Theatrical Set Designs

Elaborate stage designs showcasing grand halls, dramatic arches, and intricate sculptures, depicting scenes from theatrical productions.

Fontana e Prospetto Sopra Il Viale de Cipressi, Le fontane di Roma nelle piazze e luoghi publici della città: con li loro prospetti, come sono al presente, Falda, Giovanni Battista, 1640-1678, Engraving, 1691, plate 3, part 2, entitled, Le Fontane delle Ville di Frascati nel Tusculano con li Loro Prospetti.

Netherlands, Illumination for the Town Hall in Amsteldam at the Peace Festival on 2 June 1802, Illumination for the Town Hall in Amsterdam, 1802, verso - stamped, Illumination erected in front of the Town Hall on the Dam in Amsterdam, at the festive celebration of the Peace of Amiens on 2 June 1802. The print includes a text sheet. Separate print from the Nederlandsche Mercurius of 1802., print, prent, prints, Frederik Muller Historieplaten, height 189 mm, width 158 mm, print maker, printmaker, 1802 - 1803, paper, papier, etching, engraving, engraving (printing process)

Vestigia delle Terme di Tito. View of the Absida in room 25 with Minerals, Junona and Venus; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, antiquity, purchase (provenance)

Jacques Callot, French (1592-1635), The Last Supper, c. 1624-1625, etching

Louis XIV (king of France), Paris, Démortain, Gilles de, Delamonce, Ferdinand, Baquoy, Maurice, L'Arc de Triomph, dans un des bosquets des jardins de Versailles, The triumphal arch in the garden of Versailles, verso - stamped, The triumphal arch in the garden at Versailles. Numbered lower right: 27., print, prints, topography, height 422 mm, width 558 mm, 1680 - 1747-08-06, print maker, printmaker, 1715 - 1715, paper, papier, engraving, engraving (printing process), etching, 1678 - 1753-09-30, intermediary draughtsman, after a drawing by, Publication (Event), Publication, French - 1723, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Jost Amman (1539-1591). "View of Place Saint-Marc in Venice (Bartsch 27)". Engraved wood. Middle of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 123047-25 Serious wood, 16th 16th XVI 16th 16th 16 CENTURY

Folkema, Jacob, Dormitory, verso - stamped, A dormitory with figures in nightgowns lying in beds arranged along the wall. Two dogs lie in the foreground. Print marked at top right: Tom. ii. pag. 257., print, book illustration, prints, height 162 mm, width 108 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, etching, etchings, Work conception, after own design by

. Cartoon at the Patriot preacher W. Suermond or Suurmond in Deventer. The branch is sitting on a chair with a stick with the freedom hat in hand. In the caption a verse of four rules. Transparent image or viewpass where a pornographic representation becomes visible when the print is held against the light. A pendant belongs to the print.

Netherlands, Fokke, Simon, Bezigtigen der groote Kroon, Viewing of the large chandelier, gift to the Russian Tsar, 1659, Viewing in the Citizen's Hall of the City Hall of the large chandelier donated by the Republic to the Russian Tsar, November 1659., print, history print, prints, Frederik Muller History plates, height 119 mm, width 62 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1779 - 1781, fourth quarter 18th century, paper, etching

Stage Design, Oriental Temple, Antonio Giuseppe Basoli, Italian, 1774-1843, Pen and gray ink, brush and gray and black wash on paper, Horizontal rectangle. Image of god on pedestal int emple. Representations of other gods, elephants, and camels. Incense burning., Italy, 1810-30, theater, Drawing, Drawing

Drawing, Painted decoration: view into a gallery; Italy

Theater Decor: De Aldoude Hofgallery, Adolf van der Laan (Attributed to), After Hendrik de Leth, 1736 - 1738 print The scenic decor the old court gallery with scene from: the marriage of Orondates and Statira. Only the decor of a separate plate, so without the passe-partout. Part of a series of 12 theater sets of the Amsterdam Schouwburg on the Keizersgracht. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Figures in a ruin with arches, Jacques -Philippe Le Bas, After Giovanni Paolo Pannini, 1717 - 1783 print print maker: Parispublisher: ParisParisFrance paper etching / engraving ruin of a building ~ architecture. landscape with ruins

'Sketch of the Scenery for the Opera'. Russia, 18th century. Dimensions: 35,2x50,8 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE VALERIANI.

'Composition with Statues of Melpomene and Thalia'. From the Album No 3 "Souveni d'Italie". 1807. Dimensions: 26,6x36,8 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

'Sketch of the Scenery for the Opera "Scipio"'. Italy, 18th century. Dimensions: 36,2x52,5 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE VALERIANI.

Drawing, Theater Interior with Boxes; pen and black ink, brown wash, pencil

Column of the emperors; Entry of Ferdinand in Antwerp in 1635 (no. 16), 1639 - 1641 print The column of the emperors. Zuilengalerij with statues of the twelve Austrian emperors. On top of an obelisk with the two columns of Hercules on either side. Total picture of the porch printed on two sheets (unassembled). Marked at the top left of the left sheet: p. 43. Page no. 16 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (Tapestry or Stage Design) ca. 1700-1720 Daniel Marot the Elder French Design for a so-called garden theater dominated by classical architecture in the foreground. The end of two arcades and two bent trees form the coulisses to a view of garden with a large pond. Several people are depicted sitting by the water or even fishing. A group of five has ventured out on the water in a small boat. In the background two rows of trees lead the eye towards a small building characterized by niches with statues. Colored washes in grey, green and red tints have been added to enliven the scene.. View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (Tapestry or Stage Design) 405846

ClassicalLandscape. Artist: Jean Le Pautre, French, 1618-1682

Spirits at the Oudeschans in Amsterdam, 1833; The spirit senior on the old shine. Appearance of spirits at the Oudeschans in Amsterdam, in the evening of 8 and 9 October 1833. The ghostly white shadows of women in long robes move along the quay. In the foreground and on the bridge the spectators collected. The 'ghosts' were produced by any students using magic lantern pictures. The show within a peripheral of humorous figures: students, police officer, children and kissing figures.

Figura del nobilissimo parato fatto d'ordine dell'emmo. sre. Cardinal de Retz nella Chiesa di San Luigi de Francesi in Roma per la festa del detto santo nell'anno 1665, 1665. Barrière, Dominique, approximately 1618-1678, printmaker. 1665 Church of S. Luigi dei Francesi The nave of the church of San Luigi dei Francesi is filled with daylight and figures in groups conversing. According to inscription, it is after a drawing by Joseph Lanatus. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, interest in the city's past grew among certain circles in Rome. Pecci-Blunt's collection came to be known as "Roma Sparita" because of its nostalgic focus on the Rome of a bygone era. Pecci-Blunt marked many of the prints in her colle

Design for a decoration on the building of Felix Meritis, Jurriaan Andriessen, 1802, Design for a decoration, on behalf of 'Pax', on the building of Felix Meritis in Amsterdam, July 1802., draughtsman: Jurriaan Andriessen, Jul-1802, paper, pen, brush, h 156 mm × w 180 mm

Fountain of the dragons in a Tuinen Van de villa d'Aesti di aproli, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 11. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 11. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

Representation of illumination (IT)

Netherlands, Marot, Daniël (I), Nouveaux Lieure de Paysages, Colonnade with a view of a harbour, Colonnade with two women and two sheep in front, resting in the shade of two trees., print, ornamental print, prints, ornamental prints, height mm, width mm, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by, Publication (Event), Publication, publisher

Prospect of the little flower garden in the Kaiserl, Aug-species , from, True and accurate illustration , part , After, Salomon Kleiner -, Drawer, Georg Daniel Heumann -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Inside of the Duke's Theatre in Lincoln's Inn Fields, Richard Sawyer, active 1820-1830, after unknown artist, 1809, Engraving, Sheet: 12 3/4 x 9in. (32.4 x 22.9cm)

View of the spiral staircase of King Francis I in the castle of Blois Blois Escalier de Franois Ier Contemporary France La France de nos jours , print maker: Léon Auguste Asselineau, (mentioned on object), intermediary draughtsman: Léon Auguste Asselineau, (mentioned on object), printer: Destouches, (mentioned on object), print maker: Rouen, intermediary draughtsman: Rouen, printer: Paris, publisher: Paris, 1853 - 1856, paper, h 434 mm × w 291 mm

Fireworks in The Hague at the celebration of the Peace of Aachen, 1749, 1749 print Scaffolding for the fireworks commissioned by the States General in the Hofvijver in The Hague on 13 June 1749 at the celebration of the Peace of Aachen, concluded on October 18, 1748. marked at the top right: p. 292. Northern Netherlands paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

A true picture of the famous skreen describ'd in the Lond.n Iourn.l No. 85. 1721. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Entry of Friedrich Heinrich Ludwig, Prince of Prussia, Anonymous, Simon Fokke (Possible), After Dirk van der Aa, 1768 print paper etching historical persons. public festivities at marriage of royal persons

Fireworks in The Hague at the celebration of the Peace of Aachen, 1749; Image of the fireworks, lit in 's Gravenhage den 13 Juny 1749, due to the sweetheart in Aachen, the 18 Octosbr. 1748.Shanglage for fireworks set up commissioned by the States General in the Hofvijver in The Hague on 13 June 1749 at the celebration of the Peace of Aachen, closed on October 18, 1748. Signature at the top right: PAG. 292.

Design for a room protecting with stones arches with a fountain and a garden view.

Study for The Temple in Jerusalem, Plate 424, Physica Sacra, Johann Melchior Füssli, Swiss, 1677-1736, Christian Ulrich Wagner, German, 1686-1763, Brush and gray wash, pen and brown ink on cream laid paper, A temple, within a larger structure with arches and square columns or pilasters in front, occupies the foreground. The mostly flat landscape in front is dotted with a few small trees. The background contains mountains and a large sky with a scroll floating in the center that reads, 'TEMPLI HIEROSOLYMITANI SCENOGRAPIA / Perspectivische Vorstellung des TEMPELS zu JERUSALEM.' The second line is crossed out., Zürich, Switzerland, before 1731, architecture, Drawing, Drawing

Amsterdam, Tirion, Isaak, Fokke, Simon, The Great Church in Haarlem, overwhelmed by the Soldiers, in the year 1578, The Great Church in Haarlem stormed by Protestants, 1578, verso - stamped, Church interior of the Great Church in Haarlem, now the St. Bavo Church, with plundering figures. On the left, in the foreground, the priest is overpowered., print, prints, height 179 mm, width 206 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1729 - 1766, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1705 - 1765, publisher

Mausolei Ab Augusto Imp, Print made by Etienne Dupérac, ca. 1535-1604, French, Published by Giovanni Orlandi, active 1590-1640, Italian, Published by Antonio Lafreri, 1512-1577, French, 1575, Line engraving on medium, slightly textured, cream laid paper, Sheet: 18 1/2 × 12 1/8 inches (47 × 30.8 cm) and Image: 15 1/2 × 11 5/8 inches (39.4 × 29.5 cm)

Giovanni Battista Piranesi, Fantasy of an Ancient Bath, 1755 1760 Fantasy of an Ancient Bath

Fountain of Narcissus in the Villa Borghese in Rome; Fontana di Narciso Nel Giardino del SIG 'Principe Borghese (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. Numbered at the bottom right: 13. The print is part of an album.

View of a channel with bridge, Johannes or Lucas van Doechum, after Hans Vredeman de Vries, after 1601 View on a channel with bridge on which stands. A rowing boat in the middle of the water. In the corners of moreske ornaments. The print is part of an album. Antwerp paper etching View on a channel with bridge on which stands. A rowing boat in the middle of the water. In the corners of moreske ornaments. The print is part of an album. Antwerp paper etching

Pedlar and his dog in the stained glass window of the church at Saint Mary-at-Lambeth. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.

HER MAJESTY'S STATE BED

GRABADO-INTERIOR DE PALACIO EN BRUJAS - S XVII -. Location: PRIVATE COLLECTION. France.

Trevifontein Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Trevifontein in Rome. Title in the end margin. Rome paper etching piece of sculpture, reproduction of a piece of sculpture. ornamental fountain Rome. Trevifontein

Rotterdam, Cornel, Nicolaas, Boon, Adriaan (1763-1802), Sansom, Franciscus, Image of the Illumination and Decoration for the house of the Genuine Fatherland Society on the Westnieuwland in Rotterdam 8 March 1788, Illumination of the building of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, 1788, verso lower right - stamped, Illumination of the facade of the building of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, on the occasion of the fortieth birthday of Prince William V on 8 March 1788 and the restoration of the old constitution. The facade decorated with lights and chassis with allegorical representations., print, prints, height 317 mm, width 245 mm, Noord-Nederlands - 1788, print maker, printmaker, 1788 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Nederlands, 1763 - 1802-10-27, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Fontein van de Doornbreekker in the gardens of the Royal Palace of Aranjuez, 1694 - 1737 Fontein with a statue of the thorn breaker (Spinario) in the gardens of the Royal Palace of Aranjuez. Under the show a title in Latin, Spanish, Dutch and French. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Aranjuez Fontein with a statue of the thorn breaker (Spinario) in the gardens of the Royal Palace of Aranjuez. Under the show a title in Latin, Spanish, Dutch and French. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Aranjuez

Imaginary Appearance of the Ancient Capitol. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, circa 1743; published 1747. Prints; engravings. Etching, engraving, and drypoint

General reinforcement, decoration on Kadijksplein, 1795, 1795 print The general reinforcement, allegorical decoration established on the Kadijksplein in Amsterdam at the Alliantiegeest on June 19, 1795. Medieval castle standing on rocks, on the towers symbols of astronomy, hydrography and geometry, on the chassinet in the Underpass is freedom by Batavian and French sailors on a shield. paper etching festivities on events of national importance (+ festive decoration ~ festive activities). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). new ruler raised on the shield. fortress Amsterdam. Kadijksplein

Hortus Botanicus of Leiden University, Willem Isaacsz. van Swanenburg, after Jan Cornelisz. van 't Woudt, 1610 print View of the Hortus Botanicus of the University of Leiden, with various walking figures in the garden, 1610. Under the performance a crocodile, turtle, fish, bat and other animals. In the middle a plant in a pot. Part of a group of four faces from the University of Leiden, later used as an illustration in the supplement of the book by Meursius about Leiden University. Netherlands paper etching / engraving University. Botanic Garden, 'Hortus Botancus' university of Leiden

'Antique Thermaes'. Italy, 1778. Dimensions: 37,5x48,7 cm. Museum: State Hermitage, St. Petersburg. Author: Giuseppe Manocchi.

Monogrammist R (writer 18th century), Amsterdam, Crajenschot, Theodorus, Barbiers, Pieter (I), Bogerts, Cornelis, The fire in the Amsterdam Theatre, 1772, Image of the theatre during the fire in the Amsterdam Theatre; 11th May, View of the salle du spectacle d'Amsterdam, pendant l'incendie; le 11e may, Hall of the Amsterdam Theatre at the outbreak of the fire, View of the hall of the Amsterdam Theatre at the outbreak of the fire on 11 May 1772. The fire broke out during the performance of the opera 'De Deserteur'. The audience flees in panic. On the left, flames are entering the hall. Below the performance, the title and a four-line verse in Dutch (left) and French (right). Part of a series of four prints with title print about the fire in the Amsterdam Schouwburg., print, prints, height 263 mm, width 354 mm, 1745 - 1817-02-03, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, engraving, engraving (printing process), Noord-Nederlands, 1717 - 1780-09-17, intermedia

Piedmontese silk manufacturing by Antonio Alessandro Scarselli, miniature

Artifice / Oculity Ex�cut�s in Paris (TI)

Amsterdam, King, Wilhelmus, Marot, Daniël (I), Northern Netherlands, Keyser, Jacob, Newly Corrected Firework in The Hague by the States General Chamber in the Vyver to be seen Ordained by her High Mighty Lords States General of the United Netherlands, in Commemoration of the Peace concluded with the King of France at Utrecht on 11 April 1713, Representation du feu d'Artifice a la Haye, Fireworks at the celebration of the Peace of Utrecht, 1713, Scaffolding with fireworks set off by order of the States General on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. In the caption titles in Dutch and French and with a legend in Dutch only., print, prent, prints, prenten, Frederik Muller Historieplaten, height 263 mm, width 361 mm, print maker, prentmaker, 1713 - 1713, paper, papier, etching, etsen, Work conception, 1663 - 1752-06-04, after a design by, Publication (Event), Publication, - 1732, publisher

'Sketch of the Scenery for the Opera "Olimpia"'. Italy-Russia, 1829. Dimensions: 62x94,5 cm. Museum: State Hermitage, St. Petersburg. Author: Antonio Canoppi.

unknown artist, Inside of the Mews, 1794. Aquatint, hand-colored.

Tsar Peter the Great visits the Wildianum Museum; Wildianum museum. Interior of the Wildianum museum on Keizersgracht 333. High bookcases with art objects against the side walls. Left Jacob de Wilde is at the table. He shows his art treasures to Tsar Peter the Great who is sitting opposite him. The Tsar visited the museum on December 13, 1697.

Drawing, Project for a Painted Ceiling; Italy; pen and ink, brush and watercolor on paper

Venus fountain in the gardens of the villa d'Este in Tivoli; Fontana di Venere Posta Nel Piano Dell'Organo; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Numbered at the bottom right: 22. The print is part of an album.

Vidy Moskovskikh monastyrei, grav. Pikarom do 1715 goda Views of Moscow monasteries, engraved by Petr Pikart (Picart), ca. 1715. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

France, Baugin, J., Face Meridionale du Cirque d'Orange, The Roman Theatre at Orange, 1639, The Roman Theatre at Orange. Façade and plan, with fighting gladiators. At the bottom the legend AN in French., print, prints, Frederik Muller History plates, height 389 mm, width 343 mm, French, print maker, printmaker, 1637 - 1640, second quarter 17th century, paper, papier, engraving, engraving (printing process)

The Roman theater in Orange, 1639; Face Meridionale du Cirque d'Orange. The Roman theater in Orange. Façade and map, with fighting gladiators. At the bottom of the legend A-N in French.

Stadsplein with a fountain surrounded by images and pots with plants, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Courtyard with a fountain. There is a basin in the middle, framed by vases with flowers. Left and right gives a bridge, flanked by two statues, access to an island with a second basin, in which the fountain stands. This consists of a substructure with a basin, which contains a decorative crown with saters. The print is part of an album. Antwerp paper etching Courtyard with a fountain. There is a basin in the middle, framed by vases with flowers. Left and right gives a bridge, flanked by two statues, access to an island with a second basin, in which the fountain stands. This consists of a substructure with a basin, which contains a decorative crown with saters. The print is part of an album. Antwerp paper etching

Ecce Homo. Dated: c. 1624/1625. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Rome, Mascardi, Giacomo, Lauro, Magesyn der Italiaense Gebouwen, Antiquae Urbis Splendor, Antiquity monuments, Porta Naevia et Labicana hodie Porta Maggiore, Porta Naevia te Rome, Text in Latin in the lower margin. The print is part of an album., print, picture, album sheet, prints, pictures, height 175 mm, width 232 mm, Italian, print maker, printmaker, 1612 - 1628, paper, papier, etching, etchings, 1567 - 1634, printer

Fons ad aream Portae Populi = Fontan auf dem Platz bey der Pforten Populi, Der römischen Fontanen wahre Abbildung: wie solche, so wohl auf offentlichen Plätzen und Palatien, als auch zu Frescada Tiuoli und denen Lust-Gärten, mit ihren Prospecten, der Zeit allda zu ersehen sind, Falda, Giovanni Battista, ca. 1640-1678, Franck, Johann, fl. 1659-1690, Etching, 1685, Etched by Johann Franck.

Image of Queen Wilhelmina on the Jaarbeursterrein on Vredenburg in Utrecht during her second visit to the second annual fair, next to her Mr.dr. W.A. van Zijst, chairman of the Board of Directors.

Garden with a ground floor and a column, Michael Birbaum, after Hans Vredeman de Vries, 1615 print A garden with a labyrinth in the foreground, formed by low beds, and in the middle a tree on a square center. People walk in the background and sit on a square. At the back left a column. The print is part of an album. paper etching garden

Print at the top right labeled: FIG. 26.

Engraving depicting a dairy and dairymaid using a barrel churn. Dated 18th Century

In the Marble City. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 300 x 247 mm (image/plate); 305 x 250 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Drawing, Stage Design: Palace in Clouds; Girolamo Fontana (Italy); Italy; pen and black ink, brush and gray-blue wash on white laid paper; 52.3 x 56 cm (20 9/16 x 22 1/16 in.) Mat: 71.1 x 91.4 cm (28 x 36 in.)

Arrival of the delegation of the States at Willem V, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Arrival of the delegation of the States General at the Huis ten Bosch Palace for the presentation of the act of warranty to Stadholder Willem V, July 10, 1788. Amsterdam paper etching four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach Palace Huis ten Bosch

Fontana d Acqua Felice a Termini, 1767, Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldatum nicht bekannt

The decoration of the prince with six virtues applied to a side room of the house of the widow of the alderman Jasper Bolten on the IJgracht in Amsterdam On the occasion of Prince Willem V's coming of age on 8 March 1766 Numbered at top: IX, Decoration at the house of the widow of Jasper Bolten in Amsterdam, 1766, print maker: Noach van der Meer (II), (mentioned on object), Northern Netherlands, 1774 - 1775, paper, etching, engraving, h 190 mm - w 230 mm

Library of the University of Leiden. Interior showing the cabinets with the books on chains. In the foreground and between the cabinets several visitors. On the left a table with globes. On the right a cabinet marked: Legatu Josephi Scaligeri. On the walls maps, prints and portraits. Part of a group of four faces of the University of Leiden, later used as an illustration in the supplement to Meursius' book on the University of Leiden., Library of the University of Leiden Bibliothecae Lugduno-Batavae cum pulpitis et arcis vera ixnographia Four faces of the University of Leiden (series title), print maker: Willem Isaacsz. van Swanenburg, intermediary draughtsman: Jan Cornelisz. van 't Woudt, publisher: Claes Jansz. Visscher (II), (mentioned on object), Northern Netherlands, 1610 and/or 1644, paper, etching, engraving, h 329 mm × w 403 mm

Column of the emperors; Entry of Ferdinand in Antwerp in 1635 (no. 16) (right half), 1639 - 1641 print The column of the emperors. Zuilengalerij with statues of the twelve Austrian emperors. On top of an obelisk with the two columns of Hercules on either side. Total picture of the porch in two magazines (unassembled). Page No. 16 (right half) in a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on 17 April 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

Copper engraving by Heinrich Friedrich Füger showing the Equestrian Monument of Joseph II at Josefsplatz, Hofburg, Vienna I, east view, circa 1800.

De Oranjetuin, 1787, Joseph Gleich, 1787 - 1788 print Allegory on the restoration of Stadholder Willem V in 1787. In a garden with shaved hedges and fountains, there are busts of Prince Willem V, his wife and children on pedestals. In the back a statue of the fame with Bazuin Vivat Willem, in the air the Prussian eagle. In the foreground father Time, figure with Mercury Staff, the weapons of Orange and Prussia, De Vrijheid and Minerva. On the left the sun rises, on the right it is thunder. Paris paper etching predatory birds: eagle. Father Time, man with wings and scythe

Fire of the city

Ludwig Xiv., King of France.

Garden at Voorst, Anonymous, After Daniël Marot (I), After 1701 - Before 1800 print In the foreground you can see a large round basin, surrounded by a circular ground floor. In the middle there is a fountain with a saat and a nymph. Copy to sheet from series Liure de Fontaines published by Daniel Marot. paper etching garden fountain

Fontana di Trevi, Trevibrunnen, 1767, Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldatum nicht bekannt

Fireworks at the celebration of the Peace of Utrecht, 1713; Image of the fire threcking, in Den Hage, by her high-morning Heeren Staan General of the United Netherlands, to Aucceed Vreden of Vrankryk, the April 11, 1713. Up to Utrecht / Representation du Feu d'Artifice Fait a la Haye (...). Stellage with fireworks set up commissioned by the States General at the Hofvijver in 's-Gravenhage at the celebration of the peace of Utrecht, 14 June 1713. In the caption only the titles (and not the legendas at the fireworks) in Dutch and French.

Fontein in De Binnenplaats van Het Palazzo Massimo di Rignano Te Rome, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 27. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Palazzo Massimo di Rignano. Rome Numbered below: 27. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Palazzo Massimo di Rignano. Rome

Staten van Holland en West-Friesland, Den Haag, Beeck, Anna, Noordelijke Nederlanden, Vianen, Jan van, Series of sixteen small prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations, 1697, Cabinet of the Mediator, Cabinet of the Mediator in the Huis ter Nieuburch in Rijswijk, The Hague, Northern Netherlands, The mediator's cabinet in the Huis ter Nieuburch in Rijswijk. In the caption the two titles in French and Dutch. Part (print 6) of the series of sixteen smaller prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten, height 133 mm, width 164 mm, Noord-Nederlands, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, 1657 - 1717, publisher, uitgever, verlener, verlener van privilege

Carle Vernet (1758-1836). "The Palais-Royal in 1810". Drawing. Paris, Carnavalet museum. 34798-2 Arcade, drawing, 1st 1 arrondissement, medium transport, Palais-Royal, first empire, prostituee, prostitution, street scene, gallant life

Men fencing. Engraving by J. Gelle.

Ruin of a Roman building, Jean François Janinet, 1762 - 1814 print Interior of a large Roman building with statues, a fountain and fragments in the foreground. Six figures are walking around. France paper etching ruin of a building ~ architecture

Church interior with warriors at the entrance, draughtsman: Bernard van de Laar, 1814 - 1872, paper, brush, h 303 mm × w 241 mm

"Harold Scene 3 Cathedral (The relics covered with cloth at centre)". Dimensions: sheet: 17.1 x 24.9 cm (6 3/4 x 9 13/16 in.). Medium: pen and black ink with watercolor over graphite on light tan board. Museum: National Gallery of Art, Washington DC. Author: Robert Caney.

Mauro Antonio Tesi, Capriccio with a Palladian Villa, c 1760 Capriccio with a Palladian Villa

Antwerp, Galle, Joannes, Vredeman de Vries, Hans, Hortorum Viridariorumque, Gardens, Garden with parterre with a fountain with a statue in the center, verso - stamped, Garden with parterre enclosed by a green alley. A fountain with a statue in the center., print, prints, height 187 mm, width 246 mm, Work conception, Southern Netherlands, 1527 - 1607, after a design by, 1587 - 1587, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1600 - 1676-09-20, publisher

Object ID #18545119; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); After Alessandro Sanquirico (Italian, 1777 - 1849); Italy; pen and black ink, brush and gray wash, graphite on white laid paper

'Liege', c1820 (1915). Artist: Samuel Prout.

Ball in honour of Napoleon III and his wife organised by the legislative body, March 26, 1853, Paris, France, illustration by Henri Valentin from L'Illustration, Journal Universel, Volume 527, Volume XXI, April 2, 1853.

The Portuguese erepoort (front), 1599; Arcus Triumphalis Lusitanorum. The Portuguese ereportion (front), December 1599. Triomf gate decorated with allegorical scenes and figures. Central to the greeting of Albrecht and Isabella by Juno. On both sides two rows of piles with burning pekons. During the Antwerp in Antwerp arranged on the corner of the Skin Depletters Street. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599.

The statue of Athena Parthenos by Pheidias in the Cella of the Parthenon, reconstruction G. Rehlender, digital improved reproduction of an original print from the 19th century, Greece, Europe

Campo Vacina. Dated: 1640-1660. Dimensions: plate: 11.6 × 20 cm (4 9/16 × 7 7/8 in.) sheet: 21.1 × 33 cm (8 5/16 × 13 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Israël Silvestre.

Melchior Küsel after Johann Wilhelm Baur, Villa Aquaviva, 1681 Villa Aquaviva

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