Vintage Advertising Art

Colorful and creative vintage posters promoting products and performances, showcasing a blend of artistic styles and cultural references.

Delftsche Slaolie. Advertising Poster for the salad oil, Nieuwenhuis, Theodorus (Theo) (1866-1951)

Decorative framework with the spell 'Bitter in the mouth makes the heart healthy', Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paint (coating). pencil brush

Poster for the Nineteenth Secession Exhibition.

Cover design for: Wendingen, 1918, Richard Nicolaüs Roland Holst, 1918 print A bearded man, possibly Hiram, the architect of the Temple of Solomon in Jerusalem, holds a model of a temple. He stands between two pillars in the middle of a crystal. paper architect in non-work situation. architectural design or model. column, pillar ~ architecture. crystals

Noisy Assembly of Calavera Dandies and Old Drunks and Laborers and Garbanzo-Sellers Artist's working dates 1850-1900 México. Photo relief etching on pink wove paper . Manuel Manilla

Francia.Portada de la revista L'Illustration dedicada al automóvil y el turismo. Editada en París, Octubre de 1928.

Ex libris braun margit; Gara, Arnold (1882-1929); 1908 (1908-00-00-1908-00-00);Braun, Margit (1888-non ante 1908), Braun, Margit (1888-non ante 1908)-Ekslibris, Partage Plus, Witke-Jeżewski, Dominik (1862-1944)-collection, acts, female acts, men's acts, trees, trees, trees, Women, modernism (style), men, love scenes, dance

Cover design for the catalogue of the Exhibition of Russian Art, Berlin, 1922. Artist: Lazar Markovich Lissitzky. Lazar Markovich Lissitzky (1890-1941) was a Russian artist, designer, photographer, typographer, and architect. He's known for his influence in developing Supremacism, Bauhaus and Russian avant-garde art.

This 1915 color print by Ottakar Stafl depicts the exhibition of Josef Ullmann, illustrating early 20th-century exhibition layout, print techniques, and European artistic presentation.

Design for ex Libris van W.F.H. Oldewelt, Ferdinand Oldewelt, 1914 drawing paper. deck paint brush ex-libris. historical persons. reading

Cover for "Au pied du Sinaï". Dated: 1898. Dimensions: overall: 26.3 x 41.3 cm (10 3/8 x 16 1/4 in.). Medium: color lithograph on japan paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

The New York Sunday world. Sunday Sept. 22.. text. Posters. 1893 - 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Vintage Belgian Poster. General World Exhibition of Brussels 1910 - Colonial Section Park of Tervueren by E.&H. Mertens

Poster for the Exposition internationale des Arts Décoratifs et industriels modernes, Bonfils, Robert Étienne (1886-1972)

III Bienal Hispanoaméricana de arte. Barcelona, otoño 1955.

In the Bishop Museum in Utrecht

Posters, Federal Art Gallery, 50 Beacon St., Boston circa 1938.

The triple Almanac Mathieu de la Drome Monrocq Printing. "The Triple Almanac Mathieu de la Dr�me". To post. Color Lithography. 1876.

Fasces symbol of Fascism, in Italy under Benito Mussolini, was based on an ancient Imperial Roman symbol of power carried by lictors in front of magistrates; a bundle of sticks featuring an axe, indicating the power over life and death.

Cover for: from the household. Pencil sketches in lost eyes by a man of experience, Carel Christiaan Antony Last, 1842 - 1887 print A family consisting of father and mother, three children and a grandmother, browse through a book. This cover is tied together with six prints from the series. Printer: The Harwlisher: Haarletm paper family group, especially parents with their child(ren). reading a picture book

The funeral procession of Frederik Hendrik (Plate No. 28), 1647; The funeral procession of Stadholder Frederik Hendrik in 's-Gravenhage in 1647; Begreijdisse van Syne Hoogheyt Frederick Henrick, By der Graatien God's Prince of Orange, Grave of Nassau & C.The funeral procession of Stadholder Frederik Hendrik in 's-Gravenhage on 10 May 1647. Plate No. 28 with part of the procession with members of the members of the members of the members of the members of the members Boards from Holland, Zeeland and Friesland, above the people there is their function. Part of a series of 30 plates and 20 text sheets, intended to be stuck together.

Color poster by Alfred Justitz for the 66th annual exhibition at the Rudolphinum in 1905, emphasizing exhibition content and early 20th-century graphic style.

Paris / In The Caves / by / Moloch Cover (IT)

Affiche américaine pour le Revue "Lippincott's Magazine" (Août), publiée à Philadelphie. Carqueville, William L., 1871-1946. text. Prints, Posters. 1898. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Pierre Bonnard, Some Aspects of Parisian Life: cover (Quelques aspects de la vie Parisienne: Couverture de l'album), c. 1898, lithograph in dark bistre and orange on China paper.

Quo vadis, a narrative of the time of Nero, by Henry K. Sienkiewicz , Emperors, Lyres, Fires, Books, Nero, Emperor of Rome, 37-68

Mural, Cyclist, Zum Biergarten - Durst, to the beergarden - thirsty, Thulba, Oberthulba, Rhoen, Lower Franconia, Bavaria, Germany, Europe

Soviet communist poster from Russia

Alexandre Charpentier, Nell Horn, 1891 Nell Horn

España. Tarjeta postal. Felicitación para el nuevo año 1918.

Color print from before 1910 by Hans Baluschek showing his exhibition, depicting artworks, display layout, and gallery space.

Color print by József Rippl-Rónai from 1911 depicting a retrospective exhibition of his works from 1888 to 1911, showing multiple artworks and display arrangements.

Lévy Fils & Cie, La Suède a l'exposition, Reproduction of a print of the Swedish pavilion at the World Exhibition in Paris in 1900, photomechanical print, page, reproduction, photographs, photographically illustrated books, height 298 mm, width 238 mm, maker, producer, 1885 - 1901, paper, papier, four-colour autotype, Work conception

Two designs for 'pointed poets' and 'Letters from a feminist', Patricq Kroon, 1900 - 1935 drawing Two designs for publications entitled 'Puntproofs' and 'Letters from a feminist'. Possible for publications by L.J. Jordaan. Netherlands paper. pencil. ink pen / brush

Cuba, Havana, Havana Vieja, Museo de la Revolucion, revolutionary wall mural

The drama of the heavens--Adler Planetarium, operated by Chicago Park District circa 1939.

Poster for la Société française d' Incandescence par le Gaz ,Système Auer. French Society for Incandescent Gas, Maurice Joseph Réalier-Dumas, (1860-1928), French Illustrator, painter, graphic artist.

Titre-couverture : Le figaro illustré.. Avery, Samuel Putnam, 1822-1904. Prints. 1884. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Flowers, Holly, Pheasants

Gross Berliner Kunstausstellung, Artist Palette

Cover for: Official Program Memorial Book of the Historischen Allegorical Procession, 1910, Theo Molkenboer, 1910 print On the left the title of the memorial book with an orange tree above it. On the tribe of the tree a family crest with the name Juliana van Stolberg and on the Kruin Het Wapen van Nassau with the name Princess Juliana. On the right an advertisement for Spijker cars. paper fruits: orange. family of the sovereign. automobile Amsterdam

Cover of Omnia Motoring magazine 1933 by Roger Soubie 1898 - 1984; French illustrator and designer

Design for vignette in the memorial book for Queen Wilhelmina from 1923: De Nederlandsche Architectje, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush building activities. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa)

Pel i Ploma. Museum: Institut Municipal d'Història Barcelona. Author: RAMON CASAS.

Ernst Ludwig Kirchner, Bern Kunsthalle März 33 Ernst Ludwig Kirchner Davos, 1933 Bern Kunsthalle: März 33: Ernst Ludwig Kirchner: Davos

Woodcut by Ernst Ludwig Kirchner from 1910 depicting the New Secession graphic exhibition in Berlin, showing gallery space, artworks, and visitors during the 15th to 30th dates.

Moritz Weinholdts colored print documents the 1899 German art exhibition in Dresden, showing exhibition displays, framed works, and architectural details.

Barcelona International Exhibition. 1929. Poster from an illustration by R. Bas. View of Paseo de Maria Cristina with the Montju¥c fountains and the National Palace.

Design for a book band for: Aart van der Leeuw, De Kleine Rudolf, 1930, Leo Gestel, 1928 - 1930 drawing paper. deck paint. pencil. watercolor (paint) brush (LEEUW, De kleine Rudolf) specific works of literature (with AUTHOR, Title). boy (child between toddler and youth). head-gear: hat (+ men's clothes)

Poster by Edmund Edel, Colour lithograph, 1900s, 1863-1934, Private Collection

Cover. Dimensions: 39.8 cm x 29.2 cm, 58.4 cm x 37.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Nuit blanche ,. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Tow. Akc. Pneumatyk. Przemysł Polski Poznań. Gelbard, Jerzy (1894-1944), author

A girl with tuberculosis appealing for funds for a sanatorium for tuberculous children in Zürich. Colour lithograph after H.C. Ulrich, 1905.

Picture in tiles of wine taster in the Restaurant Lachata in Madrid, Spain, Europe

Lottery ticket Woman with Geese (La femme aux oies). Dimensions: 12.4 cm x 17 cm, 12 cm x 15 cm. Museum: Van Gogh Museum, Amsterdam. Author: EMILE BERNARD.

Publicidad. Alemania. Ernst Lubbert, plakate. Viñeta dentada de un cartel de una paleta de pinturas y pinceles, editado por la agencia de publicidad Ernst Marx, de Berlín. Años 1925. Author: ERNST LÜBBERT.

Colonial Exhibition, Semaranc, Java, 1914.

Esposizione d'Arte Italiana in Olanda. Stedelijk Museum Amsterdam. 22 Oct. - 20 Nov., Enrico Morpurgo, 1927 poster Painting palette with paint in the Italian tricolor. Furthermore, three brushes in the colors of the Dutch flag. In the background a Dutch landscape with floodplains. Possee for the exhibition of Italian art in the Stedelijk Museum from October 22 to November 20, 1927. paper polder, reclaimed land. palette. brushes ~ implements of painter

Adolf Böhm's 1902 color lithograph 'Secession; 15. Exhibition of the Association Bild. Artist Austria' promotes the 15th exhibition of the Vienna Secession, showcasing Austrian artists.

Tuscany Siena Montalcino Museo Civico84. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Lovely Garbanzo-Sellers as Calaveras 1880-1913 México. Relief etching on red wove paper . José Guadalupe Posada

Ex libris gadso weiland; Weiland, Gadso (1869-1915); around 1907 (1902-00-00-1912-00-00);

Lissitzky, El (1890-1941) Russian National Library, St. Petersburg 1929 128x90,5 Lithograph Soviet political agitation art Russia Poster and Graphic design Poster

Color print by Josef Goller depicting a large art exhibition held in Dresden, created in 1904.

German Artist Exhibition, German Illustration 1890-1930

Galeries de Plainpalais: New Year's Gifts and Toys, Horses - Riding & Racing

Wachtel, Wilhelm (1875-1942) Private Collection c. 1903 68,5x54,7 Lithograph Art Nouveau Germany Opera, Ballet, Theatre,Poster and Graphic design Poster

Secession. IV. Art exhibition of the association of forming artists in Austria. .

Otto Plattner (b. 29 June 1886, d. 20 October 1951), Swiss painter, graphic artist: politics, protest, election advertising, List 3 Liberal against the red vermin, 1923, Switzerland, reproduction of a poster, political caricature with snail and insects on a tree, political poster

Portrait of a man, two women and a girl for a painted background cloth with the drachenfels, 1890 - 1910 photograph Portrait of a man, two women and a girl for a painted background cloth with the drachenfels. In a paper Pissartout with lithographic representations of the Drachenfels, Heisterbach, Godesberg, Siebengebirge and Nonnenwerth. Germany Photo: Metal. Passepartout: Paper ferrotyping anonymous historical person portrayed. anonymous historical person portrayed - BB - woman Dragonfels

Design for vignette with a standing sunflower and a sunscreen; The sunflower.

Pierre Puvis de Chavannes, a sketch, Lily Lewis Rood , Flowers, Books

Le Cloître. Dated: 1900. Dimensions: sheet: 20.4 x 24.5 cm (8 1/16 x 9 5/8 in.). Medium: lithograph in yellow-brown on wove paper. Museum: National Gallery of Art, Washington DC. Author: THEO VAN RYSSELBERGHE.

'Aeroflot', 1964. Artist: Victor Asseriants

Poster, London History at the London Museum; Designed by Edward McKnight Kauffer (American, active England, 1890-1954); Printed by Vincent Brooks, Day & Son; Client: Underground Electric Railways of London Company Ltd.; England; lithograph; 101.6 × 59.8 cm (40 in. × 23 9/16 in.)

Tile painting of Hercules and the Lions, Seville, Andalusia, Spain, Europe

Bookplate: AlfredHadelt. Artist: Heinrich Vogeler, German, 1872-1942

Cartel modernista. Festes de la primavera, 1934. Museo de Historia de Barcelona (MUHBA). Author: MARTINEZ SURROCA.

Poster of the Egon Schiele exhibition in the Arnot gallery, Egon Schiele -, artist

Bavarian National Exhibition, German Illustration 1890-1930

Homage to Molière. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1897. Dimensions: 184 × 196 mm (image); 191 × 267 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Vignette Pharmacy 't Goude Hert, Rotterdam. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 280 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Hunting; La Chasse. Raoul Dufy (1877-1953). Gouache on paper. Dated circa 1936. 77 x 53cm.

Design for a poster for the sale of summer stamps for the year 1938, Willem Arondéus, c. 1938 drawing Branch with blossom from which pears fall from. paper. watercolor (paint). deck paint. pencil brush fruits: pear. trees (+ bearing fruit). trees (+ flowers, blossom, blossoming)

Poster "International Hygiene Exhibition Dresden 1911". Exhibition "Early German Posters", 1981

CARTEL DE LA GUERRA CIVIL ESPAÑOLA - TEMPLE Y REBELDIA - DRAMA SOCIAL DE E. ORDAZ. Location: ARCHIVO HISTORICO NACIONAL. SALAMANCA. SPAIN.

Memento, plate fifteen from Oda a Lorca. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); printed by Bohuslav Horák; published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 768 x 568 mm (sight). Color lithograph in light brown and black on white nacre Japanese paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

La Calavera de D Juan Tenorio (The Calavera of D Juan Tenorio) 1800-1899 México. Photo relief etching on pink wove paper . Manuel Manilla

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Tristan the hermit." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101782-25 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Cartel de Ángel Cuevas, 'JAUME I 1208-1276. Commemoració del VII centenari Setembre-Octubre, Saló del Tinell, Barcelona 1976'. Colección privada.

Ambassadeurs, Aristide Bruant. after Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1958. Dimensions: 74 × 50 mm (image); 93 × 167 mm (envelope). Lithograph on paper (envelope). Origin: France. Museum: The Chicago Art Institute, USA.

Cover with a woman wearing a swimsuit, woodcut from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1892, Year VI, No 14, Summer Issue, Berlin.

Exhibition poster for the bell tower of San Marco, by Marussig Guido, 20th Century, 1912, poster, cm 98 x 65, by Marussig Guido, 20th Century, 1912, poster, cm 98 x 65

Color print by Julius Klinger depicting Funny Leaves, created in 1907. The print shows decorative illustrations in early 20th-century commercial art style.

National lottery National lottery ". Poster. Color lithography. Between 1930 and 1945.

Picture series Tannhäuser, Tannhäuser wants to flee from the Venusberg / Bilderserie Tannhäuser, Tannhäuser will aus dem Venusberg fliehen, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

DIBUJO - BOCETO - DOÑA ROSITA LA SOLTERA. Author: Federico García Lorca. Location: FUNDACION FEDERICO GARCIA LORCA. MADRID. SPAIN.

Risorgimento. Political satire. Venice still waits for freeedom. Lithography. 1865.

Oh, Vreselike Moloch constant hungry!. Commemorative sign, painted in yellow-brown, red, green, purple and blue; whimsical landscape where large open mouth from a sample with horns and three green eyes; To his mouth, a wide staircase leads, the sample supports the monster with his legs on stone elevation. On and before the stairs are people, in the foreground a separate figure in desperate attitude. At the right direction of the background Mountains. Inscription front. Rear: m.bup.h. No 9 in your context.

From 1912 to 1927, the territory of Libya was known as Italian North Africa. From 1927 to 1934, the territory was split into two colonies, Italian Cyrenaica and Italian Tripolitania, run by Italian governors. Some 150,000 Italians settled in Libya, constituting roughly 20% of the total population. In 1934, Italy adopted the name 'Libya' (used by the Ancient Greeks for all of North Africa, except Egypt) as the official name of the colony made up of the three provinces of Cyrenaica, Tripolitania and Fezzan.

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