Waterfront and Harbor Views

A series of artworks depicting lively harbor scenes with boats, distant towns, and natural landscapes, evoking a sense of tranquility and activity.

Busy river for a city profile, Pieter Coopse, 1668 - 1677 drawing paper. ink. pencil pen / brush

Israël Silvestre, French (1621-1691), Veue du Pont de pierre de Rouen, 1664, etching

Flood at Paris, 1658, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 109 mm × w 154 mm

Baltimore. Taken near Whetstone Point..... Bennett, W. J. (William James) (1787-1844). J. & G. Neale (Firm). Prints. 1831. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Baltimore (Md.), Patapsco River (Md.)

Winter view at Harlingen. Draughtsman: Nicolaas Baur. Dating: 1777 - 1820. Measurements: h 225 mm × w 338 mm. Museum: Rijksmuseum, Amsterdam.

Turner's Liber Studiorum. Flint Castle.. Caroline Bertolacci (British, born 1825)

Graphite and wash drawing by Willem Schellinks depicting a view of Toulon with brown and gray tones.

River landscape, draughtsman: Gilles Neyts, 1633 - 1687, parchment (animal material), pen, h 101 mm × w 100 mm

Print made by Thomas Goff Lupton, 1791-1873, British, Sunrise, Whiting Fishing at Margate, 1824-1827. Mezzotint; engraver's proof (b).

St. Mawes, Cornwall, James H. Kernot, active early 19th century, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

View of a town by the water, Hendrick van Beaumont, 1696, In the foreground two docked boats. Sheet 73 recto from a sketchbook containing 91 sheets., draughtsman: Hendrick van Beaumont, 1696, paper, pen, brush

Face of the cruise of the ice, on and against the parapet Agter de Runmolen in Gorinchem, the 20.n February 1799, Cornelis de Jonker, 1807 drawing Design for a print. Netherlands paper. ink. watercolor (paint) brush / pen drift ice. historical events and situations Gorinchem. Tan mill

America (18th c.). Panama. View of the city from the island of Naos. Drawing by Fernando Brambila illustrating the scientific expedition of Alejandro Malaspina (1789-1794). Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Navy Museum.

Nicholas Pocock, 1740-1821, British, Bristol, ca. 1780. Gray wash and pen and black ink on medium, slightly textured, cream laid paper.

Drawing by Charles-Joseph Natoire showing Tiber Island and the Quattro Capi bridge (Ponte Fabricius), executed in black chalk with brush, wash, watercolor, and white highlights on bluish paper, dated 1766.

Wanted in Nantes, François Collignon, 1619 - 1657.

View of the Buitenamstel, Isaac Lodewijk La Fargue van Nieuwland, 1760 - 1796 print View of the Buitenamstel at the De Berebijt Inn. On the left the Weesperzijde, on the right the Amsteldijk. There are different figures and a rider on the bank. A sailing ship with ironed sailing in the water. Amsterdam paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat. hotel, hostelry, inn Amstel (river). Amsteldijk. Weesperzijde

Gezicht op de Nijl met rechts op de voorgrond vissers. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 118 mm × w 233 mm. Museum: Rijksmuseum, Amsterdam.

Panoramic View of the River Spaarne and the Haarlemmermeer. Dating: in or after 1644. Measurements: support: h 21.3 cm × w 30 cm; frame: h 29 cm × w 37.7 cm; sightsize: h 20.9 cm × w 29.6 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN VAN GOYEN.

View of Rotterdam (fifth part), Joost van Geel, After 1666 - 1698 print Fifth part of a face on Rotterdam. Rotterdam paper etching / engraving city-view in general; 'veduta' (+ city(-scape) with figures, staffage). prospect of city, town panorama, silhouette of city. armorial bearing, heraldry. sailing-ship, sailing-boat. city-gate Rotterdam. Admiraltyhof. East old main gate

Maxime Lalanne, French (1827-1886), Rade de Bordeaux, 1868, etching on laid paper

Seaport with embarkation by H. Paulus, Richard Earlom, After Claude Lorrain, 1776 print London paper etching ships (in general) (+ getting in; mounting; embarkation). sailing-ship, sailing-boat. sea (seascape). the departure from the harbour of Caesarea ~ Paul's journey to Rome

Louis Jules Adeline, RouenVue Prise du Cours la Reine, 1873, etching on paper.

View of IJsselstein, Paulus van Liender, 1750, draughtsman: Paulus van Liender, draughtsman: Pieter Jan van Liender, draughtsman: Jan de Beijer, (rejected attribution), 8-Sep-1750, paper, pen, brush, h 135 mm × w 414 mm

View of Messina, Sicily. Draughtsman: Willem Schellinks. Dating: 1637 - 1678. Measurements: h 236 mm × w 515 mm. Museum: Rijksmuseum, Amsterdam.

An ink and wash drawing by Giacomo Guardi depicting Venetian gondolas positioned in front of the island of San Elena, showing water and architectural context.

View of St. Geertruidenberg, 1600s. Netherlands, 17th century. Graphite, watercolor and gouache; sheet: 16.8 x 31.9 cm (6 5/8 x 12 9/16 in.).

Photo collection Government information service. engraving. undated. Loenen aan de Vecht

Arrival of three Dutch sailors fled from England, 1781; Picture, of the North Sea, of the three Hollandsche Matroosen (...) Fortunately landed in Scheveningen 8 Jannuby 1781. The arrival of three Dutch sailors fled from England at the coast at Scheveningen on January 8, 1781. The sailors fled A detention in yarmouth and row in a fishermenpink back to the Netherlands.

Bliżej Kultury H. Kleinmann & Co Haarlem, Softlev, Herman II (1609 1685)

Monogrammist SLV, The Hague, Stam, Willem Hendrik, River landscape with a lock and a castle, verso middle - stamped, print, prints, height 285 mm, width 228 mm, Dutch, 1831-06-29 - 1874-01-03, print maker, printmaker, 1841 - 1874, paper, papier, houtgravure, Work conception

Coastal scene with Figures, Boats, Lighthouse, etc., James Pattison Cockburn, 1778-1847, British, undated, Pen and brown ink with brown wash on medium, moderately textured, gray wove paper, Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm), anchor, boat, cliff, figures, landscape, lighthouse, marine art, rowboat, seascape, watercolor

The American Revolution, Vue de Boston. Prospect von Boston gegan der Bucht am Hasen Vue de Boston vers le Cale du Port, harbor in Boston, Massachusetts, two ships at anchor, British soldiers and men working, merchandise on shore, an idealized view depicting Boston as a typical European city, by Franz Xaver Haberman, circa 1770s.

Robert Wallis, 1794-1878, British, Havre, 1832. Line engraving, first published state on thick, slightly textured, beige, wove paper, with gray chine colle.

View of Dordrecht, 1726; La Ville de Dordrecht, and Hollande; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Dordrecht, some fishing boats in the foreground. Plate No. 312 in Part XIII of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Barge and fishermen on a river along the mills De Kostverloren Wetering towards den Overtoom , print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Haarlem, 1800, paper, etching, h 207 mm × w 230 mm

A few boats on a ditch, draughtsman: Jan Hulswit, 1776 - 1822, paper, brush, pen, h 200 mm × w 256 mm

Face on large ammers; Big ammers; Dutch village scenes. View of Large Ammers from the water. Print from a Series or Twelve Village Scenes or Dutch Places near Utrecht with boats in the Foreground.

Print made by Richard Earlom, 1743-1822, British, View of a Sea Port, 1774. Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper.

Machine de Marly. Percival; active 1843. Date: 1843. Dimensions: 218 × 329 mm. Brush and gray wash, with graphite, on tan wove paper. Origin: Unknown Place. Museum: The Chicago Art Institute, Chicago, USA.

Bédouins dans le désert; methods of raising water for irrigating land, 1829, by Michel Rigo. Published in Paris by H. Gaugain. The work includes etchings depicting Bedouins in the desert and hydraulic facilities in Egypt related to irrigation techniques

View of Sommelsdijk, Anonymous, in or before 1696 print View of the village of Sommelsdijk, with a putto with the coat of arms of the village at the top in the middle. Until 1805, Sommelsdijk was part of Zeeland, then from Zuid-Holland. paper. ink engraving / etching / pen prospect of village, silhouette of village. coat of arms (as symbol of the state, etc.) (+ city; municipal). church (exterior) Sommelsdijk

William Payne, active 1850s, British, Mount Batton & Part of Cat-Water from Oreston, near Plymouth, 1788. Hand colored etching.

View of a canal with three windmills, 1790, Holland, painting by Jan Hulswit, historical, digitally restored reproduction from a 19th-century original .

Winter landscape with a barge, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print Haarlem paper etching February and its 'labours' (+ with scenes showing human occupations ~ seasons and months). tow-boat, towing-barge

Governor Loten and his Entourage on Negombo Lagoon. Draughtsman: Pieter de Bevere. Dating: c. 1754. Measurements: h 240 mm × w 367 mm. Museum: Rijksmuseum, Amsterdam.

James Baylis Allen, 1803-1876, British, Havre, 1834. Line engraving, engraver's proof (touched).

River Scene Jan van Goyen (Dutch, 1596-1656). , 1652. Graphite on paper, 4 3/4 x 8 1/4in. (12.1 x 21cm). European Art 1652

View canal grade towards Santa Croce and Dogli Scalzi, in: Urbis Venetiarum Prospectus celebros ex Antonii Canal Tabulis XL Aere Expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

River landscape after a painting in the cabinet of Mr. Le Brun Carl Wilhelm Weisbrod German. River landscape after a painting in the cabinet of Mr. Le Brun 415775

Robert Wallis, 1794-1878, British, Havre, 1833. Line engraving, engraver's proof on thick, rough, cream, wove paper, with cream, chine colle.

'Tripoli from the Roadstead', c1890. Artist: Barbant

Gezicht op Passoeroean. Passourouang (title on object). Draughtsman: A. de Nelly (possibly). Dating: 1762 - 1783. Place: Java. Measurements: h 315 mm × w 493 mm. Museum: Rijksmuseum, Amsterdam.

Flight of King Jacobus II, 1688, 1689 print The flight of King Jacobus II by Nacht from the Palace of Whitehall London, December 20, 1688. Owing is loaded into a rowing boat. Numbered at the top right: 143. Plate K In the 'Engelants Schouwtoneel' series about the Glorious Revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French. Amsterdam paper etching flight of ruler from adversary Whitehall's palace (London)

Les Batteaux Russes. Le Prince, Jean-Baptiste (1734-1781), graphic artist

The Neva River. Artist: Karl Petrovich Beggrov (Russian, 1799-1875). Dimensions: Image: 11 9/16 × 17 1/4 in. (29.3 × 43.8 cm)Sheet: 14 3/4 × 21 1/16 in. (37.4 × 53.5 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA.

Nocturnal view of the gondolas' procession in front of the Basilica of San Pietro di Castello 1763 Giovanni Battista Brustolon. Nocturnal view of the gondolas' procession in front of the Basilica of San Pietro di Castello. Prospectum Ædium Viarumque Insigniorum Urbis Venetiarum. Giovanni Battista Brustolon (Italian, Venice 1712-1796 Venice). 1763. Etching; first state of four (Succi). Lodovico Furlanetto (Italian, active Venice, 1766-1777). Prints

Funeral procession by water of Lord Nelson in 1806. Aquatint with engraving, 1806.

Custom House (Microcosm of London, plate 29). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Bluck (British, 1791-1832). Dimensions: Sheet: 9 7/16 × 11 3/8 in. (23.9 × 28.9 cm)Plate: 9 1/16 × 10 13/16 in. (23 × 27.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: August 1, 1808. Museum: Metropolitan Museum of Art, New York, USA.

Fire in Oil Mill De Zeug at Wormer, 1699, Laurens screen, 1735 print View of oil mills the emperor (foreground) and the sow (background) at Wormer. Oliemolen de Zeug was hit by lightning on May 5, 1699 and caught fire. As a precaution, the reed deck was removed from oil mill De Keizer to prevent a fire from sparking sparks. Due to the extinguishing with a hose fire sprayer, the sow has largely been preserved. At the top left a banderole with an inscription. Later state (with the letter) is plate 21 in the reprint of the fire spray book by Jan van der Heyden from 1735. paper etching / engraving pump (fire-extinguishing equipment). windmill Warmer

Winter Landscape 1653 Jan van Goyen Dutch. Winter Landscape 370464

The Neva River ca. 1800-1850 Karl Petrovich Beggrov. The Neva River 697448

Drawing, Stage Design, Seaport; Designed by Pietro Narducci (Italian, active 1809 - 1841); Italy; pen and bistre ink, brush and sepia wash on paper

View of the city of Naarden, L. Jordaens (Possible), 1640 - 1680 drawing paper. ink pen / brush landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.. violent death by hanging (+ instrument of execution) Naarden

Calm, Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm), Plate: 8 1/2 × 12 inches (21.6 × 30.5 cm), and Image: 7 × 10 1/2 inches (17.8 × 26.7 cm)

Basin at Blackwell, Henry Moses, ca. 1782-1870, British, after Henry Moses, ca. 1782-1870, British, 1824

Flight from King Jacobus II, 1688; The King Jakobus II Vlugt by Nagt Uyt Withal den 21 22 Desem.r 1688; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. The flight of King Jacobus II at night from the palace of Whitehall London, December 20, 1688. Oxets are loaded in a rowing boat. Numbered at the top right: 143. Plate K in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French.

Netherlands, Sörensen, Jacobus, Taurel, Edouard, The Water Disaster of 1855. Sketched in 24 illustrations, drawn and etched from nature by members of the Society Arti et Amicitiae, Veenendaal seen from the Klomp, 24 March, Flood at Veenendaal, 1855, verso - stamped, View of Veenendaal from the Klomp, 24 March 1855. In the foreground a flooded farm. Part of the series of 24 prints about the flood of March 1855, by members of the Society Arti et Amicitiae. Publication for the benefit of the victims of the flood., print, prent, prints, Frederik Muller Historieplaten, height 300 mm, width 422 mm, Dutch, 1824-03-25 - 1892-11-07, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, 1812 - 1857-05-17, intermediary draughtsman

De Gelderse Kade and the Schreierstoren, Reinier Nooms, 1652 - 1654 print The Gelderse Kade, the Schreierstoren and the bridge over the water. Many ships in the water. Netherlands paper etching / drypoint Gelder -Skade. Clerk

River landscape after a painting in the cabinet of Mr. Le Brun. Artist: After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp); Carl Wilhelm Weisbrod (German, 1713-1806). Dimensions: Sheet: 7 1/2 x 8 3/16 in. (19.1 x 20.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Galgenveld on the edge of the Volewijk, Anthonie van Borssom, 1664 - 1665 drawing paper. watercolor (paint). ink pen / brush instruments of torture, execution or punishment: gallows. body of the executed displayed in public Volewijk

The Rokin with the Beurs, Reinier Nooms, 1652 - 1654 print The Rokin with moored sailing ships, and the old exhibition, designed by architect Hendrick de Keyser. Netherlands paper etching / drypoint canals, waters (in city). sailing-ship, sailing-boat Rokin. Fair of Hendrik de Keyser

River Landscape with a Woman Carrying a Basket on her Head, Fishermen and Other Figures near the Walls of a Town, Hendrick Avercamp, before c. 1620, Fishermen in the water of a town canal; in the foreground walks a woman carrying a basket on her head, viewed from the back., draughtsman: Hendrick Avercamp, in or before c. 1620, paper, pen, brush, h 130 mm × w 186 mm

View of the Neva River banks by Anonymous, 18th century / State Russian Museum, St. Petersburg/ 1753/ Russia/ Oil on canvas/ Rococo/ 56,5x122,5/ Landscape

Calm, Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink Engraver's proof (g) on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm), Plate: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm), and Image: 7 × 10 1/2 inches (17.8 × 26.7 cm)

New York circa 1855 by British born American artist John William Hill, 1812 - 1879. After a 19th century print.

. The launch of three ships at the yard of the VOC, called the mermaid, the Batavier and Doggersbank, on July 2, 1783. Under the bester by shipbuilding master Dirk van Haarst. In the margin at the bottom of an allegorical vignette

View of the town hall and the harbor in Marseille; Vista del Palacio de la Ciudad de Marsella, y de UNA Parte del Puerto. There are ships and boats on the water. Groups figures with goods are on the water side. Left below numbered: m 2.

'Harbour at Kronshtadt. Draft'. Russia, 1722-1723. Dimensions: 41,1x67,7 cm. Museum: State Hermitage, St. Petersburg.

Cloth with litigation decorated: Leeuwarder Cityscapes and twelve images of Frisian traditional costumes., Cotton printing company A.J. Bruinsma, c. 1836 Cloth with rock print decorated: Leeuwarder cityscapes and twelve images of Frisian traditional costumes. To drawings by J.H. Matthijssen. Leeuwarden cotton (textile) printing Cloth with rock print decorated: Leeuwarder cityscapes and twelve images of Frisian traditional costumes. To drawings by J.H. Matthijssen. Leeuwarden cotton (textile) printing

The river Danube in Wallachia. Semnitza market, 1826, Romania, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert.

View from the Hotel Swanaze, India Artist's working dates 1801-1845 England. Watercolor over traces of graphite on paper . Sir Charles D'Oyly

Koekkoek, Johannes Hermanus, Visser Bender, Joannes Pieter, Haarlem, Wit, Izaak Jansz. de, Flood in the Palingstraat in Vlissingen, 1808, verso - stamped, print, prints, height 227 mm, width 333 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1808 - 1808, paper, papier, etching, etchings, Dutch, 1785-11-09 - 1813-12-09, 1778-08-17 - 1851-01-09, intermediary draughtsman

Conway Castle,Wales. Artist: Mary Nimmo Moran, American, 1842-1899

Robert Wallis, 1794-1878, British, Tours - looking backwards, 1833. Line engraving, engraver's proof (early) on moderately thick, slightly textrued, beige, wove paper.

Landscape with ships in front of Caernarvon Castle, draughtsman: William Callow, (mentioned on object), 1883,

The Hague, Hardenberg, Lambertus (1822-1900), Ruin with mill, verso - stamped, print, prints, height 147 mm, width 197 mm, Dutch, 1822-11-07 - 1900-01-15, print maker, printmaker, 1850-11-29 - 1850-11-29, paper, papier, chine collé, etching, etchings

Decorations on the Herengracht on the occasion of the April parties 1887, Johan Adolph Rust, 1887 drawing paper. pencil. watercolor (paint) brush festivities connected with seasonal activities. rejoicing on special occasions. decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.). triumphs (allegorical and symbolic) - AA - on the water, 'triomphe marin'. sailing-ship, sailing-boat Amsterdam

Refreshment area on Hawaii with tomb Iles Sandwich Relche a Owhyh, print maker: Jacques Etienne Victor Arago, (mentioned on object), printer: Pierre Langlumé, (mentioned on object), Paris, 1822, paper, h 270 mm - w 360 mm

View of Palace Vrijburg, ca. 1636-1644, 1645 - 1647 View of Palace Vrijburg in Mauritsstad, ca. 1636-1644. In the air a winged banderol with the title. In the caption the explanation of the letters A-i in Latin. Plate nr. 38 In a series of 55 performances from the trip to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Palace Vrijburg View of Palace Vrijburg in Mauritsstad, ca. 1636-1644. In the air a winged banderol with the title. In the caption the explanation of the letters A-i in Latin. Plate nr. 38 In a series of 55 performances from the trip to and the stay in Brazil by Count Johan Maurits van Nassau in the years 1636-1644. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Palace Vrijburg

Engraver: Unknown, New York (key withinscroll), ca.1732, Engraving, sheet: 18.5 × 31.2 cm (7 5/16 × 12 5/16in.), Made in United States, American, 18thcentury, Works on Paper -Prints

'Rouen Prise du Cours-la-Reine', c1865-1905 (1924). Artist: Unknown

Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands, unknown artist, ca. 1785, Pen and black ink, gray ink, brown ink, and gray wash on medium, moderately textured, cream, laid paper, mounted on moderately thick, smooth, brown, wove paper, Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm), bank, birds, boat, buildings, islands, marine art, men, moored, palm trees, Levant

George Catlin, View of Chicago in 1837, 1861 1869 View of Chicago in 1837

Receiving passengers on a ship, print maker: Henri Adolphe Schaep, (mentioned on object), 1841 - 1870, paper, etching, h 70 mm × w 111 mm

Farm at a canal; Small landscapes. Title print for a series of seven small landscapes. The lever next to the farm has previously been interpreted as a location of a well. However, this lever was used to hoisting goods on and from a boat at the wooden construction with the ladder on the shore of the channel.

The view of Canal Grande at the height of Palazzo Grimani, in: urbis venetiarum prospectus celebrosres ex antonii canal tabulis xl aere expressi ab antonio visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

Ships in Harbor 1831-1877 England. Watercolor, over graphite, on ivory wove card . Henry Barlow Carter

Commerce and Seavaart, Decoration on the Nieuwmarkt, 1795, A. Verkerk, 1795 print Commerce and Zeevaart, Allegorical Decoration Founded in the Nieuwmarkt in Amsterdam at the Alliance Festival on 19 June 1795. Huge model of a merchant ship on a pedestal with chassinet with a representation of Neptunus and Mercury who shake hands with each other while the French and Batavian sailor the British flag tear on pieces. Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). ship-model (+ propulsion of vehicle, ship, etc. by wind) Amsterdam. New market

Imperial court, Prague, Sadeler, Aegidius, Savery, Roelant, Six small landscapes in Tyrol, Watermill in a landscape, verso bottom center - stamped, On the right a watermill. In the water a angler in a rowing boat. The second print of a six-part series with landscapes in Tyrol, print, prints, height 122 mm, width 156 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, engraving, engraving (printing process), Northern Netherlands, 1576 - 1639-02-25, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, granter of privilege

LAPLANTE, EDUARDO. PINTOR FRANCES. 1818- 1860. LIBRO DE LOS INGENIOS. "INGENIO INTREPIDO" GRABADO. FABRICA DE AZUCAR. MUSEO NACIONAL . LA HABANA.

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