Tabernacles and Altars

Elegant prints of historical tabernacles and altars, adorned with religious imagery and symbolic figures, showcasing intricate craftsmanship.

Tabernackel to Altar, Jean Lepautre, c. 1666 - c. 1693 print At the top the passion tools are between two angels. In the middle of the letter is the letter b. From the second edition of series with altars and tabernacles. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Two scenes with Emperor Charlemagne and Pope Leo III, Dominique Sornique (attributed to), 1729 - 1733 print Paris paper engraving / etching the Holy Roman emperor Charlemagne; possible attributes: crown, model of church, orb, sceptre, sword. king. emperor. pope. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Altar with sculpture by Madonna with child in the basilica of Sant'Agostino in Rome, Italy, Anonymous, After Jacopo Tatti Sansovino, 1851 - 1900 photograph Rome cardboard. paper albumen print altar with altar-piece. piece of sculpture, reproduction of a piece of sculpture Sant'Agostino

Silver monstrance executed in 1727, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Black ink on white paper, A monstrance, shown frontally, in the rocaille style. Decorated with seraphs' heads and grapes., At top: '78' (right corner); lower right: 'B. Audran sculp.' and inscription: 'Soliel Excute en argent pour les Religieuses Carmelites de Poitiers en 1727', France, 1730-50, metalwork, Print, Print

Card 17 Christ before Pilate, with: album with drawings depicting reliefs from the chapel of Kalwaria Ujazdowska unknown

Altar with Maria with child surrounded by people, Anonymous, 1850 - 1900 photograph photographic support. cardboard albumen print Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others. altar

Chandelier with six burning candles and the coat of arms of Pope Clemens Xi; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 44.

Portrait of Dietrich Kagelwid and the interior of a round building, Johann Christian Püschel, 1728 - 1771 print paper engraving theologian. historical persons. book. liturgical vestments, canonicals. civic architecture; edifices; dwellings

Ceiling of the Baptismal Chapel of the Sint-Pieterskerk in Tillières, Sellier, After P. Sellier, 1863 print paper steel engraving (decorated) ceiling. parts of church interior Cholet

Atget, Eugène (Jean Eugène Auguste Atget, dit) (N.1857-02-12-D.1927-08-04), Tomb of the parish priest Langue de Gergy, interior of the Saint-Sulpice church, 6th arrondissement, Paris. (Dummy title), 1903. Draw on albumin paper. Carnavalet museum, history of Paris. Religious architecture. Tomb of the parish priest Langue de Gergy, interior of the Saint-Sulpice church, 6th arrondissement, Paris.

Frame with the resurrection of the dead. A frame with the resurrection of the dead. Saints in the middle of died. Left men rise to heaven by an angel. Right women rise to heaven by an angel. In the middle of the tetragram as a symbol for God the Father. In the middle of an empty cartouche.

Nicolaus Copernicus, Copernicus (1473 1543), prominent PoIIsh astronomer, mathematician, physician, lawyer. Copernicus Monument at the Church of St Anna in Kraków. Bizański, Jan Nepomucen (1804 1878), Litographic Plant by Piotr Wyszkowski (Krakow)

LEŻAJSK The Bernardine Church interior organs

Christ and the Samaritan woman, Frederik Ottens, 1724 print Christ meets the Samaritan woman at the source. Round show in a frame decorated with tools and jugs. Under a smaller medallion with an imagination of OP. 9, 1-2: A star that opens the well to the underworld with a key. Amsterdam paper etching / engraving / letterpress printing Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug. the fifth of the seven angels sounds the trumpet: the falling star opens up the bottomless pit: smoke comes out

The facade of the Sint Gudula covered with mourning rugs (plate I), 1622, 1623 print The facade of the Sint Gudula church in Brussels covered with mourning rugs, weapons and four skeletons at the entrance. With caption of 4 times 2 lines in Latin, Spanish, French and Dutch. Plate I in the series of the funeral of Archhertog Albrecht of Austria in Brussels on March 12, 1622. Southern Netherlands paper etching / engraving cortege, funeral procession Sint-Michiel and Sint-Goedelekathedral

Image of Saint. Tomasz of Kempis; unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1780-1810 (1780-00-00-1810-00-00);

Augsburg, Nilson, Johann Esaias, Four Estates, Clergy and Knighthood, verso - stamped, Sheet with the clergy on the left and the knighthood on the right. On the left a rocaille cartouche with Christ on the cross with skull and snake. At the top a triangle with halo. On the left is a putto with a book and a sheep. On the right a rocaille cartouche with helmet, weapons, castle tower and a flag. On the right is a putto with helmet, lance and an order band next to an open book with text. In the bottom margin two columns with two-line German text. Publisher's number 1721-11-02 - 1788, after own design of, Publication (Event), Publication, German, 1721-11-02 - 1788, publisher

Altar with everyday eye; Altars; VI Cahier des Menuismen. Design for an altar awarded by two angels, two vases and above it in a triangle with beams. The alloying eye. Above a four-line French text.

Watch case and three strips; Watch cabinets: lids and sides. Watch case with the holy family, an angel and John the Baptist.

Sundareshvara teaching a bird a mantra Unidentified ca. 1800 These eighteen drawings depict sculptural piers in the Pudu Mandapa (New Pillared Hall), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623-59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked J. Whatman and with the firms trademark fleur-de-lis and the year 1798. View more. Sundareshvara teaching a bird a mantra. Unidentified artist, Indian. India, Madurai, Tamil Nadu. ca. 1800. Ink and wash on J. Whatman paper watermarked 1798. Paintings

Line drawing of the Last Judgement tympanum at Rheims. Christ, the judge, is the apex f the composition. Beneath him the dead rise from their graves. At the next level the blessed are seated on thrones and the damned. The bottom level are the saved souls being brought to Abraham's bosom, whilst the condemned are dragged by devils to the cauldron of Hell. Dated 14th Century

Decorative project for a canopy with scene of the birth of the Virgin. (Dummy title)

Timpaan with the passion of Christ on the southern portal of the Dom van Keulen, Johann Franz Michiels (Attributed to), 1855 - 1860 photograph Germany cardboard. photographic support salted paper print parts of church exterior and annexes

Angels with medallions; Bybel fabrics. Vignet with horns allows, angels and four medallions with the last supper, the intersection of Christ, the resurrection and Christ 'Ascension. Two cherubs on an altar in the middle.

Antepensium in the Pavia Carthusian monastery decorated with angels in mosaic, c. 1875 - c. 1900 photograph Certosa di Pavia cardboard. photographic support albumen print Angels. altar Certosa di Pavia

Moses and the Ten Commandments, Louis E.F. Garreau, 1789 print The two stone dining with the ten commandments in calligraphy. Centrally at the top in a round medallion: Moses with the Ten Commandments. Amsterdam paper etching / engraving Moses on Mount Sinai with the tables of the law (Exodus 24:9-18, 31:18). the ten commandments (Exodus 20:3-17)

Baselief of one Mary with Christ Child, Gustave le Gray, After Anonymous, 1857 - 1860 photograph France paper. cardboard albumen print Mary kneeling (on the ground), the Christ-child lying in front of her

Warwick - Tombs in the Beauchamp Chapel. Francis Bedford (English, 1815/1816 - 1894)

Album # 2; Stained glass project for the Church of Bourg en Bresse: Annunciation Gsell-Laurent workshop. Album # 2; Stained glass project for the Church of Bourg-en-Bresse: Annunciation. Pencil, enhanced white gouache.

Design for an altar in the church of the castle in Antwerp.design For An Altar With Christ Child As a Salvator Mundi and a Saint as a Medium Souls in Purgatory.

Offer ritual, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Two women's figures in an altar. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving adult woman. sacrifice ~ Roman religion

Wedding in Kana, M. Preyss, After Andrea Michieli, 1594 print Corinthian columns and cornices of galleries (upper leaf). paper etching / engraving Christ orders (six) jars to be filled with water ~ marriage-feast at Cana

Funeral of the Duke of Saxony. (TF)

Cross and wall sconces; III CAHIER DES SERRURIERS; Dessoints de la fashion Neuve au Gout Antique (...). Designs for wrought work in the shape of a cross and two wall sconces with garlands and floral motifs.

Relic holder of the Holy Elisabeth of Thuringia; Reliquaire de Ste Elisabeth de Hongrie. .

Pulpit, Cathedral of Pisa. Unknown, photographer about 1860-1880 A pulpit decorated with rectangular relief sculptures depicting religious scenes. The pulpit is lifted by narrow columns, some of which are resting on the backs of small sculpted lions. There is a sculpture of an eagle on the pulpit on the back of the book-stand. (Recto, mount) upper right, pencil: "38"; lower right, pencil: "Pulpit at Pisa/in the Baptistry";

, Stephansplatz - Stephansdom - Interior view, Tendher monument, postcard, Kilophot K, producer

Grafzerk of Justinus, Count of Nassau, and his wife. Grafzerk of Justinus and his wife. Above left his weapon and at the top right the weapon of his wife. Below are his helmet and the gloves of his harness. In a context, twelve rules Dutch text.

The Annunciation, diptych, mid 19th century, (1881). Etching of a small folding tabernacle in gilt bronze, silver, niello, bone and horn, made in Italy in the 1840s or early 1850s in the style of the late 15th century. The angel Gabriel, holding a lily, kneels before Mary. Above are God the father and the Holy Ghost in the form of a dove. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). Sampson Low, Marston, Sear

Saint Antony of Padua. Engraving by E. Hocquart after C. Maratta.

Front of a cross -shaped pendant with spes in niche, c. 1585 - Before 1599 print Front of a cross -shaped pendant. In the middle a semi -round niche in which Spes with anchor. At the bottom left and bottom right an almost round costume ornament. One of 6 blades from a series of 10 sheets with pendants. Three pearls hang on each pendant. Moreover, two or four small costume ornaments on each leaf. Netherlands (possibly) paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. pendant, trinket, 'breloque'

Italian wood carving of Death of St. Joseph, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Cartoon on the Jesuits, ca. 1858, 1850 - 1875 print Cartoon on the Jesuits, ca. 1858. Monument or temple with a picture of the reclining Ignatius of Loyola. Left and right preaching Jesuits in shooting guns, a chaining Chinese and an original American. On the stairs skulls of popes, bishops and kings. The temple awarded by an image of a god. Behind the temple dark clouds and lightning bolts. In the caption De Legenda 1-9 in French. France paper regular clerics, e.g. Jesuits, Redemptorists. the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. (aspects of) Christian Religion or the Church (as institution) ridiculed, criticized, or caricaturized. Native peoples of the Americas

Dimm Ludwig (1849-1928), Stadtkirche St. Katharinen, Schwedt/Oder. Grave monuments of Hohenstein (1888): Monument of the Countess of Hohenstein. Photo on cardboard, 49.1 x 42.3 cm (including scan edges)

Wapentrophe with fame. A male and female personification of fame blowing the praise to the middle of banners and a harness. At the top of a Turkish headdress and at the bottom of the Turkish crescent.

Sint-Jorisretabel van Eikhout, Anonymous, c. 1881 - in or before 1889 photomechanical print Antwerp paper collotype / photolithography altar with altar-piece. martyrdom, suffering, misfortune, death of St. George

Copper engraving by Peter Covehartz from 1657 depicting a fundle for Emperor Ferdinand III in the Augustinian Church in Vienna from May 17 to 19, showing emperor, church interior, and ceremonial attendees.

Retable of the Sint-Nicolaaskerk in Burgos, c. 1875 - c. 1900 photograph Burgos cardboard. photographic support albumen print altar with dossel (dorsal), 'reredos', altar-screen, retable. sculpture. parts of church interior. archbishop, bishop, etc. (Roman Catholic) Burgos

Grafzerk in the church in Schettens, Anonymous, After Albert Martin, 1875 print The grave belongs to a couple, they are depicted next to each other on the grave. He has a sword with him, she has crossed her hands in front of the chest. At the bottom two personifications of the time. The Hague paper flat, horizontal gravestone Schettens

Temple with two rich figures opposite a devil, anonymous, 1600 - 1699 print Temple with two rich figures, one with an open book in his hands, opposite a devil. There are various scientific instruments in the background, including a passer and a square. Netherlands paper letterpress printing

Cross of procession, Rome Ren� Marjolin (1812-1895). Cross of procession, Rome (Italy). Graphite pencil, feather and brown ink. Paris, museum of romantic life.

Cross From the top of the front church. Dominicans in Racibórz on the Szl Z: Jan Sas-Zubrzycki, Treasure of architecture in Poland, vol. 3, Kraków 1910-1911, tabl. 255; Sas-Zubrzycki, Jan (1860-1935); 1910-1911 (1910-00-00-1911-00-00);

Ursula shrine from Hans Memling; Chasse de Sainte-Ursule. .

Sansovino Andrea (1460-1529), S. Spirito, Florence. Altar of St. Sacrament (without dat.): Detail. Photo, 38.9 x 24.3 cm (including scan edges)

Assignment with coat of arms of Johannes Scipio Ormea. An assignment in Latin on a drapery, awarded the coat of arms of Johannes Scipio Ormea, Mr. Van Zevenhoven. On the top left is justice and right above Minerva. Behind them a veiled woman at an altar, looking up to the alloying eye.

A red chalk and feather drawing by Baldassare Franceschini showing sacrament houses carried by three angels.

Harp game in the Holy Heart, Anonymous, After Antonie Wierix (II), c. 1630 - c. 1650 print Harp game in the Holy Heart. Part of a series of seventeen prints about the human heart overcome by the Christkind, a theme related to the Jesuits. paper engraving the Sacred Heart. harp. regular clerics, e.g. Jesuits, Redemptorists

Part of a separation wall for the altar in the Sainte-Cécile cathedral in Albi. Leaf 22 Verso from a sketchbook with 37 sheets.

Candelabra du Master Altar, Church Saint-Gervais-Saint-Protais, 4th arrondissement, Paris Candelabra from the Master Altar, Saint-Gervais-Saint-Protais Church, Paris (IV�me Arr.), 1904. Photography of Eugene Atget (1857-1927).

The coat of arms of the Amsterdam Rederijkerskamer "De Egelantier", Jacob Cornelisz van Oostsanen, 1528 print Blazoen van de Amsterdamsche Rederijkerskamer "De Egelantier". Holy Trinity with Christ on the cross, surrounded by roses and the motto "in love bloeyende". On the left the weapon of Maximilian, to the right of the city of Amsterdam. Low Countries paper chamber of rhetoric (Dutch: 'rederijkerskamer'). the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion

Memorial monument in the Grote Kerk in Breda, Anonymous, c. 1881 - in or before 1889 photomechanical print Bredaantwerp paper collotype / photolithography monument, statue. interior of church Big church

Anonymous ink and feather drawing depicts Christ on the Mount of Olives, showing figure, gesture, and religious narrative.

Our Lady of the Immaculate Conception; unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1785-1820 (1785-00-00-1820-00-00);

Preaching Christ. Design for a glass window.

De passiewerktuigen worden het heilige hart binnengedragen; Cor Iesu amanti sacrum.The Passion tools are introduced to the Sacred Heart. Part of a series of seventeen prints about the human heart overcome through the Christ child, a theme related to the Jesuits.

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Tabernacles et Confessionales, Tabernacles and confessionals, Tabernacle with liturgical vessels, verso - stamped, Design for an ornamented tabernacle with vases, surrounded by four columns. In the tabernacle is a radiating monstrance. On top of the tabernacle is the book with the seven seals on top of a cushion, with above it a chalice with a halo. Publisher's number XXXIII, print, engraving, ornamental print, title print, prints, engravings, height 207 mm, width 153 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1780 - 1780, paper, etching, etchings, engraving (printing process), Work conception, after own design by, seller

James Jones, Mision San Carlos de Borromeo de Carmelo Mision San Carlos de Borromeo de Carmelo

The tombstone Bernard Lubra's tombstone; unknown, printing house of a downs (Poznan); 1842 (1842-00-00-1842-00-00);

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime5. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Israhel van Meckenem's 'Saint John Baptista in the Desert' is a late 15th-century copper engraving depicting Saint John the Baptist in the desert, accompanied by evangelist symbols and church fathers.

Two epitafes in the Sint-Michaelskerk in Pforzheim, c. 1875 - c. 1900 photograph Pforzheim cardboard. photographic support albumen print interior of church. epitaph. sculpture (+ relief ~ sculpture) Pforzheim

Stone Altar, 12th century, David van der Kellen (1827-1895), 1857 - 1864 print Stone altar with Christ and disciples, 12th century. Haarlem paper altar Netherlands

Part of the crown of Charlemagne, Anonymous, 1850 - 1880 print Germany paper etching crown (symbol of sovereignty) Dom

Plan of a Mosque. 1723. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Altar of the church of the invalids.

Triptych with the crucifixion of Christ, Léon Auguste Asselineau, 1839 print Image of a twelfth-century triptych, sliced from leg and decorated with insert of wood, from the collection of French collector Charles Sauvageot (1781-1860). print maker: Rouenafter drawing by: Rouenprinter: Parispublisher: Paris paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). Madonna: Mary standing (or half-length), Christ-child close to her bosom

Allegorical representation of the actions of the apostles, W. Roosing, c. 1780 - c. 1800 print Vignette with the apostles in the middle during the descent of the Holy Spirit, flanked by representations from the lives of the apostles. In the foreground four personifications of the cardinal virtues and naked children. One of these holds a notebook in which another writes the word '' proof ''. paper etching lives and acts of the apostles of Christ; epistles. Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4). 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues

Schmitz, Anselm, Christ in a Gothic frame, recto - printed, photograph, photo, page, photos, photographically illustrated books, No. 172. Pax, height 107 mm, width 88 mm, photographer, 1871 - 1876, photographic paper, photo paper, albumen print, albumine print

Elevation of a Reliquary Cross, Pietro Belli, Italian, 1780-1828, Pen and ink, brush and ochre and black watercolor, graphite on paper, Vertical rectangle. Design for a reliquary, the pedestal in the shape of an antae sarcophagus, featuring a pelican on clouds and cherubim supports. Above, a serpent coils around the base of the cross with an apple in its mouth. Above, the Veil of Veronica hangs with the image of the face of Jesus Christ. Spear and sponge staff are carried in front of the bottom part of the cross above the cloth, the sudarium suspended from them. Four circular receptacles, inscribed 'Relliquia' are proposed, three of them at the ends of the cross arms, the fourth between the tops of the spear and the staff. A small cross-shaped receptacle is in the center. The nails, dice, hammer, and tongs surround its top. A crown supported by two flying putti at the top of the reliquary., Rome, Italy, 1815-40, metalwork, Drawing, Drawing

Two snakes confront the pigeon of the Holy Spirit. The depicting of the pigeon as a symbol for the Holy Spirit is caught in an ornamental picture frame with floral motifs, three foxes and fantasy figures with arrow and bow.

Pope.

Gurk: wing altar in the northern side altar of the cathedral. .

Mary Met Kind Tussen de H. Cosmas en Damianus, Cornelis Cort, after Michelangelo, after raffaele da Montelupo, after Giovanni Angelo Montorsoli, 1570 print paper engraving grave, tomb. the twin-brothers Cosmas and Damian(us), martyrs and physicians; possible attributes: box of ointment, cap, gown, lancet, pestle and mortar, urinal. Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length)

Munich, Schurich, Carl Robert, Braun and Fr. Schneider, K., Germany, Schwind, Moritz von, Munchener platen, The hermit, verso - stamped, Ode to a hermit in the forest. A triptych of branches with a verse on the central panel. On the wings representations of the hermit in the forest. At the top a church surrounded by angels. Numbered center bottom: No. 33. Numbered top right: 33., print, folk print, prints, folk prints, height 441 mm, width 352 mm, Austrian, 1804 - 1871-02-08, maker, manufacturer, 1843 - 1920, paper, papier, wood engraving, letterpress printing, Publication (Event), Publication, German, publisher, 1820, printer

Unknown architect, grave cross. Monthly competition October 1876 (10.1876): front view. Pencil on cardboard, 29.6 x 14.9 cm (including scan edges) N.N. : Grabkreuz. Monatskonkurrenz Oktober 1876

Design for a Monstrance, Pen and brown ink on off-white laid paper, Vase shape on a plinth. Cross at top., Italy, 1815-1830, metalwork, Drawing, Drawing

Reliquary of Saint Ursula after the painting by Hans Memling in the Hans Memling Museum in the Old St. John's Hospital, Bruge, Belgium : Engraving from Lives of the Saints by the Reverend Sabin Baring-Gould, published 1898

Epitaaf from IO. Fr. A Slingeant; In the St Ians church in Mechelen. An epitod with a winged cartouche on legs with draperies and text tecum principum. On the underside a winged coat of arms and an owl with a shield with medusakop.

Chalice with sacrificial scene, putti, portrait of Christ and two angels, 1714 print Numbered in the top left: no. 3. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching Chalice. Christ. Cupids: 'Amores', 'Amoretti', 'Putti'. Sacrifice. Angels

See, youth! This 'Print Tafreel:' t Wyst on, / by images that are on stairs (...), 1806 - 1854 print Leaf with a large representation of a staircase with thirteen steps. Christ and the Apostles are on the steps. In the arch under the stairs Christ on the cross, with Mary and John. Under the image one fresh in two columns. Numbered at the top right: No. 209. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommelamsterdam paper letterpress printing Christ. the twelve apostles (as a group), usually with books or scrolls (not in biblical context). crucified Christ, with particular persons under the cross - DD - the three crosses

Portrait of Gregorio Barbarigo and the personification of faith; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On the front a medallion with the portrait of Gregoro Barbarigo. On the back he teaches children. Left next to the pedestal is the female personification of faith. She has a book and Christ image in her hands. Her foot is on a cornerstone, symbol for Christ. On the right two children are accompanied by an angel to faith. A boy ignites his candle at the torch that loves faith in her hands. Behind this an altar with mislect and host. The Holy Spirit descends into the shape of a pigeon. The print is part of an album.

Parvati, female form of Shiva, surrounded by deities from the shivah pantheon, Image group of Candi Singasari, East Java., draughtsman: Adrianus Johannes Bik, (mentioned on object), Oost-Java, 1822, paper, brush, h 278 mm × w 248 mm

Relief with Buddhist gods, possibly from the temple Candi Mendut, Andries Wiemans Cz., After Frans Carel Wilsen, 1836 - 1858 print There are two reliefs, one above the other. Dutch East Indies, The paper statues, paintings, etc. ~ objects of worship (Hinduism, Buddhism, Jainism) Mendut temple

Notre Dame, Dinant , Cathedrals, Interiors, Crucifixes, Altars. Sir David Young Cameron (1865-1945). Prints

Woodcut by Leonhard Beck, 1518, showing Saint Lucius from the Sipp saints series associated with Emperor Maximilian I, exemplifying religious artwork and iconography of the period.

Crucifix and Passion Instruments, 1860 - 1865 print A crucifix of Christ on the cross with jewelry with Maria and on the right John, surrounded by the instruments of passion. printer: Ghentprint maker: Southern Netherlands paper altarcross, crucifix. the instruments of the Passion and the five wounded limbs

Christ for Annas, Lucas van Leyden, 1509 print Christ held by soldiers, standing for Annas. One soldier with a high hand behind him. Low Countries paper engraving Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

'Interior of Goldsmith's Hall, 1876', (1897). Creator: Unknown.

Unknown photographer, S. Cecilia in Rome (without dat.): Grave of the Cardinal Fortiguerra. Photo, 24.7 x 19.8 cm (including scan edges) unbek. Fotograf : S. Cecilia in Rom (ohne Dat.)

Stained glass window with Christ on the cross, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print Christ is nailed to the erected cross - DD - three crosses. bystanders at the foot of the cross, among whom Mary, Mary Magdalene and John the Evangelist; Mary may be shown swooning. adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh) Europe

Chartres Cathedral, Central Portal of the South Transept; The Last Judgment 1855, printed 1857 Charles Nègre French. Chartres Cathedral, Central Portal of the South Transept; The Last Judgment 267296

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