Studies of Human Figures

Drawings and sketches exploring human figures in various poses and drapery, showcasing artistic techniques and studies of movement.

Study for Girl with Tambourine, Vintage Festival”, Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857-1903, Black and red pastel crayon on tracing paper mounted to board, Draped female model turned to the left with arms raised holding a tambourine., USA, 1895-1898, figures, Drawing, Drawing

Drawing, Figure; Harriet Blackstone (American, 1864 - 1939); USA; graphite on paper; 13 × 20 cm (5 1/8 × 7 7/8 in.)

Bliżej Kultury Simmler, Józef (1823 1868)

A sketch of a woman sitting straight ahead in the "kimono" dress; Raynefeld, Józef (1908-1940); 1930-1940 (1930-00-00-1940-00-00);

Knielende Damianus, Nicolaas Van der Wow, After Sandro Botticelli, drawing Florence paper. ink. pencil pen male saints (DAMIANUS)

Girl; Verso, city view; Scholtz, Julius (1825-1893); 1850-1893 (1850-00-00-1893-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - a gift, children, girls, German drawings, character studies

Francisco Bayeu / 'Saint Casilda'. 1782. White chalk, Black chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Ming in drapery; Koska, Ferdinand (1808-1862); 1828-1862 (1828-00-00-1862-00-00);

Victor Orsel (1795-1850). "Santus Eugenius". Preparatory card for the decor of the Notre-Dame-de-Lorette church in Paris. Black stone and ink on marouflated paper on canvas with strips of paper brought back along the edges. 1834-1850. Museum of Fine Arts of the City of Paris, Petit Palais. Catholicism, drawing, religious iconography, preparatory work, holy character, Catholic religion

Francisco Bayeu / 'Moses'. 1781. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Duke of Reichstadt. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Sketch of a man walking to the right ..

Holy Philip, Monogrammist FP (Italy; 16th century), After Schiavone, After Parmigianino, 1520 - 1600 print paper etching the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword

'Hanging up the Washing', 1913.Artist: Jean-Simeon Chardin

Paul Egell pen and brush drawing depicting Kaiser Titus, showing bust, facial features, and attire.

Wiik, Maria, Sketchbook, 1895, special category: sketchbook, 25.5 cm x 35.5 cm, Wiik, Maria, part: Seated woman, headband; flowers, 1895, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Drapery study of a reclining woman, Jean Grandjean, 1765 - 1781, draughtsman: Jean Grandjean, 1765 - 1781, paper, h 376 mm × w 493 mm

Mezzetin. Dated: c. 1716. Dimensions: support: 43.8 x 23.6 cm (17 1/4 x 9 5/16 in.). Medium: red and black chalk counterproof on laid paper. Museum: National Gallery of Art, Washington DC. Author: ANTOINE WATTEAU.

Saint Cloud; Study for the frieze at Saint-Vincent-de-Paul, Paris. Dimensions: 8 7/8 x 4 3/16 in. (22.5 x 10.7cm). Draftsman: Hippolyte Flandrin (French, Lyons 1809-1864 Rome). Date: 1835-64. Museum: Metropolitan Museum of Art, New York, USA.

Angel in the Church of the Gesù, Francesco Maratti, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Drawing after one of Francesco Maratti's angels on the left transept wall under the cantoria in the Church of the Gesù. Figure has wavy hair and legs extended to the side. Figure points ahead with right hand. A sketch of the sun is on the right side., France, ca. 1759-70, cutlery, Drawing, Drawing

De Heilige Petrus, Schiavone, After Antonio da Trento, After Parmigianino, 1532 - 1563 print The apostle Peter standing. Italy paper etching the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Sketch of a woman who water plants. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1901. Measurements: h 357 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Study for a Mural; Francis Augustus Lathrop (American, 1849 - 1909); USA; charcoal and red chalk on cream wove paper; 35.9 × 15.1 cm (14 1/8 × 5 15/16 in.); 1914-38-170

Lazio Rieti Rieti Museo Civico33. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Standing woman in a gown looking over her shoulder, 1813 Probably signed according to a classic example. Page 34 Recto from a sketchbook with 91 sheets. paper. pencil. ink pen female persons from classical history. looking over the shoulder - AA - female human figure

Study of a man who helps the footstip when weighing a body.

Ericsson, Henry, work, Munk, som Höjer ett krushifix, black chalk, drawing, 42 cm x 26 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Standing Soldier, Seen from Behind, Dirk Maas, c. 1690, Standing man, slightly hunched over., draughtsman: Dirk Maas, England, (possibly), c. 1690, paper, h 163 mm × w 105 mm

Kristallen Vaas van Duitse Keizer Ferdinand III, Dancker Danckerts, 1655 print Crystal vase of German emperor Ferdinand III with engravings that show hunting scene and lid in the form of Phoenix. The handle has the shape of a female body. Netherlands paper etching container of stone: stone vase

Backview of a Woman; Ruckenansicht einer Dame. Adolph Menzel (1815-1905). Charcoal and grey wash on paper laid down on card. Dated 1888. 20 x 12.4cm. The work is probably a preparatory drawing for the central figure in Im Weissen Saal completed in the same year.

Drawing, Winged figure looking upward; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Siam's ambassador Joseph-Marie Vien (1716-1809). The Ambassador of Siam. Black stone drawing with white stoves on gray-blue paper, 1748. Museum of Fine Arts in the city of Paris, small palace.

Standing Figure of a Friar, study for mural in the Quest for the Holy Grail” cycle at the Boston Public Library. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The model resting 2. Whistler, James McNeill (1834-1903). 1870. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Chloris (Clori or Cloride), marble statue by Henri Varnier, illustration from L'Illustration, Journal Universel, No 1166, Volume XLVI, July 1, 1865.

Blue ink draft by Anton Hanak for a Gustav Mahler monument, including sketches and written remarks in his sketchbook covering 1925 to 1933, showing compositional details and design elements.

Study of a man at the foot end helps to carry away a body, Jean Grandjean, 1765 - 1781

Benjamin Robert Haydon, 1786-1846, British, Study of a Woman, Carrying a Child, undated. Graphite on medium, moderately textured, beige, laid paper.

Study of a Standing Woman 1792-96 () Angelica Kauffmann Swiss This sheet is a preliminary study for one of the mothers in Kauffman’s painting Let the Little Children Come unto Me from around 1796. The painting depicts a scene from Matthew 19:14 in which Christ blesses the children that are brought to see him. In this drawing, Kauffman meticulously renders the mother’s dress. Taking the paper as a base color, she shades in reverse, using energetic strokes of white chalk to bring out the luminous quality of the fabric. In the painting, the mother carries an infant in her left arm and holds the hand of another in her right, both represented on this sheet as faint outlines.. Study of a Standing Woman 417511

Sketch of a courtesan. ink on paper. Origin: Japan. Period: Edo period. Date: 1760-1849. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

John Flaxman, 1755-1826, British, Aspasia, Priestess, Palazzo Giustiniani, Rome, 1787. Graphite on medium, slightly textured, cream laid paper bound in vellum.

Standing Saint John the Baptist with The Lamb. Artist: Girolamo Macchietti (Italian, Florence () ca. 1535-1592 Florence). Dimensions: sheet: 11 5/16 x 4 7/8 in. (28.7 x 12.4 cm). Date: ca. 1575-76.A proponent of study after the live model, Girolamo Macchietti formed part of the reform movement in Florentine painting during the third quarter of the sixteenth century; most of his graphic production consists of figure drawings. This exquisitely tonal drawing in a "red-on-red technique" (red chalk on paper-washed ochre), which is typical for the artist, depicts Saint John the Baptist with his frequent attribute of the Agnus Dei (Lamb of God) at his feet at left. The figure was, without doubt, based on a young male assistant posing in the workshop, and, as in the final painting, his face and anatomy were made to look older and more ascetic. This drawing was a final study for the figure at right in Macchietti's Tabernacle of the Sacrament in the church of San Michele at Pontorme (near Empo

Michel Paul sen. (1877-1938), sketchbook. Watercolors and drawings (approx. 1900): Standing woman with hat (whole figure). Pencil on paper, 17.7 x 12.4 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. Aquarelle und Zeichnungen

Jean Louis Forain, EncounterHesitation, c. 1898, brush and black ink and red, yellow and blue chalk on paper.

boceto, Stehende dame im langen kleid nach links, Gustav Klimt, lapiz y tinta sobre papel, museomodernista de Can Prunera, Soller, Sierra de Tramuntana, Mallorca, balearic islands, spain, europe.

Saly, Jacques Francois Joseph, France, Lalive de Jully, Ange Laurent de, marquis de Rémoville, Recueil de caricatures dessinées Par J. Saly et Gravées par AL De Lalive DJ, Caricatures after J. Saly, Caricature of a French man, verso - stamped, print, prints, height 275 mm, width 193 mm, 1725 - 1779-03-18, print maker, 1745 - 1779, paper, etching, Work conception, French, 1717-06-20 - 1776-05-04

Eutichio Ajello / 'Venus'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Study of a Nymph from the Fountain of the Innocents, after Jean Goujon. Jean-Auguste Dominique Ingres (France, Montauban, 1780-1867). France, circa 1802-1806. Drawings. Black chalk

unknown artist, Elderly Rustic Figure, undated. Graphite on very thick, slightly textured, cream wove paper.

Drawing, Hope from the loggia at St. Peter's; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Giuseppe Lironi; France; red chalk on paper

Standing Male () Figure. Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 6-9/16 x 4-9/16 in. (16.7 x 11.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Le Lapin de Garenne; Print Maker: Felix Bracquemond (France, 1833 - 1914); France; etching on cream paper; 31.8 × 19.8 cm (12 1/2 × 7 13/16 in.)

The Sultan Caravan in Mecca - The Bacha de Caramanan Joseph-Marie Vien (1716-1809). The Sultan Caravan in Mecca - The Bacha de Caramanie. Black stone with white stoves on gray-blue paper, 1748.

St George Series, Two Studies of Female Attendants for 'The Princess draws the fatal Lot', 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Works on Paper

Study of a male model lyed on the ground ..

Minerva. .

Figure of a Woman 1776 England. This fresh and spontaneous drawing was the fruit of a new style of draftsmanship Romney adopted after returning from two years in Italy (1773ñ75). In Rome, he would have been introduced to Fuseli (who lived there 1770ñ78) and the radical style he and his circle were developing.This sketchís rapidly applied ink and wash, characterized by long, fluid strokes of the brush, functioned as a rehearsal for the actual physical marks Romney would employ in his paintings. Figure of a Woman was probably a study for Elizabeth Warren as Hebe (1776), the artistís first major portrait after returning from Italy.. Brush and brown ink on cream laid paper . George Romney

Two Arabs and types of eastern vessels; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Drawing, Sketch for an Angel; Francis Augustus Lathrop (American, 1849 - 1909); USA; chracoal on tracing paper; 22.8 × 20.6 cm (9 × 8 1/8 in.); 1914-38-44

Study for a Panel. Dated: 1890/1897. Dimensions: sheet: 9.3 × 5.2 cm (3 11/16 × 2 1/16 in.) mount: 46.1 × 30.2 cm (18 1/8 × 11 7/8 in.). Medium: watercolor and graphite on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Sprague Pearce.

Sitting prince with vast arms, anonymous, 1610 - 1630 drawing Verona paper. chalk sitting figure. ruler, sovereign

A pencil sketch sheet by Rudolf Weyr on blue paper, emphasizing line work and tonal contrast.

Anonymous / 'The Virgin seated with the Christ Child in her lap'. XVI century. Wash, Pencil, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Sitting mans figure (prophet). Sketch for a lunet.

Francisco Bayeu / 'God the Father'. 1771. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel, Attributed to John Carter, 1748-1817, British, ca. 1780, Graphite on slightly textured, medium thickness, white laid paper, Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm), architectural subject, church, City of Westminster, England, House of Commons, London, Palace of Westminster, St. Stephen's Chapel, Palace of Westminster, United Kingdom

Sketch of hanged body of Bernardo Baroncelli

Al.legoria para cartel., 1902. Author: RAMON CASAS.

Alphonse Legros, Woman in a Cloak Woman in a Cloak

Study for Moses - Trinity Church, Boston. Dated: 1876. Dimensions: sheet: 31.6 × 17.9 cm (12 7/16 × 7 1/16 in.). Medium: charcoal on laid paper. Museum: National Gallery of Art, Washington DC. Author: John La Farge.

Clair-obscur woodcut by Domenico Beccafumi depicting Saint Philippus, created in three plates around 1544-1547.

Miss May Belfort, Large Plate (Miss May Belfort, grande planche). Dated: 1895. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Seated dressed man, right. Seated dressed man, right.

Drawing, Woman Looking Out to Sea, Cullercoats, England; Winslow Homer (American, 1836-1910); USA; charcoal on white wove paper; 21.5 x 18.3 cm (8 7/16 x 7 3/16 in.)

Studies for the preaching of Johannes the Baptist in the desert: Draperieststies, Cornelis Kruseman, 1807 - 1857 drawing paper. chalk. pencil John the Baptist preaching (perhaps Christ among the bystanders). drapery, draped garment, 'Gewandgebung'

An Offering Fernand Khnopff Belgian 1900 View more. An Offering. Fernand Khnopff (Belgian, Grembergen 1858-1921 Brussels). 1900. Drypoint on simili-Japan; second state. Prints

FRESCO-MEDEA. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA.

Emile Bernard (1868-1941). Following original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 39." ... So this man went into a sinister place and hangs himself ". -Porte and Aquatinte. 1935. Paris, house of Victor Hugo. 101109-19 Analyzes thirty 1930 30, aquatinte, drawing, etching, man, illustration, litterian work, hanged, suicide, suicide

Drawing (France & Italy)

Chalk and feather drawing by Pier Leone Ghezzi depicting Abate Taja standing before a drawer box, with a young man wearing a hat behind him and a painting in the background, showing posture, gestures, and figures.

Luiza - tart. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Francisco Bayeu / 'The Virgin'. 1769. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Old man in a long robe; Thoma, Hans (1839-1924); 1906-1908 (1906-00-00-1908-00-00);

Cast of a Drapery for a Standing Figure, Leonardo da Vinci, 1500.

Enckell, Magnus, work, Sketch book, 1891, pencil, marker, crayon, etc., drawing, 22 cm x 30 cm, Enckell, Magnus, 1891, pencil, marker, crayon, etc., Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

A Standing Youth, Partly Dressed, Wearing a Doublet, Pulling Up His Stockings. Andrea Boscoli (1550-1606). Red chalk. 38.1 x 17.6cm.

Drawing, Lulling and Soothing the Mind into a Quietude; Frank Vincent DuMond; Published by Charles Scribner's Sons; USA; oil on canvas on board; 39.7 × 24.4 cm (15 5/8 × 9 5/8 in.); 1953-48-9

Drawing, The Annunciation; Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; pen and brown ink, brush and brown wash over black chalk on off-white laid paper; 40.8 x 28.7 cm (16 1/8 x 11 1/4 inches); Bequest of Erskine Hewitt; 1938-57-228

Sir Edward John Poynter, Minerva, 1886 Minerva

Lucius Quinctius Cincinnatus (519 BC 430 BC) - Roman aristocrat and statesman whose service as consul. Date: circa 475

Ostade, Adriaen van, Schreuder, Bernhard, Amsterdam, Ploos van Amstel, Cornelis, Two young children, verso - handwritten, A girl with her hands under her apron. Another girl seen from the back., print, engraving, prints, engravings, verso - stamped, Offered to the lord of at the request of friend Hemsterhuis, A v Ostade del P v Amstel F, height 82 mm, width 78 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1756 - 1767, paper, papier, prenttekening, crayonmanier, doordruk, roulette, - 1780-10-16, 1610-12-19 - 1685-04-28, intermediary draughtsman

Krabber, Anthon Gerhard Alexander van Rappard, 1868 - 1892 drawing paper.

At the door stood a man wrapped in a cloak

Venus from Milo according to the drawing of Wojciech Gerson unknown

The Woman in La Calebash (Bartsch 168) Rembrandt Harmenszoon van Rijn (1606-1669), Dutch painter. The woman at La Calebash (Bartsch 168). Floor on European paper, 1630.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), good judgment is only concerned with good wind (Girouette) (main title), 1902. Gypsography, drawing In brown. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

Sitting woman at the entrance of the gardens of the Royal Palace in Sevilla, Gerard Muller, 1871 - 1903 drawing Sevilla paper. chalk garden Reales Alcázares

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