Studies of Human Emotions

Drawings depicting dynamic human figures engaged in various actions, emphasizing emotion and movement in classical and Renaissance styles.

Sketch sheet with a preliminary study for a ceiling painting with children's figures on clouds, Study for ceiling painting with children's figures on clouds, draughtsman: Baldassare Franceschini, 1621 - 1698, paper, h 262 mm × w 400 mm

Anonymous / 'Various Studies of Children's Bodies and Limbs / Various Analogous Studies'. First half of the XVIII century. Black chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Anonymous / 'Studies for a Mythological Composition'. Mid-XVIcentury. Pencil, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.

Anonymous study sheet with seven lions, two male figures, a Bacchus sketch, a falcon head, two dog heads, and an architectural wall sketch, executed in feather and ink.

Drawing, Still-life with Fish and Parrot; Jean-Baptiste Oudry (French, 1686 - 1755); France; black and white chalk on blue laid paper; 30.6 x 41.6cm (12 1/16 x 16 3/8in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Frame: 44.8 x 60.3 x 2.5 cm (17 5/8 in. x 23 3/4 in. x 1 in.)

Naked men in various loft, seating and runs. Leaf 28 Verso from a sketchbook with 33 sheets.

Baccio Bandinelli, Two Male Nudes, c 1520 Two Male Nudes

Pencil studies by Josef von Führich depicting Mary with the child, focusing on figure arrangement, posture, and expression.

Angel Holding a Trumpet 1576-1579 Italy. Pen and brown ink with brush and brown wash, with additions of graphite, on ivory laid paper, pieced and laid down on ivory laid paper . Federico Zuccaro

Standing man with hands behind his back, David Teniers (II), 1620 - 1690, Standing man, facing left, with hands behind his back., draughtsman: David Teniers (II), , 1620 - 1690, paper, h 134 mm × w 80 mm

Rijn, Rembrandt van, The blind violinist, verso lower left, print, prints, RHL 1631, center lower, verso upper left, height 78 mm, width 53 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, plate tone, Work conception, after own design by

Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso) 1537-91 Giovanni Battista Naldini Italian. Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso). Giovanni Battista Naldini (Italian, Florence 1535-1591 Florence). 1537-91. Red chalk on paper (recto); black chalk on paper (verso). Drawings

Sitting young woman, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print Sitting woman with hat and unavoidable skirt, depicted sideways. Utrecht paper engraving adult woman

Thomas Rowlandson, 1756-1827, British, Study of a Shouting Man, undated. Pen and brown ink on medium, slightly textured, beige, laid paper.

Sketch of a man on a donkey, Peter Paul Rubens (School of), c. 1650 - c. 1690 drawing paper. chalk riding a horse, ass, or mule; rider, horseman. ass, donkey

Drawing, Project for a Herm; Possibly by Domenico Peruzzini (Italian, 1602 - 1673); France; pen and ink, brush and grey-brown watercolor on laid paper.

Venus and Cupid. Venus is naked and has struck a cloak over her shoulders. She stands on a tube with arrows of Cupid, who stands next to her, and points. Leaf 8 Recto from a sketchbook with 91 sheets.

Three standing men in Toga, 1658 - 1728 The men make different movements with their arms. Leaf 10 Verso from a sketchbook with 33 sheets. paper. ink. pencil pen standing figure. postures and gestures of arms and hands

Maenade, c. 1701 Dancing woman with a tambourine, presumably a follower of Dionysius. Page 2 Recto from a sketchbook with 63 sheets. paper. chalk Dancing woman with a tambourine, presumably a follower of Dionysius. Page 2 Recto from a sketchbook with 63 sheets. paper. chalk

Spanish rider. Artist: Gerard ter Borch (II). Draughtsman: Harmen ter Borch. Draughtsman: Moses ter Borch. Draughtsman: Gerard ter Borch (II) (mentioned on object). Dating: c. 1647 - 1648. Place: Münster. Measurements: h 160 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

Brown ink drawing on blue paper by Théodore Géricault depicting a river god figure, showing posture, anatomy, and drapery.

Interior with Male Nude Surrounded by Five Figures Artist's working dates 1632-1648 Italy. Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid paper, tipped onto gray-green laid paper . Simone Cantarini

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), second collection of various scratches. Five study figures for a battle. Thirteenth number of a suite of 47 pieces. (A. de Vesme 424; Dutuit 122) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Two women in bed talk about men, Paul Gavarni, 1852 print Paris paper bed. lying figure - AA - female human figure

Cavalry Engagement (recto); Concert of Angels (verso). Artist: attributed to Francesco Allegrini (Italian, Cantiano () 1615/20-after 1679 Gubbio ()). Dimensions: 5 x 7-1/4 in. (12.7 x 18.4 cm). Date: 1624-63. Museum: Metropolitan Museum of Art, New York, USA.

A brown ink drawing by Francesco Mazzola depicting the Poor Lazarus at the door of the rich, showing figures and interaction on blue paper.

Saint John the Baptist in a Landscape.

The Holy Kinship ca. 1480 Master of the Drapery Studies This drawing, long recorded in the literature with various attributions to Alsatian or Rhenish masters, was attributed to the Master of the Drapery Studies by Friedrich Winkler in 1930 and confirmed by Michael Roth in his dissertation on the master in 1988. Typical for the Master of the Drapery Studies work at the beginning of his career, this delicate but vigorously executed drawing echoes the composition of an engraved Holy Family made in ca. 1450/75 by the Master of the Banderoles (Netherlandish, active ca. 1450-ca. 1475). This drawing shows the Holy Kinship which grew out of late medieval legend that created the theory of the trinubium, or the three marriages of Anne. The theory was incorporated into the later texts of Pseudo-Matthew and repeated in Jacobus de Voragines collection of hagiographies the Golden Legend (ca. 1260) and by those means became generally known and widely accepted in the later Middle Ages as part of An

Design for a Headdress (front and side view). Artist: Baccio del Bianco (Italian, Florence 1604-1656 Escorial) (and workshop). Dimensions: Sheet: 11 5/16 x 8 1/4 in. (28.8 x 21 cm). Date: ca. 1620-56.Sheet with a design for an elaborate headdress, partly shaped as a hat. There is one frontal view showing a fan of feathers sticking out over an elaborated worked and intertwining brim. On the lower right of the sheet, the side view of the same design is given. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, An Acanthus Scroll; Italy; pen and ink, brush and bistre on paper

Torture of the Holy Erasmus. Sketch for a torture of the Holy Erasmus.

Study sheet with two satins. Artist: Bartholomeus Spranger. Artist: J. Muller. Draughtsman: Moses ter Borch. Dating: c. 1656 - c. 1657. Place: Zwolle. Measurements: h 161 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Drawing

Drawing (Italy)

Ruiter and Walker, Anonymous, After Lucas van Leyden, 1585 drawing prepared paper.

Drawing of reclining figure. Correggio, 1489-1534. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Drawing, Study of the Upper Part of a Man's Left Arm; Italy; red chalk on light brown laid paper.

Three female figures. Schadow, Johann Gottfried (1764-1850), draughtsman, cartoonist

Allegorical representation with figures around monument or altar, anonymous, 1700 - 1800, Allegorical representation: figures around monument or altar; an angel sitting in the clouds., draughtsman: anonymous, 1700 - 1800, paper, h 84 mm × w 61 mm

Unknown , Italian, 17th century, An Executioner from a Death of St. Stephen, Red crayon on paper.

Hercules in battle with the Hydra of Lerna. Hercules, raised with knots above his head, battle with the six-member Hydra by Lerna.

Jardinière auvase. Artist: Jacques Bellange, French, active 1595-1616

Annunciation to Maria and floating angel figures, Girolamo da Carpi, 1549 - 1553 drawing paper. ink pen the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Winged figure with a canow on a tray. Probably a study into a classical example. Leaf 31 Recto from a sketchbook with 91 sheets.

The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso) 1690-1700 Paolo Pagani Italian. The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso) 340399

Salvator Rosa, The Death of Polycrates, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 35. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 35. paper. photographic support. cardboard albumen print

Flying Angel and Other Figures, Mattia Preti, Italian, 1613 - 1699, Red chalk on paper, Central figure with large wings reaching up with an object in its hand. At bottom right a smaller sketch of a winged putto., Naples, Italy, 1661-66, figures, Drawing, Drawing

Master E.S (around 1420-1468). "The letters of the alphabet composed of different figures and grotesque animals, a letter offering an old man with a large beard seated in the air, the knees apart and the heels attached. (Bartsch 108, volume VI, page 42)". Chisel. 1466. Museum of Fine Arts of the City of Paris, Petit Palais. 123106-19 Chisel, 15th xve XV 15th 15th 15 CENTURY

The putto holds a helmet with his left hand. Framing ink lines. Narrow paper margins. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

St. Jerome in His Study, c. 1490. Filippino Lippi (Italian, 1457-1504). Pen and brown ink over traces of black chalk(), with brush and brown wash, heightened with lead white; pricked; sheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); secondary support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.).

Abraham Bloemaert, Studies of Hands and Bending Figures (verso) Studies of Hands and Bending Figures verso

From a Drawing in the British Museum.. Roger Fenton (English, 1819 - 1869)

Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso) ca. 1652 Guercino (Giovanni Francesco Barbieri) Italian. Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso) 338996

Edward Francis Burney, 1760-1848, British, An Allegory of America Carrying the Cap of Liberty, undated. Pen and black ink, graphite, and red chalk on medium, moderately textured, cream, laid paper.

Isaac Oliver, ca. 1565-1617, French, active in Britain, An Angel, undated. Gray wash with pen and brown ink on medium, slightly textured, cream laid paper.

Drawing of Male Nude Figure Studies by Raphael. Roger Fenton (English, 1819 - 1869)

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel, Attributed to John Carter, 1748-1817, British, ca. 1781, Graphite and pen and black ink on slightly textured, moderately thick, white laid paper, Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm), architectural subject, church, City of Westminster, England, House of Commons, London, Palace of Westminster, St. Stephen's Chapel, Palace of Westminster, United Kingdom

Francisco de Goya y Lucientes / 'This is the worst of it!'. 1814 - 1815. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Heilige Hieronymus in de wildernis, in or after 1653 - before c. 1660 drawing Zwolle paper. chalk. ink

A drawing by Jacob Jordaens showing a boy with a dog and a young woman at a doorway, executed in black and reddish chalk with brown feathering and lavated areas, showing figures and spatial composition.

Portret Van Een Architect, Ambrogio Giovanni Figino, 1558 - 1608 drawing paper. ink. pencil. chalk pen / brush portrait, self-portrait of architect

Francesco Guardi, An Elegantly Dressed Woman Struggling with a Lion, 1780 1785 An Elegantly Dressed Woman Struggling with a Lion

Jupiter, disguised as an eagle, with Ganymede, and a sketch of two peacocks. Artist: Nicolai Abraham Abildgaard (Danish, Copenhangen 1743-1809 Frederiksdal). Dimensions: sheet: 7 15/16 x 6 1/16 in. (20.2 x 15.4 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

A drawing by Daniel Gran depicting the biblical scene of the Flight into Egypt, executed with pen and feather with ink, showing figures, donkey, and landscape.

Female Figure. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

An Elaborately Sculpted Frame. Dimensions: sheet: 19.8 x 11.3 cm (7 13/16 x 4 7/16 in.). Medium: pen and brown ink with gray and red-brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Genoese 17th Century.

The Raeber penetrate them with their daggers unknown

Tobias and the Angel. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 9-7/16 x 8-3/8 in. (24 x 21.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Study of a sitting prince, Lambert Lombard, 1516 - 1566 drawing paper. ink. chalk pen / brush sitting figure. ruler, sovereign

Sitting woman figure.

An ink drawing on paper from circa 1530-1540 showing a study of beggars and cripples, executed in laved technique as a sample sheet for figure studies.

A study by Peter Paul Rubens depicting an executioner holding a sword, drawn with black chalk and highlighted with white chalk on gray paper, showing figure posture and detail.

Anonymous drawing of six archers in action, executed with pen, ink, and wash.

A pencil drawing by Bartolomeo Altomonte around 1720 depicting an angel playing a violin, showing figure, posture, and instrument details.

Studies of Blacksmiths and Horses. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 174 × 231 mm. Graphite on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Naked Venus with a dolphin. Venus stands on a stone with behind her rocks and sea. Leaf 9 Recto from a sketchbook with 63 sheets.

The Vision of Saint Eustace. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Anonymous, German, 16th century (). Dimensions: 13 7/8 x 10 3/8 in. (35.2 x 26.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

A King of Judah and Israel n.d. Martin Fréminet French Fréminet, who had built a considerable reputation in Italy, was summoned back to France in 1602 by the French king, Henri IV who, two years later, put him in charge of decorating the vault of the chapel of the Trinity at the chteau of Fontainebleau. Fréminets concept was for a compartmentalized ceiling featuring scenes in oil on plaster within a complex scheme of painted and gilt stucco ornament. This study is preparatory for one of the eight standing figures of kings of Judah and Israel which punctuate the side walls.The figures strength and regal bearing are expressed in the lively ink line delineating the musculature and Roman military costume, while the anatomy is further accentuated with a smoky shading in black chalk and touches of white chalk. Drawn as if seen from below, the king stands in contrapposto, his right hand on his hip, recalling the muscular figure types of Michelangelo as well as the ancient statues of warrio

A red chalk drawing by Francesco Solimena showing Rebekka and Jakob at a fountain on a white-primed area.

Detection of a bass relief, found in the wall of the demolished part of the St Marie / Church in Utrecht ... "Description of the grave monument pen in brown recto under the drawing, on the design sheet

Officer on horseback, urinating, seen from behind. Draughtsman: Gerard ter Borch (II) (mentioned on object). Dating: 1631. Place: Amsterdam. Measurements: h 90 mm × w 59 mm. Museum: Rijksmuseum, Amsterdam.

Two Seated Embracing Couples 1847-1875 France. Pen and brown ink on ivory laid paper . Jean Baptiste Carpeaux

Bliżej Kultury Devilliers Freshe Santi, Raphael (1483 1520)

Two struggling angels. Two struggling angels. Probably the earthly and heavenly love (EROS and ANTEROS).

Black chalk drawings by Michelangelo Buonarroti depicting studies of a seated female figure viewed from the back, dated 1530-1536, showing posture and anatomy.

Design of a gift jug in the form of and lion, c. 1555 - c. 1574 Brescia pencil. graphite (mineral). ink pen laid table: table-ware, table-decoration, etc.. containers

Two fighting groteske figures, leaf from the "Neuw Grottensken book". .

Study sheet with Jacob wrestling with the angel. Draughtsman: Harmen ter Borch (mentioned on object). Intermediary draughtsman: Gerard ter Borch (I). Dating: Feb-1649. Place: Zwolle. Measurements: h 125 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Three children with a buck, draughtsman: anonymous, after: Frans Hals, 1800 - 1900, paper, pen, h 243 mm × w 188 mm

A Youth Carrying a Basket, Marcellus Laroon the Younger, (senior), 1679-1772, British, undated, Red chalk and graphite on medium, slightly textured, beige laid paper, Sheet: 11 5/8 x 7 1/2in. (29.5 x 19.1cm) and Sheet: 11 5/8 × 7 1/2 inches (29.5 × 19.1 cm), basket, boy, figure study, hunching, youth

Bones of the pelvis, scapula, hip, knee and elbow joints, with a figure of the Capitoline Venus and a faint sketch of a male nude. Pencil drawing by J.C. Zeller, ca. 1833

Drawing, Stage Design: Hall in a Palace; Attributed to Ferdinando Galli Bibiena (1657 - 1743); Italy; pen and brown ink, over black chalk on white laid paper; 14 x 15.2 cm (5 1/2 x 6 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Honoré Daumier, Bathers Bathers

Flute player, Moses ter Borch, after anonymous, c. 1656 - c. 1657, draughtsman: Moses ter Borch, draughtsman: Harmen ter Borch, anonymous, (possibly), Zwolle, c. 1656 - c. 1657, paper, h 160 mm × w 164 mm

Album 'Maarten de Vos sketchbook', sheet 5v(12), Representations of sarcophagi and antique statues, draughtsman: anonymous, anonymous, Low Countries, c. 1550 - c. 1570, paper, pen, h 153 mm × w 225 mm

Bust of a young bishop and study of a hand. Vanni, Francesco (1563-1610), draughtsman, cartoonist

The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso) 1750-1767 England. In this scene from Shakespeareís play Richard III, the villainous Duke of Gloucester skulks behind a pier as the funeral procession for King Henry VIóaccompanied by the kingís daughter-in-law, Lady Anneópasses in the background. Her arm raised, Anne curses the Duke, who has murdered both King Henry and her husband. In the next moment, Gloucester will join the procession and brazenly attempt to persuade her to marry him.Fuseliís enshadowed dukeóa study in evilóis closed and compressed, his arms tautly crossed, while the brilliantly lit Anneóa study in courageóis open and expansive, her arms extended in dramatic oratory.. Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper . Henry Fuseli

Vanitas. Bubbleblowing putto seated on a skull. In the foreground a vase with flowers and a smoking urn. Leaf 47 Recto from a sketchbook with 91 sheets.

A chalk drawing by Francesco Mazzola from 1527-1530 showing sitting lovers in a landscape, emphasizing figures, interaction, and surrounding scenery.

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