16th Century Religious Themes

Etchings and engravings representing biblical narratives and religious figures, exhibiting dramatic compositions with detailed expressions.

Etching by an unidentified monogrammist from the 16th century depicting a woman in a bathroom and Christ on the Marter column, showing figures, gestures, and setting.

Copper engraving by Jacques Hurtu from 1614-1619 depicting decorative ornaments and motifs for artistic design purposes.

Etching by Cornelis Pietersz. Bega created between 1640 and 1664 showing a gasthaus interior with seated figures, tables, and domestic objects.

Print, Pl. 2 of 10e cayé de fleurs et vases from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Portrait One Anand Rao Per, De Radja Forest Edge; Anand Rao Per King of edge Gush. .

Copper engraving by Cornelis Galle the Elder depicting a frame with biblical scenes, produced between 1627 and 1678, illustrating scriptural figures and events for book illustrations.

Print, Pl. 5 of 3e cahier de trophées militaires from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Etching by Gabriel Huquier from 1726-1731 titled The Fart; Hear, presenting two contrasting allegorical subjects in a humorous decorative composition.

Woodcut by Hans Springinklee from 1516-1518 depicting the garden of the soul, showing symbolic figures and spiritual composition.

Copper engraving and etching by Jean Baptiste Wicar around 1800 depicting relief figures and engraved cameos with classical themes.

Book, L'oeuvre (Works)

Photo production of the fresco disbelief of Thomas by Buffalmacco in the Camposanto in Pisa, Italy, Fratelli Alinari, After Buonamico Buffalmacco, 1852 - 1900 photograph Pisa cardboard. paper albumen print picture, painting. wall-covering. Thomas touching or stretching out his hands to touch the wound in Christ's side, sometimes Christ leading Thomas' hand Campaign

Etching by Gillis van Scheyndel showing various figures including craftsmen, farmers, sellers, and market women, created between 1615 and 1660.

Copper engraving by the Sandrart family depicting an individual, showing attire, facial features, and posture, from the second half of the 17th century.

An etching by Hieronymus Hopfer from 1520-1550 depicting Franz von Sickingen and a male portrait of Johan Pfefferkorn, showing detailed features and attire.

Etching by Virgil Solis depicting animals with attention to anatomical details, posture, and naturalistic representation.

An aquatint and etching by Richard Saint-Non representing a Bacchanale, made between 1750 and 1791, depicting 18th-century classical revelry with multiple figures.

Etching by Balthasar Jenichen from 1569 depicting allegorical representations of the elements and the seasons, showing figures, symbols, and compositions.

Woodcut by Lucas Cranach the Younger from 1561 depicting Philip Melanchthon in full figure, showing attire, posture, and facial features in a detailed composition.

Joseph Fischer created an etching after 1822 depicting Cornelis Pronk, Jaques de Wilt, Cornelis Troost, and other figures, showing portraits and compositions.

Picture frame. Draughtsman: anonymous. Dating: 1809 - 1814. Place: Southern Netherlands. Measurements: h 430 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Print

Etching executed by Joseph Fischer after 1822 depicting portraits of Dom. Mar. Bonavera, Giov. Ant. Lorenzini, Gia M. Giovannini, Aurel. Milani, and Fr. Ant. Meloni, illustrating nineteenth-century engraving portraiture.

This etching by Franz Stöber between 1810-1858 depicts an allegorical female figure, showing symbolic elements and compositional details in a figurative style.

Copper engraving and etching by Jacob Houbraken depicting a portrait of Jan Wagenaar for his work 'Patriotic History', produced between 1751 and 1760.

A woodcut by Lucas Cranach the Younger depicting Martin Luther holding a book, showing the upper body, created between the 16th and 19th century. The work emphasizes religious figure, attire, and portrait composition.

Etching by Wenzel Hollar from 1627-1677 depicting historical events represented on coins with detailed iconography and inscriptions.

Piece Venetian side and a side view of a 16th -century cabinet of wood, on the exhibition Rétrospective of 1877 in Lyon, France, Jacques Garcin, 1877 - 1878 photomechanical print These prints are part of a cover with 79 prints on 54 sheets and 65 text magazines. Lyonprinter: Paris paper ornamental cupboard (+ wood and other phytogenic material). lace Lyon

Design by Étienne Delaune. Édouard Baldus (French, born Germany, 1813 - 1889)

Etching by Joseph Fischer after Antoine Masson from 1822 reproducing a Masson portrait. The print shows detailed linework and faithful representation of the original composition.

Etching executed by Joseph Fischer after 1822, reproducing works by Charles Parrocel, Nicolas Lancret, and Jean-Baptiste Pater, showing detailed figures and compositional elements.

Brandenburg, Julie Countess of.

Two satires fighting for nymphs, Arion and Nereida, Mucius scaevola, which entered in Ogie; Altdorfer, Albrecht (CA 1480-1538); 1520-1526 (1st edition) (1515-00-00-1538-00-00), approx. 1520-1525 (1st edition) (1515-00-00-1538-00-00);

Etching by Jost Amman from the second half of the 16th century showing monthly scenes with figures, seasonal activities, and landscapes.

Etching by Joseph Fischer depicting Cornelis Visscher, created after 1822, showing the subject in detail using line work and feather techniques.

Design by Étienne Delaune. Édouard Baldus (French, born Germany, 1813 - 1889)

Print, Pl. 2 of 2e suite des differents attributs, trophées et groupes des fleurs from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Etching in punctuation manner depicting diverse fashions, created by Bernard Picart between 1693 and 1733, showing clothing styles and social attire.

Etching and steel engraving by Josef Axmann from 1808-1873 depicting Dr. Franz Hermann Czech, including a portrait and title page illustration related to thinking and language teaching.

This etching by Joseph Fischer, produced after 1822, depicts Pierre Henri Schut and Richard Collins, showing detailed facial features, attire, and portrait composition.

Etching by Joseph Fischer after 1822 reproducing Volume IV of Nicolas Poussin, showing classical figures and landscape compositions.

Copper engraving and etching by an unidentified monogrammist from the 16th century showing various figures, gestures, and scenes in multiple compositions.

Three Weapons, Anonymous, 1600 - 1699 Three performances on an album magazine. Above a shield with three roses in a laurel wreath. It concerns the weapon of Everard Rouse from Deventer. In the middle a weapon with a double shield. On the right shield there are three oil lamps on their side. At the bottom a shield with a crossbar, two stars and two moons. The prints are part of an album. paper engraving Three performances on an album magazine. Above a shield with three roses in a laurel wreath. It concerns the weapon of Everard Rouse from Deventer. In the middle a weapon with a double shield. On the right shield there are three oil lamps on their side. At the bottom a shield with a crossbar, two stars and two moons. The prints are part of an album. paper engraving

Etching by Jacques Callot titled 'The Lost Son,' created in 1635, depicting a biblical scene with figures in narrative composition.

Relief of the healing of a deaf woman who could not speak in Dinant, Anonymous, c. 1877 - in or before 1882 photograph photographic support albumen print sculpture (+ relief ~ sculpture). relics (and reliquaries). deaf, deafness. deaf and non-verbal, formerly known as 'deaf-mute'

Etching after 1822 by Joseph Fischer, reproducing Pierre Paul Rubens, volume X, by various 18th-century engravers, showing detailed figures, composition, and classical themes.

Frame for Portrait of Armand Guéraud, Charles Meryon, 1862 print Frame with allegorical representation of the invention and application of printing. Books with titles on the tires and printing tools are stacked on top of each other Round an empty frame. Under the framework, intended for the portrait of the printer Armand Guéraud, is a Lynx with a law book between tail and legs. In a band at the bottom there are Chinese characters and here. Meryon took a lot of trouble for the elaboration of the frame, he made fourteen states and always changed the titles on the books alongside other details. paper etching / drypoint book. tools, implements of printer. beasts of prey, predatory animals: lynx

Buste van Chloe in reliëf, F. Cole, c. 1857 - in or before 1867 photograph photographic support albumen print Chloe. sculpture (+ relief ~ sculpture)

Etching and copper engraving by multiple artists from 1780 to 1786 depicting various Swiss personalities in individual portraits and group compositions.

Print, Pl. 3 of 7e cahier de trofées de musique from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Copper engraving by Claude Mellan from 1655-1661 showing portraits of Madame Henriette Anne, Princess of Great Britain, with detailed facial features and attire.

This etching by an unknown artist depicts portraits of Daniel Chodowiecki, created with point stitch technique during the mid-18th to 19th century, showing facial features and expression.

Design by Étienne Delaune. Édouard Baldus (French, born Germany, 1813 - 1889)

Etching by Joseph Fischer depicting Adrien and Collarert, produced after 1822, showing detailed line work and illustrative composition in early 19th-century printmaking.

Wall Paper Border. Dated: c. 1937. Dimensions: overall: 28.7 x 22.7 cm (11 5/16 x 8 15/16 in.) Original IAD Object: 1" wide. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Karl Joubert.

Raphael, Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, Lucrèce, Photo reproduction of an engraving of Lucretia by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 211 mm, width 131 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, intermediary draftsman

Reproduction of a print of ornaments by Assuerus van Londerseel, Anonymous, After Assuerus van Londerseel, After P. J. Paetz, c. 1876 - in or before 1881 photomechanical print Antwerpafter design by: Amsterdam paper photolithography ornaments ~ art

An etching by Daniel Nikolaus Chodowiecki from 1793 illustrating historical scenes spanning older, medium, and recent periods, with figures, events, and settings for a book.

Copper engraving and etching by Lucas Kilian depicting a portrait from the 16th to 17th centuries, showing detailed facial features and period attire.

Etching by Joseph Fischer after 1822, including works of Hendrik Goltzius, with parts composed and engraved by Goltzius, showing figures, composition, and details.

This etching by Joseph Fischer, created after 1822, depicts a collaboration or scene involving Jacob Gauermann, emphasizing figures, composition, and landscape elements.

Part of an arrangement of plaster models by J.G. Bofinger, c. 1887 photograph cardboard. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. ornaments ~ art. ornament derived from plant forms

Vier kunstreproducties, Goupil & Cie., after Jules Worms, after Luc-Olivier Merson, after Hector Leroux, after Edouard Detaille, c. 1872 - in or before 1879 photomechanical print paper ornamental fountain (in village). the Danaids pouring water into a perforated vessel. land forces (+ cavalry, horsemen)

Copper engraving by Jacob Houbraken illustrating the portrait of Jan Wagenaar for 'Patriotic History', created between 1751 and 1759, focusing on literary and historical representation.

Etching after 1822 by Joseph Fischer depicting works by Claude Gelée, showing landscapes with natural terrain, vegetation, and classical elements.

Etching from Volume V after 1822 by executing artist Joseph Fischer, based on works by Francois Boucher, showing figures and decorative elements typical of 19th-century French art.

Sketchbook with 45 sheets made in Schwerin and Amsterdam, George Hendrik Breitner, c. 1892 - 1923 Sketchbook consisting of 45 sheets with figure studies and faces in Schwerin and Amsterdam. Amsterdam paper. boekband: marbled paper. boekband: cardboard. rug: linen (material). watercolor (paint). chalk. pencil street. ships (in general) Rokin. IJ

An Extinct Moulin. Ernest H. Edwards (British, 1837 - 1903)

This etching and copper engraving by Jean Baptiste Wicar, circa 1800, depicts classical cameos (kameen) featuring carved relief portraits, demonstrating engraving techniques and neoclassical European design.

Torchère with female figure, c. 1870 - c. 1894 Paris paper. graphite (mineral). ink. cardboard pen / brush Chandelier, a candlestick

Copper engraving and etching by Albrecht Dürer depicting Maria wearing a star crown, created between the 16th and 19th centuries.

Photo production of a print of a warrior with a trophy, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print adult man. trophy ~ battle, war

Wall Paper Border. Dated: c. 1936. Dimensions: overall: 29.8 x 22.7 cm (11 3/4 x 8 15/16 in.) Original IAD Object: 1 3/8" wide. Medium: gouache and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Robin.

Chimney mantle with vases, arranged in the Archaeological Museum in Liège, Belgium, Anonymous, c. 1879 - in or before 1884 photomechanical print This print is part of a cover with twenty prints, a title page and a list of images. Liège paper collotype chimney-piece, mantelpiece. permanent exhibition, museum Liège

Etching by Joseph Fischer after 1822 depicting Raffaelle Schiambinosso from Borgo San Sepolcro, showing his portrait and attire.

B.Z. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Flamed, smoke and acanthus leaves". Annam paper engraving. Editions du Trianon, 1930. Paris, Maison de Balzac. Engraving on Annam paper, illustration, the skin of sorrow, illustrious work, novel, litterrais work

Aquatint by Jean-Baptiste de Grateloup depicting various portraits, created between 1750 and 1817.

A copper engraving by Antoine Jacquard from 1610-1652 depicting scenes from ancient mythology, illustrating classical figures, narrative, and composition.

Copper engraving and etching by Lucas Kilian from the first half of the 17th century depicting portraits, showing facial features, attire, and individual characteristics.

An etching by Joseph Fischer after 1822 depicting Gregoire Huret, showing his portrait with detailed facial features and attire.

Song IV.

Public restroom. Unknown maker, French

PORTADA DE OBRA-DIBUJO DE CRISTO EN LA CRUZ. Author: SAN JUAN DE LA CRUZ (1542-1591). Location: CONVENTO DE LA ENCARNACION. AVILA. SPAIN.

New York State, Ogdensburg. Frederic Remington Museum. Typical western pen & ink Remington drawing of cowboy in book.

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