Whimsical Social Scenes

Sketches and drawings representing lively social gatherings and events, capturing human interaction and movement in playful scenarios.

Gabriël Grub looks at a sad scene with a dying, Wilhelmus Petrus van Geldorp, 1872 print Gabriël Grub is a character from The Pickwick Papers, written by Charles Dickens in 1836. Grub is the literary precursor of Ebenezer Scrooge and the story shows many similarities with A Christmas Carol. Grub has been abducted by the king of the gnomes to his underground hiding place. There he shows scenes that change his feeling about humanity and Christmas. On the left in the corner is the storyteller of the story with children around him. Rotterdam paper spirit of the earth, gnome, troll

Battaglia del medesimo re contro popoli d'Africa, rappresentata nel monumento medesimo. Il re sul carro seguito da due figli, saetta e fuga un esercito di nemici, che spaventati, o feriti, si rifugiano..... Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Campaigns & battles , Egypt, Monuments & memorials , Egypt, Ramses II, King of Egypt, Temples , Nubia, Africans

Satire graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Funeral; Zille, Heinrich Rudolf (1858-1929); 1910 (1895-00-00-1920-00-00);Berlin (Germany), Berliners, Partage Plus, Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, lumpenproletariat (generic type), cities, townspeople (genre type), modernism (style), funerals, satire

Children, Gray's Inn , Children. James McNeill Whistler (1834-1903). Lithographs

Composition study (MCB 109) Pierre Puis de Chavannes (1824-1898). Composition study (MCB 109). Graphite pencil, feather and brunette ink on glued paper right on cardboard.

Copper engraving and etching by Pieter Hendricksz Schut depicting the departure of Charles II of England from Scheveningen on June 2, 1660.

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Cartoon in Leiden Student Almanac, 1849, 1849 A singing student company under the inscription 'Io Vivat', surrounded by small performances from student life. Cartoon in the student almanac of the University of Leiden of the year 1849. print maker: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Leiden A singing student company under the inscription 'Io Vivat', surrounded by small performances from student life. Cartoon in the student almanac of the University of Leiden of the year 1849. print maker: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Leiden

Drawing by Johann Georg Wagner depicting a Kugel (ball) player, executed with a soft lead handle and dark brown brush with lavings and white highlights on yellow-brown primed paper around 1758.

James McNeill Whistler, Le Boulevard Poissoniere, 1893 Le Boulevard Poissoniere

Cartoon on the disagreement in the Belgian national congress about the choice of a king, 1831; Le Congrès Belge Ou La Ménagerie and Désordre. (D'après Nature). Cartoon on the disagreement in the Belgian national congress on the election of a new king, January 1831. The members of the congress all as animals proposed and divided into two parties who want to go to the fist.

Hyde Park Corner, Thomas Rowlandson, 1756-1827, British, undated, Pen and black ink and gray wash over graphite on medium, moderately textured, blued white, laid paper, mounted on thick, slightly textured, cream, wove paper, Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm), buildings, Carriage and wagon painting, chimneys (architectural elements), corner, crowd, dogs (animals), fence, gate, genre subject, hats, horses (animals), men, stagecoach, trees, women, City of Westminster, England, Europe, Greater London, Hyde Park, London, United Kingdom

Henry Thomas Alken, 1785-1851, British, "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ', between 1831 and 1832. Graphite and red chalk on thin, slightly textured, blued white, wove paper.

Study for The Mint, from Microcosm of London (recto); Sketch of Courtyard (verso) 1807-1809 England. Graphite (recto and verso) on ivory wove paper . Augustus Charles Pugin

Ivan Dzieźny; Gorazdowski, Edward (1843-1901), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Tuscany Siena Colle di Val d'Elsa S. Francesco0. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture; funerary monuments. Post-medieval: Architecture; fresco; architectural sculpture; paintings on canvas Object Notes: Hutzel photo campaign for this monument is undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Figures with sailing trees on a floating platform, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint poling, punting

Print, 1860-1870; Published by Harper's Weekly; After Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on paper; Image: 34 x 51.9 cm (13 3/8 x 20 7/16 in.)

De Kwakzalver, Christiaan Maria Dewald, 1913 photograph Photo reproduction of painting De Kwakzalver by Jan Steen, coll. Rijksmuseum Netherlands cardboard. photographic support gelatin silver print picture, painting. quack, charlatan, mountebank, 'saltimbanco'

Mrs. Sargent painting , Painters Artists, Painting, Cliffs. Charles H. Woodbury (1864-1940). Prints

Eteignons Les Lumi�res / et Rallumons Lee! (You)

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Henry Thomas Alken, 1785-1851, British, Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,, between 1822 and 1827. Graphite and red chalk on thin, slightly textured, blued white, wove paper.

Following Gras Beef Anonymous. Following bone beef. Pencil and brunette ink with a feather, 1775-1799. Carnavalet Museum, History of Paris.

Allegorical representations of the panel after the restoration of the Ottamie Constitution; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938)-collection, Semerau-Siemianowski, Władysław (1849-1938), poster, gift (provenance), occasional prints, Islamic art, Turkish art

Illustration for a Book: Surrender of the Keys of a City to an Emperor. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 3-1/16 x 6-9/16 in. (7.8 x 16.7 cm). Series/Portfolio: See Metropolitan Museum of Art acc. nos. 59.600.176 - 59.600.212. Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Maharaja Sher Singh of Punjab and His Court by Saltykov, Alexei Dmitriyevich (1806-1859)/ State A. Pushkin Museum of Fine Arts, Moscow/ 1846/ Russia/ Pen, brush, watercolour, Indian ink on paper/ Romanticism/ 55,7x67/ History

Johann Baptist Enderle, Diana Resting after the Hunt, 1775 1780 Diana Resting after the Hunt

Napoleon Bonapartes crossing the Alps, Alexandre Vincent Sixdeniers, After Bouchot, 1835 - 1846 print print maker: Franceprinter: Parispublisher: Parispublisher: Londonpublisher: Berlinpublisher: New York (city) paper etching Army 'and Route'

Proof Line-Block Print for Fan 19th century Utagawa (Gountei) Sadahide Japanese. Proof Line-Block Print for Fan 73564

Reproduction of a painting from the collection of the Zachęta Fine Arts Society: Henryk Siemiradzki (1843-1902), Sąd Parysa The Judgement of Paris, oil, canvas, 1892 (currently in the collection of the National Museum of Warsaw). Drukarnia Św. Wojciecha (Poznań ; 1897- ), printing house, Towarzystwo Zachęty Sztuk Pięknych (Warszawa ; 1860-1940), publisher

Last judgement; Angeli Seperabunt Malos de Medio (...) IBI Erit Fletus et Stridor Dentium. The final judgment. PRENT Nr. 43 On leaf 28 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

On March 1st the museum is open. ... / 35. (registered title) | The adventures of Gogo. (Title of the whole)

Children play the game Kruip door sluip door, Harmen ter Borch, 1650, A large group of boys and girls play 'London bridges falling down', known in Dutch as Kruip door sluip door., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 27-Jan-1650, paper, h 95 mm × w 243 mm

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium)

Photo production of the fresco The temptation and persecution of Renier from Pisa to Andrea da Firenze in the Camposanto in Pisa, Italy, Fratelli Alinari, after Andrea da Firenze, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Salem, 94 Boston Street, interior detail, wallpaper, Jacob Putnam house, Hanson house , Houses, Interiors, Wallpapers. Frank Cousins Glass Plate Negatives Collection

Title print with port worker who is wearing a coffin, Stefano della Bella, 1634 print A port worker in worn clothing wears a large box on his back, seen from behind. On the left is a group of workers to rest. Sailing ships in the harbor in the background. Left front cannons and a coat of arms of the De Medici family. Italy paper etching ships (in general). dock labourer. harbour

Defense of a tree of freedom Antoine-Fran�ois Sergent-Marceau (1751-1847). "Defense of a tree of freedom". Drawing.

Faut pas vous desoler comme ça, ma pauv grappe…(Is not necessary to afflict you like that, my poor bunch), #5 of Les Raisins Malades. Artist: Honoré Daumier, French, 1808-1879

Concert Scene. Florentine or North Italian; Late 16th century. Date: 1580-1599. Dimensions: 256 × 374 mm (max.). Black chalk heightened with touches of white chalk, on blue laid paper, tipped onto cream wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Unknown Florentine.

Une Annee de voyage.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Interior of tavern with a group around a table, by night, Harmen ter Borch, after Gerard ter Borch (II), 1651, draughtsman: Harmen ter Borch, Gerard ter Borch (II), (possibly), Zwolle, 1651, paper, brush, h 160 mm × w 210 mm

Pushing men and cart loaded with barrels. Draughtsman: Moses ter Borch (attributed to). Dating: c. 1656 - c. 1657. Place: Zwolle. Measurements: h 130 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Sunset Maurice Brazil Prendergast (American, 1858-1924). Sunset, ca. 1907-1910. Watercolor and graphite on paper, Sheet: 11 1/8 x 15 1/2 in. (28.3 x 39.4 cm). American Art ca. 1907-1910

Winter view, Gerrit Grasdorp, 1661 - 1693, draughtsman: Gerrit Grasdorp, 1661 - 1693, paper, pen, brush, h 193 mm × w 318 mm

Albrecht Dürer's workshop produced this woodcut titled 'Honorary Gate' for Emperor Maximilian I. Created in 1515, it commemorates the emperor's achievements and reflects Renaissance artistic techniques.

CLEARING THE COURSE, HENLEY

Three boys by a fence, Harmen ter Borch, c. 1653, draughtsman: Harmen ter Borch, Zwolle, c. Jan-1653, paper, brush, h 105 mm × w 163 mm

The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan yume no daimyo), no 8 from a series of 12 prints depicting parodies of plays 1711-1740 Japan. Woodblock print; oban, sumizuri-e . Okumura Masanobu

The Oosterse Question, Mario Bauer, 1896 print Amsterdam paper firearms: cannon. personifications of countries, nations, states, districts, etc.. political caricatures and satires Great Britain. Russia

Gustave Doré (1832-1883), designer. Best and CE (19th century), engraver. "The Darrenière Hour." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101779-7 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Tartare passing through the river; Meisenbach, Georg (1841-1912), Brandt, Józef (1841-1915); 1883-1891 (1883-00-00-1891-00-00);

Design for Various Decorations including Coriolanus at the Walls of Rome, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and wash over black chalk on laid paper, Left row, above: putto blowing double flute; at right, an altar. Center: putto with wreath running into chariot with panoply. Below: putto with legionary sign beside trophy. Central row, above: Coriolanus implored by women of Rome, rising from throne at right. Center: left half of decoration is roughly sketched. In center is high shaft with bowl, Rinceaux spring from it, putti and boy are between them. Bottom: left octagon with putto blowing horn beside trophy of arms, right octagon with putto bringing wood to altar. Right row, above: hexagon with trophy and rinceaux; right row, below: putto carrying standard beside panoply., Italy, 1800-1850, figures, Drawing, Drawing

VogelMarliese

Amsterdam, Goeree, David, Willem (II), Luyken, Jan, Empty frame with the descendants of Abraham, verso bottom center - stamped, An empty frame. At the bottom various figures (the descendants of Abraham) have gathered in a group. Some point to the empty frame. Others stand around a teacher reading from a book. In the foreground on the right a woman suckling her child next to a cradle with a twin., print, prints, height 295 mm, width 182 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1700 - 1700, paper, etching, etchings, Publication (Event), Publication, publisher

Fountain with Neptune on his chariot; Nova Fontium Deineatio. The car is drawn by four sea horses. Copy to blade from series Liure de Fontaines published by Daniel Marot.

Groups of Figures on the Ice, Jan Abrahamsz. Beerstraten, 1600 - 1699, draughtsman: Jan Abrahamsz. Beerstraten, 1600 - 1699, paper, h 322 mm × w 432 mm

Henry Thomas Alken, 1785-1851, British, Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt, between 1818 and 1822. Graphite and red chalk on medium, slightly textured, blued white, wove paper.

Figuurstudies.Figure studies. Leaf 17 from a sketchbook with 44 sheets manufactured in Zeeland and Utrecht.

Gesäll inauguration at Timmermansordens Eriksberg in the early 1840s. How you became masonry in the 40s. March from Robert. The new company is carried in, the forefront of musicians. Nordic

Eosander von Göthe Johann Friedrich (1669-1728), Berlin city palace. Picture gallery, Scheidbogen relief in front of the eastern area (1890): View Scheidbogen: "Flowering of the arts and science, expulsion of vice", admission at the time of Kaiser Wilhelms I .. Photo on cardboard, 28.6 x 35.6 cm (incl. Scan edges)

Campania Salerno Cava dei Tirreni Museo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tavern Games, Adriaen van Ostade, 1677 drawing Design for a watercolor. paper. chalk. ink pen / brush hand shovel-board. pavement, terrace in front of inn or restaurant

A man warning townspeople about what could happen to them from a broadside entitled 'Deportados a las Islas Marias' ca. 1880-1910 José Guadalupe Posada. A man warning townspeople about what could happen to them from a broadside entitled 'Deportados a las Islas Marias'. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Suerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right ca. 1850-80 Anonymous, Spanish, 19th century Copied from a print in Carnicero's series of etchings 'Colección de las principales suertes de una corrida de toros' (Collection of the main actions in a bullfight) published 1787-90.. Suerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right. Anonymous, Spanish, 19th century. ca. 1850-80. Woodcut. Prints

Konigl. Castle, the picture gallery. Berlin. .

Street manifestation in Warsaw; Wojtkiewicz, Witold (1879-1909); 1905 (1905-00-00-1905-00-00);Young Poland (Style), Partage Plus, Old Town Square (Warsaw), Art Salon "Skarbiec" (Warsaw - Antiquarian - 1940-1950), Self -portraits, Manifestations, Poland (Culture), Revolution of 1905, Polish drawings, collective scenes , symbolism (style), purchase (provenance)

Twenty-four Cavaliers Battle with Swords in Four Groups. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 9 3/16 × 12 5/8 in. (23.3 × 32.1 cm). Series/Portfolio: 'The contest of the seasons' (La gara delle stagioni). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Los desastres de la guerra, 1810 -1814, n.º 45: Y esto también, Francisco de Goya, primera impresión de 1863, realizada por la Real Academia de Bellas Artes de San Fernando de Madrid, convento de San Francisco, Santo Domingo de la Calzada, La Rioja, Spain.

Scene at Liverpool Mather Brown American. Scene at Liverpool 10248

Hungarys condition, Franz Werner, publisher

Paris - Gustave Eiffel Marc Aurèle (born in the nineteenth century). "Gustave Eiffel (1832-1923) looking for a location for the Tower on the Champ-de-Mars in 1886". Drawing.

The image of Erasmus in Rotterdam is shot by the Spaniards, 1572.Spanish soldiers under Bossu clump up the statue of Erasmus in Rotterdam, 1572. Links a gesturing priest. Design for a print.

Bliżej Kultury Salb, Marcin (Fl. 1862 1899)

H.C. Henneberg (1826-1893); Lorenz Froelich (1820-1908), Rolf jumps through the fire, (1852)

Four in Hand, from the Sports and Art Subjects series (N197) issued by Wm. S. Kimball & Co. ca. 1889 William S. Kimball & Company Trade cards from the "Sports and Art Subjects" series (N197), issued ca. 1889 by Wm. S. Kimball & Co. to promote Straight Cut Cigarettes.. Four in Hand, from the Sports and Art Subjects series (N197) issued by Wm. S. Kimball & Co.. ca. 1889. Commercial color lithograph. William S. Kimball & Company

Rural scenes. Leaf with 12 representations of rural scenes with a barn, a house or a ruin in a landscape. Under each image a two-legged fresh.

Bliżej Kultury unknown

Édouard Manet (French, 1832 - 1883). Guerre Civile, scène de la Commune de Paris, 1871 (Civil War), 1871. Lithograph on chine collé mounted on heavy wove paper. Image: 400 mm x 510 mm (15.75 in. x 20.08 in.).

At the cemetery funeral Ivanec ', Ivan (1893 1946)

Rectangular composition with central rectangular panel populated by figures in clouds. Below, lattice decoration indicated with additional figures leaning in towards lower central figural panel. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Wooden fence and two broken wheels. Saftleven, Cornelis (1607-1681), draughtsman, cartoonist

Honoré Daumier, Un jour de revue, 19th century Un jour de revue

A woodcut by Hans Burgkmair the Elder created between the early 16th and 18th centuries depicting the Kunig von Gutzin, showing figures and heraldic elements.

View: Enjoying the Evening Breeze at the Ryogoku Bridge.At his death Breitner owned a collection of 45 Japanese prints, including this quintych. In the catalogue of his estate the work is described as A Japanese print, representing a water festival.’ It is not known where he bought the prints, but there were plenty of possibilities. For instance, in 1894 an exhibition of Japanese prints was held at Arti et Amicitiae, the artists’ association of which Breitner was an active member.

Lithography by Nicolas Toussaint Charlet depicting the work 'L'intrepideo Lefévre', created around 1830.

Rhenen.

Crowd,Charleston. Artist: Jules Pascin, American, born Bulgaria, 1885-1930

Figural composition with Reshid Pasha. unknown, graphic artist

Charles Amedée de Boret, Almanach 1866: May, 1866, etching on paper.

Au Maroc, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and black ink over pencil with white highlights;

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Caricature on the Austrian poet scene, the Austrian parneass, Grillparzer as an orpheus in the middle, Franz Xaver d, Gaul -, artist

Bliżej Kultury Salb, Marcin (Fl. 1862 1899)

Life School at the Royal Academy, Print made by Richard Earlom, 1743-1822, British, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), 1773, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 22 x 30 3/8 inches (55.9 x 77.2 cm), Plate: 19 7/8 x 28 1/4 inches (50.5 x 71.8 cm), and Image: 19 1/4 x 28 1/4 inches (48.9 x 71.8 cm), academy, brushes, busts, canes, chandelier, drawing, historical subject, hourglass, lamps, men, nudes, painting (visual work), palette, portrait, rope, school, sculptures, urn

Wood cutters. unknown c. 1510 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. purchased from. France, Paris, Paris, Musée des arts décoratifs.

Black Dog Inn Yard At Belfont January 1, 1794 Thomas Rowlandson. Black Dog Inn Yard At Belfont. Thomas Rowlandson (British, London 1757-1827 London). January 1, 1794. Etching. S. W. Fores (London). Prints

Shipwreck of the Meduse (La Radeau de laMéduse). Artist: Théodore Géricault, French, 1791-1824

Moellon! v'là le municipal!. Honoré Daumier (France, Marseilles, 1808-1879). France, 1839. Prints; lithographs. Lithograph

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