while having a meal. Museum: Metropolitan Museum of Art, New York, USA.

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

The Hamlet on the Montainous Ground. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Sheet: 4 1/8 × 4 3/16 in. (10.4 × 10.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Schellenberg, Johann Rudolph, Scientific representation of animals, verso - stamped, Tab X n. 1: Mountain landscape with house, animals and man with owl on perch., print, prints, height 196 mm, width 248 mm, Swiss, 1740-01-04 - 1806-08-06, print maker, printmaker, 1784 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Xantsui, City in China in the 17th century, after the draftsman Johan Nieuhof, historically, digitally restored reproduction of a 19th century template, Record Date Not Stated,

Gezicht op Parijs met drie riviernimfen; Les rivieres d'Oyse et de Marne ayant marié leurs eaux avec cettes de la Seyn (...); Gezichten op Parijs en Rome.The nymphs of the Seine, Marne and Oise rivers sit around the royal weapon of France and Navarre. On the left, Detour de Nesle can be seen and on the right the Louvre. Under the show is a loving, three-letter, French text shown about the importance of the rivers for Paris.

Louis XIV (king of France), Paris, Swanevelt, Herman van, Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita, Oval fantasy landscapes, Two figures at a stone bridge, verso lower left - stamped, In an oval frame two figures walk on a path near a small stone arch bridge. In the distance are hills., print, prints, height 47 mm, width 72 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Sur le devant, un cheval couché, deux chèvres et une vache debout et deux pâtres assis. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

of 4