Theatrical Scenes in Art

Dynamic illustrations depicting theatrical scenes and characters, characterized by colorful engravings and humorous compositions.

Many noise ... / 10 (registered title (letter)) | Grotesque mirror (set of all)

The Return from the Continent, or the Family Puzzled 1835 John Phillips This print satirizes French fashion by showing a stout middle class Englishman returned from Paris. As a seated lady pours tea, she misses the cup and remarks on the transformed appearance of her husband, "Lord, my dear! the French folks have quite transmogrify'd you. What, is that a French collar why, it sticks out like two large horns; and they've stuck a sugar-loaf on your head—and what have they been doing with your small cloaths and where's your wig, my dear He answers, "O! all a mode! all a mode!" Their daughter says, 'All a mode! all a mode! Why, Papa, you seem to have forgot all your English. You'll have all the customers take you for a French Mounseer." A clipped poodle stands at left and the ladies wear dresses with huge gigot sleeves and bold prints representing English fashion.. The Return from the Continent, or the Family Puzzled. John Phillips (British, active 1825-31). 1835. Etching. Thomas McLean

French costumes of the late 15th century. A woman on a throne at a banquet surrounded by allegorical figures of women, one with a pet squirrel, others playing board games. From a wallpaper in a courtroom in La Tournelle, Nancy. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Small thieves. / N ° 15 (title registered (letter)) | Compensation (title of all)

Marie Taglioni as Sylphide costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Love letter. / N ° 17 (title registered (letter)) | Compensation (set of all)

I would not die ... not four soils! There is no danger that you will take a name of ...! / No. 62. (registered title)

Hyde Park Artist's working dates 1822-1892 France. Pen and brown ink, with brush and watercolor, on ivory wove paper . Constantin Guys

Staberls travel adventure by Bäuerle Gallerie Drolliger Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Miseries of human life. Being suddenly seized with a fit of the cramp and that too in the first quarter of the honey moon. , Beds, Pain, Spouses. Thomas Rowlandson (1756-1827). Prints and Drawings

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), a no mistake, Mademoiselle, this is not here Mr. Adolphe (title), 1827. Lithography colored on paper vellum. Balzac house.

The mirror of the Jupiter, Contemporary paintings by Bäuerle gallery of interesting and droll scenes for the theater newspaper, th year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

The stone virgin, Magic game of the same theatrical picture gallery for the theater newspaper, Jg, No, After, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, Copper Engraver, Johann Wenzel Zinke -, artist

The diplomat of 1831. (IT)

The night converter, Pantomimal ballet from Scribe and Aumer theatrical picture gallery for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Fabricious's description of the poets , Dinner parties, Eating & drinking, Reading. Thomas Rowlandson (1756-1827). Prints and Drawings

Das Fest der Handwerker: Posse mit Gesang von Angely. Schoeller, Johann Christian, 1782-1851. Prints. 1830 - 1839. Jerome Robbins Dance Division. Dance , Germany , 19th century, Angely, Louis, 1787-1835. Fest der Handwerker

France, 19th century. Scene of society life: Le Dejeuner. Engraving from the series Le Bon Genre, number 10, around 1820.

Satirical illustration entitled 'Caricature against St, Simonien'. Two men wear thespian outfits.

Arrest of polignac. (IT)

Vattemare, Alexander.

Drawing, The Salutation at the Masquerade; Designed by Edouard de Beaumont (French, 1821 - 1888); France; pen and ink, brush and watercolor on bristol board

Garrick, David .

To say the book of Józef Poniatowski from his families; Unknown, Cerertti (couples; Publisher; 17 ..- 18 ..); around 1820 (1815-00-00-1825-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Tarasowicz, Konstanty and Helena (Fl. 1919)-collection, gift (provenance), children, Napoleonic era (1799-1815), riders, Legend of Prince Józef Poniatowski (iconogr.), Portraits, horse portraits, farewells, family

Robert Isaac Cruikshank, 1789-1856, British, The Pauper Family and Footman. A Steam Packet Cabin, 1830. Hand-colored etching.

The bound fantasy by Raimund Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The Salutation at the Masquerade, Edouard de Beaumont, French, 1821 - 1888, Pen and ink, brush and watercolor on bristol board, Vertical rectangle. Two figures engaged in conversation. Woman at right in a hat with red and green trimming, wearing a yellow blouse and black bloomers, is being addressed by a man in Directoire costume with a long red nose. Pen and ink transcription below., France, ca. 1860, figures, Drawing, Drawing

Satirical Print of Caleb Whitefoord, 1792 print The wine dealer and writer Caleb Whitefoord is in a room with nude portraits, in his left hand a stick and a catalog, with his right hand he holds a monocle in his eye. paper etching caricatures (human types). art collection, art gallery. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Hat with a recovery card , for the National Guard,-Calabreser, No, of the series Chronology , Headgear , In the most memorable of all years, by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, Printer, Leopold Theodor Neumann -, publisher

The girl from the fairy world or the farmer as a millionaire by Raimund Gallerie Droller and interesting Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Bains de femmes. Honoré Daumier (1808-1879). Lithographs

The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 13 x 9 3/4in. (33 x 24.8cm)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Personal satisfaction (registered title (letter)). Colored lithography, woven paper. Balzac house.

Fitting wigs; Lust to research; Caricatures of society around 1800. A caricatural show where a frenologist fits different wigs at different heads. At the table is a treatise from the German frenologist Franz Joseph Gall.

The Library, from "Poetical Sketches of Scarborough" 1813 Thomas Rowlandson Twenty-one plates etched by Thomas Rowlandson after James Green. The aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication, but were ultimately published due to popular demand.. The Library, from "Poetical Sketches of Scarborough". "Poetical Sketches of Scarborough". Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Man and his job, The actor, Carl Josef Geiger -, Drawer, Kühn, Lithographer, Matthias Rudolph Toma -, printer, publisher

A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, "For one man to live deliciously, one hundred others must work tirelessly." Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.

The womens enemy in the terminal by Theodor Hell Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Contrasts / n ° 8 (TI)

Ou peut on être mieux.... Honoré Daumier (1808-1879). Lithographs

A Hail Storm February 1, 1803 After Henry William Bunbury. A Hail Storm. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). February 1, 1803. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Some very stiff-necked theatregoers in the box at a London theatre Date: 1890

Italy - Four Classical Roman Ladies (in the Art Nouveau style!) one of whom is playing a harp. Date: circa 1904

26 / Rest assured, ladies, you will not fall alive in the hands of these anthropophages. (IT)

Une chambrée de Rats,' 1860 - 1869, by Franz Teichel. This lithograph on tinted ground features a colorful depiction related to the 19th-century ballet scene, measuring 22.6 x 29.2 cm. Produced by Imp. Lemercier in Paris. Additional, 'Le tohu-bohu plaisant.'

Joko, the Brazilian monkey by Taglioni Gallerie Droller Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Willibald Richter watercolor depicting a Tatarian landscape or scene, circa 1826, showing natural and human elements.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Monsieur had nothing. Cochers of the dead and the living (registered title (letter)). Colored lithography, woven paper. Balzac house.

Talleyrands signing the statement against Napoleon at the Vienna Congress

The Aldobrandini Wedding fresco. The wedding of Peleus and Thetis, parents of Achilles. Other guests include Roman matron in veil, Charis or Peitho with alabastron, Venus, Hymen seated on the floor, the Muses: Mneme holding a patera, Aoede playing the lyre and Melete meditating. Discovered in a house near the Arch of Gallienus, 1600. From Pietro Santi Bartolis Admiranda romananum antiquitatum. Nozze Aldobrandine. Handcoloured copperplate engraving by Corsi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1843.

The Headache. George Cruikshank (English, 1792-1878); possibly after Frederick Marryat (English, 1792-1848); published by Libraire Martinet (French, 19th century). Date: 1819. Dimensions: 179 × 234 mm (image); 210 × 267 mm (plate); 267 × 353 mm (sheet). Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Hercules and omphale. (registered title) | Mythological gallery. (title of all)

Waltzer au Mouchoir. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1800. Dimensions: 200 × 171 mm (image); 225 × 175 mm (plate); 260 × 231 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

I will plead. I won my trial. / 19 (title registered (letter)) | Grotesque mirror (title of all)

"God! How I loved that fellow there!," plate 16. Honoré Victorin Daumier; French, 1808-1879. Date: 1831. Dimensions: 186 × 225 mm (image); 280 × 357 mm (sheet). Lithograph, with hand-coloring on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

3 heads in a hat or triumvirate of crazy (IT)

Hat with a recovery card , for the National Guard,-Calabreser, No, of the series Chronology , Headgear , In the most memorable of all years, by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, Printer, Leopold Theodor Neumann -, publisher

The five -century century riches, anonymous, 1820 - 1830 Satire on the wedding ceremony between an old fat man and a young woman for an official of the civil stand who makes an attempt to note their long names and titles. Several aristocratic ladies and gentlemen in the background. print maker: Francepublisher: Brussels paper. watercolor (paint) political caricatures and satires. civil marriage ceremony

Commerce of Street Vivienne.

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. In the future thieves in Paris will have a plaque with a number. For The Future Thieves in Paris Shall Carry A Plate With A Number On It". Colored lithography, 1829. Paris, Maison de Balzac. 34929-3 Stop, humorous, lithography colored, morality, personification, police, thief, animal, caricature, scene

Quadrilles - Practising for Fear of Accidents. Isaac Robert Cruikshank (English, 1789-1856); published by J. Sidebotham (English, active 1802-1820). Date: 1817. Dimensions: 230 × 340 mm (image); 250 × 350 mm (sheet cut within plate mark). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

10 / Krupp and its unplanned case. (IT)

Will I dare, Mr. Le Check, to solicit your high kindness, the invaluable favor of / climbing in your splendid crew / N ° 1.

Gustave Doré on his deathbed, in or after 1885 The artist is on his deathbed. Next to him is a man sitting at a table and there is a letter on the floor. Drawing on page 10 of an album with 35 drawings. paper. ink. watercolor (paint) pen / brush The artist is on his deathbed. Next to him is a man sitting at a table and there is a letter on the floor. Drawing on page 10 of an album with 35 drawings. paper. ink. watercolor (paint) pen / brush

French 19th century illustration of people buying and using a kaleidoscope for entertainment. A kaleidoscope is an optical instrument with two or more reflecting surfaces inclined to each other in an angle, so that one or more (parts of); objects on one end of the mirrors are seen as a regular symmetrical pattern when viewed from the other end, due to repeated reflection. The reflectors (or mirrors); are usually enclosed in a tube, often containing on one end a cell with loose, colored pieces of glass or other transparent (and/or opaque); materials to be reflected into the viewed pattern.

Suite of the walk at the Royal Palace (IT)

Figure studies (fifth leaf), 1833, Christiaan Andriessen, 1833 print Leaf with figures: centrally a group of six women dancing to the music of a man with a barrel organ. Part of a series of six magazines with figure studies of Dutch traditional costumes, street figures and tuiks, 1833. print maker: Netherlandspublisher: Amsterdam paper folk costume, regional costume. street-trader

Beckmann, Friedrich.

Ah that the tems is hard. (IT)

A Messieur les membres du Con - sielle de discipline du 1er batalion. - Messieur, Je me suis présenté avec de - mes voisin au rendez vous alheure dite - il nia qun tambour qui se promenai mais - comme nos billet porte la grande tenue moi - la miene et bisset on ma trouvé bon comme - celà dans le temps d'aillieur il m'est ossi - imposible demabiliez comme prendre la lune - avec les dent il bien étonant que c'est toujour - au boutique et artisans qui non rien a perdre que - l'on commande garde tandisque des propriaitaire - est fis ideme qui on 22 24 et 28 ans - sur la ronismant ne sont pas même - sur ocuncontrôle. - Ces la que vous trouveré des gens qui ont - le moyen desabilier sans sales genes mais - ses petit messieur aiment beaucoup - mieux leur parti de campagne il aimerais - briller dans les parade et les faites il ne - regarderais pas à la dépence mais couchez - au cordegarde sa leur semble trop dur et - cependant c'est pour eu et leur propriété plutot - que daracher un homme de s

Wish letter with trap des age, 1820 print Wish letter with described cartouche within a decorative framework with a performance of a staircase with men and women of different ages. Below: two performances of a maternity and a deathbed. Handwritten message in calligraphy (birthday wish) by A.M. The COCQ to her father. Numbered at the top right: N. 18. publisher: Amsterdamprint maker: Netherlands paper. ink etching / pen the ages of man represented by a staircase

Meubles, vases et instrumens sic de musique du XIVme. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Auguste-Xavier Leprince, Various Sketches from Nature, c. 1816-26, watercolor on paper.

Thomas Rowlandson, 1756-1827, British, Dr. Syntax Copying the Wit of the Window, between 1809 and 1812. Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper.

Lerchenfelder-Buben, Illustration from Vienna and the Wiener, in pictures from life , ed, By Adalbert Stifter, Pest , Adalbert Stifter -, Editor, Carl Karl Mahlknecht - , Steel Engraver, Wilhelm Böhm, Drawer

Title page of 'Caricature Magazine or Hudibrastic Mirror by G.M. Woodward Esqr, Vol. 4' , Dance, Fools & jesters. Thomas Rowlandson (1756-1827). Prints and Drawings

Tournament joust from 1471 from a pen and ink drawing in the collection of the Stadel'schen Instituts at Frankfurt. Two knights in plate armour and elaborate helmets fighting with short swords, mounted on horses in heraldic colours. In outline, two knights with maces. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by C. Regnier, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the policies finally (known as Mr Binet) I am Ibrahi Pacha today for tomorrow, a supposition ... (registered title (letter )), 1827. Colored lithography on woven paper. Balzac house.

Title page of 'The Caricature Magazine or Hudibrastic Mirror by Thomas Rowlandson, Esq'r., Vol II' , Crowds, Reading. Thomas Rowlandson (1756-1827). Prints and Drawings

The Sentinel lost. (IT)

Coloured illustration titled 'The Swing' depicting a young lady in a swing.

Ref, Italian feast box in Vienna, Newspaper illustration Italian fleeting box in Vienna, Italian barrel organ player, After, Vinzenz Katzler -, artist

Grandville (Jean Ignace Isidore Gérard dit 1803-1847). "The metamorphoses of the day. Swimming school". Colored lithography, 1829. Paris, Maison de Balzac. 34927-19 Learning, swimming school, frog, humorous, lithography colored, swimming, personification, fish, animal

(5) / We took more than fifty guns! ....... (...) (IT)

3 / The shell falls / The woman stays / she did not fainting! ...

Imperial spanning (IT)

The vanity of the world's streelen, / here is depicted here with card castles / les cartes and chateau assemblées / sant bien l'image delavanité, 1800 - 1833 print Leaf with 2 performances of children playing. Upstairs two children pull a girl on a cart. Below a girl builds a house of cards. Under each image a four -line verse in Dutch and in French. Numbered in the middle: (N. 161. B.). Print Maker: Amsterdamprint Maker: Amsterdam Rotter Damp Publisher: Turnhout paper letterpress printing playing-cards. children's games and plays

Scene from Das Mädl from the suburb, Johann Christian Schoeller -, artist

Caricature criticising the Saint-Simonians, published by the journal Le Charivari, 1832.

Viennese scenes and popular activities , sheet , Le Coreur Avec Une Fille de Chambre, et une blanchisseuse de Vienne, A runner with a house girl, and a laundry in Vienna, Georg Emanuel Opiz -, Artist, Benedikt Piringer -, Copper Engraver, Joseph Eder -, Publishing house

Versailles

Knights in helm, hauberk, tunic, with swrod and shield, and woman in hooded robe. Civil and military costumes taken from the 13th century manuscripts: History of the Holy Grail and Seven Wise Masters. Costumes civils et militaires tires de lhistoire de St. Graal et des Sept Sages de Rome, manuscrits du XIIIe siecle (BDM). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829.

2nd departure of the three orders for Versailles ... (IT)

New State Omnibus, or, The Man wot is Cad to the Man wot was Cad to the Man wot drove the Sovereign. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 11 3/4 × 17 5/16 in. (29.8 × 43.9 cm). Lithographer: Ducôte and Stephen (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 363. Subject: William IV, King of the United Kingdom of Great Britain and Ireland (British, 1765-1837); Arthur Wellesley, 1st Duke of Wellington (British, 1769-1852); Sir Robert Peel (British, Bury, 1788-1850). Date: December 24, 1834. Museum: Metropolitan Museum of Art, New York, USA.

The judgment of Paris. (IT)

Declaration / No. 5 (registered title) | Crimea (title of all)

Harmony before Matrimony Js. Gillray, des. & Ft.. British Cartoon Prints Collection , Exhibited: Gillray and the Art of Caricature. Courtship,1800-1810. , Couples,Great Britain,1800-1810. , Love,1800-1810.

Cher, il va chasser demian, venez à neuf heures, dans le parc - aux environs de la petite porte, et j'aurai envoyé le garde - d'un autre côté! Nous aurons au moins deux heures à nous - à nous - mon Henri ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Ref, A numero in the K, Hoftheater, A numero in the K, Hoftheater, Garcon Confiturier du Theater de la Cour, Ludwig Maillard -, Artist, Artaria , Co, Verlag, Publishing House

Two matois purposes.

The ridiculous merchant (IT)

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