Traditional Japanese Art

Classic Japanese woodblock prints depicting court life and scenic views. Features intricate details, vibrant colors, and cultural themes.

Women Gathered in a Greenhouse from One Hundred Women Classified According to their Rank. Nishikawa Sukenobu (Japan, 1671-1750). Japan, 1723. Prints; woodblocks. Double-page book illustration; hand-colored woodblock print

Scene from a Kabuki theatre performance. In this highly stylised Japanese dance-drama, from 1629 all roles had to be played by men. Those who specialised in female roles were known as onnagata. Utagawa Kunisada (1786-1864) Japanese artist and printmaker. Coloured woodblock print

The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the kaname-ishi rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes. The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (yonaoshi daimyojin), sent by the gods to correct some of the imbalances in the world. Catfish woodblock prints known as namazu-e became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving

Senju Musashi Province (Bushu Senju), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei) 1825-1837 Japan. Color woodblock print; oban . Katsushika Hokusai

'Shepherd and Weaver. Beaten Princess'. China, late 19th - early 20th century. Dimensions: 61x112 cm. Museum: State Hermitage, St. Petersburg.

Act 4 (Yondanme), from the series The Revenge of the Loyal Retainers (Chushingura) 1829-1844 Japan. Set in the provincial home of Lord Asano in Ako, this scene closely resembles Masayoshiís version of this act, which is shown nearby. However, Hiroshige chose to depict a single scene from the act Asanoís wife sits with attendant maids and Rikiya while arranging cherry blossoms. Arriving in the background are deputies, including Honzo, from the court to notify Lord Asano that he been condemned to commit seppuku as punishment for his knife attack in court on Lord Kira. This verdict was expected by Asano and his family.. Color woodblock print; oban . Utagawa Hiroshige

Flowering cherry trees on a moonIIt night along Nakonomachi Street in Yoshiwara Kunisada, UTAGAWA (1786 1864)

Six Scenes from Kendai Hagi, Mibu Kyoden, Board 12 Pasted ONTO A Makimono: Selection of a Hundred Painters from the Ukiyo e Hutiyo Toto Toto Ukiyoto Toto Ukiyoto Ukiyoto Ukiyoto Ukiyoto Ukiyoto Ukiyoto Ukiyo Shikijotei, Ryuko

IshibeNo 52, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido 1842-1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Statue of the Bodhisattva Fugen (Fugenzo). Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: Overall: 10 1/16 × 7 5/16 in. (25.6 × 18.5 cm). Date: 1790, third month.This book is the flowers volume from Utamaro's series on the theme of snow, moon, and flowers. All ninety-four kyoka poems in the book have to do with cherry blossoms. This illustration shows Gotenyama, a famous spot for viewing cherry blossoms south of the capital, Edo. Museum: Metropolitan Museum of Art, New York, USA.

Preparatory Drawings for Illustrations of Melodramas. Attributed to Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, late 19th century. Drawings. Ink on paper

Autumn: Harvesting Rice (Aki: inekari no zu), No. 3 from the series "The Four Seasons of Farmers (Shiki no hyakusho)". Torii Kiyomasu II; Japanese, 1706 ()-1763 (). Date: 1730-1739. Dimensions: 31 x 13 cm (12 3/16 x 5 /8 in.). Hand-colored woodblock print; hosoban, urushi-e. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

No 4 Chinese boys playing a raffle game, from the series Children Say 'This is Japan!' and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu) 1786-1796 Japan. Color woodblock print; chuban . Torii Kiyonaga (Publisher)

Kajiwara Genta Kagesue on a Black Horse. Attributed to Kitao Shigemasa (Japan, 1739-1820). circa 1780s. Prints; woodblocks. Color woodblock print

New Year Picture of characters in the drama, Jiulong Shan (Mount Jiulong) early 20th century Unidentified artist(s). New Year Picture of characters in the drama, Jiulong Shan (Mount Jiulong). Unidentified artist(s) , Chinese, early 20th century. China. early 20th century. Polychrome woodblock print; ink and color on paper. Republic period (191249). Prints

Chiyoda Castle (Album of Men) 1897 Ysh (Hashimoto) Chikanobu Japanese. Chiyoda Castle (Album of Men). Ysh (Hashimoto) Chikanobu (Japanese, 1838-1912). Japan. 1897. Triptych of woodblock prints; ink and color on paper. Meiji period (1868-1912). Prints

HOOFDSTUK 23, UTAGAWA KUNISADA (I), 1849-1850 print Prince Genji, two women and a girl, sitting around a large container with toys; In room with a folding screen on which cranes. Presentation enclosed by brown edge in which Genji emblems. Print Maker: Japantokotokyopublisher: Tokyo paper color woodcut / nishiki-e (playing with) toys

On the porch of the Ichiriki teahouse in Kyoto, from the series: Treasury of fideIIty /Chushingura; scene from the 7th act of the drama Katsushika, hokusai (1760 1849)

Sumidagawa funa-asobi = Pleasure-boating on the Sumida River. 1773 - 1806. Kitagawa, Utamaro, 1753-1806. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Boats, Sumida River (Japan)

Kasumigaseki, from the series "Famous Places in Edo (Koto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1834-1847. Dimensions: 22.2 x 34.6 cm (8 3/4 x 13 5/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Numazu, Katsushika, Hokusai, 1760-1849, artist, 1804., 1 print : woodcut, color ; 11.4 x 16.5 cm., Print shows two women() carrying baskets and dragging clam() rakes as they walk along the shore.

Act 1 (Daijo), from the series "The Revenge of the Loyal Retainers (Chushingura)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1829-1844. Dimensions: 26 x 37.7 cm (10 1/4 x 14 13/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Actors on the Pleasure Boat Full House. Utagawa Kunisada (Toyokuni III) (Japan, Edo, 1786-1865). circa 1850-1852. Prints; woodblocks. Color woodblock print triptych

One of the story about Cao Cao - a scene from the historical "History of the Three Kingdoms" (Sanguo Zhi Yanyai); 19th century (1801-00-00-1900-00-00);Chinese (culture), Qing dynasty (1644-1911), illustrations, Chinese art

One of Fifteen Triptychs of Famous Battlescenes Various artists/makers 19th century

Akiba Shrine, from an untitled series of Famous Places in Edo Kitao Shigemasa (Japanese, 1739-1820). Akiba Shrine, from an untitled series of Famous Places in Edo, ca. 1770. Color woodblock print on paper, 8 1/2 x 6 1/8 in. (21.6 x 15.5 cm). Asian Art ca. 1770

Uesugi Kenshin Leader Leading Troops To Attack On The Kawanakajima / Kawanakajima Kassen: Kenshin No Shaki Plain Utagawa, kuniyoshi (1797 1861)

Yoshitsune attacked by Taira Spirits; A biography of Yoshitoshi, the darling of the Minamoto; Hodo Yoshitsune Koi No Minamoto Ichidaikagami. Yoshitsune and Benkei defensively in a boat, during a storm caused by the spirits of Taira warriors reports visible in the water as attacking skeletons and crabs.

Walk of a notable figure, detail on screen with eight panels depicting moments of everyday life signed by Kim Hong-do (1745-1814), ink and colours on silk. Korean civilization, Choson period (18th-19th century).

KAKEMONO Anonymous. Kakemono. Silk painting, 19th century. Paris, Victor Hugo House.

Cloth business in Odenma-Chō, Sheet 74 from the series: 100 famous views of Edo. .

Famous Sites of Edo 1800 Katsushika Hokusai Japanese Hokusai's gift for human drama is well-represented in this scene of the Fukagawa Hachiman Shrine, part of Edo's largest religious complex east of the Sumida River.. Famous Sites of Edo. Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. 1800. Two volumes; polychrome woodblock print; ink and color on paper. Edo period (1615-1868). Illustrated Books

Raiko and his comrades before the demon robber, 17th century (1886). Artist: Unknown

Family Training Unidentified artist. Family Training 51514

Left, two ducks flying over a boat on the the Ton229e River; above right, a carver chiseling Buddhist sculptures; below right, A man holding a staff stands at a gatehouse (bansho) on the Nakagawa river. Colour woodcut by Kyosai, with left design by Mosai (Yoshitora), ca. 1870.

Futamigaura by Shunsen Katsukawa, (1762-approximately 1830). Print of a woman in a sedan chair with porters and a male traveller stopping to admire the twin rock formations, also known as the Meoto-iwa or Wedded rocks, at Futamigaura in the Ise Province. Dated 1810

Mount Atago in Shiba (One Hundred Famous Views of Edo) by Hiroshige, Utagawa (1797-1858) / State Hermitage, St. Petersburg / 1856-1858 / Japan / Colour linocut / Landscape /

Scene from the story of Mulan. unknown, graphic artist

Scroll 2, scene 42. 1650 - 1699. Illustrations, Manuscripts. Spencer Collection

United by Music. Artist Unknown; Chinese; Traditionally attributed to Zhou Wenju (10th century). Date: 1401-1425. Dimensions: 41.9 × 184.2 cm. Handscroll; ink and colors on silk. Origin: China. Museum: The Chicago Art Institute, Chicago, USA. Author: Zhou Wenju.

New Year's dancers on a screen A series of ten prints for the Honchôren (series title) Honchôren jûbantsuzuki (series title on object), Two manzai dancers, one with a drum, the other with a drum fan. With two poems, group of men (folk dancing), Yashima Gakutei (mentioned on object), Japan, 1823 - 1828, paper, colour woodcut, h 207 mm × w 184 mm

Fine cutting and sorting the tea, anonymous, c. 1770 drawing Behind two tables on a veranda, four Chinese women are working (cutting) the tea. Furthermore on the veranda a child and a woman with a flat basket with tea. Two sitting figures in front of the building, also working on tea. Part of a group of four gouaches about the production and export of Chinese tea by the VOC around 1750. China paper. deck paint. gouache (paint) drawing tea (leaves). control of quality China

The warrior Hojo no Yasutoki by Gogaku Yajima, (active 19th century). Colour woodcut print of the warrior Hojo, sitting on a raised platform with three warriors seated before him;a servant presents a raised tray to the three warriors.

Street artist from Edo; Edo No Kenba; One hundred faces in the province of Musashi; Musashi Hyakkei No Uchi. Mother with three children looking at an acrobat, with red mask on which feathers standing on his hands; View over the city of Tokyo in the background.

A horse-drawn public carriage crosses Kyōbashi bridge in central Tokyo, towards Ginza: a rickshaw moves in the opposite direction; mount Fuji is visible in the background. Colour woodcut by Hiroshige III, 1874.

Chinowa no fuji | Library of Congress

Snowy landscape with all 47 ronin (samurai without leader), gathering before avenging the death of their leader, in the foreground a rope ladder is thrown over the wall, in the background a bridge over a river. The small rectangular cartouches mention the names of the samurai, The revenge of the faithful samurai without leader Gishi katakiuchi no zu, print maker: Hiroshige (I), Utagawa, (mentioned on object), publisher: Aritaya Seiemon, (mentioned on object), Murata Heiemon, (mentioned on object), print maker: Japan, publisher: Tokyo, Tokyo, 1846, paper, colour woodcut, h 366 mm × w 740 mm

Gaikokujin yukyo no zuForeigners Enjoying a Party. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image (a): 14 3/8 x 10 in. (36.5 x 25.4 cm)Image (b): 14 1/4 x 19 1/4 in. (36.2 x 48.9 cm). Date: 1st month, 1861. Museum: Metropolitan Museum of Art, New York, USA.

Taoist heaven "-Pantheon of deities; the beginning of the 20th century (1900-00-00-1910-00-00); the Muse of the National Museum in Warsaw was downloaded from the system; paintings / paint / water paint, drawing / ink; products; with wtkiens / paper; painting: height 140 cm, width 75.2 cm, dubla: height 193 cm, width 92.5 cm; Skasmr 303 mnw; all rights reservation.Chinese (culture), coil painting, Chinese art, scrolls, vertical ganglia

The Fish Market at Zakoba (Zakoba uoichi no zu), from the series Famous Views of Osaka (Naniwa meisho zue) 1829-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Anonymous watercolor depicting a marketplace scene with sellers and buyers, showing goods on display and human figures interacting.

Japan, Shinagawaya, Yoshiiku, Utagawa, Tokaidochu kurige no Yuji uma, A trip on the Tokaido with Yaji, Kuwana and Yokkaichi, below picture - stamped, Two images in chuban format, printed on top of each other on one sheet. Above: Kuwana station, the forty-first resting place along the Tokaido; two men at a stall with a woman baking shells. Below: Yokkaichi station, the forty-second resting place along the Tokaido; woman and three men by candlelight looking at half-naked man by fallen Buddha statue., print, prints, Japan (collection), height 378 mm, width 262 mm, Japanese, 1833 - 1904, print maker, printmaker, 1860 - 1860, third quarter 19th century, paper, nishiki-e, colour woodcut, Publication (Event), Publication, publisher

Foreign Mercantile House in Yokohama (Yokohama ijin shokan). Utagawa Sadahide; Japanese, 1807-1873. Date: 1861. Dimensions: . Color woodblock print; oban triptych. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month, Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō, Japanese, 1839 - 1892, 14 5/8 × 9 9/16 in. (37.15 × 24.29 cm) (sheet, each, approx., vertical ōban triptych), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Akasaka, from the series Fifty-three Stations of the Tokaido (Gojusan tsugi), also known as the Figure Tokaido (Jinbutsu Tokaido) 1852 Japan. Color woodblock print; chuban . Utagawa Hiroshige

The Saga Incident. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1876, June. Prints; woodblocks. Color woodblock print

Evening Glow at Nihonbashi mid-19th century Keisai Eisen Japanese. Evening Glow at Nihonbashi 55222

Jito Tenno (Workers Dyeing Cloth), from Hyakunin Isshu ubaga Etoki (The Hundred Poems Explained by the Nurse), Katsushika Hokusai, 1760 - 1849, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Scene shows workers in various stages of dyeing cloth., Japan, ca. 1840, landscapes, Print, Print

Sato Masakiyo alias Kato Kiyomasa, on horseback, in combat with Korean opponents, the tiger skin under his saddle refers to his tiger hunts in Korea, top right, severed heads on a bamboo stick., Sato Masakiyo Sato Masakiyo komei no zu , print maker: Toyohara Kunichika, (mentioned on object), publisher: Tsujiokaya Bunsuke, (mentioned on object), Japan, Jun-1861, paper, colour woodcut, h 362 mm × w 750 mm

Thirty-six Views of Mount Fuji’ is an ukiyo-e’ series of large, color woodblock prints by the Japanese artist Katsushika Hokusai (1760-1849). The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication. Mount Fuji is the highest mountain in Japan at 3,776.24 m (12,389 ft). An active stratovolcano that last erupted in 1707-08, Mount Fuji lies about 100 km southwest of Tokyo. Mount Fuji's exceptionally symmetrical cone is a well-known symbol and icon of Japan and is frequently depicted in art and photographs. It is one of Japan's Three Holy Mountains’ along with Mount Tate and Mount Haku. Fuji is nowadays frequently visited by sightseers and climbers. It is thought that the first ascent was in 663 CE by an anonymous monk. The summit ha

Chiyoda Castle (Album of Men). Artist: Yoshu (Hashimoto) Chikanobu (Japanese, 1838-1912). Culture: Japan. Dimensions: L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.

Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month, Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō, Japanese, 1839 - 1892, 14 3/8 × 9 1/2 in. (36.51 × 24.13 cm) (image, sheet, vertical ōban triptych; each sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Prins Genji in Knielende Vrouw, Utagawa Kunisada (I), 1852 Japan paper color woodcut Japan paper color woodcut

'Wang Xizhi Likes Geese'. China, late 19th - early 20th century. Dimensions: 61x35 cm. Museum: State Hermitage, St. Petersburg.

Seki. Early Departure from Zajazdu / Seki Honjin Hayadachi, from the Series: Fifty Three Stops on The Tokyo / Tokyo NOKIDO TSUGI NOUCHI HIROSHIGE, UTAGAWA (1797 1858)

Americans Handelshuis in yokohama, Utagawa Sadahide, 1861 print Right magazine of the triptych. paper locations for trading. harbour Yokohama

The Shop of Sanogawa Ichimatsu. Ishikawa Toyonobu; Japanese, 1711-1785. Date: 1738-1748. Dimensions: 11 3/4 x 17 in. Color woodblock print; oban yoko-e, benizuri-e. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Utagawa Kunisada, Japanese, 1786-1865, Pictures of the Great SumoFestival, ca.1852-53, Polychrome woodblock print; triptych, sheet: 14 1/8 × 9 3/4 in. (35.9 × 24.8cm), Japan, Japanese, Edo period(1615-1868), Works on Paper -Prints

Interior scene of a party with geisha and clients. Origin: Japan. Period: Edo period. Color and gold on silk. Date: 1735-1814. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Utagawa Kuniyoshi 1798-1861. Neko no sakari. about 1843. horizontal Oban.

Scroll 3, scene 31. 1650 - 1699. Illustrations, Manuscripts. Spencer Collection

VOS OP PAARD, UTAGAWA YOSHIIKU, 1860 Title page with explanation (in Japanese) about the series; Below an image of a fox on horseback, accompanied by two scantily dressed men; This print depicts the first resting place along the Tokaido. Japan paper nishiki-e / color woodcut

The Gang Rape of Hisazō's Girlfriend, Omatsu. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1875, June. Prints; woodblocks. Color woodblock print

Amusements in a Mansion. Culture: Japan. Dimensions: Each: 38 3/16 in. × 8 ft. 10 11/16 in. (97 × 271 cm). Date: mid-17th century.These marvelously detailed screen paintings convey the spirit of an age when warfare had subsided and the warrior elite commissioned deluxe images of themselves at leisure. Hosts and their invited escorts enjoy amusements of every variety, including musical performances, card playing, dancing, and strolling in an elaborately landscaped garden with a miniature Mount Fuji. A notable feature of this painting, which includes more than 140 elegantly garbed figures, is that the wealthy male hosts are joined not only by courtesans and female entertainers (as was common in genre paintings of the period) but also by young male escorts called wakashu, dressed in garments as sumptuous as those donned by the women. Young men make up well over half of the figures depicted in the painting. Museum: Metropolitan Museum of Art, New York, USA.

An old midwife () washes a newborn baby; the watchful mother lies on a futon (), covered with a kimono. Colour woodcut by Shunshō, 1846.

Kesaubumi uri, Seller of love charms., between 1801 and 1830, 1 print : woodcut, color ; 21.2 x 17.9 cm., Print shows a man carrying love charms hanging from a tree branch over his shoulder, a child appears to dance in front of him, and depicted in a heart-shaped valentine in the upper right corner are a woman and two children.

Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830-32 Katsushika Hokusai Japanese Mount Fuji is enclosed by old pine trees that were planted along the highway as shade and shelter for the travelers. The location of this scene is probably the Gondazaka and Shinanozaka, hills that border the Musashi and Sagami provinces. Palanquin bearers at the left are resting after having crossed the hill. The trappings of the horse carry the trademark of the publisher and the character ju from the publisher's name of Eijudo.. Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 55369

Scroll 2, scene 27. 1650 - 1699. Illustrations, Manuscripts. Spencer Collection

Akasaka: A scene with waiters in the inn (Akasaka, Ryosha Shôfu no zu), No. 37 from the series "Pi Tychy, three stations on him on him Tôkaidô" (Tôkaidô Gojsan tsugi no uchi)A gift for the museum

Drawing, Textile Design: The Enchanted Isle of Beautiful Sounds; France; brush and gouache, graphite on brown wove paper

Japan: 'Two Japanese men and one Foreigner riding on a Horse while a Japanese Farmer walks'. Woodblock print dated 1862. The ukiyo-e genre of art flourished in Japan from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties, kabuki actors and sumo wrestlers, scenes from history and folk tales, travel scenes and landscapes, flora and fauna, and erotica. The term ukiyo-e translates as 'pictures of the floating world'.

Surugachō Echigoya. Katsushika Hokusai (Japan, 1760-1849). circa 1802. Books. Double-page book illustration; color woodblock print

Detail from an anonymous Song Dynasty (960-1279) painted scroll. In China, silk worm farming was originally restricted to women, and many women were employed in the silk-making industry. Even though some saw this development of a luxury product as useless, silk provoked such a craze among high society that the laws were used to regulate and limit its use to the members of the imperial family. For approximately a millennium, the right to wear silk was reserved for the emperor and the highest dignitaries. Later, this right gradually extended to other classes of Chinese society. Silk began to be used for decorative means and also in less luxurious ways: musical instruments, fishing, and bow-making. Peasants did not have the right to wear silk until the Qing dynasty.

Three Avadana Legends. Date/Period: 19th century. Painting. Distemper on Cotton Distemper on Cotton. Height: 752.47 mm (29.62 in); Width: 520.70 mm (20.50 in). Author: UNKNOWN.

A Party in a House with Two Women at Left. Seventh and eighth page of the book Ginsekai from Utamaro.

Drawing of a piper from the 'triumphal procession' of Emperor Maximilian I, executed in black ink with slight watercolor on yellowish-white paper, showing figure and costume.

Wizerunek bóstwa, w otoczeniu sług i zwierząt chińskiego zodiaku oraz kalendarz na rok 25. Republiki Chińskiej (1937 r.). unknown, graphic artist

Japan: Bugaku performance before an audience of noblemen, a large drum in the foreground. 'The Monk Henjo', from the series One Hundred Poems by One Hundred Poets, Utagawa Kuniyoshi (1798-1861), c. 1842

The house of Kinpeiro in New Yoshiwara by Yoshitora Utagawa, active 1850-1870. Colour woodcut. Print of several women, in a large room, playing shamisens and a koto.

Tokyo, Sanoya Kihei, Japan, Sadahide, Utagawa, American trading house in Yokohama, Middle sheet of the triptych., print, prints, Japan (collection), height mm, width mm, Japanese, 1807 - 1873, print maker, printmaker, 1861-09 - 1861-09, paper, woodcut, Publication (Event), Publication, publisher

Sagittarius and naked men; The big tail. Humorous erotic print; Sagittarius and two assistants, standing at curtain, water Achieving to naked men

A Courtesan with Her Client, the first sheet of an untitled erotic picture album 1668-1686 Japan. Woodblock print; sumizuri-e, oban yoko-e . Hishikawa Moronobu

The First Nakamura Denkuro and the First Otani Hiroemon in a Scene from a Soga Play probably 1709 Okumura Masanobu Japanese. The First Nakamura Denkuro and the First Otani Hiroemon in a Scene from a Soga Play. Okumura Masanobu (Japanese, 1686-1764). Japan. probably 1709. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Anonymous watercolor depicting a public official in formal attire in a social or administrative context.

Scene 6a. handscrolls. 1660. Spencer Collection. Manuscripts, Japanese

A View of Ama no Hashidate, early 17th century, Unknown Japanese, 58 7/8 × 139 1/16 in. (149.54 × 353.22 cm) (image)66 1/2 × 145 3/4 × 1/2 in. (168.91 × 370.21 × 1.27 cm) (outer frame), Ink, color, and gold leaf on paper, Japan, 17th century

Painting Painting, 14th century. Hanging scroll, ink on paper, 11 x 18 1/2 in. (28 x 47 cm). Asian Art 14th century

Fujisawa, Katsushika, Hokusai, 1760-1849, artist, 1804., 1 print : woodcut, color ; 11.4 x 16.5 cm., Print shows two travelers, a man and a women or both women, and a porter at a shrine on the Tokaido Road.

Drawing of the preco and title table from the 'triumphal procession' of Emperor Maximilian I, executed in black ink with slight watercolor on yellowish-white paper.

Kudanme, Act nine of the Kanadehon Chushingura., Katsushika, Hokusai, 1760-1849, artist, between 1804 and 1812, 1 print : woodcut, color ; 22.4 x 16.9 cm., Print shows two women, possibly Tonase and Konami, and Honzo, looking at a map of Morono's villa, and Rikiya, standing, about to draw his sword. Scene from act nine of the play Chushingura or revenge of the 47 Ronin.

Sites of the Eastern Capital at a Glance, facsimile version by the Museum of Fine Arts Boston 20th century. After Katsushika Hokusai Japanese. Sites of the Eastern Capital at a Glance, facsimile version by the Museum of Fine Arts Boston. After Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. 20th century.. Set of two woodblock printed books; ink and color on paper. Illustrated Books

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