Sketchbook Studies

A range of pencil sketches including figures and abstract forms, showcasing the raw artistic process and preliminary concepts.

Abklatsch of the pencil drawing on page 19 Verso, c. 1915 - 1934 Leaf 20 Recto from sketchbook XVI with 32 sheets. The Hague paper

Anchor of a ship. Leaf 16 Recto from a sketchbook with 41 pages.

Woman, partly behind a wall or door.woman with earrings. She is Partly Behind A Wall Or. Leaf 26 from a sketchbook with 46 sheets.

Man in a long cloak and top hat and two men's heads. Also studies of a bow tie and stone. Leaf 12 Verso from a sketchbook with 47 sheets.

Cornélie Renan (1833-1894). Drawing book. Ancient scene (14th and 15th pages). Paris, Museum of Romantic Life. Drawing book, drawing

Zittende Joanna Lion Cachet-Cordes.Leaf 7 Recto from a sketchbook with 25 sheets.

Study, possibly a figure with raised arm. Leaf 6 Verso from sketchbook LXV with 27 sheets.

Sketchbook, Preziosi, Amadeo, 1816-1882, pencil, gray wash, white heightening, 1875, The sketchbook by Maltese artist Preziosi comprises drawings of sites and cultural monuments in Paris, Versailles, Saint-Cloud, Fontainebleau, Marseilles, Messina, and London, with views of Trafalgar Square, St. Paul's Cathedral, Hampton Court, Westminster Abbey, and the British Museum.

Figure studies. Leaf 2 Verso from a sketchbook with 60 sheets.

Hans Makart preliminary study of the middle background for 'The F Appal Julia Capulet', executed in pencil on paper around 1869.

Head of a child, 1883 - 1922 Page 8 Recto from a sketchbook with 27 magazines. paper. chalk head (human). child

Hand with sleeve and a hand holding something, Anthony van Dyck (attributed to), 1610 - 1641 drawing A hand with sleeve, half sting in a bag, and a hand slightly persistent. paper. chalk hand

Sketchbook George Henry Hall (American, 1825-1913). Sketchbook, various dates, 1852-1893. Graphite and opaque watercolor on cream, blue, beige, medium thick, slightly textured wove papers, Closed: 11 1/16 x 16 13/16 x 13/16 in. (28.1 x 42.7 x 2.1 cm). George Henry Halls large sketchbook contains highly finished images of locations in Italy and the northeastern United States, with the majority of pages devoted to his Italian travels in 1852. Since Hall is primarily known as a genre and still-life painter, this sketchbook provides a rare glimpse into his experiments with landscape composition. Executed naturalistically in graphite with accents of white watercolor, the drawings follow the picturesque landscape conventions established by the Hudson River School. These conventions include framing a distant panoramic vista with foreground trees or other vertical elements. American Art various dates, 1852-1893

Bliej Kultury unknown

Neckelmann Skjold (1854-1903), Bacchannten (without dat.): Views. Pencil on transparent, 35.9 x 46.7 cm (including scan edges) Neckelmann Skjold (1854-1903): Bacchanten

Pencil drawing by Theodor von Hörmann showing a fisherman patching a net, depicting figure, fishing equipment, and natural surroundings, created in 1872.

Outline Sketch of a Wagon Train, Winslow Homer, American, 1836-1910, Graphite on wove paper, laid down on gray paper, Vertical view showing outline of a wagon train., USA, 1862, figures, Drawing, Drawing

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies of shields and ornamental archway. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Drawing man at a table. Leaf 39 recto, loose leaf in a sketchbook with 33 sheets and 10 loose drawings.

Bacchantal Procession with Bacchus and Ariadne. Two Statues of Muses. Date/Period: 1813. Width: 19.5 cm. Height: 30 cm (Complete). Author: Bertel Thorvaldsen.

Portrait of William Ewart Gladstone, reading in a book. .

Rappresentano in maggiori dimensioni una parte del superior partimento della sopra descritta tavola. Queste cinque tavole e le undici seguenti si possono unire per comporne l'intero soggetto.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Armies , Egypt, Campaigns & battles , Egypt, Chariots, Great Temple (Abû Sunbul, Egypt), Kadesh, Battle of, Kadesh, ca. 1300 B.C., Monuments & memorials , Egypt, Ramses II, King of Egypt

Study of a seatedwoman. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Harbor, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Partial sketch of a ship docked in a harbor with figures in the foreground., USA, 1881, seascapes, Drawing, Drawing

Sailing ships for a coast, 1780 - 1848 In the foreground, a sailboat meets and a rope is laid around a multi -pole. Leaf 43 Verso from a sketchbook with 53 sheets. paper. pencil. watercolor (paint) brush sailing-ship, sailing-boat. coast

Rococo architecture ornaments. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Study, 1896 Page 53 from a sketchbook with 54 sheets. Moskou (possibly) paper. chalk

Stüler August (1800-1865), front sheet for furniture lines from Stüler und Strack (1840-1840): Views, cut. Pressure on paper, 34.7 x 55.1 cm (including scan edges)

Study for the landscape, Moods to Music,” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857-1903, Graphite and ink on wove paper, Sketch of a landscape; Center, sketch of a repeating decorative pattern., USA, 1893-1895, mural designs, Drawing, Drawing

Designs for a bonbon pan of the Van Houten firm, 1890 - 1946 On the right -hand tin you can see a performance of a mill on the water in a circle. Leaf 44 Verso from a sketchbook with 59 sheets. paper. pencil container of metal: bucket, can, canister, drum, tin. windmill in landscape

Abkatsch of the chalk drawing on leaf 58. Leaf 57 Verso from a sketchbook with 79 sheets.

Sketch for a Landscape (verso), 1827. Jean Baptiste Camille Corot (French, 1796-1875). Graphite; sheet: 20.2 x 28.8 cm (7 15/16 x 11 5/16 in.).

Unknown architect, fountain for Wilhelmplatz in Berlin. Monthly competition April 1879 (04.1879): floor plan (half), view; Scale bar. Pencil on paper, 46.9 x 59.3 cm (including scan edges) N.N. : Brunnen für den Wilhelmplatz, Berlin. Monatskonkurrenz April 1879

Victor Hugo (1802-1885). "Victor Hugo notebook - Red Show door project". Between 1856 and 1870. Brown ink. Paris, house of Victor Hugo. Notebook, drawing, French writer, brown ink, project, door, red living room

Sitting man and woman, c. 1840 - c. 1860 Leaf 33 Verso from a sketchbook with 38 sheets. Low Countries paper. pencil sitting figure. table. couch, sofa, settee

Drawing, Allegory of the Four Seasons; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 11 × 16.6 cm (4 5/16 × 6 9/16 in.)

Portrait of Mlle L.B. Marcel Jean; French, 1900-1993. Date: 1938. Dimensions: 107 × 415 mm (plate); 330 × 536 mm (sheet). Etching and aquatint, with plate tone, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Little Johannes en Windekind, after c. 1878 - in or before 1887 drawing paper. pencil

Stier Gustav (1807-1880), silver press pattern for Ehrenburg (1842-1842): Gabel. Pencil on transparent, 30.1 x 23.1 cm (including scan edges) Stier Gustav (1807-1880): Silberpressungsmuster für Ehrenburg

Drawing, Design for a Ceiling; Italy; graphite, brush and watercolor on paper

Untitled lithographs

Study sheet with various boats and seagulls, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 225 mm × w 309 mm

Study of a Standing Male Figure after the Antique. Dated: c. 1895. Dimensions: overall: 23.7 x 15.2 cm (9 5/16 x 6 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

Kneeling figure with a lying man, c. 1905 - c. 1906 The man lies with the head in the lap of the kneeling figure. Page 1 Verso from a sketchbook with 30 sheets. paper. pencil kneeling figure. lying figure

Windows with a view of palm trees, 1922 Page 19 from a sketchbook with 31 sheets. Algeria paper. watercolor (paint). pencil brush window. trees: palm-tree

Scheppig Carl (1803-1885), sarcophagi in the Badia in Florence (1832): Perspective view. Pencil on paper, 14.5 x 20.4 cm (including scan edges) Scheppig Carl (1803-1885): Sarkophage in der Badia, Florenz

Sketchbook 3: Ornament studies, according to B …, Louis XVI.

Untitled 1916 France. Pen and brush and black ink, gray wash, with touches of graphite, on cream wove paper . Vasily Kandinsky

China, Hu, Zhengyen (Ten Bamboos Studio), Letter paper with flower vase, Writing paper, print, China (collection), height 236 mm, width 137 mm, maker, verwerker, 1600 - 1625, paper, papier, colour woodcut, kleurhoutnijder, Publication (Event), Publicatie, 1584 - 1674, publisher

First Design of a Battle Scene, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, undated, Pen and brown ink, over graphite on medium, slightly texturted, cream, wove paper, mounted on, thick, smooth, brown, wove paper, Image: 3 5/8 × 4 13/16 inches (9.2 × 12.2 cm), Sheet: 9 1/16 × 7 7/16 inches (23 × 18.9 cm), and Mount: 14 9/16 × 10 inches (37 × 25.4 cm)

Design for a One-armed Gothic Style Sofa and Chair early 19th century Anonymous, British, 19th century British. Design for a One-armed Gothic Style Sofa and Chair. Anonymous, British, 19th century. early 19th century. Pen and ink, brush and wash

Study, 1819 - 1849 Leaf 30 Verso from a sketchbook with 60 sheets. paper. chalk historical costume

Fragments of prints with worldly and spiritual costumes; Omnium Pene Europae, Asiae, Aphricae Atque Americae Gentium Habitus. Fragments of various prints, including from PRENT 25 to 28.

Jacobsthal Johann Eduard (1839-1902), grotesque ornament (without dat.): Detail. Pencil on transparent on paper, 49 x 32.1 cm (including scan edges) Jacobsthal Johann Eduard (1839-1902): Groteskenornament

Costume Design: Fairbanks Twins, for Ziegfeld Follies of 1920, Charles LeMaire, American, 1897-1985, Brush and watercolor, gold and silver paint, graphite on heavy paper, Vertical rectangle. Woman standing against yellow rectangular background wearing a tall blue and silver turban and short costume, holding the train in her left hand., USA, 1920, theater, Drawing, Drawing

Study sheet with masts and sails, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 120 mm × w 193 mm

Etching by Max Klinger from Tent (Rad. Opus XIV), Part I, titled 'Bergsturz', produced between 1912 and 1915.

Beckmann Carl (1799-1859), Palazzo Barberini, Rome (without dat.): Facade cutout. Pencil watercolored on paper, 21.1 x 11.9 cm (including scan edges)

Three female arm studies, Gustav Klimt -, artist

Diebitsch Carl von (1819-1869), armchair, Cairo. () (Without Dat.): View of three different armchairs with high backrests and without armrests. Pencil on cardboard, 19.5 x 24.4 cm (including scan edges) Diebitsch Carl von (1819-1869): Sessel

Carl Peter Theodor Rothweiler (1821-1881); Andreas Flinch (1813-1872); H.C. Henneberg (1826-1893); Johan Thomas Lundbye (1818-1848); , Six traesnite after J. th. Lundbye. Member Sheet from the Danish Radenerforening, 1840's

Rocky Landscape with Figures Artist's working dates 1635-1675 France. Black chalk counterproof, heightened with white chalk, on blue wove paper, tipped onto cream wood-pulp laminate board . Gaspard Dughet

Sketchbook Folio, Tree Covered Hillside Overlooking Port and Harbor Town; William Trost Richards (American, 1833-1905); USA; graphite on cream wove paper; 15.2 x 9.6 cm (6 x 3 3/4 in.) Sheet: 21.5 x 13.7 cm (8 7/16 x 5 3/8 in.)

Vier Oren, Stefano Della Bella, 1620 - 1664 print print maker: Francepublisher: ParisFranceFrance paper etching ears

Three clowns do a circus act, Anonymous, After Gerardus Josephus Xavery, 1728 print Harlekijn is standing with another nar on the belly of a clown that lies with his feet and head like a bridge on two wooden benches. Amsterdam paper etching / engraving types in 'commedia dell'arte': Harlequin. clown. acrobat ~ circus

Edelfelt, Albert, work, Sketch book, drawing, 11 cm x 20 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Abklatsch of the chalk drawing on page 81. Page 82 from a sketchbook with 51 sheets.

Pencil, colored pencil, and green-black feder drawing by Oskar Laske depicting Hell fall in 1950, emphasizing figures, composition, and dramatic landscape.

Design for a chair, Carel Adolph Lion Cachet, 1874 - 1945 drawing tracing paper brush chair

Drawing, Design for Library Table with Carved Cushion Feet and Vase of Flowers, etc. Atop; Designed by A.N. Davenport Co.; pen and black ink, graphite on thin cream paper

Test sheet with 'Penaquatint', Anthonie van den Bos, 1778 - 1838 print paper

Sketch sheet with saddle of Mammeluk and parts, Denis Auguste Marie Raffet, 1854 drawing paper. pencil saddle. Asiatic races and peoples: Turks. slavery; serfs and the enslaved

Fragments of prints with secular and spiritual traditional costumes, Abraham de Bruyn, 1581 - 1596 print Fragments of various prints, including from prints 25 to 28. Cologne paper engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes)

Tak-i Bostan. Détails des ornements de la façade.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Open closet with things, George Hendrik Breitner, 1874 - 1876 drawing The cupboard has Bolpoten. One door has been removed from the hinges. Two images on the cupboard. Rotterdam paper. pencil cupboard

Pencil sketches by Ferdinand Georg Waldmüller of multiple figures and compositional arrangements.

Järnefelt, Eero, work, Sketch book, ca. 1910, pencil and watercolor, drawing, 29 cm x 37.5 cm, Järnefelt, Eero, approx. 1910, pencil and watercolor, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Cabriolet Sleigh #23456 1901 Brewster & Co. Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbil

A medium-strong graphite sketch by Francesco Borromini from 1653-1657 showing pillars and sculptural elements at Sant'Agnese in Agone, Rome.

Cartoon on an argument of old Indian students against colonial politics, 1865; The New Year's Eve address of thirteen / the flyer of former-for-by-house residues does not go up. Cartoon on an argument of thirteen reactionary old Indian students against colonial politics. A kite on which a sugar loaf and a coffee grinder entangled in the fencing. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 2, January 14, 1865.

Neckelmann Skjold (1854-1903), masks and grimaces (without date): views. Ink, pencil on paper, 32.2 x 45.4 cm (including scan edges) Neckelmann Skjold (1854-1903): Masken und Fratzen

Studies of Serving Vessels From Antiquity, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Pen and black ink and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 4 7/8 × 9 1/8 inches (12.4 × 23.2 cm)

Nakch-i-Roustam. Bas-relief.. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Drawing, Design for a surtout de table (Centerpiece); Italy; pen and ink on paper; 19.1 × 63.2 cm (7 1/2 × 24 7/8 in.) Mat: 55.9 × 71.1 cm (22 × 28 in.)

Remained invalid, Karl Wiener -, Artist

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (22.03.1887): Rome: Rossfontain of Villa Borghese (view, details). Pencil on paper, 31 x 42.6 cm (including scan edges)

Archaeological remains, 1874 Probably an oil lamps or pieces of sculpture. Page 16 Recto from a sketchbook with 37 sheets. paper. pencil sculpture. oil-lamp

Pencil drawing by Peter Fendi depicting views of Aquileia and Trieste, executed in 1821

Fragment of castle ruins in Miedniki. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Two nets with fish as a bait to catch birds. Two performances on a leaf. Upstairs: an arcuate net. Below: a net to catch birds.

Schlemm O., Girland (November 22, 1867): Plan content N.N. detected. Pencil watercolor on the box, 19.3 x 46.1 cm (including scan edges) Schlemm O. : Girlande

Sketchbook 2: Ornament studies

Seguito delle battaglie e delle conquiste di Menphtah I Seti I, rappresentate in grandi basso-rilievi sulla parete esterna sud-est dell'edifizio di Karnac Karnak.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Temple of Amon (Karnak, Egypt), Campaigns & battles , Egypt, Chariots, Monuments & memorials , Egypt, Seti I, King of Egypt, Sieges, Soldiers, Arms & armament , Japan

Designs for Ornaments, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk ornaments ~ art

Scenes from the Bhagavata Purana early 19th century India (Pahari Hills, Kangra). Scenes from the Bhagavata Purana 74701

Maffet Ledger: Drawing ca. 1874-81 Southern and Northern Cheyenne. Maffet Ledger: Drawing 766776

Design for Three-Tiered Table with Vase and Flowers, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900-05, furniture, Drawing, Drawing

Schmalz Otto (1861-1915), travel sketches from Italy (27.04.1887): Florence: Bronzadler in Bargello (views). Pencil on paper, 42.8 x 31.1 cm (including scan edges)

Drawing, Army Camp with Buildings and Tents; Winslow Homer (American, 1836-1910); USA; graphite on cream colored wove paper, mounted in an album; 8.9 x 12 cm (3 1/2 x 4 3/4 in.)

Ponte del Piovan. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 229 x 154 mm. Cancelled copper plate. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

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