Stained Glass Artworks

A series of stained glass windows displaying ornate designs, vibrant colors, and intricate patterns, depicting coats of arms and historical themes.

Italy, Milan, Castello Sforzesco, stained glass window in museum (Editorial Usage Only)

Stained glass window , 16th century celebrating the medieval Free City State of Bremen, (Germany), recognised as a political entity with its own laws.

Window by Marc Chagall in the choir, created from 1978, St., Sankt, Saint

16th century leaded glass window, Chapelle Notre-Dame du Crann, Spezet, department of Finistere Penn-ar-Bed, region of Brittany Breizh, France, Europe

Glass Panel with Death Bed Scene early 16th century probably by Jan van Diependale. Glass Panel with Death Bed Scene. probably by Jan van Diependale (active 1509-1534). South Netherlandish. early 16th century. Pot-metal glass and vitreous paint. Made in probably Brussels. Glass-Stained

Paradise, stained glass window by Kolo Moser (1868-1918)

Bankers, Stained Glass,

Flemish images in stained glass window church of Saint John, Saxmundham, Suffolk, England, UK

Voigt House museum, 1895, Heritage Hill, Stained glass window, Victorian built for Carl G.A. Voigt, mill and dry goods store. Architect, William G. Robinson, inspired by chateaux at Chenonceaux, France. Grand Rapids, Michigan, USA.

Armorial Roundel ca. 1500 German This roundel probably represents the members of a confraternity or honorary society. In the nineteenth century, this glass roundel was in a castle on the Moselle River, the home of Baron von Liebig, a collector of stained glass.. Armorial Roundel. German. ca. 1500. Pot-metal glass, vitreous paint, and silver stain. Made in Middle Rhineland, Germany. Glass-Stained

Man of Sorrows. Artist: Lautenbach Master (German, active late 15th century); Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft) (active Southern and Central Germany, ca. 1470-1500). Culture: German. Dimensions: 19 1/2 x 16 3/8 in. (49.5 x 41.6 cm). Date: ca. 1480.Christ as the Man of Sorrows stands within a lush network of leafy branches known as Astwerk, a translation of architectural canopies and tracery into a vegetal vocabulary. Among the most innovative artists of the late fifteenth century, Peter Hemmel and the group of stainedglass painters he worked with known as the Strasbourg Workshop Cooperative executed glazing programs throughout southern Germany and into Austria. Except for Christ's head and part of his drapery, which are nineteenth-century replacements, the panel is in superb condition.See also acc. no. 1998.215.2. Museum: Metropolitan Museum of Art, New York, USA.

16th century leaded glass window, Chapelle Notre-Dame du Crann, Spezet, department of Finistere Penn-ar-Bed, region of Brittany Breizh, France, Europe

Roundel with the Flight into Egypt 1480-90 German. Roundel with the Flight into Egypt. German. 1480-90. Colorless glass, vitreous paint and silver stain. Made in Upper Rhineland, Germany. Glass-Stained

Grisaille Panel 1270-80 French The artistry of this window derives from the contrast between the silvery effect of the grisaille decoration and the radiant colors of the bosses and borders. In addition, the graceful overlay of strapwork on spiraling vines with stylized leaves is enhanced by the bold outline of forms and the dense hatching of the backgrounds. The windows in the choir chapel at Sées originally consisted of band windows,” with colored figural glass in the central zones and grisaille panels above and below. The upper and lower panels are modern.. Grisaille Panel. French. 1270-80. White and pot-metal glass and vitreous paint, silver stain. Made in Sées, France. Glass-Stained

Composite Roundel; French; Normandy, France; about 1210 - 1220; with 14th century and later insertions; Pot-metal and colorless glass, vitreous paint; lead came; 38.1 x 1 cm (15 x 3,8 in.)

Marc Chagall window, stained glass, stained glass, church, blue, St. Stephen, St. Stephen's Church, Old Town, Mainz, Rhine-Hesse region, Rhineland-Palatinate, Germany, Europe

Panel with Saint George and the Dragon late 15th century German. Panel with Saint George and the Dragon 470882

Romania, Sinaia. Neo-Renaissance Peles Castle c. 1873. Royal summer residence, German stained glass.

Stained glass panel from the Chapel of the Holy Blood. Dated 15th Century

The Deluge. Artist: Valentin Bousch (French, active 1514-41, died 1541). Culture: French, Lorraine, Metz. Dimensions: Overall: 11 ft. 10 1/4 in. × 67 in. (361.3 × 170.2 cm). Date: 1531.This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510-1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presente

Window with a show apelles.Raire stained painted with Apelles as a personification of painting. In his left hand, he holds a palette, in the judge a brush. He stands between two columns with gothic capitals under a bow with iek leaves, on a pedestal with the caption of Apelles.

England,Surrey,London,City of London,Cutlers Hall,Stained Glass Window depicting Knife Sharpening

Noah holding dove. Stained glass. 19th cent. England.

Stained glass window East Bergholt church, Suffolk, England, UK, five tiers of biblical scenes c 1865 by Lavers, Barraud and Westlake

Portrait of the daughters of Anne de Montmorency (1493-1567) and Madeleine of Savoy (1510-1586) by French master / Musee Conde, Chantilly / 1544 / France / Stained glass / Portrait,Genre / 210x121

Ensign with flag 1560 Swiss. Ensign with flag 195341

Two coloured glass paintings from the 16th century, St Egidienkirche, Beerbach, Middle Franconia, Bavaria, Germany, Europe

Window with the presentation of Jozef and Benjamin with the brothers, with caption in Cartouche, Anonymous, 1608 Panel in which a Biblical show: Joseph and Benjamin with the brothers. With caption in Cartouche "Derek Geritz Kosters of Midwout Genesis 45 F Anno 1608". glass. lead (metal). Panel in which a Biblical show: Joseph and Benjamin with the brothers. With caption in Cartouche "Derek Geritz Kosters of Midwout Genesis 45 F Anno 1608". glass. lead (metal).

Anefo photo collection. Exhibition of French church windows in the Rijksmuseum. A church window. December 14, 1973. Amsterdam, Noord-Holland

Praechtige Chagallfenster sind im Schweizer Landesmuseum in Zuerich zu sehen. Colourfull Chagall-windows can be seen at the Swiss National Museum

Window with Joseph known to the brothers, Anonymous, c. 1550 Window with Joseph known to the brothers glass. lead (metal). Window with Joseph known to the brothers glass. lead (metal).

Coat of arms, 16th century. Stained glass window of a heraldic crest showing a lion with a key surmounting a crowned helmet. The inscription refers to the freedom of the town of Bremen in Germany but the artist is unknown.

Ireland, North, Belfast, City Hall Interior Centenary Stained Glass Window With Various Scenes Depicted Including The Construction Of Titanic At Harland & Wolf Shipyard.

England, Kent, Hever, Hever Castle, Stained Glass Window depicting the Coat of Arms of Henry VIII

Composite Double Window Possibly 15th century top; late 15th century middle and bottom Stained glass Possibly Belgione or France top; Belgione or France middle and bottom

Built in 1964 by Gottfried Böhm, baptistery, windows with yellow roses

Italy, Milan, Castello Sforzesco, stained glass window in museum (Editorial Usage Only)

Grisaille Panel. Culture: French. Dimensions: Overall: 22 x 20 1/4in. (55.9 x 51.4cm). Date: 1270-80.The artistry of this window derives from the contrast between the silvery effect of the grisaille decoration and the radiant colors of the bosses and borders. In addition, the graceful overlay of strapwork on spiraling vines with stylized leaves is enhanced by the bold outline of forms and the dense hatching of the backgrounds. The windows in the choir chapel at Sées originally consisted of "band windows," with colored figural glass in the central zones and grisaille panels above and below. The upper and lower panels are modern. Museum: Metropolitan Museum of Art, New York, USA.

Roundel with Susanna Before the Judge 1510-15 South Netherlandish. Roundel with Susanna Before the Judge. South Netherlandish. 1510-15. Colorless glass, vitreous paint and silver stain. Made in Ghent, South Netherlands. Glass-Stained

Stained-glass window in St. Lorenz church, Nuremberg, Germany, Europe

Panel, c. 1200-1225. France, early 13th century. Pot-metal and white glass, silver stain; overall: 34.3 x 86.4 cm (13 1/2 x 34 in.).

The Deposition ca. 1525 After Sebald Beham German. The Deposition 191739

Battle for a city, stained glass, Chartres Cathedral, France, c1225. Detail from the Charlemagne Window.

Window of Promise by Peter Valentin Feuerstein in Ulm Minster, south window, stained glass window in the south porch, Ulm, Baden-Wuerttemberg, Germany, Europe

Roundel with Mordecai Overhearing the Conspirators. Culture: South Netherlandish. Dimensions: Overall Diam.: 8 3/4 in. (22.2 cm). Date: 1510-20. Museum: Metropolitan Museum of Art, New York, USA.

American Windows, Marc Chagall, 1977, Art Institute of Chicago, Chicago, Illinois, USA, North America,

Moses presenting the tablets of law 1532 Valentin Bousch French This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510-1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (until recently in a pri

Stained glass decoration, Alkmaar, Netherlands

Lucretia; Workshop of Carl von Egeri; 1561; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came. The suicide of Lucretia is represented next to a donors coat of arms with scenes of the Creation of Eve and the Temptation in the Garden in the top left and right corners. The inscription below includes the name of the donor, Friolin Kleger, and the date 1561

MUERTE DE DON PEDRO POR ENRIQUE II FUNDADOR DE LA DINASTIA DE TRASTAMARA REPRESENTADO EN UNA VIDRIERA EN LA SALA DE LA GALERA - SIGLO XX. Author: CARLOS MUÑOZ DE PABLOS (1938-). Location: ALCAZAR-INTERIOR. SEGOVIA. SPAIN. HENRI II OF CASTILE. TRASTAMARA ENRIQUE II. PEDRO I EL CRUEL REY DE CASTILLA.

Lazio Viterbo Viterbo S. Francesco. Hutzel, Max 1960-1990 Interior views only of gothic church largely reconstructed after WWII bombing. No general views of interior, but many views of stained glass windows, frescoes, tombs, mosaic work, capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Praechtige Chagallfenster sind im Schweizer Landesmuseum in Zuerich zu sehen. Colourfull Chagall-windows can be seen at the Swiss National Museum

UK, London. Kensington. Victoria and Albert Museum. Stained Glass

Adam Eve stained glass, Notre Dame Cathedral, Paris, France. Notre Dame was built between 1163 and 1250 AD.

I was a stranger and ye took me in, 1850-55. Top section of stained glass window in two parts. From the chapel of Union Workhouse, Summerfield Hospital, Dudley Road, Birmingham.. Manufacturer: Chance Brothers & Co

United Kingdom, Kent, Canterbury Cathedral, North Quire Isle n.XV, Sixth Typological Window, Sower on Good Ground and Among Thorns, medieval stained glass

Germanisches Museum. Stained glass window. The Annuciation. 14 th century. Nuremberg. Germany.

Romania, Sinaia. Neo-Renaissance Peles Castle c. 1873. Interior, stained glass.

The Way of the Cross; North Netherlandish; North Netherlands; about 1510 - 1520; Colorless glass, vitreous paint, and silver stain; lead came; 59 x 50.8 x 1 cm (23 1,4 x 20 x 3,8 in.)

Praechtige Chagallfenster sind im Schweizer Landesmuseum in Zuerich zu sehen. Colourfull Chagall-windows can be seen at the Swiss National Museum

Lilies (Corey Memorial Window). Tiffany Glass and Decorating Company; American, 1892-1902; Corona, New York. Date: 1892-1895. Dimensions: 414 × 82.6 cm (163 × 32 1/2 in.). Leaded Favrile glass. Origin: . Museum: The Chicago Art Institute, Chicago, USA. Author: LOUIS COMFORT TIFFANY.

Heraldic Panel with Arms of the House of Hapsburg ca. 1504-6 South Netherlandish. Heraldic Panel with Arms of the House of Hapsburg. South Netherlandish. ca. 1504-6. Pot-metal glass, white glass, vitreous paint, and silver stain. Made in possibly Ghent. Glass-Stained

Anefo photo collection. unknown . Series about Spain. October 5, 1960. Spain

Amsterdam, the Netherlands. june 10, 2024. Stained glass windows at the Rijksmuseum in Amsterdam. Amsterdam, the Netherlands. june 10, 2024. Stained glass windows at the Rijksmuseum in Amsterdam. High quality photo Copyright: xZoonar.com/BertxDexBoerx 21839963

Paris (7th arr.), France The exhibition of decorative arts, pavilion of stained glass, Assumption, Jacques Gruber , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Pavillon du Vitrail , L' Assomption , Jacques Gruber). Christianity, interior view, decorative arts, stained glass, exhibition, exhibition of decorative arts, ephemeral architecture, Religion , Habitat , Architecture , Art, A.D. Galerie des Vitraux - L 'Assomption (Grüber) France, Paris, Exhibition of decorative arts, Galerie des Vitraux "L' Assomption" (Gruber)

Square with two cartouches and a coat of arms with two wings as a helmet sign. Coat of arms with two wings as a helmet mark. Byond this twice a cartouche in which "ick Siet no Silver" and "Jan Lambertsz Bruijn".

Jan Pieterszoon Sweelinck 1562 1621. Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. depicted in a stained glass window at the Rijks Museum in Amsterdam, Holland.

Design for window in Amsterdam's Lyceum. .

Stained glass windows, Great Hall, Hampton Court, London, England

Stained Glass Panel with the Deposition. Culture: German. Dimensions: Overall (with 1 T-bar): 43 1/2 x 29 5/16 x 3/8 in. (110.5 x 74.5 x 1 cm)Overall (installation opening): 41 3/4 x 28 3/8 in. (106 x 72.1 cm)a: 21 7/8 x 29 1/4 x 3/8 in. (55.6 x 74.3 x 1 cm)b: 21 3/4 x 29 1/4 x 3/8 in. (55.2 x 74.3 x 1 cm). Date: 15th century.These panels were part of a window depicting the ancestry of Christ in the form of a Tree of Jesse (a complete example is shown opposite). The painter of these windows adopted an angular style of drapery folds and subtle color juxtapositions initiating a new style of glass painting in the Middle Rhine. Museum: Metropolitan Museum of Art, New York, USA.

Monumental stained glass window La Paix, the Peace, by Marc Chagall in the Chapelle des Cordeliers, 18th century Franciscan chapel, Sarrebourg or Saarburg, Moselle, Grand Est region, Lorraine, France, Europe

Eve in Garden of Eden, Medieval stained glass panel, East Window, Wells Cathedral, Somerset, United Kingdom

CORDOBA. ESCUDO DE LA CIUDAD EN UNA VIDRIERA DEL MUSEO PROVINCIAL DE BELLAS ARTES.

Stained glass image of King Canute, 11th century. Artist: Unknown

Gathering Manna. Artist: Workshop of Friedrich Brunner (German); Based on a design by Jan Pollack (Polish (), active Bavaria, ca. 1479-died 1519). Culture: German. Dimensions: Overall: 19 3/4 x 20 7/8 in. (50.2 x 53 cm). Date: 1497-99. Museum: Metropolitan Museum of Art, New York, USA.

Stained Glass Window In The Alcazar Showing King Alfonso Viii Of Castile El Noble Or El De Las Navas, Segovia, Segovia Province, Spain

Window with a woman under a canopy, three cartouches with inscription and an angel, Anonymous, 1623 - 1665 Window with images of a woman under a canopy with a cross behind her, three cartouches with inscription, namely "Elyas Vlaminck anno dmi 1623", "Gerrit Hasselbroeck Odilia van den Sande Ehelieden 1665" and "Gerrit Gysbertsz. Lap 1625" and a one angel. glass. lead (metal). Window with images of a woman under a canopy with a cross behind her, three cartouches with inscription, namely "Elyas Vlaminck anno dmi 1623", "Gerrit Hasselbroeck Odilia van den Sande Ehelieden 1665" and "Gerrit Gysbertsz. Lap 1625" and a one angel. glass. lead (metal).

The Prophet Isaiah 1533 Valentin Bousch French This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510-1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (now in a private collection, Langley, Br

Window with the coat of arms of Alkmaar with caption "Alkmaria Victrix 1573", 1573 Window, stained glass, consisting of sixteen separate panels that together show the arms of Alkmaar. Caption: Alkmaria Victrix. Dated 1573. Netherlands glass. lead (metal). Window, stained glass, consisting of sixteen separate panels that together show the arms of Alkmaar. Caption: Alkmaria Victrix. Dated 1573. Netherlands glass. lead (metal).

Stained glass window of the church of Saint-Etienne, Lille, France.

Panel of quarries; English; England; late 15th and early 16th century; Colorless glass, vitreous paint, and silver stain; lead came; 49 x 22 x 1 cm (19 5,16 x 8 11,16 x 3,8 in.)

Heraldic Panel with Arms of the House of Hapsburg. Culture: South Netherlandish. Dimensions: Overall: 33 1/2 x 20 1/4 in. (85.1 x 51.4 cm). Date: ca. 1504-6. Museum: Metropolitan Museum of Art, New York, USA.

I was an hungered and ye gave me meat, 1850-55. Top section of stained glass window in two parts. From the chapel of Union Workhouse, Summerfield Hospital, Dudley Road, Birmingham.. Manufacturer: Chance Brothers & Co. .

A Stained Glass Window

Colourful stained glass windows of Hohkoenigsburg Castle, Chateau du Haut-Koenigsbourg, Hohenstaufen Empire castle from the 12th century, near Orschwiller, Departement Bas-Rhin, Alsace, France, Europe

Stained glass in Hall of the Pine Cones in Alcazar of Segovia, Spain, depicting King Alfonso VIII of Castile and his daughter Berengaria

Stained glass window from the Abbey of Amelungsborn, Saxony. Dated 14th Century

John Wesley's New Room chapel and museum, Bristol, England, UK,, modern stained glass panel.

Rabolt II von Plettenberg with his son and daughter - in - low; stained glass

England,London,Hampton Court Palace,The Great Hall,Stained Glass Window Depicting Henry VIII

Rhombus with Joseph's known to the brothers. Window with Jozef announcing the brothers

Antoni Ros Güell / "Stained glass, Casa Figueras", 1902. Museum: Ramblas, 88, Barcelona, España.

Stained Glass Panel with the Entombment. Culture: German. Dimensions: Overall (with 1 T-bar): 43 1/2 x 29 7/8 x 3/8 in. (110.5 x 75.9 x 1 cm)Overall (installation opening): 41 3/4 x 28 3/8 in. (106 x 72.1 cm)a: 21 13/16 x 29 3/8 x 3/8 in. (55.4 x 74.6 x 1 cm)b: 21 9/16 x 29 1/8 x 3/8 in. (54.8 x 74 x 1 cm). Date: 15th century.These panels were part of a window depicting the ancestry of Christ in the form of a Tree of Jesse (a complete example is shown opposite). The painter of these windows adopted an angular style of drapery folds and subtle color juxtapositions initiating a new style of glass painting in the Middle Rhine. Museum: Metropolitan Museum of Art, New York, USA.

Stained glass window depicts the Dutch engraver and painter Lucas van Leyden (1494-1533). Created by William Francis Dixon (1847-1928). Dated 1885

Window with weapon in which an ox head, birds, bells and a climbing lion and inscriptions, anonymous, 1646 Panel with various described or painted windows. In the middle an oval window with an weapon in which, among other things, an oxhead, three birds and three whistles and caption, among other things, "Mr Pieter Willems van Rythoven, Janneke Niehs v. Miselen Syn Housewife, secretary to Eindhoven and Woenselen anno 1646". glass. lead (metal).

Village parish church of Saint Mary, Kingston Deverill, Somerset, England, UK stained glass memorial window

Stained Glass, Minstrel'. 1882-1884. Artist: William Morris. Stained glass window in the Victoria and Albert Museum, London.

Stained glass window

Window with weapon with inscription "D. Meerman 1622", Anonymous, 1622 Stained glass with a weapon with helmetsier, with inscription D. Meerman, in blue, yellow, purple and grisaille. Under the weapon a mermaid blowing on a shell. Low Countries glass. lead (metal). Stained glass with a weapon with helmetsier, with inscription D. Meerman, in blue, yellow, purple and grisaille. Under the weapon a mermaid blowing on a shell. Low Countries glass. lead (metal).

Window by Marc Chagall in the choir, created from 1978, St., Sankt, Saint

Zurich, Fraumünster/ Chagall window, detail

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